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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 10 Documents
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Search results for , issue "Vol 10 No 2 (2021)" : 10 Documents clear
Characteristics and Praxis of Tumang Metalcraft Cultural Production Mardi, Mardi; Ibnan Syarif, Muh.; Syakir, Syakir
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.49344

Abstract

The existence of metalcraft in Tumang village which still exists until now has become part of the life of the local community there. This makes the metalcraft as a cultural product. It means that the metalcraft have a certain place in the social production, circulation, and consumption. This study aims to analyze the establishment of cultural products of metalcraft in Tumang village. This study used a qualitative method with a phenomenological approach. The data analysis was carried out after the data collection. The data collection was conducted by observation, interviews, and document studies. The data analysis used phenomenological model analysis. The results of this study indicate that the characteristics of Tumang metalcraft can be seen through its manufacturing technique, namely mbabar process.The cultural production in Tumang metalcraft was formed from the meeting of several agents. The meeting of agents is controlled and supported by habitus, capital, and strategy so that they can compete in the field of cultural production. Through this competition, the agents who have strong capital will maintain their social positions so that they become the dominating party. Meanwhile, the agents whose capitals are weak or dominated will struggle by means of resistance. The resistance is done by creating a new view of the world so that they can struggle in the production field of Tumang metalcraft.
The Fine Arts Learning of Free Expression As Children's Creativity Space: A Case Study At MI Alam Gaharu Baleendah School Bandung Sahal, Muhammad; Wadio, Wadio; Na:am, Muh Fakhrihun
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.50101

Abstract

Making children's experiences during the implementation of learning as the center of the best approach in guarding learning activities is a form of Experiential learning method application, namely by making the students get the hands-on experience and carry out all teaching and learning activities practically in the field. Knowledge results from a combination of understanding and transforming experience (Kolb, 1984). Experiential learning focuses on the learning process of each individual. It is a student-centered approach that begins with the premise that people learn best from their experience. As revealed by Garha (1980: 60), the method of artistic expression is a method that gives children the freedom to be able to express their feelings without being limited by conventional rules or norms of creativity in making drawings, there is no domination of teachers in its practice, and teachers/facilitator only directs the students. The elementary school period is a golden age for developing all students' abilities, one of which is creative expression. This research focused on students' creativity in making artwork in the form of performance tests, which are seen from the idea of ​​creating (cognitive aspects), performance (psychomotor aspects), and work results (product aspects). This research was qualitative. In order to understand the various aspects and objectives of learning the Artistic Expression, the researchers used data collection techniques in the form of interviews, observations, and document studies. Seperti yang diungkapkan oleh Garha (1980: 60) bahwa Metode ekspresi bebas merupakan metode yang memberi keleluasaan kepada anak-anak untuk dapat menyalurkan ungkapan perasaan tanpa dibatasi oleh aturan-aturan atau norma cipta konvensional dalam membuat gambar, pada pelaksanaannya tidak ada dominasi guru, guru/ fasilitator hanya mengarahkan siswanya. Masa sekolah dasar merupakan masa keemasan berkembangnya seluruh berkemampuan siswa, salah satunya berekspresi kreatif. penelitian ini, memfokuskan pada kreativitas siswa dalam membuat hasil karya berupa tes unjuk kerja, yang dilihat dari ide pembuatan (aspek kognitif), kinerja (aspek psikomotor), dan hasil karya (aspek produk). Penelitian ini merupakan penelitian kualitatif. Guna memahami berbagai aspek dan tujuan pembelajaran Seni Rupa Ekspresi Bebas, peneliti menggunakan teknik pengumpulan data berupa wawancara, observasi dan studi dokumen.
The Digital-Based Innovative Learning of Music Subject to Cultivate The Character Values of Students During Covid-19 Pandemic Dewannata, Danial Aghnia; Suharto, Suharto; Syarif, Muh. Ibnan
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.51276

Abstract

The condition of Covid-19 pandemic in the educational sector has made the learning activities cannot be conducted face-to-face as usual and the educational institutions such schools are closed in accordance with the government regulation. However, the learning condition cannot stop although the schools are closed temporarily. Teachers need to adapt with the condition and implement the innovation based on the digital development by utilizing various digital devices that can be used for the learning activity to cultivate the character values to the students. This research aims to describe and analyze the teacher’s innovation in the digital-based innovative learning during the music subject with the purpose of cultivating the students’ character values in SMA Negeri 1 Bumiayu during the Covid-19 pandemic. This research used qualitative method with the educational anthropology, musicology, and technology & communication approach. The process of data collection is conducted through observation, interviews, and literature study. The data analysis is conducted through three activities by Miles and Huberman, namely data reduction, data display, and conclusion. The results of the research show that the digital-based innovative learning model of music subject can be used to cultivate the character value of the students through the digital devices which are used during the online learning activity of music subject both theoretically and practically in the form of appreciation and creative activities. The material taught is innovated through the help of digital devices as the stimulus to raise the students’ awareness as well as cultivate the character values which will give positive impact on the success of the character values.
The Impact of Intelligence Quotient On The Learning Outcomes of Musical Art in State Schools Isnain, Zakaria
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.51535

Abstract

This study aims to determine, describe and analyze the impact of intelligence quotient on learning outcomes in the musical art. This research was conducted on student representatives with a total sample of 324 students. The method used in this study was a quantitative method with an ex post de facto approach and correlational design. The data collection techniques used a psychological scale in the form of intelligence quotient tests, documents on the results of learning musical art and interviews with student representatives. The data analysis technique used was a simple linear regression test with the Best Linear Unbiased Estimated standard. The results showed that there is a significant and positive impact of intelligence quotient on the learning outcomes of musical art with the contribution percentage of 16.1% and 83.9% influenced by other factors that are not part of the research variables. Based on the results of the analysis and discussion, the researchers hope that this research can (1) facilitate students in getting new insight and experience related to intelligence quotient tests, (2) be a guide for teachers in understanding the conditions related to students' intellectual abilities, (3) be material considerations of art education teachers in designing intellectual-based learning and (4) be the basis for developing intelligence quotient tests. The suggestions from the researchers are certainly addressed to many parties, education implementers for the government, schools, teachers, further researchers and students.
Traditional Art in Building Cultural Identity: A Case Study on a Cultural Degree Event Astuti, Yuli Tri; Cahyono, Agus; Sugiarto, Eko
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.51638

Abstract

Brebes Regency is located at the west end of Central Java, directly adjacent to Cirebon Regency, West Java Province. In general, the people in Brebes, which is known as the city of Bawang, besides being famous for its agricultural products and also very famous for its salted eggs. Brebes Regency besides being famous for its agricultural and livestock products, Brebes Regency also has various kinds of culture that developed in the Brebes people, including the arts that still exist and are still being preserved by the people of Brebes Regency namely, Burok art, Kuntulan art, Sintren art, mask art dance and lumping horses art and digul art. The art is strived for a conservation to make it easier to build a cultural identity. This study aims to determine the cultural identity built in the conservation of traditional arts in Brebes Regency through cultural degrees. The approach used to examine and explore the problem in this research is using anthropological and sociological approaches. Because they can be used to determine the process of Cultural Degree held by Brebes Regency based on the reflection of cultural values ​​for people who have human creations or historical events that have functions and people needs.
The Presentation of Tanggai Dance With Anna Kumari Version As A Culture Expression of Palembang Community Sari, Pika Dian Mayang; Hartono, Hartono; Triyanto, Triyanto
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.51686

Abstract

Tanggai Dance is one of the Malay culture products from South Sumatra. It was created based on the spirit and based on the values ​​of Palembang community. It has its own characteristics and style, as well as choreographers in the South Sumatran community, especially in the city of Palembang. One of which is the Anna Kumari version of Tanggai dance. The problem raised in this study aims to analyze the presentation of Tanggai dance as a cultural expression of the Palembang community. The approach used was a qualitative method with a case study research design. Data collection techniques included observation, interviews and document studies. The results show that the performance elements contained in Tanggai dance show several forms of behavior that lead to goodness in social life. The values which wanted to be conveyed through its moves are clearly seen in its moves. Furthermore, the presentation of Tanggai dance consists of several dance elements, namely elements of dance moves, accompaniment music, floor design, make-up, and costumes have become a unity so as to create a good art performance and definitely reflect the local culture of the Palembang community Tanggai Dance is one of the Malay culture products from South Sumatra. It was created based on the spirit and based on the values ​​of Palembang community. It has its own characteristics and style, as well as choreographers in the South Sumatran community, especially in the city of Palembang. One of which is the Anna Kumari version of Tanggai dance. The problem raised in this study aims to analyze the presentation of Tanggai dance as a cultural expression of the Palembang community. The approach used was a qualitative method with a case study research design. Data collection techniques included observation, interviews and document studies. The results show that the performance elements contained in Tanggai dance show several forms of behavior that lead to goodness in social life. The values which wanted to be conveyed through its moves are clearly seen in its moves. Furthermore, the presentation of Tanggai dance consists of several dance elements, namely elements of dance moves, accompaniment music, floor design, make-up, and costumes have become a unity so as to create a good art performance and definitely reflect the local culture of the Palembang community
Creativity Overview: A Contemporary Wayang By Nanang Garuda Ciswiyati, Dwi Endah; Syarif, Muhammad Ibnan; Muharrar, Syakir
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.52632

Abstract

The creative process in formulating the background concept of work carried out by an artist with various new and unique works sometimes gets less appreciation, even though there are many new ideas that need more attention. This study examined the motivation and creative process of Nanang Garuda in creating Wayang Pulau (a traditional puppet from Indonesia). The research approach used descriptive qualitative methods in the form of field research at the Garuda House Museum. Data collection used observation, interviews, documentation and recording. The validity technique used triangulation of data sources. Data analysis used data collection, reduction, presentation, and verification. The results of the study are as follows. First, Nanang Garuda always creates unique works. His work motivation is his love for Garuda bird with the vision and mission of reviving and rebranding the Garuda which is currently being forgotten by many Indonesians. The stages of the creative process carried out by Nanang Garuda are in the form of preparing to collect information on various problems regarding Indonesianness. The incubation of ideas is done by looking for answers based on Googling and books. The illumination stage is carried out by visualizing the idea into a work. Lastly, the verification stage is done by evaluating each completion of the work and at the end of the wayang show. The researcher's suggestion is that Nanang Garuda's hard work and dedication should always be used as an example of enthusiasm in spurring work. The creative process in formulating the background concept of work carried out by an artist with various new and unique works sometimes gets less appreciation, even though there are many new ideas that need more attention. This study examined the motivation and creative process of Nanang Garuda in creating Wayang Pulau (a traditional puppet from Indonesia). The research approach used descriptive qualitative methods in the form of field research at the Garuda House Museum. Data collection used observation, interviews, documentation and recording. The validity technique used triangulation of data sources. Data analysis used data collection, reduction, presentation, and verification. The results of the study are as follows. First, Nanang Garuda always creates unique works. His work motivation is his love for Garuda bird with the vision and mission of reviving and rebranding the Garuda which is currently being forgotten by many Indonesians. The stages of the creative process carried out by Nanang Garuda are in the form of preparing to collect information on various problems regarding Indonesianness. The incubation of ideas is done by looking for answers based on Googling and books. The illumination stage is carried out by visualizing the idea into a work. Lastly, the verification stage is done by evaluating each completion of the work and at the end of the wayang show. The researcher's suggestion is that Nanang Garuda's hard work and dedication should always be used as an example of enthusiasm in spurring work.
Aesthetic Symbols of Travesty in Ludruk Karya Budaya Hidayat, Achmad Fahmi; Triyanto, Triyanto; lestari, Wahyu
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.52855

Abstract

The Ludruk Karya Budaya art group is one of the largest groups in East Java. It still maintains the travesty in its performance. A travesty is a form of existence consisting of a set of female roles a man plays. It can be studied in terms of the form, symbol, and role in Ludruk Karya Budaya. The purpose of this study is related to the issues raised, namely revealing the problem, symbols, and the role of travesty in Ludruk Karya Budaya. This study uses a qualitative method. Qualitative research with the research approach used in this study is phenomenology. Data collection techniques used observation techniques, interviews, and document studies. The data validation technique uses source triangulation. Analysis was conducted through data reduction, data presentation, and data verification stages. The results of the study show the following. First, travesty is interpreted as a presentational symbol and a discursive symbol. The researcher analyzed the meaning of presentational and discursive symbols using Suzanne Langer's symbol theory. The researcher interprets the presentational symbol of a travesty in the clothes, makeup, dancing, singing, and stylizing like a woman, and the meaning of the discursive symbol is an abstraction that makes the travesty artist express an expression that can attract the audience's interest by using the appeal of a strange visual form of a travesty artist.
Adaptation Strategy for Music Learning at SMA Negeri 5 Purwokerto during the COVID-19 Pandemic Wisnugraha, Azhardi; Utomo, Udi; Malarsih, Malarsih
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.52890

Abstract

The purpose of this study was to analyze the problems, adaptation strategies, and factors that influenced music learning at SMA Negeri 5 Purwokerto during the COVID-19 pandemic. This study used a descriptive qualitative approach. The research was conducted at SMA Negeri 5 Purwokerto. Data collection techniques used observation, interviews, and documentation studies. Validation of data used triangulation techniques with data analysis techniques using interactive models. This study found that in the online learning process at SMA Negeri 5 Purwokerto, the problems faced were differences in student understanding and limited facilities and infrastructure. There are three strategies for adapting music learning at SMA Negeri 5 Purwokerto during the Covid-19 pandemic. First, the method adaptation strategy is carried out using the blended learning method. Second, the media adaptation strategy is carried out by changing the lesson plans, using smartphones, laptops, and video conferencing through the Google Classroom application, Zoom, and Whatsapp. Third, the assessment adaptation strategy is carried out by assessing student attendance, assessing assignment portfolios and exams. Factors that influence online learning of music subjects at SMA Negeri 5 Purwokerto consist of internal and external factors. Students' internal factors can be seen from intelligence, talent, student health conditions, learning methods, understanding and interests, and motivation. The most influencing factors are intelligence & talent, student understanding and interest, and motivation. Meanwhile, the external factors in this study are the physical environment, school, and family environment. The external factor that influences the student learning online the most is the physical environment factor. The purpose of this study was to analyze the problems, adaptation strategies, and factors that influenced music learning at SMA Negeri 5 Purwokerto during the COVID-19 pandemic. This study used a descriptive qualitative approach. The research was conducted at SMA Negeri 5 Purwokerto. Data collection techniques used observation, interviews, and documentation studies. Validation of data used triangulation techniques with data analysis techniques using interactive models. This study found that in the online learning process at SMA Negeri 5 Purwokerto, the problems faced were differences in student understanding and limited facilities and infrastructure. There are three strategies for adapting music learning at SMA Negeri 5 Purwokerto during the Covid-19 pandemic. First, the method adaptation strategy is carried out using the blended learning method. Second, the media adaptation strategy is carried out by changing the lesson plans, using smartphones, laptops, and video conferencing through the Google Classroom application, Zoom, and Whatsapp. Third, the assessment adaptation strategy is carried out by assessing student attendance, assessing assignment portfolios and exams. Factors that influence online learning of music subjects at SMA Negeri 5 Purwokerto consist of internal and external factors. Students' internal factors can be seen from intelligence, talent, student health conditions, learning methods, understanding and interests, and motivation. The most influencing factors are intelligence & talent, student understanding and interest, and motivation. Meanwhile, the external factors in this study are the physical environment, school, and family environment. The external factor that influences the student learning online the most is the physical environment factor.
Bridal Parade Music As A Cultural Expression of The Kikim in Lahat Regency Effendi, Widia; Utomo, Udi; widodo, Widodo
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.53280

Abstract

One of the arts that is very full of Islamic nuance with the Kikim Tribe is the art of “Arakan” or "Ngarak" (parade) or better known as the Kikim bridal parade. The problem raised in this study aims to analyze the music of the Kikim bridal parade as a cultural expression of the Kikim Tribe in Lahat Regency. This research used a qualitative method with a case study research design. Data collection techniques involved observation, interviews and document studies. The results showed that the Arakan which was staged in Kikim District, Padang Bindu Village, was a form of cultural expression for the Kikim community living in Lahat Regency. The performance is often staged for accompanying the bride and groom from Kikim Tribe In the organological framework, Ngarak or Arakan music consists of compositions of poetry (vocals), tambourines (rhythm), tambourines/terbangan genjring (rhythm), and gongs (rhythm). Meanwhile, if they are classified based on the characteristics of instruments used, they fall into the category of percussion instruments. The songs in Arakan use sholawat and berzanji lyrics (prays and praises for Prophet Muhammad SAW) and they are performed by dancers (as well as vocals). Therefore, the role of vocals in Arakan is to play the melody of the song sung by the dancers to clarify the meaning of the song through poetry in addition to providing an element of aesthetic variation.

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