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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 30 Documents
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Search results for , issue "Vol 8 No 1 (2019)" : 30 Documents clear
Dialectics Dance Ritual in Wanara Parisuka in Talunkacang Kreo Cave Semarang Central Java Ekowati, Yunik; Sunarto, Sunarto; Malarsih, Malarsih
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30922

Abstract

Wanara Parisuk dance is one of the traditional arts are contained in a series of ritual offerings Rewanda and entertainment in Kreo cave Semarang. Derived from the word “ Wanara” which means monkey, “Parisuka” means having fun. Dance Wanara Parisuka used as a ritual and entertainment interests. Objective to study the dialectic Dance Wanara Parisuka (study: ritual and entertainment). The method used in this study is a qualitative ethnographic approach. Data collection techniques are observation, observation, interviews, document study.Mechanical validity of data used triangulation techniques and data analysis techniques that follow an interactive model analysis phase.Dance research results Wanara Parisuka there are two kinds of functions: as a ritual and as entertainment. The findings are important as ritual offerings in Rewanda Dance Ritual Wanara Parisuka presented at the peak of the ritual. Overall findings as entertainment is to entertain and attract public interest, dancers invite the audience to dance together, to entertain the audience. In the dialectic Dance Wanara Parisuka there are three stages namely; thesis (function according to each), antithesis (rejection, both have different roles and can not be mixed), the synthesis of (mutual influence, and biting for togetherness and strategic importance attract the interest of visitors).
The Puppet Thimplong: Assessment Form Performance and Values of Local Wisdom for Nganjuk Citizen Dyah Indriyani, Putri; Triyanto, Triyanto; Malarsih, Malarsih
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30934

Abstract

Thimplong puppet is an art from Nganjuk District, Pace especially. This puppet is a type of wood puppet with a story was raised the Panji stories. The purpose of this study is to analyze forms of performance and load values ​​of local wisdom in the art of Wayang Thimplong. The method used is a qualitative approach. Data collection techniques by using observation, interview and documentation. While the data analysis techniques with data triangulation technique. In addition, there are also technical validity of the data comprising data reduction, data presentation, and data verification / conclusion. The results showed that the shape of the show on the Wayang Thimplong contained the following elements: a story or player was played, shape or form of puppets, the music, the venue, the sound, and the audience in the performing arts Wayang Thimplong. In addition, the load Thimplong Puppet show the great value that local content is a religious value, the value of compliance, educational value, as well as ethical values ​​therein. Implications of this art can be used as teaching materials are local so it can be as a trigger to the public appreciation especially Wayang puppet Thimplong.
Timang Cenggok Song in Tanjungbalai City : Character Value Analysis and Music Composition Ningsih, Maya; Triyanto, Triyanto; Sumaryanto Florentinus, Totok
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i1.30954

Abstract

Timang Cenggok song is a traditional song that is developed in Tanjungbalai City society, this song is usually sung when the mother is going to put the child to sleep. The lyrics in Timang Cenggok song that is sung by a mother for her child aims to give character education. This study aims to examine the character values ​​contained in the Timang Cenggok song and the musical aspects of the Timang Cenggok song. The location of the research is Tanjungbalai City, North Sumatra Province. Data collection techniques are observation, interview, and document study. The data validity technique uses source triangulation. The data analysis technique uses descriptive analysis. The results of this study are the Timang Cenggok song contains the character value that aims to build the child's personality into a religious person, has a good moral and be able to socialize in the community. Timang Cenggok song has musical aspects in the form of melodies with varying intervals, different rhythm patterns between one bar and the other bar, and the harmony that can be written based on chords using music theory. This research can broaden the perspective of the reader about Timang Cenggok song and provide information about the description of Timang Cenggok song which contains the character values and knowledge of the music composition of Timang Cenggok song.
ANIMATED FILMS AS CREATIVITY STIMULUS MEDIA TO DRAW ILLUSTRATIONS FOR CLASS III B STUDENTS OF SEMESTA BILINGUAL ELEMENTARY SCHOOL sari, Yofita; Jazuli, Muhammad; Syakir, Syakir
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i1.31080

Abstract

The plethora of emerging technology or the rapid development of civilization will require for readiness of the human resources which are more creative in every aspect. Hence creative environmental conditions and the availability of opportunities to carry out various creative activities for children need to be utilized to develop their culture of creativity. This study aims to analyze the creativity of students as a result of utilizing animated films in drawing illustrations. This is a qualitative research with controlled observation. The research location is in the Semesta Bilingual Elementary School with the third grade students as the subjects. Data collection techniques used are observation, interview, documentation, and test which are validated by using data triangulation. Data analysis techniques are carried out qualitatively and quantitatively by using aesthetic and creativity theories. The results of the study show that based on aesthetic aspects on controlled observation 1, most of the students (50%) got the score 75-80 of fair category; while on the controlled observation 2, most of the students (43.75%) got a score range 81-85 of good category. Meanwhile, based on the creativity aspect of the 16 students of Class III B, five students (31.25%) choose the S-01 scene, two students (12.5%) chosse the S-02 scene, four students (25%) choose the S-03 scene, three students (18.75%) choose the S-04 scene, and two students (12.5%) choose the S-05 scene as a reference to draw the illustration of Finding Nemo. The creativity analysis shows that students start by taking the references from the scenes, developing ideas in creating the works by adding fish figures and other objects, as well as beautifying the background with gradation coloring technique. The final results obtained indicate an improvement in students’ creativity. Animated films can attract students' attention, optimize students' ability, and stimulate students' creativity in creating works. This study is expected to be able to develop the students’ potential to think and be creative in facing the rapid development of technology.
The Aesthetics of Padendang Dance at Mappadendang Traditional Ceremony of Bugis Society in Soppeng Regency yayu, yusrianti yayu; Jazuli, M.; Sumaryanto Florentinus, Totok
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i1.31282

Abstract

Mappadendang traditional ceremony is a traditional ceremony that is held every year by Bugis society as an expression of gratitude for the abundance of the results of the crop. This traditional ceremony is usually combined with the Padendang dance, which is a traditional dance of the Bugis people, especially in Abbanuangnge Village, Soppeng Regency. It is derived from the word "Pa" which means the actor, "dendang" which means rhythm. Besides as a series of Mappadendang traditional ceremonies, this dance also functions as entertainment. The uniqueness of this dance lies in its attractive movements using properties called as rice pestle (stick). Besides that, it was supported by the sound of the collapsed pestle carried out by the mothers and accompanied by drum instruments. The purpose of this study is to analyze the aesthetics of Padendang dance at Mappadendang traditional ceremony of the Bugis society in Soppeng Regency. The method used in this study is a qualitative method. Data collection techniques are observation, interview and document study. The data validity technique uses triangulation techniques and data analysis techniques that follow the stages of interactive model analysis. The results of the Padendang dance research are three parts of the movement: the beginning of the movement, mappakaraja, the main part of the movement, Sere Padendang, the harvest and the final part mappatabe’ movement. The aesthetic findings of Padendang dance there are three aesthetic elements that exist in the Padendang dance, namely the shape / form of motion of the Padendang dance, the quality / content / message conveyed in the Padendang dance, and the performance / talent or skill possessed by the dancers.
The Change of Forms and the Value of the Dance performance of Barongan Risang Guntur Seto Guntaris, Endik; Cahyono, Agus; Utomo, Udi
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27898

Abstract

Barongan Risang Guntur Seto dance is one of dances that has experienced a changing of form from spontaneous to organized performance since 2016. The management and the change done by Barongan Risang Guntur Seto artists have altered the simple values of traditional performing art to be a glamorous values or it is called gebyarby Blora people. The purpose of this research is to analyze and to describe the change of form and value of Barongan Risang Guntur Seto dance.Theoretically, this research used qualitative method with interdisciplinary approach of science, they are ethnochoreology and Arts Sociology. The technique of data collection was done by observation, interview and document study. The data validity checking used source triangulation. The data analysis was done by data reduction, data presentation, and conclusion. The results show that the chane of form and value of Barongan Risang Guntur Seto dance performance involves movement, music, property, stage, and lighting. The suggestion for artists of Barongan Risang Guntur Seto dance is to always active in renewing the dance in accordance to the era and to always be consistent in emphasizing the simplicity and family values as an identity of Blora people.
Thong Thong Klek Art in Structural Functionalism Studies Alvianto, Wibi Ardi; Florentinus, Totok Sumaryanto; Hartono, Hartono
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28436

Abstract

Traditional Thong thong klek art is one of the traditional arts in Rembang regency. One team of Thong Thong Klek art is Gema Irama, which has an organizational structure that functions to regulate the organizational process of the team. Thong thong klek showis able torun well when all parts do their part well. The purpose of this study is to analyze and describe the structure of the organization and its function. Theoretically, this study uses a qualitative method with a monodisciplinary approach, namely sociology of art using structural functionalism theory. Data collection techniques were carried out by observation, interviews, and document studies. Checking the data validity were carried out by using source triangulation, followed by analyzing the data by reducing data, presenting data and drawing conclusions. The results of the study show that each part in the system of the arts organization can perform its functions properly and be mutually functional from one another. The Chairman has carried out his function well, but it turns out that there are also latent functions that are detrimental to the Gema Irama Thong Thong Klek Art. Other divisions encounter dysfunctions that hinder the development of the Gema Irama Thong Thong Klek art. Suggestions for Thong Thong Klek Gema Irama team is to be active in creating inovations according to the era development and always be consistent in prioritizing the values ​​of simplicity and kinship as the identity of the people of Rembang Regency.
The Value of Srikandi Mustakaweni Act in Wayang Wong Bocah Tjipta Boedaja Residence Magelang Amsari, Uli; Cahyono, Agus; Hartono, Hartono
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28462

Abstract

Wayang Wong Bocah in Tjipta Boedaja Residence is one of the performing arts filled with value and relevant to be inculcated for children. Wayang Wong Bocah is performed by children. The purpose of this research is to analyze and describe the inculcation of value through Wayang Wong Bocah performance with Srikandi Mustakaweni act. Qualitative method with ethno-choreology and arts education approaches were used in this research. The data were collected through observation, interview, and documentary study. The data were validated using investigators triangulation technique, and analyzed by discribing, discreening, interpreting, and evaluating. The result shows that inculcation of value for children can be done through plot and model performed by children. Plot helps them to learn about good or bad, while model helps them distinguish an exemplary behavior as shown by Srikandi who was responsible, and not exemplary behavior as shown by Mustakaweni who was dishonest. The values that appear in the story such as honesty, responsibility, curiosity, patriotism, peacefulness, and hard-work. It is concluded that those values can be the guidelines about good or bad for children. Those values are expected to be implemented in daily basis.
The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency Pangestika, Nurratri Widya; Wadiyo, Wadiyo; Rokhmat, Nur
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28833

Abstract

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.
The Creativity Of Bedhaya Tunggal Jiwa Dance Creation In Grebeg Besar Ceremony In Demak Regency Setyaningrum, Ikha Sulis; Cahyono, Agus; Triyanto, Triyanto
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.29294

Abstract

Bedhaya Tunggal Jiwa dance presents in the Islamic dimension and gives a new nuance to a ceremony in Demak regency. This dance has different package from Bedaya dance in Kraton because it is adjusted to area and Demak society. The purpose of this research is to analyse how the the creativity of the creation of Bedhaya Tunggal Jiwa dance in Demak Regency. The method used was qualitative with ethnochoreology, Anthropology of Arts, and Sociology of Arts. The research data was collected by the technique of observation, interview, and document study. The technique of data validity used source triangulation. The data analysis technique that was used data reduction, data presentation and conclusion was done by describing the dance, understanding the the performance components, and doing interpretation. The results of the research were that the creator made a work through some steps, they are exploration, improvisation, evaluation, composition, and supported by creative factors, such as environment, facilities, skills, identity, originality, and appreciation.

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