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All Journal Humaniora Jurnal Seni Nasional Cikini Atrat: Jurnal Seni Rupa Jurnal Senirupa Warna (JSRW) Arus Jurnal Sosial dan Humaniora Urban : Jurnal Seni Urban dan Industri Budaya Journal of Aesthetics, Creativity and Art Management Jurnal Dimensi Seni Rupa dan Desain
Ade Ariyani Sari Fajarwati
Bina Nusantara University
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : Humaniora

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Javanese House Interior Study: A Philosophical and Cosmological Extraction of Java’s Heritage, as Design Principles Application in Local Content Context Fajarwati, Ade Ariyani Sari
Humaniora Vol 8, No 2 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i2.3890

Abstract

Omah has interior arrangement system and regulation according to the life of Javanese people hereditarily. In its process of building and interior arranging, Javanese people hold on to the philosophical and cosmological concept, which was illogic for modern design study to be applied in the aesthetic study. This study aimed to examine the extent of the correlation between consideration of philosophical and cosmological Java community with modern design principles in making Omah. It was through observation on concept application to the realization in Omah form and also through literature analysis of both these principles. This research used the qualitative method in the form of observation and literature study. This research would observe and analyze the relationship between philosophical and cosmological extraction of Javanese interior with design principle through the study from another journal. It finds that a design that facilitates activities and way of life of Javanese people applies design principles and a modern study that becomes visual beauty guidance.
The Relationship of Exhibition Space Design and the Success of Delivering Messages to Museum Visitors in Jakarta Anak Agung Ayu Wulandari; Ade Ariyani Sari Fajarwati; Fauzia Latif
Humaniora Vol. 8 No. 3 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i3.3634

Abstract

The research explored exhibition space designs, particularly the interior design elements such as circulation, lighting, and display techniques to find out whether the design elements corresponded the design principles and to find out which museum had the most ideal exhibition design that was able to deliver exhibition messages to the audience. The research applied qualitative method with case study approach in three museums in Jakarta, those were National Museums, Bank of Indonesia museum, and museum of Fine Art and Ceramic as case studies and qualitative data collecting methods through observations to get real-settings information. Data analysis and comparison of various interior elements shows that from the three case studies only Bank of Indonesia Museum has an integrated exhibition space using various interior elements; circulation and lighting design as well as display technique that support the success of a museum to deliver exhibition messages to their visitor. It can stimulate visitors senses visually, auditory, and kinetic.
Javanese House Interior Study: A Philosophical and Cosmological Extraction of Java’s Heritage, as Design Principles Application in Local Content Context Ade Ariyani Sari Fajarwati
Humaniora Vol. 8 No. 2 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i2.3890

Abstract

Omah has interior arrangement system and regulation according to the life of Javanese people hereditarily. In its process of building and interior arranging, Javanese people hold on to the philosophical and cosmological concept, which was illogic for modern design study to be applied in the aesthetic study. This study aimed to examine the extent of the correlation between consideration of philosophical and cosmological Java community with modern design principles in making Omah. It was through observation on concept application to the realization in Omah form and also through literature analysis of both these principles. This research used the qualitative method in the form of observation and literature study. This research would observe and analyze the relationship between philosophical and cosmological extraction of Javanese interior with design principle through the study from another journal. It finds that a design that facilitates activities and way of life of Javanese people applies design principles and a modern study that becomes visual beauty guidance.
Subject-Object Engagement Study in Exhibition Spaces: A Comparison Between Taman Mini Indonesia Indah’s Pavilion and Indonesia Kaya Gallery Anak Agung Ayu Wulandari; Ulli Aulia Ruki; Ade Ariyani Sari Fajarwati
Humaniora Vol. 10 No. 2 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i2.5199

Abstract

This research aimed to analyze the engagement between local visitor with objects in a conventional exhibition space and a technology-based exhibition space. The method of this research was a qualitative method with descriptive analysis. The data collection was done in two stages. The first stage was collecting secondary data or desk research. The next stage was the primary data collection using both qualitative and quantitative methods. Data were collected in two exhibition spaces; Riau Islands Province pavilion in Taman Mini Indonesia Indah as conventional exhibition space, and Indonesia Kaya Gallery that was located in the Grand Indonesia shopping mall as a technology-based exhibition space. The research shows visitors’ engagement emerges not only because of the objects itself but also of its surroundings; the path and signage, the lighting design, how the objects displayed and labeled that will create certain engagement with its audience. Technology also gives great help to create subject-object engagement. However, to appreciate and really engaged with the objects, the audience still wants to see real objects and not the digital substituted. 
Intersection Cultural Value, Nationalism, and Commodification behind the Garuda Chair as Jepara’s Signature Industries Ade Ariyani Sari Fajarwati; Octaviana Sylvia Caroline; Laura Andina Wulandari
Humaniora Vol. 11 No. 1 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6239

Abstract

The aims of the research were to identify the cultural value and nationalism behind the Garuda chair and to compare it with another style that had more sellable value as commodities. The research used a qualitative descriptive methodology using literature, observation, site visit, and interview data to be analyzed. In conclusion, the Garuda chair has a potential to become an Indonesian commodity in the furniture market and international community by promoting the cultural value behind it and the effectiveness of material using for the chair.
Representation of a Human Body: A Comparison Study between Balinese and Javanese Traditional House Anak Agung Ayu Wulandari; Ade Ariyani Sari Fajarwati
Humaniora Vol. 11 No. 2 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i2.6408

Abstract

The research would look further at the representation of the human body in both Balinese and Javanese traditional houses and compared the function and meaning of each part. To achieve the research aim, which was to evaluate and compare the representation of the human body in Javanese and Balinese traditional houses, a qualitative method through literature and descriptive analysis study was conducted. A comparative study approach would be used with an in-depth comparative study. It would revealed not only the similarities but also the differences between both subjects. The research shows that both traditional houses represent the human body in their way. From the architectural drawing top to bottom, both houses show the same structure that is identical to the human body; head at the top, followed by the body, and feet at the bottom. However, the comparative study shows that each area represents a different meaning. The circulation of the house is also different, while the Balinese house is started with feet and continued to body and head area. Simultaneously, the Javanese house is started with the head, then continued to body, and feet area.
Transculturality through Industrial Space: Cembengan at the Colomadu Sugar Factory Ade Ariyani Sari Fajarwati; Lilawati Kurnia
Humaniora Vol. 12 No. 1 (2021): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v12i1.6918

Abstract

The research aimed to explain Cembengan celebrations held at the Colomadu sugar factory, Karanganyar which was built in 1861. This celebration was held every time the factory would start milled processing sugar cane into sugar. The word “cembeng” itself came from the Chinese word “Cengbeng”, which was a ritual to commemorate deceased ancestors. Cengbeng was held every April 5th by cleaning graves and placing food and prayer tools such as incense and candles. Meanwhile, the Cembengan tradition itself as a ritual also commemorated the ancestors, but its function had turned into a ritual to start the production process at a sugar factory. This ritual was considered important so that it was carried out continuously for hundreds of years in a Javanese industrial space. This ritual was also attended by Dutch officials when it was still under the control of the Dutch East Indies. The research investigated the intersection between space, capital, and culture, which formed an ‘invented tradition’. The method used was through historicity approach and analyzed the relationship between space and the formation of Cembengan tradition in the Colomadu sugar factory. The results show that the transcultural aspect no longer consults the origin but rather cultural practices that merge cultural boundaries.
Adaptive Reuse of Pos Bloc and M Bloc: The Intersection of Third Place, Nostalgia, and Circular Economy Fajarwati, Ade Ariyani Sari
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.9688

Abstract

The research examined the adaptive reuse strategy of heritage buildings that hold nostalgic value as commercial spaces with the third-place concept approach. The need for space facilities for urban communities continued to change based on the activities of its users. People of productive age living in big cities and the suburbs needed space for gathering and relaxation between work and homes. On the other hand, in the downtown area, several heritage buildings were still sturdy and owned by the state but were no longer used optimally or maintained. Adaptive reuse of heritage buildings was a strategy that emerged as a solution to address this need. Nostalgia contained in the preservation of cultural heritage buildings was a significant value to attract visitors and impact economic benefits. Studies were needed regarding aligning economic values with social and environmental needs in adaptive reuse. Qualitative methods with in-depth observations were carried out at two sites, namely the adaptive reuse of Pos Bloc and M Bloc Jakarta, heritage buildings gathering spaces for workers and young people of productive age. This method was applied to analyze the history of the building, the current condition of the interior, and the impact on the economy and community. The research finds that the adaptive reuse of Pos Bloc and M Bloc as third spaces by utilizing nostalgic values is a strategy to maintain cultural heritage as well as an effort to drive a circular economy.
Power Dynamics in the Arts Sponsorship : Activities in Bandung and Yogyakarta during COVID-19 Aviandy, Mochamad; Fajarwati, Ade Ariyani Sari; Alkatiri, Zeffry; Yulianto, Kresno; Setiawan, Hawe
Humaniora Vol. 15 No. 1 (2024): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v15i1.11164

Abstract

The research objectively analyzed artists’ actions and strategic reactions in the urban areas of Bandung and Yogyakarta in Indonesia during the extremely turbulent COVID-19 pandemic from March 2020 to early 2021. The pandemic greatly impacted the lives of artists and practitioners because of stringent governmental prohibitions that prohibited public art events. The research examined practitioners’ experiences concerning their reliance or autonomy from government funding when engaging in arts-related endeavors. The research methodology was based on gathering data from social media and field investigations; a comprehensive collection of posters, photos, and relevant notes was compiled using a cultural studies framework. In addition, interviews were performed with arts practitioners and communities, specifically examining their involvement on social media platforms. A detailed investigation was conducted by carefully analyzing the interview data to clarify the differences between art practitioners in Bandung and Yogyakarta. It is found that the research distinguishes between individuals who receive government sponsorship and those who operate independently. It enhances the overall comprehension of power dynamics between arts practitioners and the government in the distinct setting of the COVID-19 epidemic, including those who operated autonomously. The research utilizes a cultural studies framework to examine the power dynamics between artists and the government in the context of the COVID-19 pandemic.
Co-Authors Alkatiri, Zeffry Anak Agung Ayu Wulandari Anak Agung Ayu Wulandari Ariesta, Inda Aurelius, Alexia Aviandy, Mochamad Bambang Kartono Kurniawan Devina, Caitlyn Fathoni, Ahmad Faisal Choiril Anam Fauzia Latif Firdaus, Filry Andina Koesoemadinata, Fabianus H. KRESNO YULIANTO Kuntjoro-Jakti, R.A. Diah Resita I. Kurnia, Lilawati Laura Andina Wulandari Meliana, Silvia Nediari, Amarena Octaviana S.C. Rombe Octaviana Sylvia Carolin Oktavianus Nangnoy Rachmayanti, Ika Ruki, Ulli Aulia Setiawan, Hawe Silvia Meliana Sondakh, Sonya Indriati Yuke Ardhiati Yunida Sofiana Yunida Sofiana