Ridho Sastro Panjaitan
Universitas Negeri Medan

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ANALISIS CAMPUR KODE DALAM TUTURAN ANAK BILINGUAL PADA KONTEN DIGITAL: STUDI KASUS AKUN VANILLA LOVELY Ridho Sastro Panjaitan; Adinda Andini; Melinda Maria Sitanggang; Melyanty Nababan; Shema Eklesiya Hutasoit; Yuni Tamba; Ayu Nadira Wulandari
Jurnal Padamu Negeri Vol. 3 No. 2 (2026): April : Jurnal Padamu Negeri (JPN)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/wy4eps46

Abstract

The development of social media platforms has produced a variety of digital content reflecting the language use of bilingual children, particularly the phenomenon of code-mixing between Indonesian and English in everyday interactions. This study analyzes the types and factors causing code-mixing in bilingual children's speech in videos from the Vanilla Lovely account using a descriptive qualitative sociolinguistic approach. Data in the form of children's dialogues were collected through observation and recording techniques, then analyzed to identify the types of code-mixing—the insertion of English words or phrases into Indonesian—and the factors that support it. The results indicate that code-mixing is triggered by the bilingual environment, exposure to digital media in a foreign language, and communication patterns within the family. This phenomenon functions as an informal communication strategy to facilitate the transmission of meaning. These findings highlight the role of digital content as a reflection of bilingual children's language practices in a multilingual society
JARING PATRIARKI: CERPEN JARING-JARING MERAH KARYA HELVY TIANA ROSA MELALUI FEMININE MYSTIQUE BETTY FRIEDAN Ridho Sastro Panjaitan; Tabita Tesalonika Simaremare; Grace Evelyn Hutabarat; Irfansyah Barus; Jakaria Jakaria
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i02.14271

Abstract

This study analyzes the depiction of patriarchy in Helvy Tiana Rosa's short story "Jaring Merah" through the perspective of Betty Friedan's Feminine Mystique. This short story features a female character trapped within a patriarchal social construct, experiencing restricted movement, psychological violence, and exclusion from public spaces. This study employs a feminist literary criticism approach, using Friedan's Feminine Mystique to analyze how women's identities are constrained by the demands of domestic roles imposed by the patriarchal system. The method used is qualitative descriptive with textual analysis techniques. The research findings indicate that the female character in this short story faces what Friedan calls "the problem that has no name," namely, identity confusion resulting from the absorption of patriarchal values ​​that hinder women's freedom and potential. This research contributes to the development of feminist literary studies in Indonesia and raises critical awareness of gender-based violence hidden within sociocultural norms.
KAJIAN MIMESIS SOSIAL SEBAGAI CERMIN KEHIDUPAN MASYARAKAT DALAM CERPEN “LAKI-LAKI TUA TANPA NAMA” KARYA BUDI DARMA Ridho Sastro Panjaitan; Intan Valiza; Mika Charolin; Mesya Fadila Sani Harahap; Ledy Novwanty Nainggolan; Tomi Arianto
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i02.14922

Abstract

This study aims to explain how forms of social mimesis emerge in Budi Darma's short story "Orang Tua Tanpa Nama" (Old Man Without a Name) and to describe how social reality is represented in the story. The method used in this study is qualitative, with a sociology of literature approach and social mimesis theory. The research data were obtained through literary studies and a close reading of short stories in the collection "Bloomington People" (1980). For data analysis, the Miles and Huberman model was used, consisting of three stages: data reduction, data presentation, and conclusion drawing. The results show that this short story displays four main forms of social mimesis: the alienation and marginalization of the main character, imbalances in power relations, collective indifference, and dehumanization in modern society, as well as the narrative strategies used by the author to emphasize social criticism. These findings indicate that Budi Darma's work not only depicts social reality but also contains a critique of society's increasingly individualistic and heartless life.
KESALAHAN FONOLOGI, MORFOLOGI, SINTAKSIS PADA FILM “AYAH, INI ARAHNYA KE MANA, YA?” KARYA KUNTZ AGUS Ridho Sastro Panjaitan; Tabita Tesalonika Simaremare; Mutiara Aprilia; Mannawa Salwa; Muharinna Harahap
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i02.14923

Abstract

This study aims to explore language errors in phonology, morphology, and syntax in the film "Ayah, Ini Arahnya ke Mana, Ya?" (Father, This is the Direction to Where, Ya?), written by Kuntz Agus. Film, as a form of mass communication, functions not only as a means of recreation but also as a representation of everyday language use. Language error analysis was conducted to identify various forms of deviations that occur in the characters' dialogues. This study uses a descriptive qualitative method, using listening and recording techniques to identify utterances containing errors in phonology, morphology, and syntax. Phonological errors include changes, omissions, or additions of sounds that do not comply with Indonesian language rules. Morphological errors include the use of affixes, word formation, and inappropriate word choice. Meanwhile, syntactic errors include inaccuracies in constructing phrases, clauses, and sentences, which impact the effectiveness of communication. The findings of this study are expected to provide a general overview of language use in Indonesian films and serve as a reference for learning correct and effective Indonesian. In addition, this study can also broaden insights into language error analysis in audiovisual media, a field of applied linguistics.