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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora IBDA` : Jurnal Kajian Islam dan Budaya Ijaz Arabi Journal of Arabic Learning LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya
Supana, Supana
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Other

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CHARACTERISTIC OF WONG CILIK ON WAYANG KULIT WANDA OF PANAKAWAN FIGURES Pramudiyanto, Ahmad; Supana, Supana; Rohmadi, Muhammad
Humanus Vol 17, No 2 (2018)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (856.324 KB) | DOI: 10.24036/humanus.v17i2.100683

Abstract

This study aims to interpret the meaning of wayang kulit wanda of Panakawan figures. The wanda analyzed is wanda of wayang kulit based Surakarta model. The method of study was descriptive qualitative. The research object was the signs on wayang kulit wanda of Panakawan figures. This signs was examined its meaning by the employment of semiotic theories. Technique of data collection used interview and documentation. Data validity was triangulation of data source. Data from one source compared with other sources to test the validity of a data. The result of this research found that the meaning behind wayang kulit wanda of Panakawan figures. Those meaning are the reflection of wong cilik characteristic. Semar shows that wong cilik has religious character. Gareng describes that wong cilik has an honest and careful character. Petruk shows the character of wong cilik is hardworking. The last, Bagong describes the characteristics of innocent people who say what they are.Keywords: wanda, Panakawan, shadow puppet, wong cilik, semioticsKARAKTERISTIK WONG CILIK PADA WANDA WAYANG KULIT TOKOH PANAKAWAN AbstrakPenelitian ini bertujuan menginterpretasikan makna pada wanda wayang kulit tokoh Panakawan. Wanda yang dikaji pada penelitian ini adalah wanda wayang kulit model Surakarta. Metode penelitian ini adalah deskripti kualitatif. Objek penelitian ini adalah tanda pada wanda wayang kulit tokoh Panakawan. Tanda pada wanda tersebut dikaji maknanya menggunakan teori semiotik. Teknik pengumpulan data adalah teknik wawancara dan dokumentasi. Validasi data yang digunakan pada penelitian ini adalah triangulasi sumber data. Data dari sumber satu dibandingkan dengan sumber yang lain untuk menguji validitas sebuah data. Hasil dari penelitian ini adalah makna dibalik wanda wayang kulit tokoh Panakawan. Makna dari wanda tersebut merupakan cerminan dari karakteristik wong cilik. Semar menunjukkan bahwa wong cilik memiliki karakter religius. Gareng menggambarkan bahwa wong cilik memiliki karakter jujur dan berhati-hati. Petruk menunjukkan karakter wong cilik yang pekerja keras. Terakhir, yaitu Bagong menggambarkan karakteristik wong cilik yang lugu berkata apa adanya.Kata kunci: wanda, Panakawan, wayang kulit, wong cilik, semiotik
Kawiryan Discourse as The Legitimacy of The Islamic Sultanate in Serat Saptastha Ilafi, Afiliasi; Supana, Supana
IBDA` : Jurnal Kajian Islam dan Budaya Vol 16 No 1 (2018): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (331.496 KB) | DOI: 10.24090/ibda.v16i1.1396

Abstract

The purpose of writing this article is to analyze the discourse of heroism ( kawiryan ) according to Sultan Hamengkubuwana VII contained in the Serat Saptstha manuscript. It is a type of historical manuscript that provides an overview about the discourse stored in the content of the manuscript. The Sultan discussed in this article is Hamengkubuwana VII. He is an Islamic Sultan who ruled the societies in 1877-1921. His reign is in Keraton Ngayogyakarta (Ngayogyakarta Palace) and it is a kind of Islamic Sultanate. Based on the conclusion of this study, Hamengkubuwana VII as the King sent by God performed an image as a very humble sultan. The legitimacy of his power promotes an understanding of Islamic Sultanate represented by Hamengkubuwana VII. The representation of peaceful and serene life portrayed by Hamengkubuwana VII makes the image of Hamengkubuwana VII to be an irreplaceable sultan and his personality also inspires the societies in terms of the importance to always remember The Creator or on the other word is God.
Translation Of Metaphor And Simile In The Poem Asyhadu An La Imra'ata Illa Anti By Nizar Qabbani Fitriyah, Tika; Kurniawan, Donie Fadjar; Sawardi, F.X.; Supana, Supana
Ijaz Arabi Journal of Arabic Learning Vol 8, No 1 (2025): Ijaz Arabi: Journal Of Arabic Learning
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ijazarabi.v8i1.20364

Abstract

A translation of poetry is needed to introduce the culture of the country where the poem was written. Research related to poetry translation is required to evaluate and control translated works that develop in the community. This descriptive qualitative research study examines the forms of metaphor and simile and the translation shift. The data source in this research is the poem Asyhadu an La Imraata Illa Anti and its translation translated by Musyfiqur Rahman under the title I Testify There is No Woman but You. The result of this study shows that the translator translates metaphor into metaphorical form, shifting form only found 1 case and shifting form and meaning only occurred 1 case. In simile translation, the researcher found no shift in both form and meaning aspects. This shows the translator's competence so that the form and meaning of the poem in the source language can be transferred well into the target language. It can help Arabic language and translation teachers understand the types of metaphors and how to translate them.
STRUKTUR INSTRINSIK NOVEL KEPANGGANG WIRANG TIWIEK SA DAN IMPLIKASINYA DALAM PEMBELAJARAN BAHASA JAWA DI SMA Lanua, Rhian Ardila Maretin; Saddhono, Kundharu; Supana, Supana
LINGUA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 14 No. 2 (2017): September 2017
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v14i2.306

Abstract

  This study describes intrinsic structure of the Novel of Kepanggang Wirang (Burned Above the Shame) by Tiwiek SA and its implication to Javanese teaching at SMA.  This study is qualittaive research and applied psychoanalysis as the research design.  Data were collected using content analysis and interview.  The study revealed that structural parts of the novel included: characters, plots, setting, theme, title, point of view, style and tone, symbolism, and irony. In addition, Kepanggang Wirang is relevant to teaching Javanese in SMA as its language and education values are in support to Basic Competence in SMA Curriculum. 
Co-Authors Afiliasi Ilafi, Afiliasi Fitriyah, Tika Kundharu Saddhono Kurniawan, Donie Fadjar Lanua, Rhian Ardila Maretin Muhammad Rohmadi Pramudiyanto, Ahmad Sawardi, F.X.