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All Journal Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan SATUKATA: Jurnal Sains, Teknik, dan Studi Kemasyarakatan Jurnal Interdisipliner Sosiologi Agama
Hadirman, Hadirman
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

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CULTURAL SYNERGITY AND ISLAMIC EDUCATION NATIONAL CHARACTER FORMATION Hadirman, Hadirman
SATUKATA: Jurnal Sains, Teknik, dan Studi Kemasyarakatan Vol. 1 No. 1 (2022): December
Publisher : Lafadz Jaya Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (146.175 KB) | DOI: 10.47353/satukata.v1i1.525

Abstract

This paper aims to determine the synergy of culture, Islamic education and national character development. Culture is the first step in shaping the character of students (younger generations) from the perspective of the people who own the culture. Meanwhile, Islamic education forms the character of students (younger generations) through the transmission of knowledge based on the values of universality of Islamic education and learning interactions. Thus, the two of them can create synergy to shape the character of the nation for students (younger generations) in the future.
SINERGI BUDAYA DAN KEBIJAKAN PUBLIK DALAM PENGEMASAN PARIWISATA BERBASIS KEARIFAN LOKAL DI KOTA TOMOHON: TELAAH ATAS FAKTOR POLITIK, SOSIAL EKONOMI, DAN LINGKUNGAN Bida, Obed; Sigiro, Benny; Hadirman, Hadirman
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 4 No. 9 (2025)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/sibatik.v4i9.3357

Abstract

This research aims to examine the synergy between local culture and public policy in the packaging of local wisdom-based tourism in Tomohon City, North Sulawesi. The study focuses on identifying supporting and inhibiting factors across three main dimensions: (a) political aspects, related to regulations, permits, and budget allocation; (b) socioeconomic aspects, concerning community empowerment, job creation, and micro-enterprise development in the tourism sector; and (c) environmental aspects, including nature conservation, tourist area security, and ecotourism development. Using a qualitative approach through case studies, this research reveals that culture-based tourism packaging requires integration between the government, tourism operators, and local communities. The findings indicate that although local wisdom has significant potential in shaping destination identity, policy implementation is often hampered by weak inter-agency coordination, budget constraints, and low ecotourism literacy at the community level. Therefore, synergy between community-centered public policies and the preservation of local culture is key to realizing sustainable, inclusive, and equitable tourism.
PERGUMULAN ISLAM DAN BUDAYA LOKAL DI PULAU NAIN, KECAMATAN WORI, KABUPATEN MINAHASA UTARA TAHUN 2019-2020 (STUDI KASUS MANDI SAFAR) Hafidzoh, Ulfah Ainun; Hadirman, Hadirman; Luma, Meiskyarti
Jurnal JINNSA (Jurnal Interdipliner Sosiologi Agama) Vol 1 No 1 (2021): Volume 1 Nomor 1 Tahun 2021
Publisher : Program Studi Sosiologi Agama Fakultas Ushuluddin, Adab dan Dakwah IAIN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/jinnsa.v1i1.82

Abstract

Hasil penelitian ini menunjukkan bahwa pelaksanaan Mandi Safar di Pulau Nain secara sejarah sudah dilaksanakan dengan serentak seluruh masyarakat Desa Nain dari tahun 1960-an namun pada tahun 1970-an terhenti dan mulai digalakkan lagi pada tahun 2017. Makna dari sombol-simbol yang digunakan dalam Tradisi Mandi Safar sebagai upaya masyarakat desa mengajarkan agama kepada generasi muda lewat budaya yang dapat dilihat dari penulisan wafaq yang diambil dari beberapa penggalan-penggalan ayat al-Quran. Makna Mandi Safar sebagai salah satu cara menyambung tali silaturahmi, terhindar dari bala’ dan wabah penyakit, juga sebagai memperlancar rejeki. Akulturasi budaya lokal dan Islam dalam konteks Mandi Safar di Nain tidak terlepas dari peran ulama yang mengajarkan syariat Islam di Pulau Nain. Proses akulturasi dilakukan dengan cara dialog kebudayaan.
TRADISI REBO KASAN DI KAMPUNG JAWA TONDANO KABUPATEN MINAHASA Mutmainah, Nurul H; Otta, Yusno Abdullah; Hadirman, Hadirman
Jurnal JINNSA (Jurnal Interdipliner Sosiologi Agama) Vol 1 No 1 (2021): Volume 1 Nomor 1 Tahun 2021
Publisher : Program Studi Sosiologi Agama Fakultas Ushuluddin, Adab dan Dakwah IAIN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/jinnsa.v1i1.90

Abstract

Dewasa ini terdapat berbagai tulisan yang beredar berkaitan dengantradisi Rebo Kasan namun banyak yang lebih memfokuskan pada hukumdari pelaksanaan tradisi itu, sedangkan untuk sudut pandang sejarah daritradisi ini terkhususnya di Kampung Jawa Tondano, sangat minim tulisan,bahkan belum ada yang memfokuskan penelitiannya pada tradisi ReboKasan ini.Rebo Kasan masih tetap dilaksanakan hingga sekarang olehmasyarakat Kampung Jawa Tondano sebagai upaya untuk mengungkapsejarah kemunculan tradisi ini, beserta perkembangannya dalam kehidupanmasyarakat. Sangat perlu pengkajian terkait dengan sejarah, prosesi, danfaktor.
TRADISI KABHANTI SEBAGAI REPRODUKSI IDENTITAS DAN SOLIDARITAS SOSIAL ETNIK MUNA Hadirman, Hadirman; Mustafa, Mustafa
Jurnal JINNSA (Jurnal Interdipliner Sosiologi Agama) Vol 1 No 2 (2021): Volume 1 Nomor 2 Tahun 2021
Publisher : Program Studi Sosiologi Agama Fakultas Ushuluddin, Adab dan Dakwah IAIN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/jinnsa.v1i2.128

Abstract

Penelitian yang bertujuan untuk menggambarkan eksistensi tradisi kabhanti pada masyarakat etnik Muna sebagai reproduksi identitas dan solidaritas sosial pada masyarakat pendukungnya. Metode yang digunakan dalam penelitian adalah deskriptif kualitatif. Pengumpulan data dilakukan dengan teknik pengamatan terlibat, wawancara mendalam, pengalaman pribadi, dan studi dokumen. Hasil penelitian menunjukkan bahwa tradisi kabhanti pada masyarakat etnik Muna dijadikan sebagai media untuk mereprodukasi/menghadirkan kembali identitas mereka melalui kaabhanti. Selain itu, tradisi kabhanti dijadikan juga sebagai media untuk membangun solidaritas sosial dalam kehidupan sosial-kemasyarakatan,
SENI, SIMBOL, DAN KESAKRALAN: ANALISIS ESTETIKA PADA TRADISI NGAYU-AYU DI DESA SEMBALUN Kasim, Sunardy; Syamsurrijal, Syamsurrijal; Hadirman, Hadirman
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 5 No. 2 (2026)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/sibatik.v5i2.4349

Abstract

The Ngayu-Ayu tradition in Sembalun Village is one of the oldest agrarian rituals in Sasak culture, performed every three years as an expression of gratitude for the fertility of the land, a ward off disaster, and a restoration of harmony between humans and nature. This study aims to examine how elements of art, symbolism, and sacredness work together to shape the collective aesthetic experience of this ritual. Using an interpretive qualitative approach that combines ethnography, aesthetic phenomenology, and semiotic analysis, this study collected data through participant observation, in-depth interviews, and visual and material documentation. The theoretical framework employed encompasses the aesthetics of Baumgarten, Kant, Hegel, Eastern aesthetics, and Merleau-Ponty's theory of the phenomenology of the body. The analysis reveals that the aesthetic structure of Ngayu-Ayu is formed through four main domains. First, visual aesthetics is evident in the composition of offerings, the use of organic materials, and the arrangement of colors and shapes that create sensory harmony and represent an agrarian cosmology. Second, performative aesthetics are manifested through ritual movements, gendang beleq music, and collective rhythms that create a shared bodily experience and strengthen social cohesion. Third, the ritual's symbolic structure demonstrates the interaction of icons, indices, and symbols that negotiate the relationship between humans, nature, and ancestors. Fourth, the sacred dimension is present through the experience of the sublime and the principle of cosmic harmony, linking aesthetic values with ecological ethics. This study concludes that Ngayu-Ayu is a living art that combines aesthetic expression, symbolic meaning, and ecological spirituality. This ritual functions as a cultural mechanism that maintains the continuity of identity, community morality, and the sacred relationship between humans and nature. This study contributes to the development of Nusantara aesthetic studies and offers an alternative perspective in understanding ritual art as a practice of knowledge and cultural resilience.
Co-Authors Bida, Obed Hafidzoh, Ulfah Ainun Meiskyarti Luma Mutmainah, Nurul H Sigiro, Benny Sunardy Kasim Syamsurrijal, Syamsurrijal Yusno Abdullah Otta