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All Journal Jurnal Ilmiah Akuntansi dan Humanika Jurnal Akuntansi Profesi Journal of Social Science Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Sucipta, Wayan Gede Adi
Institut Seni Indonesia Denpasar, Indonesia
Religion Arts Humanities Chemistry Economics, Econometrics & Finance Education Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Physics Social Sciences Other

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CAFE LIFE VISUALIZATION IN DIGITAL ARTWORK Sucita, I Komang; Sucipta, I Wayan Adi; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4529

Abstract

This independent project report is entitled "Visualization of Cafe Life' in Digital Artwork and aims to reveal the phenomenon of life in a coffee shop through digital artwork. This study explores how the function of a coffee shop has shifted, which now not only provides coffee, but also sells a lifestyle that is popular with many people. This study also illustrates the anxiety that the author faces when carrying out his two daily activities as a barista and a student. The process of creating this digital artwork involves stages of exploration, improvisation, and formation, which are realized using digital media such as iPads and illustration software. The result is a series of digital illustration artworks that identify aspects of life in a coffee shop, and the researcher's personal challenges in carrying out two activities. There are six works produced, all of which are based on digital illustrations and the presentation media themselves vary from drinking cups, coffee grinders, tote bags, and t-shirts. This research contributes to the understanding of cafe life as a socio-cultural phenomenon and technological development, and offers a new perspective in creating digital artwork that is relevant to the development of the times. It is hoped that this work can inspire students, artists, and the younger generation to continue exploring and developing their creative potential through the use of digital technology and direct experience in everyday life.
BANASPATI RAJA DALAM PENCIPTAAN SENI LUKIS KONTEMPORER Sucipta, I Wayan Adi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2344

Abstract

Banaspati Raja is a mythical creature in the teachings of Balinese Hinduism as a guardian to protect the forest. The figure of Banaspati Raja represented in the form of sacred barong ket is believed to be able to protect the public from danger. The values of the Banaspati Raja seemed to not be fully understood. This phenomenon can be seen from the deterioration of Bali`s natural condition from year to year. The phenomenon arousing a sense of creator to create contemporary painting to aware the mindset or behavior of the people who mistakenly. The main purpose of creation is to create painting of new visually as well as have high aesthetic value. The painting is created is expected to be useful as a means of education, information and documentation for the development of the visual art of Bali. The creation of artwork is based on Sartre`s aesthetic theory with regrard to imagination as the basis for creating beautiful painting. Combined with the creation visual art structures includes elements of visual art by considering its principles. The process of creating painting through three stages, namely: exploration, visual experiments and visualization. The process of creating artworks eventually produced contemporary painting with the title Banaspati Raja. The painting is imagine the myth and the philosophy of banaspati raja through the image or symbol of the barong ket, the trees, water and mountain. Contemporary values are reflected through various technical mixes including brush strokes, pallete knive, splashes, collage, sigar warna, cawi-an and aburan. The artworks created also combines two different media, namely cnvas with recycled paper. The use of recycled paper in addition to producing variations texture, at least able to tackle the paper waste in Bali.
Rerajahan Aesthetics as an Idea for Creating Painting Works Aprianta, I Putu Gede Ivan Ayestha; Kondra, I Wayan; Sucipta, I Wayan Adi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3635

Abstract

This independent study report raises the theme of Rerajahan Aesthetics as an Idea for Creating Painting Works, starting from raising ideas around rerajahan. All aspects of Balinese life are imbued with Hinduism, which indirectly gives birth to a socio-religious culture. Various cultural elements were born due to the demands of religious needs. Art as an element of culture was also born due to the demands of religious activities. This has encouraged the creation of various forms of symbolic-magical art which are representations of something abstract. One of them is in the form of pictures or writing which is commonly called Rerajahan. For the Balinese people, rerajahan, apart from being a means of religious ceremonies, is also believed to have very high supernatural powers. This believed power functions as a means of suggestion to achieve certain desires or goals. In this case, the effect of rerajahan is that it is able to become a source of ideas for artists in creating modern works of art without abandoning the traditional values behind it. Rerajahan is also a very inspiring work of traditional art, and a source of ideas for some Balinese artists in creating individual works.
Overcoming The Feeling Of Insecure As An Idea In The Creation Of Painting Art Puspayoga, Putu Gede; Kondra, I Wayan; Sucipta, I Wayan Adi; Suryadinata T. Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3637

Abstract

Insecurity is a feeling of discomfort or fear that is triggered by a feeling of dissatisfaction and uncertainty about one's capacities. Insecurity is a common problem that often occurs among society, especially today's young people, if it is not addressed it can disrupt productivity in living life, a lack of understanding and knowledge regarding insecurity and how to overcome this condition often causes this insecurity to be a taboo matter. The aim to be achieved in the creation of this work is to understand the efforts that can be made to overcome feelings of insecurity in the perspective of packaging the embodiment of a work of painting. The author will visualize the efforts to overcome this feeling of insecurity using a visual analogy approach in the meaning of a message that will be expressed as a work of painting. In its development, the author formulated several things, various efforts to overcome feelings of insecurity and a visual analogy approach technique in expressing expressions of efforts to overcome feelings of insecurity.
Nature Trofis and Young Artist's Light Painting at Penestanan Ubud Bali I Wayan Mudana; I Nengah Wirakesuma; I Wayan Adi Sucipta; I Ketut Mustika; I Wayan Kondra
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose and purpose of this research is to find out that tropical nature rich in light effects can be explored as an idea to create paintings. When he lived in Penestanan Ubud Bali in the 1957s, he taught light painting techniques that drove the birth of Young Artist-style painting. The people of Penestanan initially did not respect the painting activities offered by Arie Smit, but driven by the concern of seeing firsthand the condition of the residents of Penestanan village, who were very poor and underdeveloped, then he felt called to liberate the younger generation of the Penestanan community from poverty economically but very culturally rich. To analyze the nature of trophies and paintings of young artists in Penestanan carefully and accurately, a qualitative method is used, imperially using a participatory approach, namely analyzing the works of painters educated by Arie Smit, such as: Soki, Cakra, and Dewa Kaka using a motivational, behavioral, and interaction approach. To depict identity, aesthetic experience, creative process, until it is realized into a painting of young artists is analyzed participatory. The results and discussions in an impermatic manner describe about; (1) Tropical and Campuhan nature as inspiration for light painting, (2) Light Painters, and (3) painting forms produced by the Penestanan people of Ubud. Conclusion; The realm of trophism and light can be explored into paintings by young artists. The young artist's painting style reflects the play of colors, light, lines, and decorative. Meanwhile, perspective is used to obtain gradations and display the impression of far and near. Findings; Light painting in the West and in the East (Bali) has a very distinctive difference. The identity of Western light painting emphasizes the impression, the painter must face a direct object that gives birth to an impressionist style of painting. Meanwhile, in Young Artist's paintings, light capture displays color, decoration, and bold lines. It is arranged with a gradation game so that from perspective to get a far and close impression
THE SANGHYANG JARAN DANCE IN NYALIAN VILLAGE, KLUNGKUNG, AS A SOURCE OF INSPIRATION FOR THE CREATION OF VISUAL ART WORKS Darmasuta, I Putu Eka; Setem, I Wayan; Adi Sucipta, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.4516

Abstract

The report on the creation of this work of pure art was inspired by the Sanghyang Jaran dance in Nyalian Village, Banjarangkan District, Klungkung Regency. As a source of inspiration for creative ideas, the author has lived side by side with the Balinese customs and traditions around him since childhood, and one of them is the Sanghyang Jaran dance. The Sanghyang Jaran dance is also a religious art because it involves the spirit of Sanghyang Jaran, which will possess the selected dancer and will experience a trance, and Sanghyang Jaran dance performances are held at several temples. is in Nyalian Village. The creation process used stages: basic research, exploration, canvas experiments with acrylic paint totaling 4 (four) works, and 2 (two) works of wood-based sculpture. In the process of creating the work, the author took references from the Wasundari Kamasan studio as a source for creating the work. The author combines the ornaments given. In the creation process, the author took the form of patterns, proportions of rock shapes, standards, and several other techniques.
Co-Authors Ahmil Aprianta, I Putu Gede Ivan Ayestha Aprilia Tresyane Apandano BUDIAPRILLIANA, LUH Darmasuta, I Putu Eka Deslin N Salarupa Dewa Gede Ade Pramudya Dewi , Nyoman Ayu Wulan Trisna Drs. I Wayan Mudana,M.Si. . Eka Putri Wardini Faisal Akbar I Gede Jaya Putra I Ketut Mustika I Nengah Wirakesuma, I Nengah I Wayan Mudana I Wayan Setem I. Gede Arya Putra Sanjaya I. Gusti Ayu Dhara Kartika Sari Jodog , I Made Kondra, I Wayan Moh. Anzar Pramudya, Dewa Gede Ade Puspayoga, Putu Gede Sanjaya, I. Gede Arya Putra Sari, I. Gusti Ayu Dhara Kartika Sucita, I Komang Suryadinata T. Y., Anak Agung Gde Trisna Toganata, I Made Anju Adi Widya Sapitri Winata, I Made Agus Arya Winda Laode Ahmai