Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Journal of Language and Literature

Wandering in Pakistan: The Paradoxical World of the Marginalized in Nadeem Aslam’s The Golden Legend (2017) Firda Khoirunnisa; Ari Jogaiswara Adipurwawidjana; Sandya Maulana
Journal of Language and Literature Vol 24, No 1 (2024): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i1.7613

Abstract

This study explores the idea of place in Nadeem Aslam’s The Golden Legend (2017) to frame the identity crisis befalling the Christian community in Pakistan as a mirror of the similar experiences of marginalized groups in Britain. As a British novel expected to be read by Western readers, the depiction of the marginalization happening in Pakistan is utilized to allude to the condition outside the country: a paradox. The depicted paradox also recalls the history of Islam’s development in Türkiye and Spain, represented by the Hagia Sofia and the Great Mosque. The loss of ‘home’ causes the marginalized to wander in Pakistan, and, at the same time, they try to establish their identities and be remembered by society, both in the sense ofbelonging and of inhabiting memory. It is the same with the unsettled immigrant of Muslim Pakistanis, begging for their citizenship and being acknowledged in Britain. This analysis is based on Bhabha’s notion of unhomeliness and Derrida’s host and guest concept, composing an understanding that having no exact ‘home’, the Christian community being a guest to the Muslim community whose territory is obligated to preserve, is treated inappropriately. With these findings, we argue that wandering through places in Pakistan is an action determining whether one’s self is constructed or otherwise, illustrating Muslims in Britain having the same fate by remembering the golden legend told in the novel.
Self-Otherings and Reimaginings of Postcolonial African Women in Chimamanda Ngozi Adichie’s Americanah (2013) Mumtazah, Jauza Maryam; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari Jogaiswara
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.10545

Abstract

Chimamanda Ngozi Adichie’s Americanah (2013) presents a narrative that shifts between different temporalities and spaces, a movement that is particularly experienced by its main character, Ifemelu, as she navigates through her Nigerian, American, and her newly found black identity. Similarly, the novel’s narrative attempts to showcase other postcolonial African women like Ifemelu, as well as their ambiguous identities and othered representations. Through this article, we examine the workings of Ifemelu’s narration as it shifts from one space to another, specifically from Nigeria to America and vice versa, through a narratological method. We will then focus on how these specific spaces occupied by Ifemelu and other African women, or what Ogundipe-Leslie calls “women’s spaces and modes, " work with the bodily experiences of the women and the black Atlantic world at large. Throughout the novel, the hair salon is the women’s space that the narration keeps returning to, serving as a bridge between the story’s past and present. However, a more constant form of women’s spaces also occurs through the narrative body itself, specifically through the narrative form of online blogs that showcase Ifemelu’s attempt to find familiarities with other black people of the diaspora. From this article’s analysis, we argue that the hair salon and the narration of the online blogs, as “micro-African” spaces, serve as mediums to reclaim and re-write the contingent and negotiated identities of postcolonial African in the new black Atlantic world.