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All Journal International Journal of Public Health Science (IJPHS) JURNAL ILKES (Jurnal Ilmu Kesehatan) Kumawula: Jurnal Pengabdian Kepada Masyarakat Jurnal Tata Rias (JTR) Journal of Public Health Sciences Ocean Engineering: Jurnal Ilmu Teknik dan Teknologi Maritim SPIKESNAS Jurnal Ners dan Kebidanan (Journal of Ners and Midwifery) Jurnal Tata Rias (JTR) Jurnal Faidatuna
Hidayati, Ratna
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Religion Arts Humanities Chemistry Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Mechanical Engineering Medicine & Pharmacology Nursing Public Health Social Sciences

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Chinese Bridal Makeup and Fashion: A Blend of Modernity and Tradition on The Sangjit Day Wanda Zefanya; Hamidah, Inggrita; Hidayah, Fitriya Nur; Tiara, Desia Nova; Krisnawati, Maria; Ratri, Pramesti Adika; Hidayati, Ratna
Jurnal Tata Rias Vol. 15 No. 1 (2025): Jurnal Tata Rias
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jtr.15.1.08

Abstract

This article examines Chinese bridal makeup and attire in the Sangjit procession as a fusion of modern and traditional elements. Sangjit, which is a proposal tradition in Chinese culture, is not only symbolic of the commitment between families, but also rich in visual symbolism through bridal makeup and attire. This study uses a literature review method, referring to various academic articles from Google Scholar to analyze the philosophy, techniques, and dynamics of aesthetic transformation in the Sangjit procession. The results of the discussion show that both makeup and clothing have undergone significant developments: traditional makeup, which used to be colorful, is now more adaptive to global trends, while clothing such as cheongsam retains classic motifs but is processed with modern cuts and materials. This study also reveals that this combination reflects the cultural strategy of the Chinese community to maintain the continuity of tradition amid the tide of modernization. This research contributes to broadening our understanding of cross-cultural aesthetic practices and offers new insights into how cultural identity is articulated through makeup and fashion. However, this study has limitations due to the lack of primary data, so further research using a field approach is highly recommended.
Chinese Bridal Makeup and Fashion: A Blend of Modernity and Tradition on The Sangjit Day Wanda Zefanya; Hamidah, Inggrita; Hidayah, Fitriya Nur; Tiara, Desia Nova; Krisnawati, Maria; Ratri, Pramesti Adika; Hidayati, Ratna
Jurnal Tata Rias Vol. 15 No. 1 (2025): Jurnal Tata Rias
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jtr.15.1.08

Abstract

This article examines Chinese bridal makeup and attire in the Sangjit procession as a fusion of modern and traditional elements. Sangjit, which is a proposal tradition in Chinese culture, is not only symbolic of the commitment between families, but also rich in visual symbolism through bridal makeup and attire. This study uses a literature review method, referring to various academic articles from Google Scholar to analyze the philosophy, techniques, and dynamics of aesthetic transformation in the Sangjit procession. The results of the discussion show that both makeup and clothing have undergone significant developments: traditional makeup, which used to be colorful, is now more adaptive to global trends, while clothing such as cheongsam retains classic motifs but is processed with modern cuts and materials. This study also reveals that this combination reflects the cultural strategy of the Chinese community to maintain the continuity of tradition amid the tide of modernization. This research contributes to broadening our understanding of cross-cultural aesthetic practices and offers new insights into how cultural identity is articulated through makeup and fashion. However, this study has limitations due to the lack of primary data, so further research using a field approach is highly recommended.
Co-Authors Abdillah, Nanang Dhina Widayati, Dhina Diansisti, Anisa Dina Zakiyyatul Fuadah, Dina Zakiyyatul Fitriyah, Aida Hamidah, Inggrita Hidayah, Fitriya Nur Huda, Moch. Maftuchul Kalmah, Kalmah Maria Krisnawati Marina Kartikawati Nita Ludyanti , Laviana Pratomo, Sunu Arsy Ratri, Pramesti Adika Rizkiyono, Rico Andhika Satriya, Rafdi Ma’ruf Setyorini, Dhiana Sri Astutik, Wahyu Suryono Suryono Tiara, Desia Nova Wa' addulloh, Mu’izzaddin Wahyu Sri Astutik Wanda Zefanya Yunaeni, Helmia Natasha Zeho, Fannidya Hamdani