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All Journal Journal of Language and Literature LADU: Journal of Languages and Education Jurnal Ilmiah Multidisiplin (JUKIM) Jurnal Abdi Masyarakat Multidisiplin
Firstiyanti, Aulia Haris
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Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Journal of Language and Literature

 1 
JOURNAL OF LANGUAGE AND LITERATURE WORD TEMPLATE Firstiyanti, Aulia Haris
Journal of Language and Literature Vol 3, No 2 (2015)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.712 KB)

Abstract

This is a descriptive qualitative research on how English copular clauses in a gothic science fiction novel are translated into Indonesian. The first problem of this research is what kinds of English copular clauses are used by the author, and the second is what kinds of Indonesian clauses are employed in translating them into Indonesian. The researcher chooses the topic since there are no formal correspondence of English copular clauses in Indonesian. The objectives of this research are to classify the English copular clauses used by the author in composing this novel and to identify the kinds of Indonesian clauses employed by the translator. The data are taken from a gothic science fiction novel entitled Frankenstein and its translation. The findings of this research show that, firstly, the predicational clause is the one which is dominantly used by the author to compose this science fiction novel; the precentage of predicational clause is 66%. The second finding is that the translator used two categories of Indonesian clause based on the category of word or phrase which is contributed as predicate to translate English copular clauses. The two categories of Indonesian clauses are noun clause and verb clause; the precentage of noun clause is 10%; on the other hand, the precentage of verb clause is 90%.Keywords: Translation, Indonesian clauses, English copular clause  
SYMBOL OF WESTERN NEO-ORIENTALISM CRITICISM IN “MS. MARVEL” Robingah, Robingah; Firstiyanti, Aulia Haris; Ilafi, Afiliasi; Suyudi, Suyudi; Sari, Mulya
Journal of Language and Literature Vol 11, No 1 (2023)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/jll.2023.v11i1.8093

Abstract

The aim of this article is to construct a critique of Western neo-orientalism through the film medium.  Film is a product of popular culture.  After 9/11, the concept of neo-orientalism emerged in the West, especially in America, which considers everything that is not "Western" to be terrorists, and radicals.  To criticize the concept of neo-orientalism in “Ms.  Marvel” the researchers used the theory of identity from Stuart Hall and Homi Bhabha to get the concept of identity in this series. The concept of identity found is a construction of a critique symbol of Western neo-orientalism. The source of data in this research was a television miniseries entitled “Ms. Marvel” which live on Disney+.  The results of the analysis showed that there are Islamic symbols that appear in this series which are a construction of criticism of the concept of Western neo-orientalism. It can be implied from the result that "Ms.Marvel" is one of the examples of a construction of Neo-Orientalism criticism through the medium of Popular Culture.
SEMIOTIC ANALYSIS OF MOON KNIGHT EPISODE 5: ASYLUM USING PEIRCE'S THEORY OF SIGN Firstiyanti, Aulia Haris; Sentana, Aswarini; Wulandari, Ratna
Journal of Language and Literature Vol 13, No 1 (2025)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/jll.2025.v13i1.14414

Abstract

This research presents a semiotic analysis in an episode of a television series. The objective of this research is to analyze symbols in Moon Knight Episode 5: Asylum using Pierce's triadic model of signs, which consists of Representamen (the form of the sign), Object (the subject the sign refers to), and Interpretant (the meaning generated in the observer's mind). The method used in this research is a descriptive qualitative method through library research. Key symbolic elements, such as the asylum, the goddess Taweret, and the feather of the truth, are examined as signs that carry layered meanings related to identity, guilt, healing, and rebirth. The researchers found and analyzed 10 symbols in the studied episode. This analysis reveals how the episode constructs psychological, mythological, and moral meanings through visual and narrative symbolic signs to represent the main character's inner emotional states. Furthermore, the analyzed episode serves as a powerful example of how visual narration and semiotic structures can merge to explore mental health, identity fragmentation, and the quest for self-acceptance.
Co-Authors Afiliasi Ilafi, Afiliasi Agung Prasetyo Wibowo Ali, Ahmad Jum’a Khatib Nur Amalia, Desthia Dian Wulandari Mulya Sari Nurfatimah , Eva Nurochman Nurochman, Nurochman Ratna Wulandari Robingah Robingah Sari, Wati Purnama Sentana, Aswarini Suyudi , Ichwan Suyudi Suyudi, Suyudi Wulandari , Ratna Yosiana, Meriska