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All Journal HUMANIS Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya LINGUISTIK : Jurnal Bahasa dan Sastra Jurnal Pengabdian Kepada Masyarakat MEMBANGUN NEGERI Suar Betang NOTION: Journal of Linguistics, Literature, and Culture Mimesis Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Jurnal Puan Indonesia Alinea: Jurnal Bahasa, Sastra dan Pengajaran BAHASTRA
Apriyani, Tristanti
Universitas Ahmad Dahlan, Yogyakarta
Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU Nalurita, Baiq Annisa Yulfana; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.4893

Abstract

The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated
KARAKTERISTIK KEBAHASAAN TOKOH PEREMPUAN DAN LAKI-LAKI DALAM FILM PENDEK Cahyani, Via; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5558

Abstract

Research is motivated by the differences in the language used by men and women. Environmental factors and society assume that women are gentle creatures, causing women to be careful about the choice of words in speech. Characteristics of women's language coined by Lakoff (1975) became a reference in this study. The problem discussed in this research is how the characteristics of women's language in the short film Reunian and the characteristics of men's language in the short film Dodit Not Penculik. This study aims to describe the linguistic characteristics of women and men in the two short films. The method used in this paper is descriptive qualitative, and quantitative with the subject of the short film Reunian and the short film Dodit Not The Kidnapper. The data acquisition in this study used the method of observing the free-engagement technique and the note-taking technique. Then the analysis in this study is that women tend to be unsure of their speech because women are very concerned about social norms and protect their self-esteem by using more polite speech.
KARAKTERISTIK KEBAHASAAN TOKOH LAKI-LAKI DAN PEREMPUAN PADA FILM “TEKA-TEKI TIKA” KARYA ERNEST PRAKASA Rupidara, Indar; Apriyani, Tristanti
MIMESIS Vol. 4 No. 1 (2023): JANUARI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i1.7159

Abstract

This research focuses on the language features of the male and female characters in the film “Teka Teki Tika” by Ernest Prakasa. The author presents a characteristic description of the language of male and female characters in films based on Lakoff's theory. In this study, the authors used a qualitative descriptive method with careful observation techniques in obtaining data. The purpose of this study is to describe and identify the language features of the male and female characters in the film "Teka Teti Tika" by Ernest Prakasa. The results of the analysis show that there are six linguistic characteristics found in male and female characters based on Lakoff's theory, namely (1) empty adjectives; (2) hedge; (3) intensifier; (4) super polite form; (5) tag question; and (6) avoidance of strong swear word. The most dominant linguistic feature used in this film is the term super polite form where the female character uses the term with the highest frequency compared to the male character.
Eksistensi Perempuan Jawa dalam Novel "Mei Hwa dan Sang Pelintas Zaman" Karya Afifah Afra Apriyani, Tristanti; Safitri, Febi Nurul
Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Vol 11, No 1 (2022): Bahasa, Sastra, dan Pengajaran
Publisher : Universitas Suryakanca

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (307.264 KB) | DOI: 10.35194/alinea.v11i1.1797

Abstract

Dalam artikel ini akan dibahas eksistensi perempuan Jawa yang  bukan sekedar pelengkap atau “kanca wingking” saja, melainkan memiliki posisi dan peran yang sama dengan laki-laki. Afifah Afra menggambarkan tokoh utama dalam novel sebagai perempuan yang memaknai eksistensinya sebagai perempuan Jawa. Penelitian dilakukan dengan menggunakan teori eksistensialisme Simone De Beauvoir. Penelitian berupaya untuk mendeskripsikan keterlibatan tokoh perempuan Jawa dalam memperjuangkan eksistensi dirinya. Teknik pengumpulan data dilakukan dengan teknik dokumentasi dan studi kepustakaan. Sementara itu, teknik analisis data dilakukan dengan cara menyeleksi, mengklasifikasi, menafsirkan, memaknai data, dan menarik kesimpulan. Keabsahan data diperoleh melalui validitas semantik, validitas referensial, dan reliabilitas intrarater. Hasil penelitian menunjukkan bahwa novel memberikan gambaran kondisi perempuan Jawa yang eksistensinya begitu kompleks, sebagai individu, sebagai anggota keluarga, dan sebagai anggota masyarakatKatakunci: eksistensi; perempuan Jawa; Simone De Beauvoir; novel  Abstract:This article will discuss the existence of Javanese women who are not just complementary or “kanca wingking”, but have the same position and role as men. Afifah Afra describes the main character in the novel as a female character who interprets her existence as a Javanese woman. This research was conducted using Simone De Beauvoir's existentialism theory. This study attempts to describe the involvement of Javanese female characters in fighting for their existence. Data collection techniques were carried out by using documentation techniques and a literature study. Meanwhile, data analysis techniques were carried out by selecting, classifying, interpreting, interpreting the data, and drawing conclusions. The validity of the data was obtained through semantic validity, referential validity, and interrater reliability. The results of the study show that the novel provides a description of the condition of Javanese women whose existence is very complex, as individuals, as family members, and as members of society.Keywords: existence; Javanese women; Simone De Beauvoir; novel 
PEMBELAJARAN BAHASA INDONESIA MELALUI PEMANFAATAN SASTRA ANAK PADA SANGGAR BELAJAR DI MALAYSIA Apriyani, Tristanti; Daulay, Resneri; Jaya, Patria Handung
PUAN INDONESIA Vol. 5 No. 2 (2024): Vol. 5 No. 2 (2024): Jurnal Puan Indonesia Vol 5 No 2 Januari 2024
Publisher : ASOSIASI IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/jpi.v5i2.183

Abstract

Sanggar Belajar (SB) yang dibina oleh Pimpinan Cabang Istimewa Muhammadiyah (PCIM) Malaysia yaitu SB Kampung Pandan dan SB Kampung Bahru memiliki beberapa permasalahan terkait pembelajaran Bahasa Indonesia. Pembelajaran bahasa Indonesia dinilai terlalu monoton yang disebabkan oleh kurangnya penggunaan media pembelajaran. Tentu saja persoalan ini dapat diupayakan pemecahan masalahnya salah satunya dengan pemberian pengayaan bagi siswa dan pelatihan bagi pengajar di SB Kampung Pandan dan SB Kampung Bahru Malaysia agar dapat mengoptimalkan pembelajaran bahasa Indonesia. Kedua kegiatan tersebut bertujuan untuk mengoptimalkan pembelajaran bahasa Indonesia bagi anak-anak Indonesia yang ada di Malaysia. Pembelajaran bahasa Indonesia dengan memanfaatkan sastra anak yang dikemas dalam bentuk video animasi terbukti mampu membuat pembelajaran bahasa Indonesia menjadi menyenangkan dan tidak monoton. Di samping itu, siswa memiliki pengalaman belajar berbeda dari biasanya dan lebih mudah mengenal serta mengingat kosa kata bahasa Indonesia yang baru mereka pelajari. Para pengajar di kedua sanggar belajar tersebut sangat mengharapkan diadakan kembali kegiatan pelatihan sejenis untuk menambah pengetahuan baru dan mengasah kreatifitas mereka dalam kegiatan belajar mengajar.
Citra Perempuan dalam Novel Laut Bercerita karya Leila S. Chudori: Image of Women in Sea Story Novel by Leila S. Chudori Mardiana, Elke Aulia Putri; Apriyani, Tristanti
Kibas Cenderawasih Vol. 20 No. 1 (2023): Kibas Cenderawasih, April 2023
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/kc.v20i1.399

Abstract

This study aims to describe the dominant image of women depicted in the novel Laut Bercerita by Leila S Chudori. The problem that arises in this study is how is the image of a female character named Asmara Jati in the novel Laut Bercerita by Leila S Chudori. This research includes the type of qualitative descriptive research. The data were taken from reading the novel Laut Bercerita by Leila S Chudori in the form of words and direct and indirect sentences. Data collection techniques in this study were carried out using the read-and-note method. The data is then identified and analyzed based on the theory of feminist literary criticism from Ruthven's perspective. In this article, the image of female characters is found, including self-image and social image. Women's self-image consists of physical and psychological images. In the physical image, Asmara Jati is described as a young, assertive woman. In the psychic image of Asmara Jati, it is described as a woman with a stable psyche, tough, intelligent, brave, compassionate, and caring. Meanwhile, the social image consists of the family and society. The image in the family of Asrama Jati figures as a child, a younger sibling, and a family member with a high sense of caring and love for their parents. Meanwhile, the image in the Asmara Jati community is that of a woman who is active, caring, responsible, and a driving force for the Commission on Missing Persons.
Power relations in the novel My Name is Alam by Leila S. Chudori Apriyani, Tristanti; Rosly, Nurul Jamillah Bt.
NOTION: Journal of Linguistics, Literature, and Culture Vol. 6 No. 1 (2024): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v6i1.10184

Abstract

Exploring discursive formations in literary works allows researchers to analyze how language and discourse shape meaning, power dynamics, and cultural ideologies within a specific literary context. Understanding the discursive formations in literary works is crucial for comprehending the historical and social context in which these works were produced. This research aims to describe the forms and representations of power relations in the novel My Name is Alam by Leila S. Chudori. This is qualitative descriptive research where the data is interpreted using the genealogical and archaeological analysis methods promoted by Foucault. This method aims to uncover and understand hidden power dynamics in various aspects of human life. The research results prove that the author's statements were spread across various formations and became material for discussion. Two forms of power relations are being discussed; the first is the New Order government's practice of authoritarian power in its various policies, which limits human rights. Second, there is resistance from marginalized groups, namely political prisoners and their families. This form of resistance is an effort by marginalized groups to fight for equality and justice. The New Order government in Indonesia constructed a discourse to create a simulated space to legitimize its power within national memory politics. This simulated world is a blend of reality and fantasy constantly reproduced. As a result, the actual reality becomes obscured, and the symbols created are perceived as reality.
IDENTITAS BUDAYA TORAJA DALAM NOVEL PUYA KE PUYA KARYA FAISAL ODDANG Apriyani, Tristanti
MIMESIS Vol. 1 No. 1 (2020): JANUARI 2020
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v1i1.1534

Abstract

Pengarang menggunakan cara yang berbeda-beda dalam menyampaikan makna sebuah budaya yang diamatinya. Ada pengarang yang menyampaikannya secara langsung dan terbuka, namun ada juga yang menyampaikan melalui representasi tanda atau simbol. Mengutip rumusan budaya yang dikemukakan Collier (1994: 36-44) bahwa budaya merupakan seperangkat sistem simbol, makna dan norma yang ditransmisikan secara historis. Ketiga perangkat sistem tersebut nantinya akan membentuk sebuah identitas kebudayaan. Tulisan ini bertujuan untuk mengkaji identitas budaya Toraja yang tergambar dalam novel Puya ke Puya karya Faisal Oddang. Kekayaan estetika etnografi dalam novel Puya ke Puya dikaji dengan pendekatan antropologi sastra. Oddang menggambarkan konsepsi magis orang Toraja ke dalam tiga simbol, yaitu Puyya, Pohon Tarra, dan Tongkonan. 
Feminine Mystique dalam Novel Home Sweet Loan Karya Almira Bastari Agustina, Nina; Apriyani, Tristanti; Dongyun, Jang
MIMESIS Vol. 6 No. 2 (2025): JULI 2025
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v6i2.14097

Abstract

Karya sastra yang bertemakan kehidupan perempuan metropolitan mencerminkan upaya pencarian identitas dan keberanian dalam menunjukkan aktualisasi perempuan, salah satunya adalah novel Home Sweet Loan karya Almira Bastari. Penelitian ini bertujuan untuk menganalisis aktualisasi perempuan melalui tokoh Tanish dengan menggunakan perspektif Feminine Mystique Betty Friedan. Penelitian ini merupakan studi deskriptif kualitatif dengan instrumen pedoman analisis isi yang disusun oleh peneliti. Teknik analisis data dilakukan melalui tiga tahap: reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa tokoh Tanish merepresentasikan perempuan modern yang terjebak dalam konstruksi sosial patriarkal yang membatasi pilihan dan aktualisasi diri. Meskipun memiliki pendidikan tinggi dan karier yang cemerlang, Tanish tetap dibebani peran domestik sebagai istri, ibu, dan menantu. Pergulatannya mencerminkan dilema perempuan dalam memenuhi ekspektasi publik dan privat, sebagaimana diuraikan oleh Friedan dalam konsep Feminine Mystique. Kesimpulan dari penelitian ini menunjukkan bahwa aktualisasi perempuan sering kali dibentuk oleh kompromi terhadap norma-norma sosial yang membatasi. Novel ini membuka ruang refleksi terhadap dilema perempuan dalam struktur patriarki modern. Kontribusi penelitian ini terletak pada penerapan teori Feminine Mystique dalam kajian sastra populer Indonesia.
Representation of Human Rights Violation in The Novels by Leila S. Chudori Apriyani, Tristanti; Lixian, Xiao; Daulay, Resneri
BAHASTRA Vol. 45 No. 2 (2025): BAHASTRA: In Progress
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v45i2.1461

Abstract

Many authors use the theme of human rights in literature to highlight and address social issues. Similarly, Leila S. Chudori explores human rights violations in her novels Pulang (2012), Laut Bercerita (2017), and Namaku Alam (2023). This study analyzes the depiction of human rights abuses in these works as reflections of social realities during Indonesia's New Order era, employing new historicism theory. Using a qualitative descriptive approach, data were collected through reading, recording, and literature review. To ensure validity, semantic checks were applied, while reliability was confirmed through intrarater and interrater methods. Data analysis combined archaeological method and thick description techniques. The findings reveal that Chudori's novels effectively depict various human rights violations experienced during the New Order period,  such as political imprisonment, enforced disappearances, censorship, or state violence to give readers a clearer understanding of the study's scope offering critical insight into the era's social and political context. This study contributes by illuminating how Indonesian literary narratives reinterpret New Order history, thereby bridging historical memory dan cultural expression.
Co-Authors Aisyah Akhlaqul Karimah Baiq Annisa Yulfana Nalurita Cahyani, Via Daulay, Resneri Dongyun, Jang Elvira Rachmasari Aulia Jaya, Patria Handung Mardiana, Elke Aulia Putri Nalurita, Baiq Annisa Yulfana Nina Agustina, Nina Nur Putriana Yuliawati Pratiwi, Wista Ayu Resneri Daulay Rosly, Nurul Jamillah Bt. Rupidara, Indar Safitri, Febi Nurul sapanti, intan rawit Sulastri, Yosi Via Cahyani Wibowo, Arif Ardy Xiao Lixian Xiao Lixian