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All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Martabe : Jurnal Pengabdian Kepada Masyarakat LINGUISTIK : Jurnal Bahasa dan Sastra Jurnal Pengabdian Kepada Masyarakat MEMBANGUN NEGERI Suar Betang NOTION: Journal of Linguistics, Literature, and Culture Mimesis COMMICAST Lingua Susastra Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Jurnal Puan Indonesia Alinea: Jurnal Bahasa, Sastra dan Pengajaran BAHASTRA Jurnal Pembelajaran Bahasa dan Sastra
Apriyani, Tristanti
Universitas Ahmad Dahlan, Yogyakarta
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Mimesis

 1 
HOMO SACER ORANG PEGATEN DALAM NOVEL KUBAH KARYA AHMAD TOHARI (PERSPEKTIF GIORGIO AGAMBEN) Pratiwi, Wista Ayu; Apriyani, Tristanti
MIMESIS Vol. 1 No. 2 (2020): JULI 2020
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v1i2.2489

Abstract

Ahmad Tohari is a writer who created a novel based on the historical events of his people. One of Ahmad Tohari's novels which is the focus of this research study is the Kubah novel. The involvement of Karman in the communist party turned out to change his life. Referring to the formulation of Giorgio Agamben (1998) about modern biopolitics, the depiction of the life of the character Karman in the Kubah novel, is very much in accordance with the concept of Homo sacer and bare lofe proposed by Agamben. By using descriptive analysis methods, this study aims to analyze the concepts of bare life and homo sacers which are reflected in the Karman character in Ahmad Tohari's Kubah novel. Karman figure becomes a homo sacer who has an identity as a pegaten hamlet resident, but he feels he does not get his rights as a hamlet resident. The change in Karman's self as an innocent, religious and devout individual, until becoming an atheist, was a process of bare life.
TRADISI KEPUNGAN TUMPENG TAWON DESA MANGUNWENI KECAMATAN AYAH KABUPATEN KEBUMEN: KAJIAN FOLKLOR Sulastri, Yosi; Apriyani, Tristanti
MIMESIS Vol. 2 No. 2 (2021): JULI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i2.4328

Abstract

This research is motivated by the existence of oral literature on the tradition of the tumpeng wasp siege that has not been documented in Mangunweni Village, Ayah District, Kebumen Regency. Oral literature has information that can be utilized by the public. Through documentation, this information can be opened and used so that the objectives of describing oral literature, deciphering the value of oral literature, and identifying the function of oral literature can be achieved. The theory used in this research is the theory of the function of folklore by William R. Bascom and the theory of folklore proposed by Ruth Finnegan that oral literature has value in the phenomenon of human culture. The formal object of this research is the form, function, and value of oral literature. The material object in this study is oral literature in the tradition of the tumpeng wasp siege of the people of Mangunweni Village, Ayah District, Kebumen Regency. The analysis technique used is qualitative data analysis conducted by induction. The results obtained from this study are: 1) the oral literature of the tumpeng tawonsiege tradition is a type of oral tradition in the form of myths and folk beliefs; 2) the values contained in the tumpeng wasp siege tradition consist of divine values, harmony between humans, equality between humans, diversity, sincerity, unyielding, usefulness to others, and concern in achieving goals; 3) the tumpeng wasp siege tradition has a function as a projection system, as a tool for ratifying cultural institutions and institutions, as an educational tool (pedagogical device), and as a coercive and supervisory tool so that community norms will always be obeyed by members.
JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU Nalurita, Baiq Annisa Yulfana; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.4893

Abstract

The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated
KARAKTERISTIK KEBAHASAAN TOKOH PEREMPUAN DAN LAKI-LAKI DALAM FILM PENDEK Cahyani, Via; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5558

Abstract

Research is motivated by the differences in the language used by men and women. Environmental factors and society assume that women are gentle creatures, causing women to be careful about the choice of words in speech. Characteristics of women's language coined by Lakoff (1975) became a reference in this study. The problem discussed in this research is how the characteristics of women's language in the short film Reunian and the characteristics of men's language in the short film Dodit Not Penculik. This study aims to describe the linguistic characteristics of women and men in the two short films. The method used in this paper is descriptive qualitative, and quantitative with the subject of the short film Reunian and the short film Dodit Not The Kidnapper. The data acquisition in this study used the method of observing the free-engagement technique and the note-taking technique. Then the analysis in this study is that women tend to be unsure of their speech because women are very concerned about social norms and protect their self-esteem by using more polite speech.
KARAKTERISTIK KEBAHASAAN TOKOH LAKI-LAKI DAN PEREMPUAN PADA FILM “TEKA-TEKI TIKA” KARYA ERNEST PRAKASA Rupidara, Indar; Apriyani, Tristanti
MIMESIS Vol. 4 No. 1 (2023): JANUARI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i1.7159

Abstract

This research focuses on the language features of the male and female characters in the film “Teka Teki Tika” by Ernest Prakasa. The author presents a characteristic description of the language of male and female characters in films based on Lakoff's theory. In this study, the authors used a qualitative descriptive method with careful observation techniques in obtaining data. The purpose of this study is to describe and identify the language features of the male and female characters in the film "Teka Teti Tika" by Ernest Prakasa. The results of the analysis show that there are six linguistic characteristics found in male and female characters based on Lakoff's theory, namely (1) empty adjectives; (2) hedge; (3) intensifier; (4) super polite form; (5) tag question; and (6) avoidance of strong swear word. The most dominant linguistic feature used in this film is the term super polite form where the female character uses the term with the highest frequency compared to the male character.
IDENTITAS BUDAYA TORAJA DALAM NOVEL PUYA KE PUYA KARYA FAISAL ODDANG Apriyani, Tristanti
MIMESIS Vol. 1 No. 1 (2020): JANUARI 2020
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v1i1.1534

Abstract

Pengarang menggunakan cara yang berbeda-beda dalam menyampaikan makna sebuah budaya yang diamatinya. Ada pengarang yang menyampaikannya secara langsung dan terbuka, namun ada juga yang menyampaikan melalui representasi tanda atau simbol. Mengutip rumusan budaya yang dikemukakan Collier (1994: 36-44) bahwa budaya merupakan seperangkat sistem simbol, makna dan norma yang ditransmisikan secara historis. Ketiga perangkat sistem tersebut nantinya akan membentuk sebuah identitas kebudayaan. Tulisan ini bertujuan untuk mengkaji identitas budaya Toraja yang tergambar dalam novel Puya ke Puya karya Faisal Oddang. Kekayaan estetika etnografi dalam novel Puya ke Puya dikaji dengan pendekatan antropologi sastra. Oddang menggambarkan konsepsi magis orang Toraja ke dalam tiga simbol, yaitu Puyya, Pohon Tarra, dan Tongkonan. 
Feminine Mystique dalam Novel Home Sweet Loan Karya Almira Bastari Agustina, Nina; Apriyani, Tristanti; Dongyun, Jang
MIMESIS Vol. 6 No. 2 (2025): JULI 2025
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v6i2.14097

Abstract

Karya sastra yang bertemakan kehidupan perempuan metropolitan mencerminkan upaya pencarian identitas dan keberanian dalam menunjukkan aktualisasi perempuan, salah satunya adalah novel Home Sweet Loan karya Almira Bastari. Penelitian ini bertujuan untuk menganalisis aktualisasi perempuan melalui tokoh Tanish dengan menggunakan perspektif Feminine Mystique Betty Friedan. Penelitian ini merupakan studi deskriptif kualitatif dengan instrumen pedoman analisis isi yang disusun oleh peneliti. Teknik analisis data dilakukan melalui tiga tahap: reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa tokoh Tanish merepresentasikan perempuan modern yang terjebak dalam konstruksi sosial patriarkal yang membatasi pilihan dan aktualisasi diri. Meskipun memiliki pendidikan tinggi dan karier yang cemerlang, Tanish tetap dibebani peran domestik sebagai istri, ibu, dan menantu. Pergulatannya mencerminkan dilema perempuan dalam memenuhi ekspektasi publik dan privat, sebagaimana diuraikan oleh Friedan dalam konsep Feminine Mystique. Kesimpulan dari penelitian ini menunjukkan bahwa aktualisasi perempuan sering kali dibentuk oleh kompromi terhadap norma-norma sosial yang membatasi. Novel ini membuka ruang refleksi terhadap dilema perempuan dalam struktur patriarki modern. Kontribusi penelitian ini terletak pada penerapan teori Feminine Mystique dalam kajian sastra populer Indonesia.
Luka yang Berbicara Lewat Diam: Representasi Trauma dalam Novel Satine Karya Ika Natassa Utaminingsih, Maharani Tri; Apriyani, Tristanti; Ainul Fajriani, Baiqainul; An, Yeonu
MIMESIS Vol. 7 No. 1 (2026): JANUARI 2026
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v7i1.15162

Abstract

Kekuatan sastra terletak pada kemampuannya menghubungkan pengalaman pribadi dengan makna universal, sehingga trauma menjadi lebih mudah dipahami dan diterima dalam konteks sosial maupun psikologis. Penelitian ini bertujuan untuk menganalisis pengalaman traumatis melalui tokoh Satine dan Ash dalam novel Satine karya Ika Natassa. Menggunakan pendekatan teori trauma modern yang digagas oleh Cathy Caruth. Penelitian ini merupakan studi deskriptif  kualitatif. Teknik analisis data dilakukan melalui tiga tahap: reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa novel Satine karya Ika Natassa menghadirkan representasi trauma secara kompleks melalui narasi yang terfragmentasi dan penuh simbol melalui potongan-potongan ingatan yang muncul tiba-tiba dan tidak berurutan. Penggunaan metafora, simbol, serta pengulangan adegan dan pertanyaan menjadi strategi naratif untuk menggambarkan luka psikologis yang sulit diungkapkan secara langsung. Trauma dalam novel ini tampak bekerja melalui keheningan, keterputusan bahasa, dan pergeseran emosi, sehingga cerita menjadi tidak linear dan sering kali melompat-lompat. Dengan demikian, novel Satine tidak hanya menampilkan trauma sebagai tema, tetapi juga sebagai metode penceritaan yang mengacaukan kohesi narasi dan memunculkan pengalaman pembacaan yang penuh ketegangan emosional.
Co-Authors Ainul Fajriani, Baiqainul Aisyah Akhlaqul Karimah An, Yeonu Aulia, Elvira Rachmasari Cahyani, Via Daulay, Resneri Dongyun, Jang Elvira Rachmasari Aulia Handung Jaya, Patria Hasyim Salengke, Taufiqurrahman Jaya, Patria Handung Li, Hanyu Mardiana, Elke Aulia Putri Nalurita, Baiq Annisa Yulfana Nina Agustina, Nina Nur Putriana Yuliawati Nurdiawan, Indra Pratiwi, Wista Ayu Resneri Daulay Rosly, Nurul Jamillah Bt. Rupidara, Indar Safitri, Febi Nurul sapanti, intan rawit Sari, Emilda Mayang Sofiana, Ayu Sulastri, Yosi Utaminingsih, Maharani Tri Via Cahyani Wibowo, Arif Ardy Xiao Lixian Xiao Lixian Yuliawati, Nur Putriana