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Journal : CALL

APPLICATION OF AN ADAPTATION APPROACH THROUGH NARRATIVE COMPARISONS IN THE NOVEL AND FILM TWILIGHT Hartati, Yolla Ajeng; Kustanti, Dewi; Permanaludin, Udayani
CALL Vol 6, No 1 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i1.24074

Abstract

In the realm of fine arts, it is common for one form of art to draw inspiration from another, a process known as transformation. This research focuses on the film adaptation of literary works, examining the ecranization of novels into films and the use of adaptation theory to convert novel texts into visual films while preserving the essence of the novel as a hypogram. The study employs a qualitative descriptive method, utilizing close reading and close viewing techniques. It classifies the transformations using Pamusuk Eneste's ecranization (1991) approach and Seymour Chatman's interpretation theory (2018) of the change process in novels and films. The findings reveal that films often include additional stories to convey the setting more explicitly. Although various settings are altered, these changes are justified as it is often impractical to visually depict the atmosphere detailed in the novel. The introduction of new characters in the film aligns with the expanded plot, necessitating the inclusion of characters absent in the novel. Additionally, the visualization of characters in the film undergoes modifications, yet remains consistent with the novel's descriptions. Backgrounds are condensed to fit the film's plot, resulting in the omission of some novel locations in the film adaptation.Keyword: transformation, ecranization, novel, film, twilight
FLOUTING MAXIM IN EMMA WATSON’S “BEING 30 AND HAPPILY SINGLE” BRITISH VOGUE INTERVIEW Rahayu, Yulia; Kustanti, Dewi; Fauzi, Erfan Muhammad
CALL Vol. 4 No. 2 (2022): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v4i2.16998

Abstract

This study was done to find out more about how a person talks. Conversations between two or more people are usually inseparable from mistakes, uncooperative actions and often exceed expectations. Therefore, an observation in an interview between Paris Lee and Emma Watson is intended to examine the flouting maxim in the speeches made. This research uses qualitative methods with Grice’s supporting theories cooperative principle and flouting maxim. Several data are included in the flouting maxim, namely four data flouting maxim of quantity, three data flouting maxim of quality, four data flouting maxim of manner, and two data flouting maxim relation. From the data analysis, it can be known that the flouting maxim arises when one of the participants, Watson and Paris, insert implied meaning into their speech until they were not cooperative during the interview. Keywords: flouting maxim, cooperative principle, utterance, conversation, interview
APPLICATION OF AN ADAPTATION APPROACH THROUGH NARRATIVE COMPARISONS IN THE NOVEL AND FILM TWILIGHT Hartati, Yolla Ajeng; Kustanti, Dewi; Permanaludin, Udayani
CALL Vol. 6 No. 1 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i1.24074

Abstract

In the realm of fine arts, it is common for one form of art to draw inspiration from another, a process known as transformation. This research focuses on the film adaptation of literary works, examining the ecranization of novels into films and the use of adaptation theory to convert novel texts into visual films while preserving the essence of the novel as a hypogram. The study employs a qualitative descriptive method, utilizing close reading and close viewing techniques. It classifies the transformations using Pamusuk Eneste's ecranization (1991) approach and Seymour Chatman's interpretation theory (2018) of the change process in novels and films. The findings reveal that films often include additional stories to convey the setting more explicitly. Although various settings are altered, these changes are justified as it is often impractical to visually depict the atmosphere detailed in the novel. The introduction of new characters in the film aligns with the expanded plot, necessitating the inclusion of characters absent in the novel. Additionally, the visualization of characters in the film undergoes modifications, yet remains consistent with the novel's descriptions. Backgrounds are condensed to fit the film's plot, resulting in the omission of some novel locations in the film adaptation.Keyword: transformation, ecranization, novel, film, twilight