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COMPARATIVE STUDY ON THE INTRINSIC ELEMENTS OF THE HOBBIT NOVEL AND MOVIE SCRIPT Winanda Ayu Ningtyas; Udayani Permanaludin; Dedi Sulaeman
CALL Vol 1, No 1 (2019): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v1i1.8805

This research analyzes the comparison of intrinsic elements in the novel and the movie script The Hobbit. this work tells about unexpected adventures. A long journey is one of man's biggest dreams. Break away from the comfort of life, explore the uncharted world, without a definite purpose and guarantee a safe return. This is what make decided them Bilbo, Gandalf, and thirteen Dwarves to meet Smaug, the giant dragon inhabiting the Silent Mountain. In this research, researchers used the Racmat Ddjoko Pradopo theory. Pradopo explained that structuralism is a structure with elements that are closer and every element that has meaning in relation to other elements. The researcher used the comparative method because the object under study was a comparative literary work. In analyzing the data, the researcher analyzed the quotes in the novel that were in accordance with the topic and also the theory used. This study aims to analyze the similarities and differences in intrinsic elements in the novels and scripts of the film The Hobbit. it can be seen that the intrinsic element plays an important role in building the story so that it is conveyed by the reader.Keywords: The Hobbit, Structuralism, Intrinsic Elements, Comparative Studies, Similarities and Differences.

Denotation of color in Trolls Movie by Mike Mitchell (a Semiotic Study Base on Roland Barthes) Ririn Kirana; Udayani Permanaludin
CALL Vol 2, No 2 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i2.9447

This journal concerns symbols in Trolls Movie by Mike Mitchell. This theme was chosen by the author because the author knows that denotation is examined in the science of signs known as semiotics. Semiotics is part of the study of literature, with symbols that can be anywhere and anytime included in a film. Most of all people watch movies as mere entertainment, without paying attention to other things that come from the show, such as denotation. Here, the author intends to explore how many color denotations in a film, because of their unlimited use. Based on the background of the problem above, the writer chose the film from Mike Mitchell, the Troll film to be analyzed as an object of research. There is one problem statement that the writer found. That is the question of color denotation in the film Troll. Of the three problem statements above, it will be analyzed using two-phase significance by Roland Barthes. By using this theory, denotation will emerge on its own.

The Kinds of Personality Disorders of The Main Character in Inside Out Movie Script Firman Nur Zaman; Udayani Permanaludin
CALL Vol 2, No 1 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i1.8763

Movie script is a narrative literary wok that has intrinsic elements in it, that the intrinsic elements are theme, setting, point of view, plot, moral value, and last but not least are character and characterization. Movie script that are visualized into movies are categorized as modern dramas. Nowdays, the movie is used as a medium of entertainment and as a medium for delivering messages. This research aims to find two things, that is the personality disorders experienced by the main character in “Inside Out” movie script by Pete Docter. In this research, the researcher uses Sigmun Freud’s psychoanalytic theory (1923), and assisted by other supporting theories. The result of the research found that there were eight types of personality disorders of ten types of personality disorders. This research uses DSM-V (2013) as a reference for discussion of personality disorders.Keywords: Personality Disorder, Main Character, Inside Out Movie, Riley, Author, Dialogue, Narration.

Strategies of English Literature Teaching at English Literature Undergraduate Program at Sunan Gunung Djati State Islamic University Udayani Permanaludin
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol 14, No 1 (2017): al-Tsaqafa: Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v14i1.1799

This research is originated in a wide gap between literature knowledge and didactic-methodical realm for those literary lectures at the research site. In fact, the method of English literary teaching is contextually considered being urgent to implement in the world of literary education. The teaching of English literature, so far, is under the shadows of English teaching since it becomes a global language. Hence, the teaching of English litearture has a broad domain to research. As a trend lasting in the global education in modern age, it is necessary to learn and research strategies of English literary teaching practiced within the classrooms.Such a research used a descriptive-qualitative method. The research data were collected through three techniques: observation, interview, and documents. The results of the three techniques are triangulated to be an intact information on the literary teaching, so-called primary data. The data analysis techniques used in this research, later on, are data identification, data categorization, data analysis and interpretation, and conclusion. The result shows that seven respondents (lecturers) still used expocitory approach with the formal methods (lecturing, question-answer, group discussion) in their English literary teaching. They have not applied explorative method in which learning-based approach focuses on the students in the literary teaching. However, there are six difficulties (problem) in the teaching of English literature and thirteen solution to overcome those ptoblems based on the observation and interview data.

The Use of Reference by the Characters in Midnight in Paris Movie Rangga Satya Ramadhan Bratha Sena; Andang Saehu; Udayani Permanaludin
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol 10, No 1 (2022): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Liter
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v10i1.2475

In a conversation, it must have a meaning or purpose in the form of a message and it is interrelated. This study aims to identifying the reference categories that are often used and to analyze the construction of reference in film Midnight in Paris. The method used in this study is a qualitative approach that use descriptive analysis. The data collected from the film were then analyzed descriptively. The result shows that the most dominant type of reference used in film is Name and referent. In a film the mention of a name either a place name or a person's name is a normal and frequent phenomenon moreover that 'name' would be the best word to use in order to make identify or refers to something or someone successful and from a person's name and place name. It can refer or interpret the meaning intended in a person's utterance to the listener. Furthermore, a listener or reader can find out the intent of the speaker or the sender of the message which must have a relationship with each other. Furthermore, the researcher found that the way to construct the reference in the movie is by looking at the nouns or verbs that are present in the conversation, such as proper names, indefinite nouns or definite nouns, if in the sentence there are elements that have been mentioned, it can be said that the sentence is said included in the reference.Keywords: message; meaning;reference;identify

IDEAL ROMANCE FORMULA IN THE MOVIE SCRIPT OF EMMA (2020) AND PERSUASION (2022): COMPARATIVE LITERATURE Yasmin Rifdah Luthfiah; Hasbi Assiddiqi; Udayani Permanaludin
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.24820

Romance movie scripts are one of the most popular types of popular literature. But most fans don't know that in a work of popular literature there is a formula that is quite important because it influences the plot of the story and helps the audience to understand more about the story. Examples of romance movie scripts that have this formula are Emma (2020) and Persuasion (2022). This research will discuss the ideal romance formula in the movie scripts Emma (2020) and Persuasion (2022) using Radway's ideal romance formula theory and comparative literature theory. The purpose of this study is to find out the differences of the ideal romance formula in the movie scripts of Emma (2020) and Persuasion (2022). This research is qualitative research with a comparative descriptive research method. The results obtained from this research are that Emma fulfills 10 out of 13 functions with the 4th, 5th, and 10th functions which are not fulfilled. Meanwhile, Persuasion also fulfills 10 out of 13 functions with the 3rd, 4th, and 10th functions which are not fulfilled. This is due to the theme of romance which is raised differently. Emma (2020) has the theme from best friends to lover, while Persuasion (2022) has the theme from ex to lover.

The Use of Reference by the Characters in Midnight in Paris Movie Rangga Satya Ramadhan Bratha Sena; Andang Saehu; Udayani Permanaludin
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 10 No. 1 (2022): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v10i1.2475

In a conversation, it must have a meaning or purpose in the form of a message and it is interrelated. This study aims to identifying the reference categories that are often used and to analyze the construction of reference in film Midnight in Paris. The method used in this study is a qualitative approach that use descriptive analysis. The data collected from the film were then analyzed descriptively. The result shows that the most dominant type of reference used in film is Name and referent. In a film the mention of a name either a place name or a person's name is a normal and frequent phenomenon moreover that 'name' would be the best word to use in order to make identify or refers to something or someone successful and from a person's name and place name. It can refer or interpret the meaning intended in a person's utterance to the listener. Furthermore, a listener or reader can find out the intent of the speaker or the sender of the message which must have a relationship with each other. Furthermore, the researcher found that the way to construct the reference in the movie is by looking at the nouns or verbs that are present in the conversation, such as proper names, indefinite nouns or definite nouns, if in the sentence there are elements that have been mentioned, it can be said that the sentence is said included in the reference.Keywords: message; meaning;reference;identify

APPLICATION OF AN ADAPTATION APPROACH THROUGH NARRATIVE COMPARISONS IN THE NOVEL AND FILM TWILIGHT Hartati, Yolla Ajeng; Kustanti, Dewi; Permanaludin, Udayani
CALL Vol 6, No 1 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i1.24074

In the realm of fine arts, it is common for one form of art to draw inspiration from another, a process known as transformation. This research focuses on the film adaptation of literary works, examining the ecranization of novels into films and the use of adaptation theory to convert novel texts into visual films while preserving the essence of the novel as a hypogram. The study employs a qualitative descriptive method, utilizing close reading and close viewing techniques. It classifies the transformations using Pamusuk Eneste's ecranization (1991) approach and Seymour Chatman's interpretation theory (2018) of the change process in novels and films. The findings reveal that films often include additional stories to convey the setting more explicitly. Although various settings are altered, these changes are justified as it is often impractical to visually depict the atmosphere detailed in the novel. The introduction of new characters in the film aligns with the expanded plot, necessitating the inclusion of characters absent in the novel. Additionally, the visualization of characters in the film undergoes modifications, yet remains consistent with the novel's descriptions. Backgrounds are condensed to fit the film's plot, resulting in the omission of some novel locations in the film adaptation.Keyword: transformation, ecranization, novel, film, twilight

ANALISIS KARAKTER TOKOH UTAMA DALAM NOVEL “TO KILL A MOCKINGBIRD” KARYA HARPER LEE Reni Puspitasari Sekarjadi; Udayani Permanaludin; Yoyo Thoyib
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 7 No. 02 (2024): Desember 2024
Publisher : Indonesian language and literature education program Majapahit Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36815/matapena.v7i02.3586

This research aims to analyze the character and characterization of the main characters, focusing on how the writer presents them and how conflicts influence their development. The study employs relevant theories, particularly Sumardjo and Saini's theory of characterization (1988: 44) and Brooks and Warren's theory of plot (1959: 682). The research follows a descriptive method to explore the character and characterization of the main characters, with data gathered from dialogue exchanges, actions, stream of consciousness, responses from other characters, setting, and physical descriptions linked to the conflict. The findings demonstrate that the conflict leads to a transformation in the characterization of the main character, shifting from negative to positive traits. It is hoped that the results of this study will contribute to further research on character and characterization in novels, providing readers with a clearer understanding of character development. Keywords: Characterization, Conflict, Character Development.

THE EXCESS OF GOTHIC IN EDGAR ALLAN POE’S SHORT STORIES AND ABDULLAH HARAHAP’S MANUSIA SERIGALA Rida Aulia Yasmin; Pepen Priyawan; Udayani Permanaludin
Lire Journal (Journal of Linguistics and Literature) Vol. 9 No. 1: Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v9i1.431

Gothic literature has been studied through various lens. However, the study about gothic literature through the lens of gothic excess has not explored. Therefore, this article will discuss about gothic excess comparatively. Gothic writing is considered as writing excess. This excess means a negativity or something that is constructed as a negative. In this context, criminal behavior depicted through the characterization is included to excess of gothic. This criminal behavior is appeared in Edgar Allan Poe’s short stories titled “The Tell-Tale Heart” and “The Black Cat” and Abdullah Harahap’s novel titled Manusia Serigala. These works have similarity in the characterization in order depicted the criminal behavior. It is depicted through the action of the characters murdering other character. The background of this action is depicted differently. In Poe’s works, the action is based on how the characters seeing to other character, while in Harahap’s novel, the Indonesian culture of believing in mystic creature and unnatural ability is involved in portraying the gothic excess. In this article, the researchers will focus on how the characterization portraying excess of gothic in “The Tell-Tale Heart”, “The Black Cat”, and Manusia Serigala using gothic excess theory by Fred Botting. The research is qualitative research. The data is collected from a formal document named short stories anthology and a novel by close-reading and will be analyzed comparatively. The result is the characterization depicted in “The Tell-Tale Heart”, “The Black Cat”, and Manusia Serigala is portraying the excess of gothic. The characterization in these works is considered as criminal behavior that is included as gothic excess.

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