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All Journal Diseminasi : Jurnal Pengabdian kepada Masyarakat Narada : Jurnal Desain dan Seni Jurnal IPTEK Bagi Masyarakat Jurnal Dimensi DKV Seni Rupa dan Desain Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Journal of Social Humanities and Education: Scripta Humanika
HARYADI, Ekananda
Universitas Trisakti
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Mechanical Engineering Physics Public Health Social Sciences

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PENINGKATAN KUALITAS ARTISTIK LINGKUNGAN MELALUI MEDIA MURAL DI RPTRA KELURAHAN KRENDANG, JAKARTA BARAT Elda FRANZIA; Yosua Reydo RESPATI; Ekananda HARYADI
Diseminasi: Jurnal Pengabdian kepada Masyarakat Vol. 3 No. 1 (2021)
Publisher : Pusat Pengabdian kepada Masyarakat- LPPM Universitas Terbuka

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Community Service activity held by Trisakti University, Faculty of Art and Design, Visual Communication Design Program, through Multi 2-1 Program Theme “The Enhancement of Knowledge and Environment Quality Training“ in Kelurahan Krendang, Kecamatan Tambora, West Jakarta. The Multi Program is prime program from Community Service Agency of Trisakti University, and one of them located at Kelurahan Krendang. The Environmentally Friendly Integrated Public Space (RPTRA) is an open space area functioned as the center of social activity in Kelurahan Krendang including sports and social community activites. RPTRA Krendang in under development and has many blank wall spaces functioned as activity limit area. This program aims in to improve the quality of environment and develop man power creative quality in Kelurahan Krendang. The program’s target is orange troops and the Karang Taruna youngsters at Kelurahan Krendang with trainer from lecturer and students of Visual Communication Design Program. The program’s participants are 16 men with age range 20-40 years old. The method are three activities stages which are (1) training with lecture, discussion, and Q&A method, (2) lecture of mural making procedures, (3) mural making practice with sketching techniques. The results are 7 (seven) wall area painted in mural with variative and creative images made by participants. Kegiatan Pengabdian kepada Masyarakat ini dilaksanakan oleh Universitas Trisakti, Fakultas Seni Rupa dan Desain, Program Studi Desain Komunikasi Visual melalui program Multi 2-1 dalam tema besar “Peningkatan Pengetahuan dan Pelatihan Perbaikan Kondisi Lingkungan” di Kelurahan Krendang, Kecamatan Tambora, Jakarta Barat. Program Multi merupakan program unggulan yang dikelola oleh Lembaga Pengabdian Masyarakat Universitas Trisakti dan salah satunya berlokasi di Kelurahan Krendang. Ruang Publik Terpadu Ramah Lingkungan (RPTRA) merupakan ruang terbuka yang menjadi pusat aktivitas masyarakat di Kelurahan Krendang, termasuk kegiatan olah raga dan kegiatan sosial masyarakat. Kondisi RPTRA Krendang belum terolah dan memiliki banyak area dinding kosong yang juga berfungsi sebagai batas area kegiatan. Kegiatan ini bertujuan untuk perbaikan kualitas lingkungan dan pengembangan kreativitas sumber daya manusia di Kelurahan Krendang. Sasaran kegiatan adalah pasukan oranye dan remaja Karang Taruna di Kelurahan Krendang. Pelatihan diikuti oleh 16 orang peserta dengan rentang usia 20-40 tahun dengan pemateri dosen dan mahasiswa Program Studi Desain Komunikasi Visual. Metode pelatihan dilakukan dalam beberapa tahapan kerja yaitu (1) pelatihan dengan metode ceramah, diskusi, dan tanya jawab, (2) penyuluhan tahapan kerja pembuatan mural, (3) praktik pembuatan mural dengan teknik sketsa langsung. Hasil dari kegiatan ini adalah 7 (tujuh) area dinding yang terolah menjadi mural dengan gambar-gambar yang variatif dan kreatif yang dibuat oleh para peserta pelatihan.
DISTORSI SEJARAH DAN PERSEPSI VISUAL: STUDI KASUS ANIMASI POCAHONTAS Virginia Suryani Setiadi; Ekananda Haryadi; Anisha Melanie Yuniar S; Wegig Murwonugroho
Narada : Jurnal Desain dan Seni Vol 10, No 2 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i2.004

Abstract

As a form of children's literature, animated films are reflective illustrations of real life whose consumers are segmented as children. However, children's literary production is often ambivalent. The reason is that children's literature must arouse the imagination (in order to fulfill the elements of literature) while depicting real life that represents facts (in order to fulfill the requirements for reflection and representation of life). If animation is used to retell past history, then the major premise narrated by the animation must be representative of actual events (valid in terms of the information source). This research seeks to achieve two things, namely: discussing the extent of historical distortion in the Pocahontas animation as literature, and revealing the audience's meaning of the message content in the Pocahontas animation. This research was carried out qualitatively using the structuralism semiotic analysis method introduced by Ferdinand de Saussure. The results of this research reveal that the historical reconstruction in the Pocahontas animation is indeed distorted. However, this deviation is still at a normal stage as children's literature. The Pocahontas animation does not qualify as a historical reconstruction. It only qualifies as children's literature intended for entertainment purposes. Moreover, there is the addition of the wrong romantic element. According to a semiotic analysis of audience perception, this distortion is not a serious problem for viewers in Indonesia (who incidentally do not know the historical events behind the character Pocahontas). Meanwhile, for Americans, especially native Americans, this distortion is an ethical problem that literary producers and critics need to pay attention to.
Kekuatan Genggaman : Golok Ciomas Simbol Kehormatan dan Tradisi Haryadi, Ekananda; Wardoyo, Bambang Tri; Riyanti, Menul Teguh; Murwonugroho, Wegig; Haura, Nazzalla Izzabelle; Azizan, Ahamad Tarmizi
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6792

Abstract

The Ciomas Golok is one of Banten’s intangible cultural heritage items, carrying profound historical, philosophical, and social meaning. More than a traditional weapon, it represents identity, honor, and the spirit of resistance against colonial rule. This study explores the origins and genealogy of the Ciomas Golok, analyzes the philosophy of “grip strength” encompassing physical, mental, and spiritual dimensions, and explains its role as a symbol of honor within Banten society. The research also examines its transformation in the modern era and compares it with other traditional weapons in the Nusantara and abroad. A qualitative method with a cultural ethnographic framework was applied. The research took place in Ciomas District, Serang Regency, as well as in museums, traditional markets, and cultural festivals. Data collection involved participant observation, in-depth interviews with blacksmith masters, community leaders, cultural figures, and youth, supported by literature documentation. Data analysis employed semiotics and symbolic anthropology, with validity maintained through triangulation of sources, methods, and theories. Findings show that the Ciomas Golok dates back to the Banten Sultanate era, evolving from an agricultural tool and weapon of resistance into a cultural artifact and creative economic commodity. The philosophy of “grip strength” highlights holistic values the golok as a symbol of honor, responsibility, and solidarity. Its continuing presence underscores the urgency of preservation. The study concludes that safeguarding the Ciomas Golok requires collaboration among blacksmiths, local communities, government, and academics to ensure its ongoing relevance as both a cultural emblem and an expression of Indonesian national identity.
Estetisasi Kesedihan dalam Konten Digital: Analisis Humaniora atas Ekspresi Emosional di Era Budaya Digital Daniel Marlasputra Simbolon; Ekananda Haryadi
Jurnal Sosial Humaniora dan Pendidikan Vol 1 No 2 (2025): November: Jurnal Sosial Humaniora dan Pendidikan: Scripta Humanika
Publisher : CV SCRIPTA INTELEKTUAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65310/zzwbrw75

Abstract

This study explores the phenomenon of aestheticizing sadness in digital content as a form of emotional expression in the digital culture era. Using a qualitative approach and content analysis methods on academic literature and humanities theory, this study maps aesthetic practices in visual, narrative, and communal dimensions. The results show that digital content emphasizing sadness functions as a means of emotional communication that allows individuals to express themselves while building intense and collective social interactions. This aesthetics of sadness creates an immersive experience that strengthens online community solidarity and shapes a flexible yet consistent digital identity. These findings contribute to the understanding of digital humanities, sociology of emotions, and cultural studies by emphasizing the importance of aesthetics as a mechanism of interpretation and social interaction in the virtual world. This study recommends further research on the psychological, social, and cultural implications of the aestheticization of emotions in digital media.
Pemberdayaan Masyarakat Pedesaan Melalui Pelatihan Anyaman Bambu dan Pemasaran Digital untuk Pertumbuhan Ekonomi yang Berkelanjutan Harris Effendi; Dida Nurhaida; Ekananda Haryadi
Jurnal IPTEK Bagi Masyarakat Vol 4 No 3 (2025)
Publisher : Ali Institute of Research and Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55537/j-ibm.v4i3.1116

Abstract

Program pelatihan kerajinan anyaman bambu di Desa Sikulan, Jiput, Pandeglang, Banten, bertujuan untuk memberdayakan masyarakat melalui peningkatan keterampilan teknis dan kewirausahaan berbasis potensi lokal. Kegiatan ini dilatarbelakangi oleh rendahnya pemanfaatan bambu sebagai komoditas ekonomi, meskipun ketersediaannya melimpah di lingkungan desa. Metode yang digunakan adalah Participatory Rural Appraisal (PRA), dengan pendekatan partisipatif dalam perencanaan, pelaksanaan, dan evaluasi kegiatan. Pelatihan dilakukan dalam tiga tahap, yaitu sosialisasi kewirausahaan; pelatihan teknis anyaman bambu dan pemasaran digital; serta evaluasi hasil. Sebanyak 20 peserta terlibat aktif dalam pelatihan ini dan menunjukkan antusiasme tinggi, dengan tingkat kehadiran mencapai 95%. Materi yang diberikan mencakup teknik dasar anyaman, desain produk, penggunaan media sosial untuk promosi, dan perencanaan usaha sederhana. Hasil evaluasi menunjukkan peningkatan signifikan pada skor pre-test dan post-test keterampilan, serta kualitas produk kerajinan yang dihasilkan. Total lebih dari 50 produk diciptakan peserta, dan satu kelompok usaha baru terbentuk pasca pelatihan. Selain itu, akun Instagram @sinar.sikulan berhasil dibuat sebagai etalase digital produk. Pelatihan ini tidak hanya meningkatkan keterampilan teknis masyarakat, tetapi juga mendorong munculnya peluang ekonomi baru dan memperkuat identitas budaya lokal melalui strategi ekonomi kreatif. Kesimpulannya, pelatihan ini efektif dalam meningkatkan kapasitas masyarakat dan dapat direplikasi sebagai model pemberdayaan desa yang berkelanjutan.
Perancangan Media Infografis SOP Keselamatan Kerja (K3) Pada Lingkungan Industri Manufaktur Daniel M Simbolon; Bambang Tri Wardoyo; Meily Cristina; Ekananda Haryadi; Menul Teguh Riyanti; Wegig Murwonugroho; Yosua Reydo Respati; Dikdik Adikara Rachman; Tommy Hari Prihatanto; Leonardus Aryo Gitoprakoso Widyarto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.8640

Abstract

Occupational Health and Safety (OHS) is a crucial aspect in manufacturing industries due to the high risk of workplace accidents caused by heavy machinery, chemical substances, and intensive production activities. Companies usually provide Standard Operating Procedures (SOP) as safety guidelines; however, SOPs are often delivered in long textual formats that are less engaging, making workers reluctant to read or difficult to understand quickly. This study aims to design an infographic-based SOP media as an effective visual communication tool to improve workers’ understanding of safety procedures. The research applies a qualitative method with a design approach through workplace observation, interviews with HSE personnel, literature review, and design validation using questionnaires. The results produce infographic media in the form of posters and signage presenting PPE usage procedures, hazard warnings, and evacuation steps using safety color codes, icons, and readable typography. The conclusion indicates that infographic SOP media is more effective than text-based SOP because it improves readability, comprehension, and workers’ memory of safety procedures.
LOGO AZKO DALAM PERSPEKTIF SEMIOTIKA ROLAND BARTHES: KONSTRUKSI IDENTITAS VISUAL MELALUI REBRANDING: AZKO Logo in the Perspective of Roland Barthes’ Semiotics: Constructing Visual Identity through Rebranding Harris Effendi; Ekananda Haryadi
Jurnal Dimensi DKV: Seni Rupa dan Desain Vol. 10 No. 2 (2025): Jurnal Dimensi DKV Seni Rupa dan Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jdd.v10.i2.24153

Abstract

AZKO Logo in the Perspective of Roland Barthes’ Semiotics: Constructing Visual Identity through Rebranding. This study examines the AZKO logo through Roland Barthes’ semiotic framework, focusing on three layers of meaning: denotation, connotation, and myth. Using a qualitative approach, the analysis explores visual elements capital, which are letters “AZ” and “KO,” the red dot, and the dominant use of red that constructs meanings beyond their graphic form. Findings reveal that the logo functions not only as a visual identity but also as a symbolic medium representing completeness, collaboration, openness, and adaptability. The rebranding from Ace Hardware Indonesia to AZKO illustrates a strategic shift that communicates efficiency, courage, and professionalism, while producing myths of modernity and local independence. Academically, this research contributes to visual semiotics by highlighting logos as ideological communication tools. Practically, it provides insights for companies seeking to reinforce local identity through rebranding. Future research is encouraged to explore culture-based logo designs, conduct global-local rebranding comparisons, and investigate consumer perception to better understand public interpretations.
PERANCANGAN IDENTITAS VISUAL OBJEK WISATA CURUG LUHUR SUKABUMI SEBAGAI STRATEGI PENGUATAN CITRA MELALUI PENDEKATAN DESIGN THINKING: DESIGNING THE VISUAL IDENTITY OF CURUG LUHUR TOURISM DESTINATION IN SUKABUMI AS A STRATEGY FOR IMAGE ENHANCEMENT THROUGH A DESIGN THINKING APPROACH Harris Effendi; Dida Nurhaida; Fajar Rezandi; Erin Valencia; Ekananda Haryadi
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 8 No. 3 (2025): Jurnal Seni dan Reka Rancang
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v8i3.24821

Abstract

Designing The Visual Identity Of Curug Luhur Tourism Destination In Sukabumi As A Strategy For Image Enhancement Through A Design Thinking Approach. Tourism destinations require strong and consistent visual identities to communicate their unique character and enhance recognition among visitors. Curug Luhur, a natural attraction in Sukabumi, currently lacks a coherent logo, tagline, and visual guideline, resulting in weak brand visibility. This research aims to strengthen the image of Curug Luhur tourism destination through the design of a visual identity using the Design Thinking approach. The study was conducted collaboratively with local residents and village authorities, following the stages of empathize, define, ideate, prototype, and test. The final design, featuring waterfall and foliage elements in turquoise tones, effectively reflects the natural charm of Curug Luhur. A perception test involving 30 respondents yielded over 85% positive responses in terms of aesthetics, readability, and meaning relevance. The resulting visual identity guideline serves as a strategic tool to ensure communication consistency and reinforce destination branding. Beyond visual outputs, this research also contributed to enhancing community capacity in creative visual promotion and supporting the growth of local creative economy initiatives related to tourism.
Co-Authors Anisha Melanie Yuniar S Azizan, Ahamad Tarmizi Daniel M Simbolon Daniel Marlasputra Simbolon Dida Nurhaida Dikdik Adikara Rachman Elda Franzia Erin Valencia Fajar Rezandi Harris Effendi Haura, Nazzalla Izzabelle Leonardus Aryo Gitoprakoso Widyarto Meily Cristina Menul Teguh Riyanti Menul Teguh Riyanti, Menul Teguh Tommy Hari Prihatanto Virginia Suryani Setiadi Wardoyo, Bambang Tri Wegig Murwonugroho Yosua Reydo Respati, Yosua Reydo