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Pemberdayaan Masyarakat Pedesaan Melalui Pelatihan Anyaman Bambu dan Pemasaran Digital untuk Pertumbuhan Ekonomi yang Berkelanjutan Effendi, Harris; Nurhaida, Dida; Haryadi, Ekananda
Jurnal IPTEK Bagi Masyarakat Vol 4 No 3 (2025)
Publisher : Ali Institute of Research and Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55537/j-ibm.v4i3.1116

Abstract

The bamboo weaving craft training program in Sikulan Village, Jiput, Pandeglang, Banten, aims to empower the community by enhancing technical and entrepreneurial skills based on local potential. This initiative is driven by the underutilization of bamboo as an economic commodity, despite its abundant availability in the village environment. The method used is Participatory Rural Appraisal (PRA), applying a participatory approach in the planning, implementation, and evaluation stages. The training was conducted in three phases: entrepreneurship socialization; technical training on bamboo weaving and digital marketing; and outcome evaluation. A total of 20 participants were actively involved and showed high enthusiasm, with an attendance rate of 95%. The training materials covered basic weaving techniques, product design, social media use for promotion, and simple business planning. Evaluation results indicated a significant improvement in pre-test and post-test scores, as well as in the quality of the craft products produced. More than 50 products were created by participants, and one new business group was formed after the training. Additionally, the Instagram account @sinar.sikulan was successfully launched as a digital showcase for the products. This training not only enhanced the community’s technical skills but also encouraged the emergence of new economic opportunities and strengthened local cultural identity through creative economy strategies. In conclusion, the training effectively increased community capacity and can be replicated as a sustainable village empowerment model.
Kekuatan Genggaman : Golok Ciomas Simbol Kehormatan dan Tradisi Haryadi, Ekananda; Wardoyo, Bambang Tri; Riyanti, Menul Teguh; Murwonugroho, Wegig; Haura, Nazzalla Izzabelle; Azizan, Ahamad Tarmizi
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6792

Abstract

The Ciomas Golok is one of Banten’s intangible cultural heritage items, carrying profound historical, philosophical, and social meaning. More than a traditional weapon, it represents identity, honor, and the spirit of resistance against colonial rule. This study explores the origins and genealogy of the Ciomas Golok, analyzes the philosophy of “grip strength” encompassing physical, mental, and spiritual dimensions, and explains its role as a symbol of honor within Banten society. The research also examines its transformation in the modern era and compares it with other traditional weapons in the Nusantara and abroad. A qualitative method with a cultural ethnographic framework was applied. The research took place in Ciomas District, Serang Regency, as well as in museums, traditional markets, and cultural festivals. Data collection involved participant observation, in-depth interviews with blacksmith masters, community leaders, cultural figures, and youth, supported by literature documentation. Data analysis employed semiotics and symbolic anthropology, with validity maintained through triangulation of sources, methods, and theories. Findings show that the Ciomas Golok dates back to the Banten Sultanate era, evolving from an agricultural tool and weapon of resistance into a cultural artifact and creative economic commodity. The philosophy of “grip strength” highlights holistic values the golok as a symbol of honor, responsibility, and solidarity. Its continuing presence underscores the urgency of preservation. The study concludes that safeguarding the Ciomas Golok requires collaboration among blacksmiths, local communities, government, and academics to ensure its ongoing relevance as both a cultural emblem and an expression of Indonesian national identity.