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THE IDEOLOGICAL MEANING BEHIND THE SHIFT IN WOMEN'S POSITION IN DOKA NIKISI'E VILLAGE Angelius Chrisantho Marician Sile; Ni Made Wiasti; I Wayan Suardiana
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p01

Di'i Dhano is a form of marriage system that follows the mother's lineage in Doka Nikisi'e Village. According to this system, a woman inherits all the property of the family in which she lives. However, this marriage system has begun to shift at this time. Even though the matrilineal structure and customary symbolism glorify women, authority, leadership and and access to knowledge about customs, law, politics and technology are dominated by men. This research aims to reveal the causing factors and the hidden ideology of the shift in the position of women in the matrilineal marriage system in Doka Nikisi'e village. This research applies qualitative methods through participant observation, in-depth interviews, and documentation study. Data obtained is analysed critically by feminist theories, namely nature and nurture, liberal feminism, and psychoanalytic theory. The results of this study indicate that the factors causing the shift in women's position include internal and external factors. The hidden ideologies behind the shift in women's positions include patriarchy, masculinity, and power relations. Keywords: Di’i Dhano, ideological, meaning, women’s position

THE STRUGGLE OF IDEOLOGY IN THE SPIRITUALITY OF BALINESE SOCIETY IN THE MIDDLE AGE: A CRITICAL DISCOURSE ANALYSIS I Wayan Gede Wisnu; I Wayan Cika; A.A. Ngurah Anom Kumbara; Ni Made Wiasti
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p02

This paper is a description of the ideological struggle in the spirituality of Balinese society in the middle Bali Period which was articulated through discourse as a discursive. The choice of such a topic departs from a perception of the typology of Balinese society which is assumed to have spiritual stability, but instead experiences ideological struggles in this realm as indicated by the phenomenon of the middle Bali period. The phenomenon of spirituality is elaborated as a problem which includes the form and the implications of ideological struggles in the spirituality of the Balinese people of the Middle Bali Period. The explanation of the variables in this paper uses critical discourse theory which refers to Foucault's view. The results of the study reveal that the forms of the spirituality of Balinese society in the middle Bali Period include strengtheningteachings of Shiva and strengthening the Shiva-Buddhist concept. Meanwhile, the implications of the struggle include appreciation of the authority of Shiva Sidhanta's teachings and degradation of cognition of "Shiva Bhujangga" teachings. Keywords: the struggle of ideology, spirituality, Balinese society, and the Middle Bali Period

FACTORS THAT AFFECTING WOMEN'S STRUGGLE IN ACHING ECHELON POSITIONS IN THE LOCAL GOVERNMENT OFFICES OF NORTH SULAWESI PROVINCE Dwianita Conny Palar; I Ketut Ardhana; Ni Made Wiasti; I Nyoman sukiada
E-Journal of Cultural Studies Vol 16 No 2 (2023): Volume 16 Number 2 May 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i02.p03

Every civil servant has the same opportunity to get a position to improve their career, including employees in the North Sulawesi Provincial Government Office. The structural position is a very strategic position for anyone who can reach the position. However, it is not uncommon to find gender inequality in a community group that can affect every employee in reaching the position. As for this study, it can be understood that there are several factors that cause an imbalance in occupying echelon positions. The existing factors are divided into internal factors that come from within the employee, and external factors that come from outside the employee and influence them to develop themselves, especially for female employees. All of these factors are expected to create gender equality in the Regional Government of North Sulawesi. Keywords: Women's struggle, Minahasa culture, local government

TRANSFORMATION OF GONDANG SABANGUNAN TRADITIONAL MUSIC INTO UNING-UNINGAN MODERN MUSIC AT THE BATAK TOBA ETHNIC TRADITIONAL CEREMONY IN DENPASAR CITY Rianti Simbolon; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p04

The practice of using music at the Batak Toba ethnic traditional ceremony in Denpasar city has transformed. The transformation was from gondang sabangunan traditional music into uning-uningan modern music. Furthermore, uning-uningan modern music dominated or used more often rather than gondang sabangunan traditional music in Denpasar city. The main factor which causes this transformation is there are no artists who are able to use gondang sabangunan traditional ensemble music. The aims of this study are to know the causes of the transformation of gondang sabangunan traditional music into uning-uningan modern music, the forms of the transformation of gondang sabangunan traditional music into uning-uningan modern music, to figure out the implication of the transformation of gondang sabangunan traditional music into uning-uningan modern music. The results showed that the transformation occurred because of the internal factors which consist of economic factors, artists’ creativity factors, the lack of understanding of the Batak Toba gondang traditional, and the lack of cultural transmission to the young generation. Otherwise, the external factors consist of globalization factors, and pop culture factors. The transformation forms of gondang sabangunan traditional music into uning-uningan modern music such as the formation transformation of music instruments, the transformation in using repertoire types, the position transformation of the musicians, the transformation of execution time, and the musician’s identity transformation. The implications of the transformation of gondang sabangun traditional music into uning-uningan modern music are the fading of gondang traditional music, switching functions into entertainment, the artists are more concerned with material, and the young generation is less familiar with gondang traditional music. Keywords: transformation, gondang sabangunan traditional music, uning-uningan modern

PATRIARCHAL CULTURAL REPRESENTATION IN THE PROTESTANT CHRISTIAN CHURCH COMMUNITY IN BALI (GKPB) Made Narawati; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p03

The Protestant Christian Church in Bali (GKPB) is the largest Protestant Church in Bali. The Protestant Christian Church in Bali (GKPB), in determining the number of strategic officials, refers to the 2014 Church Order regarding membership in Article 107 paragraph 1, 8 (eight) people elected at the Synod session must consist of at least 2 female elements and 1 youth element . Complete Synod Council Personnel (MSL-GKPB) Head of Departments and Chair of Special Institutions, 2016-2020 period, totaling 30 people; 27 men (90%), while only three women (10%). The patriarchal culture is very strong in determining strategic positions in GKPB resulting in male domination in leadership structures and policies that tend to be gender biased. With qualitative methods and using the Theory of Power-Knowledge Relationships Michel Foucault, According to Foucault, knowledge and power have a reciprocal relationship. Continuous violation of power will create a form of knowledge, and vice versa, the administration of knowledge will have an effect on power. The second is Pierre Bourdieu's Structural theory, which describes how symbolic violence and the division of roles in society shape habitus. Keywords: Representation, Patriarchy, Symbolic Violence

IMPLICATIONS OF HAROA TRADITIONAL PRACTICES IN RELIGIOUS LIFE OF MUNA PEOPLE IN MUNA DISTRICT Rahmat Sewa Suraya; A.A. Ngurah Anom Kumbara; Ida Bagus Gde Pujaastawa; Ni Made Wiasti
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p04

This study aims to reveal and explain the representation of religious values ??in the practice of haroa and the relationship between cultural practices (haroa) in the diversity of the Muna people. This study uses ethnographic methods with qualitative analysis. Empirically, this research finds that in their daily life, the Muna people make religion and culture coexist in the midst of their religious social activities. Traditions and cultures that live earlier in society actually already have civilization and social rules so that when Islam developed in the life order of the Muna people there was not much change. This tradition becomes a medium in broadcasting and teaching the values ??of virtue in the teachings of Islam. The haroa tradition carried out by the Muna people from generation to generation when commemorating the Muslim holidays is the most effective medium in teaching all the commands and prohibitions of Allah SWT. The haroa tradition supports the Islamic ideology of the Muna community that hansuru-hansuru adhati, soano konohansuru, which implies that even though customs and traditions are destroyed, religion must not be destroyed. The haroa tradition for the Muna community is to emphasize always making the principles of Islam a life shield so that in every activity they always represent the values ??of Islamic teachings. Key words: Islam, tradition, haroa, civilization, practice

TRIGGERED FACTORS OF GRINGSING TENGANAN DOUBLE IKAT COMMODIFICATION IN THE GLOBALIZATION ERA Ida Ayu Kade Sri Sukmadewi; A.A. Ngurah Anom Kumbara; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 15 No 1 (2022): Volume 15, Number 1, February 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i01.p02

The double woven cloth of Gringsing, Tenganan, Karangasem Bali serves as a ritual medium in traditional, religious, marriage activities, is sacred, and weaving skills are inherited from generation to generation (habitus) from their ancestors. Globalization and the entry of the tourism industry have influenced the development of the Gringsing double ikat fabric. Development is carried out by commodifying form and meaning, so as to create products with new meanings. The purpose of this study is to identify and understand the factors that cause the commodification of double ikat fabrics in Gringsing Tenganan, Karangasem in the era of globalization. This study used descriptive qualitative method. The techniques used in data collection, namely observation techniques, in-depth interview techniques, and document studies. The collected data were analyzed using analytical techniques, verified (data display), and concluded in narratives, tables, photos, and charts. The theory used in this research is the commodification theory of Barker and Piliang. The results of the study, namely the commodification of double ikat fabrics in Gringsing Tenganan, Karangasem in the era of globalization occurred due to internal and external factors. Internal factors that support the commodification of the Gringsing double ikat fabric are the economic orientation of the Tenganan community, the orientation of equality and freedom of life as well as ideology and outlook on life. External factors such as globalization and tourism development in Tenganan Pagringsingan Village, Karangasem. Keywords: commodification, gringsing double ikat, globalization

CAUSE FACTORS SYMBOLIC RESISTANCE OF GRAPHIC DESIGNERS IN DENPASAR CITY I Ketut Sutarwiyasa; I Nyoman Darma Putra; A.A. Ngurah Anom Kumbara; Ni Made Wiasti
E-Journal of Cultural Studies Vol 14 No 3 (2021): Volume 14, Number 3, August 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i03.p01

The discourse of "free design" that was introduced by printing companies as a form of strategy in dealing with business competition, has caused controversy in the graphic design field. Indirectly, this discourse is considered to be able to influence the mindset of the community and become a negative stigma against the graphic designer profession, and the discourse is considered to be a threat to the continuity of the graphic designer profession.This study aims to answer the factors that cause resistance. The study data were taken from observation, social media, and interviews, and analyzed using Michel Foucault's power relation theory and Norman Fairclough's theory of critical discourse analysis. Keywords: hidden transcripts, symbolic resistance, graphic designer, free design

CITRA DIRI REMAJA PEREMPUAN BERTATO DI KOTA DENPASAR Karenza, Brainiola Abitha; Ni Made Wiasti; Nanang Sutrisno
Triwikrama: Jurnal Ilmu Sosial Vol. 4 No. 7 (2024): Triwikrama: Jurnal Ilmu Sosial
Publisher : Cahaya Ilmu Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6578/triwikrama.v4i7.4928

ABSTRAK Citra diri adalah bagaimana seseorang memandang dirinya sendiri, baik secara fisik maupun keseluruhan. Pandangan ini dapat berasal dari pendapat dan pandangan orang lain (persepsi sosial) atau dari diri sendiri (konsep diri). Citra diri dalam penelitian ini adalah citra diri remaja perempuan bertato. Remaja perempuan bertato umumnya tidak selalu mengekspresikan tatonya secara terbuka kecuali dalam lingkungan pergaulannya. Sebaliknya, mereka tidak selalu berani mengekspresikan diri secara terbuka di lingkungan keluarga ataupun lingkungan sosial di wilayah tempat tinggalnya. Artinya, cara remaja perempuan mengekspresikan tato di tubuhnya juga mempertimbangkan citra dirinya di depan keluarga atau masyarakat sekitarnya. Hal tersebut juga memunculkan berbagai macam pandangan-pandangan tentang remaja perempuan bertato dari keluarga maupun masyarakat sekitar. Penelitian ini berfokus pada cara remaja perempuan mengekspresikan tato kepada keluarga dan masyarakat serta pandangan dari para keluarga dan masyarakat terhadap remaja perempuan bertato. Penelitian ini menggunakan Teori realitas sosial oleh Peter L. Berger dan Thomas Luckmann, serta Teori etnometodologi oleh Garfinkel. Penelitian ini menggunakan jenis data kualitatif dengan pendekatan studi kasus. Teknik pengumpulan data dalam penelitian ini menggunakan teknik observasi partisipasi, wawancara, dan studi pustaka. Data dianalisis melalui Teknik tematik etnografi. Berdasarkan hasil penelitian ini, remaja perempuan bertato mengekspresikan dirinya melalui tiga bentuk, yakni ekspresi eksibisionis yaitu pengekspresian secara terbuka, lalu ekspresi ekslusif atau tersembunyi, dan ekspresi situasional yang di mana remaja perempuan bertato dapat mengekspresikan tergantung dari situasi sekitar. Hal tersebut menimbulkan pandangan positif, negative, dan netral dari keluarga dan masyarakat. Keluarga dan masyarakat yang memandang positif menyatakan bahwa tato yang dibuat oleh remaja perempuan adalah sebuah seni yang indah sedangkan beberapa menganggap tato merupakan sesuatu yang bertentangan dengan norma sosial dan tidak pantas dipakai pada tubuh perempuan. Adapun pandangan netral dimana mereka memberikan kebebasan tetapi hal tersebut harus dapat dipertanggung jawabkan oleh remaja perempuan yang bertato. Kata Kunci : Citra Diri, Remaja Perempuan, Tato ABSTRACT Self-image is how a person views themselves, both physically and overall. This view can come from the opinions and views of others (social perception) or from oneself (self-concept). The self-image in this study is the self-image of teenage girls with tattoos. Teenage girls with tattoos generally do not always express their tattoos openly except in their social circle. Conversely, they do not always dare to express themselves openly in the family environment or social environment in the area where they live. This means that the way adolescent girls express tattoos on their bodies also considers their self-image in front of their families or surrounding communities. This also raises a variety of views about teenage girls with tattoos from their families and surrounding communities. This research focuses on how adolescent girls express tattoos to their families and communities as well as the views of families and communities towards tattooed adolescent girls. This research uses social reality theory by Peter L. Berger and Thomas Luckmann, and ethnomethodology theory by Garfinkel. This research uses qualitative data with a case study approach. Data collection techniques in this study used participant observation techniques, interviews, and literature studies. Data were analyzed through ethnographic thematic techniques. Based on the results of this study, tattooed female teenagers express themselves through three forms, namely exhibitionist expression, namely open expression, then exclusive or hidden expression, and situational expression where tattooed female teenagers can express depending on the surrounding situation. This led to positive, negative, and neutral views from the family and community. Families and communities who view positively state that tattoos made by teenage girls are a beautiful art while some consider tattoos to be something that is against social norms and inappropriate to wear on women's bodies. As for the neutral view where they give freedom but it must be accountable by teenage girls who have tattoos. Keywords: Self-Image, Adolescent Girls, Tattoos

Dinamika Penyelesaian Skripsi Mahasiswa S1 FIB Universitas Udayana di Tengah Pandemi COVID-19 Maniku, Andre Aditya; Ni Made Wiasti; Aliffiati, Aliffiati
J-CEKI : Jurnal Cendekia Ilmiah Vol. 4 No. 3: April 2025
Publisher : CV. ULIL ALBAB CORP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jceki.v4i3.8986

Pandemi COVID-19 yang melanda sejak awal 2020 membawa dampak signifikan terhadap berbagai aspek, termasuk pendidikan tinggi. Peralihan dari pembelajaran tatap muka ke sistem daring menciptakan tantangan baru, terutama bagi mahasiswa yang sedang menyelesaikan skripsi. Penelitian ini bertujuan mengkaji: 1) hambatan yang dihadapi oleh mahasiswa strata satu Fakultas Ilmu Budaya Universitas Udayana dalam proses penyusunan skripsi selama pandemi, 2) strategi adaptif yang mereka terapkan. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan teknik observasi, wawancara, dokumentasi, dan studi pustaka. Teori Level Adaptasi dan Teori Tindakan Talcott Parsons digunakan untuk menganalisis respons mahasiswa terhadap perubahan dan tekanan yang muncul. Hasil penelitian menunjukkan bahwa mahasiswa menghadapi kendala akses informasi, keterbatasan komunikasi dengan dosen pembimbing secara daring, serta tekanan psikologis akibat ketidakpastian situasi pandemi. Untuk mengatasi hambatan ini, mahasiswa memanfaatkan teknologi komunikasi, mencari sumber literatur digital, dan menerapkan strategi adaptasi secara mandiri agar tetap dapat menyelesaikan skripsi di tengah kondisi yang penuh tantangan.

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