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Indian Influences on Balinese Culture : The Role of Hinduism and Buddhism in Present Day Bali Ardhana, I Ketut; Wijaya, I Nyoman
International Research Journal of Management, IT & Social Sciences Vol 4 No 1: January 2017
Publisher : IJCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21744/irjmis.v4i1.360

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Indian culture has dominantly influenced the Indonesian people, particularly in the western part of the archipelago. This, which started centuries ago, can still be seen in the peoples’ daily lives in social, cultural, economic and political matters. Both the Hindu and Buddhist lessons have been practiced in Bali, although it is argued that the Buddhist lessons had been developed earlier than the Hindu ones. These developments have strongly characterized Balinese daily life, so, it is very important to understand how the people anticipate and solve some crucial issues regarding the processes of modernization and globalization. There are some important questions that need to be addressed on the Indian influences in strengthening the Balinese culture from the earlier periods until the modern and even postmodern times. In this case, the specific questions are: Firstly, how did the Balinese accept these two lessons in their daily lives in the context of Balinization processes? Secondly, what kinds of tangible and intangible cultures of the Hindu and Buddhist lessons can be seen in the present day Bali? Thirdly, how do they strengthen the Bali identity or Balinization,  known as “Ajeg Bali”? Through this analysis, it is expected to have a better understanding of the issues of social, cultural, economic and political changes in Indonesia in general and Bali in particular in modern and postmodern times.
PEMERINTAHAN PUSAT DAN SWAPRAJA: MASALAH SENTRALISASI DAN DESENTRALISASI Ardhana, I Ketut
Jurnal Masyarakat dan Budaya Vol 7, No 2 (2005)
Publisher : P2KK LIPI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (77.43 KB) | DOI: 10.14203/jmb.v7i2.226

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This paper discusses the historical process in the context of the government system in Nusa Tenggara. This paper particularly analyses the bargaining position of the people of Nusa Tenggara in gaining the status of their region as a province. Indeed, the name of Nusa Tenggara as a region in the Indonesian archipelago had not been known before the formation of the Republic of Indonesia. Based upon the historical evidences, the external factors had considerably affected the patterns of the traditional political and social systems. Prior to the colonial era, there were several chiefdoms which were fragmented and competed to one another. The coming of the colonial Dutch has transformed the traditional political systems to a more modern system in which the colonial Dutch introduced a new system, the province of Timor, Residentie Timor en onderhoorigheden. This province has been changed to be the province of Nusa Tenggara since the Indonesian independence.
Memikirkan Kembali Sejarah: Keith Jenkins, Re-Thinking History (New York. Routledge, 1991. 77 halaman) Ardhana, I Ketut
Jurnal Sejarah Vol 6 (2004): DINAMIKA EKONOMI INDONESIA
Publisher : Masyarakat Sejarawan Indonesia

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Abstract

RECONSTRUCTION OF WAYANG ORANG DARMA KERTI AT BATU PANDANG: A STRUGGLE FOR IDENTITY IN MATARAM, LOMBOK Seramasara, I Gusti Ngurah; Ardhana, I Ketut; Suarka, I Nyoman; Ruastiti, I Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Wayang Orang (the stage show usually with the wayang theme) is a performing art of which the characters are played by people. As a specific Sasak performing art, the wayang orang which is performed in Mataram Lombok, used to use what is referred to as Serat Menak as the story source. However, such a performing art was marginalized and was almost getting extinct. Therefore, the Sasak artists and cultural observers, whom were facilitated by UPTD Taman Budaya Lombok, did their best to save such a performing art by reconstructing it. The performing art which was constructed by IPTD Taman Budaya Lombok was the Wayang Orang Darma Kerti, Dusun Batu Pandang. Such a reconstruction was made in the middle of the struggle for an identity of those living in Mataram, Lombok, who belong to different ethnic groups and religions. This present study was intended to understand the matter pertaining to the reconstruction of Wayang Orang Darma Kerti as part of the struggle for the identity of the people living in Mataram, Lombok. The qualitative method and the theories of deconstruction, multiculturalism, and hegemony were used to analyze the problems of the study. The result of the study showed that 1) there was a desire to preserve Wayang Orang as a local identity, meaning that the desire to reconstruct it was inspired by the Islamic religious value and the Wetu Telu Islamic value; 2) it was reconstructed through several stages; they are observation, inventory, and classification; finally, it was decided to reconstruct Wayang Orang performed at Dusun Batu Pandang, East Lombok in which the puppeteers and dancers from Mataram, West Lombok, were involved; the puppeteers were gathered, the themes were composed, the performance was practiced, and the Wayang Orang was performed; 3)  the implication of the reconstruction of the Wayang Orang was that the Sasak ethnic group had an art identity, and religion and culture adapted to each other as the implementation of what is referred to as adatluwirgama, and the local people’s prosperity became better.
INNOVATION OF THE TRADITIONAL SANDSTONE CRAFT PRODUCTS IN THE GLOBALIZATION ERA AT NORTH SINGAPADU VILLAGE GIANYAR Pendet, I Ketut Muka; Ardhana, I Ketut; Suarka, I Nyoman; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Volume 10, Number 1, February 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (511.417 KB) | DOI: 10.24843/cs.2017.v10.i01.p01

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Nowadays the process through which the sandstone craft products are produced at North Singapadu Village has changed. The appearance of different types of popular sandstone craft products reflecting the local identity produced by the young craftsmen at North Singapadu Village shows this. Such products are different from the traditional sandstone craft ones in terms of form and aesthetic style. Globalization, ideology and technology have basically led to the change. The sandstone industry has become highly innovative. This present study uses the qualitative and interpretative method and the theories used are the theory of acculturation, the theory of deconstruction, and the theory of postmodern aesthetics. The conclusion of the present study is that the form and process of innovation initially resulted from new ideas and concepts and the craftsmen’s paradigm. The main things which have been responsible for changing the traditional way of life into the modern way of life are formal education, tourism and modern technologies. Those who are positively and negatively affected by globalization are not only the capital owners and craftsmen but the villagers and consumers as well. The sandstone craft products at North Singapadu Village contain the meaning of creativity, the economic meaning, the commodificative meaning and the meaning of cultural change. The finding of the study shows that the craftsmen at North Singapadu Village have ignored the traditional concepts, the technique of producing the products, and the materials used. However, the sandstone craft products at North Singapadu Village do not get extinct but remain to exist and both domestic and foreign consumers are interested in them.
RITES OF SHIFT PERFORMED BY THE MUNA ETHNIC PEOPLE IN MUNA REGENCY, SOUTHEAST PROVINCE: CONTINUITY AND CHANGE Aso, La Aso; Kusuma, I Nyoman Weda; Ardhana, I Ketut Ardhana; Wiasti, Ni Made Wiasti
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Nowadays the Muna ethnic people who live in Muna Regency, Southeast Sulawesi Province can be divided into two groups; they are the Muna ethnic people who still perform the rite of shift completely, and the Muna ethnic people who perform the rite of shift partially; the letter have modified the rite of shift. The rites which are performed to show the shift in status from the time before a baby is born to the time after it is born, when someone enters childhood and adulthood, when someone is married and when someone is dead. Such rites are referred to as the rites of shift. The problems of the present study can be formulated into three; they are (1) what the rites of shift performed by the Muna ethnic group is like; (2) the factors contributing to the continuity of the rites of shift; and (3) the factors causing the change in the rites of shift performed by the Muna ethnic people to take place. This study is a qualitative study with the paradigm of cultural studies. The theory of semiotics, the theory of hegemony, and the theory of deconstruction were used in the present study. The result of the study shows that there are six forms of the rites of shift performed by the Muna ethnic people; they are the rite of what is locally referred to as kasambu (feeding or eating with the hand), the rite of what is locally referred to as kampua (the hair cutting), the rite of what is locally referred to as kangkilo (circumcision), the rite of what is locally referred to as karia (being secluded), the rite of what is locally referred to as kagaa (marriage), and the rite of what is locally referred to as mate (death). The factors contributing to the continuity of such rites are ideology and belief. And the factors causing such rites to be changed are religion, economy, education, and science and technology.
THE TEMPLE OF BESAKIH, SUKUH, AND CETHO: THE DYNAMICS OF CULTURAL HERITAGE IN THE CONTEXT OF SUSTAINABLE TOURISM DEVELOPMENT IN BALI AND JAVA Ardhana, I Ketut; Sulandjari, Sulandjari; Setiawan, I Ketut
E-Journal of Cultural Studies Volume 11, Number 1, February 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (604.149 KB) | DOI: 10.24843/cs.2018.v11.i01.p01

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Besakih is one of the biggest Hindu temple in Bali and the temple of Sukuh and Cetho are the Hindu temple that still existing in Central Java. These temples have their similarity and differences in the context of how to develop the sustainable tourist development in Indonesia. However, there are not many experts who understand about the cultural relation between the temple of Besakih in Bali, Sukuh and Cetho in Central Java. This becomes important since the indigenization process that took place in the past of history in the two islands are significant to be understood in terms of social cultural, economic and political development in which their influences can be seen at the modern and postmodern Balinese culture. The development of Balinese temple of Besakih can be considered in the 11th century, while for Sukuh and Cetho temple after the fall of Majapahit kingdom in the 15th century. Therefore, it can be said that Hindu did not only develop in Bali, but also in Central Java, in which the development of Hindu for the beginning already took place indeed in the 7th to 8th in the context of Hindu Mataram namely in the era of king Sanjaya. The main questions that are need to be addressed in this paper are how was the process of the end of Majapahit culture that caused the cultural indigenization in the central Java such as shown in the temple of Sukuh and Cetho? Secondly, in which cultural context that occurred since the Javanese kingdoms did not influence the strength of the Hindu culture in the later period? Thirdly, how can it be compared the similarity and the difference between the indigenization in Bali and in Central Java?and lastly how the Balinese and the Javanese interprete their own culture in terms of local wisdom? By addressing these questions, it is expected to have a better understanding on how both communities can strengthen their own culture in the context of their prosperity.
IMPLICATIONS OF THE PRACTICE OF RITUALS OF CAHITELA DEFEMBULA IN MUNA ETHNICITY IN BARANGKA SUBDISTRICT Syukur, La Ode; Ardhana, I Ketut; Anom Kumbara, A.A. Ngurah; Wiasti, Ni Made
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (779.769 KB) | DOI: 10.24843/cs.2018.v11.i04.p04

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Nowadays, finding traditional existing rituals is something that starts from being eroded by the ages. In Barangka Subdistrict, Muna ethnic still applies the ritual entitle defembula kahitela practice for a long time, it is not only for the plants but also for the sake of the landowners and community around. Thus, this becomes the main reason why most people in Barangka Subdistrict applies the ritual of practice of Javanese defembula. The existing of the defiance began with a practice ritual and accreditation towards the community of ethnic Muna in Barangka Subdistrict. Therefore, they are located in Barangka District consist of eight villages in West Muna Regency. The primary data that is acknowledged is the practice of rituals and the farmers themselves, and others who serve as local information leaders and the secondary data are obtained from the written data and field observation. The data are collected by field interviews with the informants and direct observation in the farm field in Barangka Subdistrict. This study finds that there are three types of implication caused by the rituals of cahitela defembulae; in social integration on how the community intertwined each other, economic on the community are less developed, and technology adaptation related how the community then resist it. Keywords: ritual, cahitela defembula, implication, social integration, economic, technology
HISTORY EDUCATION IN BORDERLINE TERRITORY Ardhana, I ketut
Historia: Jurnal Pendidik dan Peneliti Sejarah Vol 14, No 1 (2013): local wisdom in history education
Publisher : Prodi. Pendidikan Sejarah FPIPS UPI dan APPS (Asosiasi peneliti dan Pendidik Sejarah)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (202.752 KB) | DOI: 10.17509/historia.v14i1.1907

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Indonesian government policies that emphasize economic growth and national stability, characterized by authoritarian and centralized government in the past, inflict a disparity in regional growth. The control of central government to the region, seems to disturb the sense of justice and the welfare of the people on the borderline territory which are considered retarded, isolated, and marginalized. Moreover, the increasing of smuggling, human trafficking, and terrorism has been disturbing the sense of historical awareness in relation to the issue of nationality. It started from reform era followed by regional autonomy policy gives space to the region government to balance the local development. This article discussed, first: The importance of History education in borderline territory, Second: ethnic historical concept and regional studies in borderline territory, third: ethnical integration based on sociocultural aspect of national character reinforcement in borderline, and fourth: history education development to increase the competitiveness, which also expected to strengthen the nationalism in borderline territory.
THE CHANGE IN PERCEPTION OF SUBMITTING CHILDREN TO CHILD WELFARE INSTITUTIONS IN DENPASAR CITY IN THE PERIOD 2006-2014 Westerlaken, Rodney; Ardika, I Wayan; Ardhana, I Ketut; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (711.179 KB) | DOI: 10.24843/cs.2019.v12.i02.p02

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Terroristic events, like the Bali bombings in 2002 and 2005, have major effects on a society. Prior research towards those effects have focused on the financial, economic and social economic effects, however this study focuses on the social cultural effect in the aftermath of the terroristic effects. The changed social cultural perception of submitting children to a Child Welfare Institution in the period 2006 to 2014 in Denpasar city, Bali. Sub questions to this problem statement what the reasons are that children are living in Child Welfare Institutions in Denpasar city recently and whether it is possible to connect social cultural perceptions of submitting children to Child Welfare Institutions in Denpasar city to coping mechanisms of the society after the terroristic attacks in 2002 and 2005. This research has used a quantitative approach, interviewing 50 children and 23 parents / familial caretakers. The outcomes have been analysed with help of the computer assisted qualitative data analysis software NVIVO. Research indicates that the trend of submitting children to Child Welfare Institutions, as a coping mechanism, in the first years after the second Bali bombing instigated a change in the social cultural system on Bali. The Balinese kinship system partly fell apart as a result of the Bali bombings, the keluarga besar is less considered to be asked for help and submitting a child to a Child Welfare Institution became an easy solution that currently continues to exist. It is concluded that the ethos, the moral formation as described by Foucault, is victimized by the failing system of aletheia and politeia, but that also ethos itself is victimized by contemporary forms of normalization. Keywords: social cultural change, terroristic attack, coping mechanism, Child Welfare Institutions.