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All Journal Cakrawala Pendidikan Techno.Com: Jurnal Teknologi Informasi Jurnal Sosioteknologi Tesa Arsitektur MUDRA Jurnal Seni Budaya Journal of Islamic Architecture Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni PERSPEKTIF PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT The Indonesian Design Journal Narada : Jurnal Desain dan Seni Tri Dharma Mandiri: Diseminasi dan Hilirisasi Riset Kepada Masyarakat (Jurnal Pengabdian Kepada Masyarakat) Jurnal Visual Ideas Aksa : Jurnal Desain Komunikasi Visual Seminar Nasional Teknologi dan Multidisiplin Ilmu Serat Rupa: Journal of Design
Imam Santosa
Institut Teknologi Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Model Kerangka Konseptual Untuk Mengukur Relevansi Pendidikan Desain Indonesia Pada Era Hiperglobalisasi : Studi Kasus: Program Studi Desain, Fakultas Seni Rupa Dan Desain, Institut Teknologi Bandung Kinanti Kawuryan Darmastuti; Imam Santosa
VISUALIDEAS Vol. 3 No. 2 (2023): Visual Ideas
Publisher : Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33197/visualideas.vol3.iss2.2023.1190

Abstract

Koneksi antara ekonomi dan budaya di seluruh dunia telah berkembang dengan cepat dan mengalami perubahan yang pesat sejak dimulainya globalisasi dalam skala besar pada tahun 1820, hampir 100 tahun sebelum kurikulum Bauhaus – yang memengaruhi pendidikan desain internasional – diperkenalkan pertama kali. Dengan munculnya hiper-globalisasi, desain telah mengalami banyak perubahan akibat munculnya masalah-masalah yang semakin kompleks seiring dengan pertumbuhan ekonomi yang luas, komunikasi manusia yang canggih, dan gangguan teknologi. Namun, pendidikan desain saat ini masih secara tradisional mengadopsi model pembelajaran Bauhaus yang berusia 100 tahun dengan sedikit modifikasi dan penyesuaian, terutama di Indonesia. Studi ini mengusulkan model konseptual alternatif untuk mengukur relevansi pendidikan desain di era hiper-globalisasi dengan tujuan membentuk pemahaman mendalam tentang seluruh sistem pendidikan desain dan tantangan-tantangan yang akan dihadapi di era hiper-globalisasi. Dalam penelitian ini, keterkinian pengetahuan diidentifikasi sebagai indikator penting untuk mengevaluasi relevansi pendidikan desain dengan kebutuhan industri di era hiper-globalisasi. Dengan demikian, relevansi sistem pendidikan desain dapat diukur dari sejauh mana pengetahuan yang dimiliki oleh lulusan desain sesuai dengan perkembangan ekonomi, teknologi, dan komunikasi pada masanya. Semakin mutakhir pengetahuan yang dimiliki lulusan desain, semakin efektif penerapannya dalam dunia industri.
Preserving traditional Balinese architecture: exploring the relevance of undagi’s indigenous knowledge in post-pandemic interior design I Kadek Dwi Noorwatha; Imam Santosa
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 18, No 1 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i1.5187

Abstract

This research is focused on exploring the relevance of undagi’s indigenous knowledge implemented on post-pandemic interior design as a recommendation for preserving traditional Balinese architecture in the modern era. As UNESCO promoted safeguarding the "Intangible Cultural Heritage" in 2003, all designers must strengthen the cultural side in still relevant designs for the modern era. In Bali, undagi’s (traditional architect) existence declined in the modern era. Undagi’s indigenous knowledge is the basis for the architectural development of traditional Balinese houses (umah) for designing tourism facilities as research objects. This research is a desk study with a critical analytical approach that qualitatively conducts a comparative study between indigenous knowledge and post-pandemic interior design recommendations with two stages of research—in the first stage, critically analyzing post-pandemic interior design recommendations by previous researchers with a systemic literature review. In the second stage, exploring undagi’s indigenous knowledge consists of explicit and tacit knowledge. The result of the two stages is the formulation of the relevance of undagi’s indigenous knowledge in post-pandemic interior design in Bali. The study results show that the undagi’s indigenous knowledge has relevance, which aligns with the recommendations for post-pandemic interior design criteria by previous researchers. This relevance is closely relevant, and several relevant values require development and interpretation to have interconnectivity between modern and traditional values. This process of interconnectivity must prioritize the principle of preserving traditional Balinese architecture in the modern era.
Retro Fashion Trend Study on Café Chair Design for Generation Z in Surabaya Vema Ailsa; Imam Santosa
PERSPEKTIF Vol. 12 No. 4 (2023): PERSPEKTIF, October
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v12i4.9861

Abstract

This article delves into the integration of retro fashion trends in chair design within Surabaya's café scene. Employing a descriptive qualitative research approach, this study seeks a profound comprehension of the impact of retro fashion trends on chair design. Data collection methods encompass theory development, observations, interviews, and questionnaire surveys. The analysis is rooted in predefined outcome variables. The study's findings underscore the substantial influence of the retro fashion trend on café chair design in Surabaya. Notably, Generation Z's consumer demand, characterized by heightened consumerism and a penchant for contemporary trends, plays a pivotal role in shaping fashion cycles and lifestyle choices. The enduring appeal of the retro trend, spanning from the 1970s to the present, resonates strongly with Generation Z, especially those who harbor nostalgic inclinations. Furthermore, the adaptation of retro fashion trends remains pertinent as a significant segment of the population still gravitates toward styles from the 1970s to the 1990s. This research reveals that Surabaya's café chair designs adeptly incorporate retro elements, encompassing material selection, silhouettes, colors, and styles. By seamlessly amalgamating these retro elements with contemporary influences, these chair designs effectively captivate consumers, fostering an inviting and appealing ambiance within the café environment.
Pemanfaatan Paradigma Teknologi Tepat Guna dalam Desain Produk: Sebuah Kajian Literatur Wildan Aulia; Imam Santosa; Muhammad Ihsan; Adhi Nugraha
Jurnal Desain Indonesia. Vol 5 No 2 (2023): DISCURSIVE DESIGN
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v5i2.276

Abstract

This article uses the appropriate technology paradigm in design activities as problem finding and internal potential tracking as the basis for design solutions. Appropriate technology is based on the real needs of the community, not on technological developments. This activity emphasizes how to provide a solution to a problem in community by bridging it to the appropriate technology. Its application is contextual according to the local conditions of the community. This principle is still relevant in relation to today's issues which view community diversity as an internal potential in dealing with broader problems. One of these can be seen from the principles of the Sustainable Development Goals (SDGs), which view development based on local conditions and culture as motivation. The contextuality of problems in the community and how to approach them underlies the general framework of this article by noting that sharing knowledge with the community is a way to understand their internal potential. This article attempts to offer the fit design term based on the appropriate technology paradigm by trying to define the key concepts of the term. This article uses the systematic literature review (SLR) method with related articles on appropriate technology practices from the ScienceDirect and MDPI databases. The concept is built based on the understanding that specific problems in the community are contextual in nature, oriented to local management, and optimize the diversity of the community and environmental potentials. Thus, the notion of appropriateness in this article is not interpreted narrowly in the context of tools, but rather leads to appropriateness. The key concept offered is that the design must be appropriate to the situation, related to certain circumstances, compatible, acceptable, and strengthening the community, and must be in accordance with the required objectives.
ANALISIS ELEMEN VISUAL DESAIN ANTARMUKA DOMPET DIGITAL DI INDONESIA Abdurrahman Sidik; Imam Santosa
Seminar Nasional Teknologi dan Multidisiplin Ilmu (SEMNASTEKMU) Vol 2 No 1 (2022): SEMNASTEKMU
Publisher : Universitas Sains dan Teknologi Komputer

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/semnastekmu.v2i1.163

Abstract

Dompet digital menjadi populer semenjak menjadi salah satu alternatif pembayaran pengganti uang tunai.Dompet digital yang beredar di pasaran pun juga puluhan jumlahnya. Kemudahan dalam mengoperasikan harusmenjadi pertimbangan dalam merancang dompet digital agar pengguna menjadi nyaman ketika menggunakannya.Penelitian ini mencoba untuk menguraikan elemen-elemen visual desain antarmuka dompet digital lalu kemudianmengaitkannya dengan teori-teori desain. Penelitian ini dapat dijadikan bahan evaluasi desain antarmuka dompetdigital di Indonesia. Penelitian ini menggunakan metode deskriptif dengan tahapan penelitian yang dilakukan yaitumenguraikan elemen-elemen visual desain antarmuka pada dompet digital, lalu kemudian membandingkannyadengan teori-teori desain yang berkaitan dengan kemudahan dalam menggunakan. Hasil menunjukkan terdapatperbedaan standar pada setiap dompet digital di Indonesia. Ketidak konsistensian elemen-elemen visual desainantarmuka yang disajikan dapat membuat pengguna menjadi sulit mengenali setiap fungsi dan menu pada dompetdigital tersebut.
EXAMINING THE SYMBOLIC MEANING OF AL JABBAR GRAND MOSQUE IN BANDUNG J. Jamaludin; Imam Santosa; Juarni Anita
Journal of Islamic Architecture Vol 7, No 4 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i4.21256

Abstract

This paper discusses the formal and symbolic aesthetic meaning of the Al Jabbar Grand Mosque, a new mosque in Bandung, Indonesia, designed by Ridwan Kamil. Like Ridwan Kamil's previous works, the Al Jabbar mosque in Bandung has a contemporary design. The general concept of the architect in designing this mosque has been published in the mass media, and the public already knows the design idea of the mosque. However, there are still features within the mosque that need to be described and analyzed so that the general public can understand the architect's intention. This paper proposes answers through interpretation methods with a descriptive analysis approach to understand the symbolic meaning of the new features of the mosque. The symbolic aesthetic used in the analysis uses symbolic aesthetics from the culture of the Sundanese people, one of the ethnic groups in Indonesia, which is geographically the cultural background where the mosque was built. The analysis found that the meaning the mosque forms, apart from having a bond of meaning with the mosque, also has a bond of meaning with the local culture. The architect made it differently with the spirit of novelty to enrich Islamic architecture and design treasures.
KAJIAN ELEMEN PEMBENTUK IDENTITAS GENDER PADA RESTORAN BERTEMA PEREMPUAN DI KOTA BANDUNG AAN SETIAWATI; IMAM SANTOSA; WIDIHARJO WIDIHARJO
Serat Rupa: Journal of Design Vol 1 No 1 (2016): SRJD-JANUARY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v1i1.442

Abstract

This research is a study of gender identity element at female-themed restaurants in Bandung city. The case study of this research is restaurant Roemah Nenek and Nanny's Pavillon. This study is a qualitative test based on the theory that concern in the aspects of the implementation of gender identity in the restaurant interior elements. The result form this research is gender identity context at Restoran Roemah Nenek and Nanny's Pavillon is formed from the brand and the nature of the interior elements that have a correlation with the stereotypical understanding about the nature of female. Restaurant interior elements generally show consistency of meaning, that is the concept of the restaurant has a similar meaning and mutual support against the interior elements as identity of the restaurant. Thus, there is no difference in meaning and elements correlation to the perception of the observer about the restaurant. Perception observers show the same consistency of expression between the nature of objects and the nature that appear on female characters. Keywords: female; gender; identity; interior; thematic 
Co-Authors AAN SETIAWATI Abdurrahman Sidik Achmad Haldani Destiarmand Achmad Syarief Adhi Nugraha Alvanov Zpalanzani Andar Bagus Sriwarno Andreas Rio Adriyanto Andriyanto Wibisono Arya Pageh Wibawa Deddy Wahjudi Dhian Lestari Hastuti Friska Amalia Gregorius Prasetya Adhitama Indun Lestari Irfansyah Irfansyah Jamaludin, Jamaludin Juarni Anita Kharista Astrini Sakya Kinanti Kawuryan Darmastuti Kukuh Rizki Satriaji Muhammad Ihsan Noorwatha, I Kadek Dwi Novan Edo Pratama Nuri Aslami Pribadi Widodo Setiawan Sabana Toto Haryadi, Toto Vema Ailsa WIDIHARJO WIDIHARJO Widjaja Martokusumo Wildan Aulia, Wildan