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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya JE (Journal of Empowerment) SALEE: Study of Applied Linguistics and English Education An-Nizam: Jurnal Bakti Bagi Bangsa
Rido Budiman
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Mechanical Engineering Physics Social Sciences Other

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MONSTER GLOBAL, KETAKUTAN LOKAL: KISAH HANTU DAN INGATAN KOLEKTIF WARGA KOTA Kalimatullah Al-Ulya; Rido Budiman
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol. 3 No. 1 (2018): MAKNA : Jurnal Kajian Komunikasi,Bahasa, dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v3i1.839

Abstract

Penelitian ini membahas karakter horor yang dihadirkan kembali dalam bentukcerita lisan, gambar komik, film dan sinetron, serta rumah hantu. Dari representasikarakter horor tersebut dapat ditemukan satu budaya dengan budaya lainnyasaling bercampur, yaitu budaya horor global dan budaya horor lokal. Akhirnya,pelokalan karakter horor global pun semakin populer di Indonesia. Di Bekasiditemukan beberapa praktek pelokalan karakter horor global melalui perayaanHalloween di mal-mal Bekasi. Walaupun segala bentuk praktek pelokalankarakter horor global terjadi, ada pula yang mencoba untuk mengangkat kembalicerita horor lokal Indonesia. Dalam penelitian ini fenomena tersebut dianalisisdengan mempertanyakan bagaimana hantu dimaknai oleh masyarakat Bekasiketika dihadirkan kembali di sebuah ruang dan media dan bagaimana fenomenaitu mempengaruhi budaya lokal dan masyarakat Bekasi. Metode analisisetnografis, visual, dan tekstual digunakan untuk membahas penelitian ini. Hasildari penelitian ini adalah adanya persaingan antara budaya horor global danbudaya horor lokal di kota Bekasi. This study discusses the horror characters that are represented in the form of oralstories, images, movies and TV series, and haunted houses. From therepresentation of the horror characters can be found that one culture with otherculture are intermingled, in this case global horror culture and local horrorculture. Finally, the localization of global horror characters is increasinglypopular in Indonesia. In Bekasi some of these practices are found throughHalloween celebrations at Bekasi malls. Although the practices of localizingglobal horror characters occur, there are some people who try to raise the storyof local Indonesian horror. This study analyze this phenomenon by questioninghow ghosts are interpreted by the people of Bekasi when it represented in a spaceand media and how the phenomenon affects the local culture and society ofBekasi. Ethnographic, visual, and textual analysis methods are used to discussthis research. The result of this research is the existence of competition betweenglobal horror culture and local horror culture in Bekasi.
REPRESENTASI ISLAM DALAM SINETRON TUKANG BUBUR NAIK HAJI THE SERIES Rido Budiman
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol. 4 No. 1 (2013): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v4i1.1125

Abstract

Tukang Bubur Naik Haji The Series is one of the most popular televi-sion drama in Indonesia. The series is about a poor pious muslim porridge sel-ler who could perform the expensive hajj pilgrimage. Islamic teachings domi-nate this tv drama through its plot, characters and setting. The aim of this research is to know what kind of Islamic teachings represented in the tv drama and how does the audience response about this representation of Islam in Tu-kang Bubur Naik Haji The Series. The method of the research is qualitative with the approach in Cultural Studies by using representation and encoding-decoding theory by Stuart Hall. The results are Islamic representation in this tv drama are represented through the five pillars of Islam conveyed in plot, cha-racters, and setting. The audience responded this representation of Islam through three different positions which are dominant-hegemonic, negotiated, and opposition.
GANGSTER, GHOST, AND TRADITION: REPRESENTATION OF MARKET IN THREE INDONESIA FILMS Rido Budiman; Novita Puspahaty; Dian Puspita Sari
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol. 13 No. 2 (2023): MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v13i2.7148

Abstract

This research aims to determine what kind of market representation is displayed in three Indonesian films namely Di Bawah Lindungan Ka’bah, Gangster, Rumah Hantu Pasar Malam and how the viewers interpret it through various internet platform. The qualitative research design in the field of cultural studies especially the theory of representation and encoding-decoding from Hall is used to analyze data in the present study. By researching the above factors, we aim to provide more information toward the meaning of Indonesian films from the point of view of cultural studies.
Co-Authors Adara, Reza Anggriyashati Ainur Rofieq Al-Ulya, Kalimatullah Aprenia, Lysa Ardiyudha Wiratama, Rayhan Arisandi, Akbar Dian Puspita Sari Endang Suryana Priyatna Hartini, Tin Kalimatullah Al-Ulya Novita Puspahaty Nuryadi Nuryadi Priharrtini, Sya’baningrum Prihhartini, Sya'baningrum Puspahaty, Novita Ramadhan, M. Fakhran Ramadhan, M.Fakhran Rima Rikmasari, Rima Salman Wijiana, Farid Syahdeli, Muhamad Ilham Syarifah, Nurdina Yanti, Septia Dhama