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All Journal Biota: Jurnal Ilmiah Ilmu-Ilmu Hayati Dimas: Jurnal Pemikiran Agama untuk Pemberdayaan Jurnal Pengkajian dan Pengembangan Teknologi Pertanian At-Taqaddum Jurnal Rekayasa Mesin Isamic Communication Journal BERITA BIOLOGI Jurnal Ilmu Dakwah YARSI Medical Journal Jurnal Teknik Mesin Cakram Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Meyarsa:Jurnal Ilmu Komunikasi dan Dakwah JIPTEK Research Horizon APPA : Jurnal Pengabdian Kepada Masyarakat Jurnal Studi Manajemen Bisnis Oftalmologi: Jurnal Kesehatan Mata Indonesia Psychospiritual: Journal of Trends in Islamic Psychological Research Jurmas: Jurnal Pengabdian Masyarakat
Abdul Choliq
Staf Peneliti pada Balai Pengkajian Teknologi Pertanian (BPTP) Ambon
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Journal : Research Horizon

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Misuse of Dakwah as Religious Tyranny in the Film Bidaah: A Critical Discourse Analysis Munib, Abd; Humaidy, Mohammad Ali Al; Choliq, Abdul; Jauhari, Minan
Research Horizon Vol. 5 No. 6 (2025): Research Horizon - December 2025
Publisher : LifeSciFi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54518/rh.5.6.2025.847

Abstract

This article explores the tyranny of dakwah in the Malaysian film Bidaah. Dakwah, which should guide audiences toward Sharia, is instead portrayed as a tool of oppression. The study employs critical discourse analysis based on Norman Fairclough’s framework, examining textual elements, discourse practices, and the broader social context that shapes them. The findings highlight three key points. First, dakwah shifts from a spiritual mission to an instrument of social control, evident in how followers are forced to accept teachings uncritically, thus legitimizing violence in the name of religion. Second, dakwah is depicted as a dominant discourse across micro, meso, and macro dimensions. The micro dimension is seen in the rhetorical strategies used by Walid Muhammad to assert absolutism. The meso dimension involves dakwah being structured, closed, and ritualistic, transforming it from a dialogue to domination. At the macro level, the dakwah discourse reinforces unjust and exploitative social structures. Third, the film introduces a counter-discourse that challenges the tyranny of dakwah. Baiduri becomes the central figure who resists injustice and constructs an alternative narrative that confronts Walid’s authority. This study contributes to the scholarly understanding of religious discourse in film, offering a foundation for further research into similar representations in cinema.
Co-Authors Agus Hermawan Ahmad Anas Aji, Ari Budi Prastya Alamsyah, Muhammad Surya Bakti Aldi, Muhamad Alisyifa, Hidayah Danu Andri Lesmana Ariandha, Verony Ashari, Muhamad Ihsan Avianty, Astri Awaludin Pimay D. A, Forita Dianto, Muhammad Isro Dita Kusuma Wardani Fauzi, Adi Rizki Fauzi, Ryan Achmad Fitrianto, Muhamad Nur Forita Dyah Arianti, Forita Dyah Herman Hidayati, Nurul Aini Indrie Ambarsari Jauhari, Minan Kertati Sumekar Khusniati, Tatik Khusniati, Tatik Kurniawan, Catur Mamik Indaryani MARIA BINTANG Mohammad Ali Al Humaidy Munib, Abd Nanta, Dhea Loka Nasrun, Mohamad Nur Rohmat Nurfaizal, Habib Prihantini, Nur Nunu Roji, Fahrul Rusmaji, Rusmaji Saputra, Aldi Maulana Saraswati, Dahniar Sarjana Sarjana Setiyono, Endro Sidkin Ali, Muhammad Sulistiani Sulistiani, Sulistiani Syamsul Bahri Tanusantoso, Gabriela