Article Per Year (5 Year)
p-Index From 2021 - 2026
2.583
P-Index
This Author published in this journals
All Journal MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni Journal of Music Science, Technology, and Industry (JOMSTI) calaccitra: jurnal film dan televisi Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Susanthi, Nyoman Lia
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 25 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 25 Documents
Search

 1   2   3 
MANAJEMEN PRODUKSI PADA PEMBUATAN OMNIBUS MUSIC VIDEO BIN IDRIS DI EPI PRODUCTION Anak Agung Ngurah Narendra Prema P; Nyoman Lia Susanthi; Ida Bagus Hari Kayana Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/cc.v3i1.2255

Abstract

The music video is a type of audio-visual work that is created in the form of a collection of videos that can represent the lyrics of a song. It Made to tell the audience how the song is visualized and can be enjoyed by the eyes of the audience. The producer is a very important role and must be present in an audio-visual production. The producer's job is to manage the production so that it can be well prepared, runs smoothly, and finishes on time starting from the pre-production to the post-production stage to carry out the promotion and distribution of works. The production of an omnibus music video work at EPI Production is a final project work produced with a musician named Bin Idris. Bin Idris is the name chosen by Haikal Azizi to carry out his solo project as an independent musician since 2016. The production management was applied to the creation of Bin Idris' omnibus music video at EPI Production. This activity was implemented to implement the concepts, stages, and authenticity of this omnibus music video production management. Besides that, it can compile seven draft management concepts for Bin Idris' music video production. Using the themes of mind, body-soul, and spirit in its planning, it produces three music video works with an omnibus concept that correlates with one music video and another. The application of production management in this omnibus work is applied based on the shooting location. As for the several locations used, you can shoot twice for different music videos. This is done in an effort to increase efficiency and prevent production costs from being incurred again. Through the omnibus concept which is usually produced with the concept of short or feature films, the writer and the entire production team apply this work to the music video concept so that it is hoped that it can create a new authenticity in the work that has been produced.
The Embodiment of Mahakrya Lango Film I Nyoman Payuyasa; Nyoman Lia Susanthi; I B. Hari Kayana Putra
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 5 No. 2 (2022): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v5i2.2157

Abstract

The Indonesian Institute of the Arts Denpasar (ISI Denpasar) is an arts college in Bali that is established based on the values of local wisdom and national insight in order to enrich human values. ISI Denpasar seeks to strengthen media literacy to campaign for the heritage of cultural arts values through audio-visual media to the public. In order to support the presence of this audio-visual media, the author conducted research and created a short film with the title Mahakrya Lango. Mahakrya Lango is a short film that is strengthened by a poetic narrative. In short, this film covers the journey of Balinese art and culture, the hustle and bustle of Bali, the oblivion of heritage, to the presence of ISI Denpasar as an art and cultural advisory institution. In its embodiment, this film takes several main visuals with a water background set as a symbol of the source of life, flexibility, dynamism, firmness, to fragility. The film creation method uses three stages, namely pre-production, production, and post-production. In the embodiment of the Mahakrya Lango film, the location set is Tamblingan Lake to visualize water as a source of life, waterfalls to symbolize flexibility and dynamism, and beach locations to depict celebrations.
Electronic News Gathering (Eng) Style in The Production of Dabdap Putih Village’s Profile Video I Made Denny Chrisna Putra; Nyoman Lia Susanthi; I Nyoman Payuyasa; Made Rai Budaya Bumiarta; Ida Bagus Hari Kayana Putra; Gangga Lawranta; Ketut Hery Budiyana
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research focuses on analyzing the process of creating a profile video of Dabdap Putih Village with the application of the Electronic News Gathering (ENG style) concept as part of village branding efforts. The background of the study illustrates the change of village name from Dapdap Putih to Tista, which is considered to have a negative impact on the community's economy. In response, on January 1, 2023, the name of the village was re-inaugurated as Dapdap Putih, requiring an effective information medium to disseminate this change. The research method used is qualitative with data collection through literature studies, in-depth interviews with related parties, direct observation at profile video production sites, and electronic and non-electronic media documentation. The research analysis refers to the concept of ENG style by utilizing film production management theory and process management. The results of the analysis show that the use of ENG mode in making profile videos provides speed, flexibility in editing, and effective mobility. The production process of the Dabdap Putih Village profile video consists of three stages, namely pre-production, production, and post-production. In production management, five management process frameworks are applied: planning, organizing, staffing, leading, and controlling. In conclusion, the use of modern media technology such as village profile videos with an ENG style approach can be an effective village branding tool. With the involvement of a skilled production team, the use of this technique can increase efficiency in disseminating information and promoting village name changes, as well as showing the best characteristics of the village to the wider community.
POSITIONING SINEMA SENI LAUT DAN GUNUNG DALAM REKA CIPTA FILM MUSIK “KAWYAGITA MANDALA” Susanthi, Nyoman Lia; Payuyasa, I Nyoman; Putra, IB Hari Kayana; Budiyana, Ketut Hery
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan penelitian ini adalah mengungkapkan positioning sinema seni laut dan gunung dalam reka cipta film musik pengantar roh yang berjudul “Kawyagitan Mandala”. Film ini mengangkat objek penciptaan gong luang sebagai gamelan sakral dan keramat dalam tradisi Bali yang biasanya untuk mengiringi upacara kematian pitra yadnya. Visual film menawarkan posisi laut dan gunung sebagai gambar penting dalam film. Penelitian ini menggunakan metode deskriptif kualitatif dengan metode pengumpulan data dari studi lapangan yaitu mewawancarai produser, sutradara dan penulis naskah film, serta studi pustaka terkait buku dan jurnal yang relevan. Dengan menggunakan teori Geoff King menemukan hasil bahwa positioning sinema seni sebagai upaya berani untuk menilai seni film secara objektif. Hasil analisis sinema seni laut dan gunung dari sudut pandang ilmiah dan tidak bias, yaitu simbul dari upacara Nyegara Gunung dalam rangkaian Ngaben. Nyegara Gunung adalah upacara pitra yadnya untuk proses penciptaan dari dewa pitara menjadi Dewa. Upacara ini sebagai harmonisasi secara spiritual yang berorientasi pada gunung dan lautan, yang juga dimaknai luan-teben, sekala-niskala, rwa bhineda dan sebagainya. Segara atau laut sebagai lambang predhana (perempuan) dan gunung sebagai lambing purusa (laki-laki). Upacaranya sendiri divisualkan di tepi pantai atau segara (laut), karena laut memiliki makna filosofis sebagai sumber kehidupan. Implikasi penelitian ini adalah untuk memberi ruang sineas dalam menciptakan film dengan tetap memegang teguh tradisi dan filosofi yang diwariskan.
Gender Wayang Learning Video Design to Build the Characters of The Millennial Generation Lia Susanthi, Nyoman; Suratni, Ni Wy.; Arya Satyani, Ida Ayu Wayan; Hery Budiyana, Ketut; Dwiyani, Ni Kadek; Indira, Wahyu
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v6i1.2205

Abstract

Nowadays the number of students engaged in criminal acts is alarming. In response to this, the role of parents, teachers in schools and the government is very important to strengthen character building, especially in the golden generation, namely students. Strengthening character education should not only be pursued through formal schools but also through non-formal and informal routes. Art studios can be a platform that offers an alternative to character building. However, in the process of transferring knowledge in the studio, several problems are encountered, including the low increase in students' ability to learn gender (Balinese musical instrument). For this reason, the gender wayang learning video was designed by implementing character education values for the millennial generation. The design of the gender wayang learning video to help build the character of the millennial generation uses a qualitative descriptive method. The data collection method was carried out through literature studies and field studies by interviewing the director and the production team involved in creating the learning video. In addition, an observation was made at one of the studios in Bali which has quite a lot of students, namely the Swati Swara Studio. The design and creation of a gender wayang learning video for the millennial generation began with conducting a target analysis for the millennial generation. Sanggar Swasti Swara is a place where one can find millennials who need a form of teaching using technology. For this reason, gender wayang learning video is the solution for this generation. This learning video is designed to be easy to access, namely having a good quality video that can be sent via cellphone and stored on the YouTube channel so that they are easy to access and distribute. The millennial generation at Sanggar Swasti Swara, in terms of learning style, prefers learning from practice, visuals, and a learning process that can be applied at home in groups and is fun. In addition, the educational values of the nation's character can be included in the text of the gender wayang learning video, namely religious values, tolerance, hard work, and love for the motherland.
Co-Authors Agung Bima Susetyo Basuki Agustinus Sani Aryanto Anak Agung Ngurah Narendra Prema P Arba Wirawan, I Komang Budiyana, Ketut Hery Dani Sahrul Hadi Darmayuda, I Komang Dedey Rusma Chriszaera Oka Subali Desak Putu Yogi Antari Tirta Yasa Dianitasari, Renata Gangga Lawranta Gede Basuyoga Prabhawita Hery Budiyana, Ketut I B. Hari Kayana Putra I Gusti Agung Malisky I Gusti Ngurah Agung Jaya Pangestu Suastika I Kadek Purnama I Ketut Buda I Made Denny Chrisna Putra I NYOMAN PAYUYASA . I Wayan Adnyana I Wayan Medy Mahasena Ida Bagus Harikayana Putra Igor de Almaida Amanajas Kadek Dwiyani Ketut Hery Budiyana Ketut Sumerjana, Ketut Made Rai Budaya Bumiarta Ni Ketut Suryatini, Ni Ketut Ni Wayan Ardini, Ni Wayan Ni Wayan Suratni Prasetyo, Guntur Eko Pratama Sadani Mulia Silitonga Puriartha, I Kadek Putra, IB Hari Kayana Raditya Pandet, Putu Renata Dianitasari Satyani, Ida Ayu Wayan Arya Suratni, Ni Wayan Suratni, Ni Wy. Viki Kurniawan Wahyu Indira