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The Change of Name of Character in the Legend of Nyi Roro Kidul as a Trace of the Spread of Islam at Palabuhanratu Sukabumi Regency Shobah, Fitri Nurul; Durachman, Memen; Harini, Yostiani Noor Asmi
International Journal on Advanced Science, Education, and Religion Vol 8 No 1 (2025): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v8i1.836

The phenomenon of name changes can be found among public figures and the general public who decide to embrace Islam and change or choose Islamic names as evidence of the spread of Islam. Not only in real life, name changes also occur in legends, one of which is in the legend of Nyi Roro Kidul in Palabuhanratu, Sukabumi Regency. The purpose of this study is to show the pattern of name changes that can be used as an indicator of the spread of Islam in Palabuhanratu, Sukabumi Regency. The method used in this study is a qualitative method, with observation and interview techniques. The results of this study found five figures who experienced name changes as part of the spread of Islam in Palabuhanratu, Sukabumi Regency. This change can be interpreted as a form of cleansing or self-purification. She returned to being a holy or virgin figure, as per the concept tazqiyah in Islam, namely self-purification through a spiritual journey which ultimately took her to a higher level, both in the spiritual aspect and her status as Queen of the South Coast.

Representasi Sifat Kikir dalam Legenda Awal Mula Babakan Aso, Kabupaten Purwakarta, Jawa Barat, Indonesia Setiawan, Janten Hidayat; Harini, Yostiani Noor Asmi; Durachman, Memen
Jurnal Bahastra Vol 9, No 2 (2025)
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/bahastra.v9i2.9714

This study aims to reveal the representation of miserliness as depicted in the local legend "Awal Mula Babakan Aso Hese Cai" from the Purwakarta region. Employing a qualitative method, the research analyzes the legend’s structure, narrative context, function, and meaning through Todorov’s narrative theory (1975). Data were collected through interviews with local informants and analyzed to uncover the socio-cultural dimensions embedded within the legend. The findings indicate that the miserly character is portrayed negatively, with miserliness presented as a destructive trait that ultimately leads to punishment—in this case, the disappearance of lake water. The legend is deeply rooted in the cultural and oral traditions of Purwakarta, shaped by existing local narratives and transmitted through generations via oral storytelling. Its primary function is didactic, emphasizing moral values and promoting the importance of generosity over selfishness. The meaning embedded within the legend suggests that greed leads to social and environmental consequences, whereas sharing is a virtue upheld by the community. Thus, the legend serves not only as a narrative artifact but also as a reflection of local wisdom and collective moral consciousness.

The Change of Name of Character in the Legend of Nyi Roro Kidul as a Trace of the Spread of Islam at Palabuhanratu Sukabumi Regency Shobah, Fitri Nurul; Durachman, Memen; Harini, Yostiani Noor Asmi
International Journal on Advanced Science, Education, and Religion Vol 8 No 1 (2025): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v8i1.836

The phenomenon of name changes can be found among public figures and the general public who decide to embrace Islam and change or choose Islamic names as evidence of the spread of Islam. Not only in real life, name changes also occur in legends, one of which is in the legend of Nyi Roro Kidul in Palabuhanratu, Sukabumi Regency. The purpose of this study is to show the pattern of name changes that can be used as an indicator of the spread of Islam in Palabuhanratu, Sukabumi Regency. The method used in this study is a qualitative method, with observation and interview techniques. The results of this study found five figures who experienced name changes as part of the spread of Islam in Palabuhanratu, Sukabumi Regency. This change can be interpreted as a form of cleansing or self-purification. She returned to being a holy or virgin figure, as per the concept tazqiyah in Islam, namely self-purification through a spiritual journey which ultimately took her to a higher level, both in the spiritual aspect and her status as Queen of the South Coast.

REPRESENTASI PELECEHAN SEKSUAL DALAM FILM PENYALIN CAHAYA KARYA WREGAS BHANUTEJA Firdaus, Sajidah Al-Lathifah; Harini, Yostiani Noor Asmi; Durachman, Memen
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 21, No 2: September 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v21i2.13547

Artikel ini menunjukkan bentuk representasi pelecehan seksual dalam film “Penyalin Cahaya” yang disutradarai Wregas Bhanuteja melalui konotasi, denotasi, dan mitos. Peneliti menonton, mengidentifikasi, dan memaknai bentuk representasi pelecehal seksual. Terdapat 10 gambar yang representasi pelecehan seksual pada film “Penyalin Cahaya” yaitu konotasi kisah Medusa berambut ular yang memiliki makna khusus pada bahasa Inggris seperti “snake in the grass” yang mengacu pada penipuan dan pengkhianatan juga dilambangkan sebagai makhluk jahat. Selanjutnya denotasi yang lebih sering digunakan yaitu pengambilan gambar dengan medium-shot dengan sudut pandang normal menunjukkan ekspresi dari para pemerannya. Mitos yang dominan adalah sang pelaku dapat melakukan pelecehan seksual kepada siapapun tanpa memandang jenis kelamin, pakaian korban, ataupun perilaku korban.Kata kunci: representasi, pelecehan seksual, film Penyalin Cahaya.

Cradling Cultures: A Comparative Study of Ethno-Parenting in Javanese and Korean Lullabies Octavianisa, Icha Nur; Yulianeta, Yulianeta; Durachman, Memen
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra VOL 9, NO 2 (2025): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v9i2.77067

Abstract. Lullabies play an important role in transmitting cultural values and intergenerational affection. Its essence and practice are realized through ethnoparenting. However, this research is still relatively understudied, especially because it uses comparative analysis. Thru a comparison of the songs "Tak Léla Léla Lédhung" (Javanese) and "Jajang-jajang Uri Aga" (Korean), this study highlights how the values of love, discipline, and spirituality in traditional oral heritage play a role in shaping modern cross-cultural parenting. The main objective is to explore the implications of both lullabies within the context of the ethnoparenting parenting style. The analysis was conducted using a descriptive qualitative method with Peirce's triadic semiotic approach. This approach allowed the researcher to cohesively integrate linguistic, cultural, and psychological perspectives. The analysis results show how both lullabies contain moral values, strengthen emotional bonds, and serve as a medium for cultural transmission. Overall, this research not only contributes to the preservation of oral traditions but also offers a conceptual framework for applying ethnoparenting in the context of modern cross-cultural parenting. This study opens up opportunities for parents to adapt the ethno-parenting values contained in traditional oral heritage into modern parenting practices. Furthermore, this research can be developed to examine the application of ethnoparenting practices in daily life.

Mitos Perkawinan dalam Sawér Pangantén: Analisis Semiotika Roland Barthes Zannah, Putri Naufal Nurotul; Harini, Yostiani Noor Asmi; Durachman, Memen
Jurnal Bahasa dan Sastra Vol 14, No 1 (2026): In Progress
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i1.137122

Sawér Pangantén is a form of Sundanese oral literature that serves as a medium for advice and prayer in wedding ceremonies. This study aims to reveal the denotative, connotative, and mythical meanings in Sawér Pangantén texts and the cultural values they contain. Previous studies have primarily emphasized the normative function of this tradition and have not positioned sawér as an ideological mechanism that shapes and normalizes social perceptions of marriage. This research employs a qualitative approach using textual analysis based on Roland Barthes’ semiotics. The data consist of a sixteen-stanza Sawér Pangantén text obtained through recorded oral narration from a native informant in Cisewu, Garut Regency, and subsequently transcribed verbatim. The analysis was conducted stanza by stanza by mapping the relationship between signifier and signified (denotation), cultural meaning (connotation), and second-order signification (myth) that naturalizes ideology. The findings reveal four axes of the myth of marriage: the social legitimation of husband-wife status, orientation toward well-being and harmonious prosperity, divine and ancestral legitimation, and an ethic of sacred caution articulated through prayer. At the level of myth, marriage is legitimized as a sacred institution aligned with divine will and accepted as a naturalized social order within Sundanese society.

Resonansi verbal dan visual puisi kontemporer karya Aan Mansyur di Instagram: Kajian stilistika Zannah, Putri Naufal Nurotul; Harini, Yostiani Noor Asmi; Durachman, Memen
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2026)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v9i1.1581

This study discusses Aan Mansyur's digital poem entitled TETAPI, TIDAK uploaded via the Instagram account @apoetographer. The background of this study stems from the phenomenon of poetry that combines literary style and visual elements on Instagram. The purpose of this study is to reveal how literary style as a verbal aspect and visual aspect of poetry resonate. The method used is descriptive qualitative with a stylistic approach by Pradopo (2021). The results show that Aan Mansyur uses language style to emphasise social criticism and moral awareness. The visual element of purple-green colour gradation reinforces the reflective and contemplative atmosphere. The conclusion of this study confirms that Aan Mansyur's digital poetry presents verbal and visual resonance, namely the harmony between the power of language and visual elements that reinforce each other in building an aesthetic experience. This resonance shows the transformation of the function of poetry in the digital era from a mere medium of expression to a reflective, empathetic, and humanistic space that unites words and colours in a single contemporary aesthetic consciousness.

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