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All Journal LITE: Jurnal Bahasa, Sastra, dan Budaya El-HARAKAH : Jurnal Budaya Islam LOKABASA Humaniora INFOMATEK: Jurnal Informatika, Manajemen dan Teknologi Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Sutasoma : Jurnal Sastra Jawa Kawruh : Journal of Language Education, Literature and Local Culture IBDA': Jurnal Kajian Islam dan Budaya Jurnal Sosial, Politik dan Budaya (SOSPOLBUD) Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Jurnal Ilmiah Manuntung: Sains Farmasi dan Kesehatan Khazanah Theologia
Prasetyo Adi Wisnu Wibowo
Sebelas Maret University
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A.S Pushkin Influence in Russian Literary Literature Naini, Margarita Olegovna; Sudardi, Bani; Wibowo, Prasetyo Adi Wisnu
Jurnal Sosial, Politik dan Budaya (SOSPOLBUD) Vol. 3 No. 1 (2024): January, 2024
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/sospolbud.v3i1.6517

Abstract

This paper discusses the influence of Alexander Sergeevich Pushkin in the development of Russian Classical Literature. A.S. Pushkin, a great Russian writer in the 1800s. His contribution to the development of Russian literature cannot be seen as an eye. A.S. Pushkin was not only a poet, but also the greatest Russian writer. Alexander Pushkin's work is not only favored by literary activists, but his works are able to make changes to Russian literature. The development of Russian language literature until now has never fallen away from a Pushkin. Great Russian writer who has been recognized all over the world until now.
Negotiating Identity: The Cultural and Religious Significance of Rifa'iyah Batik for Women Sigit Setyawan; Titis Srimuda Pitana; Prasetyo Adi Wisnu Wibowo
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13973

Abstract

This study examines how the Rifa'iyah batik tradition becomes a conveyance for self-actualization for Rifa'iyah women in public spaces, focusing on negotiating women's identity in existing social constructions. Located in Kalipucang Wetan, Batang, Jawa Tengah Indonesia. This study uses a descriptive qualitative method with a post-structuralist feminist approach to reveal the dynamics of Rifa'iyah women's identity. Data were obtained through interviews with batik artisans and cultural observers, observations, and literature studies. The study results show that Rifa'iyah women can negotiate sociocultural structures through the batik tradition, changing society's perception of the role of women in the public sphere. They are not merely economic actors who contribute to family income but also agents of social change and cultural preservers. The gender identity of Rifa'iyah women is proven to be dynamic and continues to be formed through repeated actions and negotiations with prevailing norms. The implications of this study enrich cultural and gender studies, especially in understanding the interaction between gender, spirituality, and culture in shaping women's identity. This study also provides a new perspective on how women can utilize creative spaces to participate in the public sphere without violating the values ​​​​adopted by society. Research findings are relevant to women's empowerment efforts in traditional societies, showing that traditions can empower when interpreted and practised creatively.
Deconstructing aesthetics of shadow puppet art in Wahyu Katentreman by Cahyo Kuntadi Santoso, Eko Herry; Mibtadin, Mibtadin; Wibowo, Prasetyo Adi Wisnu
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 2 (2025): September
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i2.12515

Abstract

Abstract This study analyzes the aesthetic deconstruction in wayang kulit (shadow puppet) performances, focusing on the Wahyu Katentreman play performed by puppeteer Cahyo Kuntadi. The study aims to identify the causes, processes, and implications of aesthetic deconstruction in wayang kulit performances and their impact on the sustainability of this traditional art form in the modern era. Using Jacques Derrida’s deconstruction theory as the primary approach, this research also references Jakob Sumardjo’s paradoxical aesthetic theory and Sunardi’s concepts of nuksma and mungguh. A qualitative research method with an interpretative analysis technique was employed, utilizing both primary and secondary data sources. The findings indicate that aesthetic deconstruction in this wayang kulit performance is driven by changing audience preferences influenced by materialism and hedonism. The deconstruction process is evident in the transition from sacred to profane elements, the fusion of various performance styles from Surakarta, Yogyakarta, and East Java, as well as the integration of spontaneous humor within the Punakawan characters. The implications of this deconstruction include the emergence of new references for young puppeteers, increased appreciation of wayang kulit among the millennial generation, and economic benefits for karawitan music groups and local communities. Thus, this study asserts that aesthetic deconstruction in wayang kulit not only contributes to innovation in performing arts but also plays a crucial role in maintaining the relevance of traditional culture amidst dynamic social changes.
Diksi, Kiasan dan Maknanya dalam Lirik Lagu Band Romi & The Jaht pada Album Slonong Boy And Film Murahan (Kajian Semantik) Ahmad Khawarizmy Zihan; Djatmika, Djatmika; Prasetyo Adi Wisnu Wibowo; Arifuddin, Arifuddin
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 4 (2025): Penulis dari 3 negara (Indonesia, Jerman dan Turki)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i4.7002

Abstract

Penelitian ini berfokus pada proses penggunaan diksi, kiasan dan maknanya dalam album SLonong Boy dan Film Murahan Karya Band romi & The Jahats, ini adalah sebuah metode yang memungkinkan peningkatan kreativitas dan penggunaan dalam pembuatan lirik lagu. Tujuan utama dari penelitian ini adalah untuk mengidentifikasi penggunaan yang efektif dalam mengkondensasi elemen-elemen linguistik tanpa mengurangi esensi dan pesan yang ingin disampaikan disebuah lagu. Melalui pendekatan kualitatif, penelitian ini mengamati dan menganalisis penggunaan diksi, kiasan dan maknanya dalam tingkatan Bahasa (Kata, frasa, dan Klausa)  yang telah berhasil diubah menjadi lirik lagu berdasarkan tema yang hadir dalam album yang telah dipilih oleh penulis Hasil penelitian menunjukkan bahwa proses penggunaan diksi, kiasan dan maknanya, tidak hanya memerlukan pemahaman yang mendalam tentang struktur Bahasa dalam lirik lagu. Penelitian ini memberikan wawasan baru dalam studi linguistic dan menawarkan panduan praktis bagi penulis yang ingin mengembangkan kemampuan mereka dalam menciptakan lirik lagu yang bertema dan emosional.
Moral Value Analysis in Serat Kitab Kalam Qodrat for Women’s Moral Education Juniarti, Anugrah Putri; Saddhono, K.; Wibowo, Prasetyo Adi Wisnu
el Harakah: Jurnal Budaya Islam Vol 22, No 1 (2020): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v22i1.8643

Abstract

Morality is a personal guide of distinguishing goodness from badness with their mind. Indonesian women, especially Javanese, are perceived to be moral when they possess noble character reflected in gentle, polite, loyal, and religious attitudes. Many Indonesian cultural products portray the ideal female figure in terms of physical to a moral image. One of the cultural products dedicated to illustrate the typical moral for women is Tambang Macapat. Macapat songs containing moral values for women are the song in Serat Kitab Kalam Qodrat (KKQ). This study focuses on examining the content and moral values of Serat KKQ using gender perspective, with a primary emphasis on women’s gender. The results can be used as a model for Indonesian women and their character education support. This research is qualitative descriptive with a content analysis method. The primary data are the literary works in KKQ from Mpu Tantular Museum collection, Sidoarjo and the thesis of Sri Sulistianingsih (2016) titled Kalam Qodrat book: text edits and structural analysis. The study results are related to women’s morals, respect to parents and a husband (obedient to a husband, loyal, and harmonious), determination, maintaining self-esteem (honor) and the motivation of study. Moralitas merupakan upaya untuk membimbing manusia menggunakan akalnya untuk membedakan kebaikan dan keburukan. Wanita Indonesia khususnya wanita Jawa disebut bermoral ketika memiliki budi pekerti luhur yang tercermin dari sikap lembut, santun, setia dan taat beragama. Banyak produk budaya Indonesia yang menggambarkan sosok perempuan ideal dari segi fisik hingga moralitas. Salah satu produk budaya yang didedikasikan untuk menggambarkan moral ideal bagi perempuan adalah tembang macapat. Salah satu tembang macapat yang memuat nilai moral bagi perempuan adalah tembang macapat yang ada di dalam serat Kitab Kalam Qodrat (KKQ). Fokus studi ini mengkaji isi dan nilai moral dari Serat KKQ menggunakan perspektif gender, dengan fokus utama pada gender perempuan. Hasil kajian dapat digunakan sebagai model bagi perempuan Indonesia serta untuk mendukung pendidikan karakter perempuan. Penelitian ini adalah penelitian deskriptif kualitatif, dengan objek kajian serat KKQ. Menggunakan metode analisis isi. Data utama penelitian ini adalah serat KKQ koleksi museum Mpu Tantular Sidoarjo dan skripsi Sri Sulistianingsih (2016) dengan judul Kitab Kalam Qodrat: suntingan teks dan analisis struktural. Hasil dari penelitian berkaitan dengan moral (akhlak) perempuan, hormat pada orang tua, hormat kepada suami (sikap patuh pada suami, tidak durhaka, setia dan rukun), akhlak berpendirian teguh, menjaga harga diri (kehormatan) serta semangat menuntut ilmu.
ANALISIS SANITASI KAPAL DENGAN TANDA KEBERADAAN KECOA PADA KAPAL PENUMPANG DI KANTOR KESEHATAN PELABUHAN KELAS II SAMARINDA Ratna Yuliawati; Wisnu Adi Prasetyo; Vita Pramaningsih; Rusdi Rusdi
Jurnal Ilmiah Manuntung: Sains Farmasi Dan Kesehatan Vol. 7 No. 1 (2021): Jurnal Ilmiah Manuntung
Publisher : Sekolah Tinggi Ilmu Kesehatan Samarinda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51352/jim.v7i1.400

Abstract

Ship sanitation is one of the efforts aimed at environmental health risk factors on board. The results obtained from the Port Health Office (KKP) Class II Samarinda, there are several types of ships that are routinely carried out sanitary inspections of ships, one of which is a passenger ship. Therefore, researchers want to examine the Sanitary Relationship of Ships With Signs of The Presence of Cockroaches On Passenger Ships Leaning in The Port of Class II Samarinda. The design of this study is an observational analytical method with cross sectional study design. The instruments in this study used the ship's sanitation inspection form and the cockroach inspection form on the passenger ship. The data is processed using Fisher Exact Test. Based on the results of the study, where the 5 vessels that were examined have met the sanitary requirements (100%) in accordance with The Minister of Health Regulation No. 40 of 2015 concerning Certificate of Ship Sanitation. The results of the study found signs of the presence of cockroaches on the ship as many as 4 units of ships (80%). The results of statistical tests processed by Fisher Exact Test obtained the following results, p-value count = 0.20 > from p-value α = 0.05 so that the conclusion H0 received, which means "No Relation to Ship Sanitation with Signs of The Presence of Cockroaches On Ships Leaning in Samarinda Port".
Sêrat Bayanullah: Raden Panji Natarata’s Theological Da’wah Rhetoric through Classical Javanese Literature Mila Indah Rahmawati; Wakit Abdullah Rais; Prasetyo Adi Wisnu Wibowo
Khazanah Theologia Vol. 4 No. 1 (2022): Khazanah Theologia
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/kt.v4i1.17096

Abstract

This study discusses the wise advice related to Sufism aspects conveyed by Raden Panji Natarata which is packaged in Sêrat Bayanullah based on the character of each têmbang. The purpose of this research is to describe Raden Panji Natarata’s mindset as outlined in the rhetoric of têmbang-têmbang macapat. The method employed descriptive qualitative. The results showed that Raden Panji Natarata was quite skilled at mixing and matching his stories into a da’wah field according to the characteristics of the têmbang. Of the various têmbang macapat presented in this Sêrat Bayanullah, Raden Panji Natarata did not use têmbang durma. This was because têmbang durma has a character that tends to be harsh and angry so that it is not in accordance with the content of the da’wah proclaimed by Raden Panji Natarata. Thus, this locality nuanced da’wah element has an aesthetic and humanistic impression. As the title embedded in this literary work, Sêrat Bayanullah means the explanation of the chapter of Allah. Thus, it is hoped that this literary work can be a reference for understanding the nature of the chapter of Allah.
Religious Values in Bangilun Dance Verse and Its Pedagogical Relevance to Character Building Pusparini, Noviana; Rohmadi, Muhammad; Wibowo, Prasetyo Adi Wisnu
Humaniora: Journal of Indonesia Culture and Society Vol. 12 No. 3 (2021): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v12i3.6964

Abstract

The research aimed to describe and identify the religious value contained in the poetry of Bangilun dance and its pedagogical relevance. Religious values were character values related to divinity: they were the basis of thought, speech, and deed. This value could be found in traditions such as the Bangilun dance as a manifestation of local wisdom. The research applied a the descriptive qualitative method. Data in the research were Bangilun dance poems that contained religious values. The data sources were informants, Bangilun dance poetry notebooks, journals, and books related to the selected topic. Data collection was done by using documentation, observation, and interview techniques. Data analysis technique used the content analysis method. The results show that form of religious values found in Bangilun poetry is a form of human relationship with God, while the pedagogical relevance is the Bangilun dance poetry can be used as teaching material in schools by including it in all school activities (extracurricular and intracurricular), integrating it in all subjects at all levels of education, and cooperation of all elements (school, parents, and society).
Co-Authors Ahmad Khawarizmy Zihan Andayani, NFN Arifuddin Arifuddin Bani Sudardi Devi M Gunara Djatmika . DWI SURYANTO Hartikaningsih, NFN Hidayati, Inke Wahyu Inke Wahyu Hidayati Juniarti, Anugrah Putri Kayatun, Siti Nur Lies Banowati Mibtadin Mila Indah Rahmawati Muhammad Rohmadi Naini, Margarita Olegovna Pusparini, Noviana Rahmawati, Mila Indah Ratna Yuliawati Rusdi Rusdi Saddhono, K. Santoso, Eko Herry Sigit Setyawan Titis Srimuda Pitana Vita Pramaningsih Wakit Abdullah Rais