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The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Sabri Gusmail; Prasika Dewi Nugra; Syahrizal Syahrizal
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.

High Heel Shoes Commodity Fethisis of Drag Queen Raminten Cabaret Artists Show Mirota Yogyakarta Putri Prabu Utami; Bayu Aji Suseno; Djuniwarti Djuniwarti; Sabri Gusmail
Journal of Feminism and Gender Studies Vol 4 No 1 (2024): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v4i1.45548

Penelitian ini bertujuan untuk mengetahui muatan nilai fetisisme komoditas pada sepatu hak tinggi seniman drag queen dalam pertunjukkan cabaret show di Raminten 3 Mirota Yogyakarta. Penelitian ini menggunakan metode kualitatif dengan pendekatan fenomenologi, serta melakukan analisis data berdasarkan teori Marx tentang fetisisme komoditas. Hasil penelitian ini menjelaskan bahwa sepatu hak tinggi pemain drag queen memiliki use value untuk melindungi kaki dari resiko terjadinya cedera dan lecet (tergores) yang diakibatkan gesekan antara kulit dengan permukaan lantai pada panggung arena tertutup (indoor). High heels menjadi media konstruksi citra feminisme terhadap tubuh maskulin laki-laki pemain drag queen yang mengalami pergeseran (exchange value) dari fungsi status sosial menuju fungsi estetika yang bernilai ekonomi untuk membentuk identitas seksual menjadi seniman atau aktor profesional yang berpakaian seperti wanita untuk alasan hiburan (female impersonators). Sepatu hak tinggi menjadi penanda seksualitas dalam memanipulasi kesadaran pengguna (seniman drag queen) terhadap pemujaan suatu benda secara berlebihan (fetisisme) dengan mengerotisasi obyek benda mati untuk membentuk dorongan (gairah) atau kepuasan seksual.

HOAKS SEBAGAI KONSEP PENCIPTAAN TARI “FILTER” NUGRA, PRASIKA DEWI; GUSMAIL, SABRI
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

AbstrakKarya tari “Filter” merupakan karya peraih Hibah Seni Kelola 2019, kategori karya kolaborasi inovatif. Terinspirasi dari kondisi merebaknya hoaks (berita bohong) di jejaring sosial, khususnya pada layanan sosial media. Mengusung tema kehidupan sosial masyarakat di Indonesia, guna merefleksikan kondisi yang terjadi di Indonesia akibat hoaks yang berserakan di media digital. Memilih tipe abstrak dengan metode penciptaan berupa observasi (penjelajahan data, wawancara dan dokumentasi), analisa data, proses penciptaan (eksplorasi, improvisasi dan komposisi/pembentukan), persiapan, pertunjukan dan evaluasi. Karya ini terdiri dari 3 (tiga) bagian, antara lain ; 1) Menggambarkan bebasnya informasi yang beredar di sosial media, 2) Berita bohong (hoaks) yang tidak terbendung membanjiri sosial media, 3) Upaya individu dalam menyaring informasi hoaks yang berserakan, memilih dan berbagi informasi sesuai kebutuhan. Pelahiran karya ini memberikan tawaran esensi ideal akan pemanfaatan teknologi dalam berkomunikasi, meminimalisir dampak hoaks dari elemen terkecil, yaitu individu itu sendiri.AbstractThe dance work "Filter" is the work of the 2019 Governance Art Grant winner in innovative collaboration works. It is inspired by the widespread condition of hoaxes (fake news) on social networks, especially on social media services. Carrying the theme of social life in Indonesia, to reflect the situations that occur in Indonesia due to hoaxes scattered in digital media—selecting the abstract type with the creation method in the form of observation (data exploration, interviews, and documentation), data analysis, creation process (exploration, improvisation, and composition/formation), preparation, performance, and evaluation. This work consists of 3 (three) parts, among others; 1) Describing the freedom of information circulating on social media, 2) Unstoppable hoaxes flooding social media, 3) Individual efforts in filtering scattered hoax information, selecting and sharing information as needed. The birth of this work offers an ideal essence of the use of technology in communication, minimizing the impact of hoaxes from the smallest element, namely the individual himself.

Pengelolaan Gerak dan Pemanfaatan Digital Audio dalam Proses Kreatif Mencipta Tari di Lembaga Buana, Banda Aceh Prasika Dewi Nugra; Sabri Gusmail; Benni Andiko
PANGGUNG Vol 32 No 3 (2022): Komodifikasi dan Komoditas Seni Budaya di Era industri Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i3.1750

Proses mencipta tari tidak dapat mengenyampingkan gerak sebagai media utama ungkap tari. Sehingga diperlukan pengalaman empiris dalam proses kreatif mencipta diantaranya pengetahuan mendasar teoritik dan kemampuan praktik dalam pengelolaan gerak serta unsur pendukungnya. Pengetahuan dan wawasan ilmu koreografi dirasa perlu diberikan kepada Lembaga non formal seperti komunitas/sanggar seni sebagai bentuk sinergi antar instansi dalam upaya pemajuan kebudayaan yang tercantum pada UU No.5 tahun 2017 tentang Pemajuan Kebudayaan. Penelitian dilakukan di Banda Aceh yang bermitra dengan Lembaga Budaya Aceh Nusantara (Buana). Jenis penelitian adalah penelitian kualititif dengan menggunakan metode penelitian tindakan (action research). Mengidentifkasi prioritas masalah yang dialami mitra dan menentukan tindakan sebagai solusi masalah tersebut. Tahapan penelitian antara lain : perencanaan (planning), pelaksanaan (acting), pemantauan (monitoring atau observing), penilaian (reflecting atau evaluating). Tindakan dilaksanakan dalam bentuk pelatihan pengelolaan gerak tari dan proses mencipta musik iringan tari dalam bentuk transfer keterampilan atau pemberian pengalaman mencipta bersama. Menggunakan pendekatan koreografi Jacqueline Smith dan proses mencipta musik iringan melalui teknik pengolahan digital audio software. Menggabungkan 2 (dua) teknik dalam pelaksanaan pelatihan, yaitu : penyampaian materi secara teori dan mendemonstrasikan secara praktik. Pelaksanaan pelatihan diharapkan berdampak signifikan dalam meningkatkan produktifitas mencipta tari di Lembaga Buana.Kata kunci: pelatihan, koreografi, inovatif, pengolahan gerak, musik tari

KONSEP BULUIH DALAM PERTUNJUKAN LUAMBEK PADA MASYARAKAT SICINCIN DI MINANGKABAU Yusfil, Yusfil; Saaduddin, Saduddin; Gusmail, Sabri
Studi Budaya Nusantara Vol. 4 No. 2 (2020)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

The study of the concept of Buluih in Luambek performances among the Sicincin community in Minangkabau aims to describe the function and aesthetic value of the concept of buluih in Luambek performances among the Sicincin community. The concept of buluih is one of the attractions that has a function and aesthetic value, making Luambek performances a cultural heritage that remains preserved in the community. The presence of Buluih in the Luambek dramaturgy is reflected through the movements produced and integrated with the concept of life in the Sicincin community, making the performance well-received by the community. The analysis employed combines The Liang Gie's aesthetic concept with Richard Kraus's functional theory. This study utilises a qualitative research method with an aesthetic approach, employing observation, interviews, and literature review as data collection techniques. The research findings indicate that Luambek possesses aesthetic value due to its sensory-evaluable form and its life value, which positions the concept of buluih as the primary benchmark for upholding the reputation of the community (tribe) during major traditional ceremonies within that community (tribe).

The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Gusmail, Sabri; Nugra, Prasika Dewi; Syahrizal, Syahrizal
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.

Implementasi Proses Kreatif Berbasis Digital Dalam Mencipta Musik Pertunjukan dan Manajemen Promosi di Lembaga Seulanga, Banda Aceh Andiko, Benny; Gusmail, Sabri; Ghifari, Muhammad; Andika, Benni; Bahri, Al
Batoboh Vol 10, No 1 (2025): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v10i1.5007

Selera budaya lokal memainkan peran penting dalam pelestarian dan pengembangan musik seni pertunjukan. Lembaga Seulanga di Banda Aceh) menghadapi berbagai tantangan, seperti: keterbatasan sarana dan prasarana untuk produksi musik seni pertunjukan, minimnya pengetahuan dan keterampilan dalam teknik perekaman musik berbasis digital dan dan kurangnya kemampuan pengelolaan promosi hasil karya untuk menjangkau pasar yang lebih luas. Dibutuhkan pelatihan yang berfokus pada teknologi perekaman musik digital untuk menjawab kebutuhan dunia usaha dan industri seni. Metode pelaksanaan terdiri dari perencanaan, pelaksanaan, pemantauan dan penilaian. Perkembangan teknologi perekaman musik berbasis digital menjadi fokus utama program pengabdian kepada masyarakat oleh ISBI Aceh, dengan solusi berupa pelatihan teknik perekaman musik seni pertunjukan menggunakan software Digital Audio Workstation (DAW) seperti PreSonus Studio One 6. Pelatihan ini mencakup tahap-tahap perekaman profesional, promosi digital menggunakan WordPress, serta bertujuan meningkatkan wawasan dan keterampilan SDM di Lembaga Seulanga Banda Aceh dalam melestarikan seni budaya. Hasil luaran meliputi publikasi, video dokumentasi, hak cipta karya rekaman, serta peningkatan kemampuan mitra untuk mempromosikan seni budaya Aceh secara digital.

Pelatihan Proses Mencipta Tari Melalui Pengelolaan Gerak dan Pemanfaatan Digital Audio Software di Lembaga Budaya Aceh Nusantara, Banda Aceh Prasika Dewi Nugra; Benni Andiko; Sabri Gusmail
Jurnal ABDINUS : Jurnal Pengabdian Nusantara Vol 6 No 2 (2022): Volume 6 Nomor 2 Tahun 2022
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/ja.v6i2.16725

The process of creating dance cannot exclude motion as the main medium for expressing dance. So that empirical experience is needed in the creative process of creating, including basic theoretical knowledge and practical skills in the management of motion and its supporting elements. Knowledge and insight into the science of choreography is felt to be given to non-formal institutions such as communities/art studios as a form of synergy between agencies in an effort to promote culture as stated in Law No. 5 of 2017 concerning the Advancement of Culture. This article is part of Community Service involving the Budaya Aceh Nusantara (Buana). The priority of partner problems is the lack of insight and skills of human resources in the process of creating new works, especially innovative dances originating from traditional arts. Solutions to solving partner problems are carried out in the form of training including dance movement management training and the process of creating dance accompaniment music in the form of skill transfer or providing joint creation experience. The training was conducted using Jacqueline Smith's choreographic approach and the process of creating accompaniment music through digital audio software processing techniques. The training methods include: planning, implementing (acting), monitoring or observing and assessment (reflecting or evaluating). From the results of the training, it can be seen that the participants' skills increase in the management of motion and the use of audio software in the process of creating dances. On the other hand, the training module becomes reading material that the community can always use as a reference and guide in independent practice. The implementation of the training is expected to have a significant impact in increasing the productivity of creating dances at the Buana communities

Unsur Tenaga Gerak dan Penerapannya pada Tari Seudati: Proses Kreatif di Sanggar Aneuk Metuah, Aceh Besar Gusmail, Sabri; Nugra, Prastika Dewi
Dance and Theatre Review Vol 4, No 2: November 2021
Publisher : Institut Seni Indonesia Yogyakarta

The Element of Motion and Its Application in Seudati Dance: The Creative Process at Aneuk Metuah Studio, Aceh Besar. This article is the research result which was conducted in Aceh Besar, which led to training activities to solve problems that occurred in the Aneuk Metuah Studio. The problem with the studio is about the dancers’ body resistance when dancing the Seudati dance, namely that the dancers get tired quickly, which impacts the quality of the dance movement. The program is oriented towards increasing creativity in managing the energy element when dancing the Seudati traditional dance. This type of research is qualitative research using the action research method (action research). The researcher identified specific problems and determined actions as solutions to these problems. Furthermore, the research refers to the construction method of creating dance in Jacqueline Smith’s book, translated by Ben Suharto, entitled Dance Composition: A Practical Guide for Teachers. The stages of activity include observation, determination of focus and preparation of training materials, transfer of materials, the performance of the Seudati dance, and evaluation of activities. The action is carried out in the form of training in the management of the energy element when dancing the Seudati dance. The material is delivered through audiovisual media and demonstrates it. Based on the process and the research results, it is found that the potential for the sustainability of the creative process can be carried out by the children of Aneuk Metuah studio in every training process in the future. It is hoped that this activity will have a long-term impact on the trainees in managing the elements of movement energy when dancing and increasing the artistic creativity in the studio.Keywords: dance; training; elements of motion; Seudati

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