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All Journal Japanese Literature IZUMI Jurnal Arbitrer Kiryoku: Jurnal Studi Kejepangan HARMONI Jurnal Bakti Humaniora

Zaki Ainul Fadli

Japanese Language And Culture Departement, Faculty Of Humanities, Diponegoro University

Author-ID : 262679

Humanities Chemistry Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Other

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Meaning's Comparison of Two Autumn Haiku Written by Masaoka Shiki and Takarai Kikaku Zaki Ainul Fadli; Najma Fairus Handoko
IZUMI Vol 10, No 2 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.2.380-388

Every country has its own culture. Japan has a close culture of art, both modern and traditional. One of the Japanese arts in literature is poetry. Poetry in Japanese literature is called haiku. To find out the differences and similarities in the meanings contained in the autumn-themed haiku by Masaoka Shiki and Takarai Kikaku, the writer intends to analyze the comparison of the two-autumn haiku by Masaoka Shiki and Takarai Kikaku. Comparative analysis of meaning is studied using Ronald Barthes's semiotic study to find its meaning. The semiotic study used is Ronald Barthes's semiotics which uses two stages of study through denotation and connotation, then its relationship with myth or culture. The result of this research produces a comparison of the similarities and differences between Masaoka Shiki's autumn haiku and Takarai Kikaku's. The similarity of autumn haiku by Masaoka Shiki and Takarai Kikaku is the theme raised, namely the beauty of nature and the environment. While the difference between the autumn haiku by Masaoka Shiki and Takarai Kikaku is the philosophical meaning of the discussion, and in the background of time and atmosphere mentioned.

TEMA CINTA DALAM NOVEL SHIOSAI KARYA MISHIMA YUKIO Fadli, Zaki Ainul; Hastuti, Nur
IZUMI Vol 6, No 1 (2017)
Publisher : Universitas Diponegoro

This paper is titled Theme of Love in Mishima Yukio’s Shiosai. The purpose of writing is to reveal the major themes in Mishima Yukio's Shiosai and its relationship to other structures, especially figures and characters, plots and backgrounds. The analysis uses structural methods that have the concept that in a building of a literary work consists of interrelated and inseparable structures. The results of this paper indicate that the theme of love is a major theme that is evidenced by the correlation and relationship of love problems with other structures, especially figures and characterizations, plot, and background. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor

Kontrol Informal dan Formal Terhadap Yakuza di Jepang Fadli, Zaki Ainul; Nabila, Femiga Salsa
IZUMI Vol 8, No 2 (2019)
Publisher : Universitas Diponegoro

<div> (Title: Informal and Formal Controls Against Yakuza in Japan) This research explores how far yakuza's development in Japan and to find social factors which affecting its change. The methods used are literary research. This paper discusses the implementation of formal and informal social control in Japanese society and its ties to yakuza. The fact that yakuza, as Japanese mafia, have been intervening its society for decades, is a strange phenomenon since Japan is known for its low crimes as portrayed on most of the media. The formal control section will be focused on the National Police Agency of Japan, while the informal control section will be focused on Japanese society, emphasizing on its culture. Both controls leave the door open for yakuza to establish power in society. This may lead to the conclusion that Japan’s social control is relatively weak.</div> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor

Peran Orang Tua Terhadap Anak-Anak dalam Cerpen 'Seibei to Hyoutan' karya Shiga Naoya Fadli, Zaki Ainul; Baiquni, Tribuana Tunggadewi Kusumowardhani
IZUMI Vol 11, No 2 (2022)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.11.2.123-134

This study aims to determine the role of parents towards children in the short story 'Seibei to Hyotan' by Shiga Naoya published in 1913 in Japan. The research method used in this study is descriptive qualitative with data collection through literature studies. Data analysis is carried out by analyzing one of the elements of the short story structure, namely characterization and characterization, then understanding the relationship between the role of parents and children in this short story. The results showed that (1) the role of Seibei's parents towards Seibei was very important in shaping Seibei's character, (2) adults in this case the teacher from Seibei also played a role in the formation of Seibei's character, and (3) the impact of Seibei's parents' attitude towards Seibei was very large, one of which was Seibei's mistakes that recurred. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor

DEUS VERSUS OHIRUME DALAM CERPEN KAMIGAMI NO BISHOU: BENTURAN BUDAYA ANTARA BARAT DENGAN JEPANG Fadli, Zaki Ainul
IZUMI Vol 7, No 2 (2018)
Publisher : Universitas Diponegoro

(Title: Deus Versus Ohirume in Kamigami No Bishou: Cultural Clash Between West and Japan) The Kamigami no Bishou short story is one of the most famous Japanese literary works, Akutagawa Ryuunosuke. Kamigami no Bishou was created by Akutagawa in 1922 which tells the meeting of Organtino, a Christian missionary in Japan with an old man who was the embodiment of one of Japan's ancient gods. The purpose of this article is to reveal how the clash of cultures between the West and Japan was reconstructed in Kamigami no Bishou short stories. To achieve this goal, the following steps are taken. First, an explanation of the terms contained in the Kamigami no Bishou Short Story. Second, explained the actions of two figures in the short story that are in opposition to the Greimas model's official scheme because this scheme can make it easier to understand the actions and motivations of the characters. Third, the analysis of one of the short story structural elements is a theme with the aim of understanding the essence and purpose of the entire short story. Fourth, further explanation about the reconstruction of Western versus Japanese cultural clash which is explained by the presentation of binary opposition. After going through all four stages, it was concluded that the reconstruction of cultural clash in Kamigami no Bishou short stories was presented by Akutagawa in a conversation between the Organtino character and the old male character. Through a dialogue centered on Deus versus Ohirume carried out by Organtino figures and old male figures, Akutagawa indirectly wanted to convey the message that Japanese tradition and culture would not be destroyed due to influences from foreign cultures that entered. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor

Adaptasi Sosial Tokoh Mikami dalam Film Subarashiki Sekai karya Miwa Nishikawa Fadli, Zaki Ainul; Quartyza, Nezatria Risma
IZUMI Vol 11, No 1 (2022)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.11.1.53-61

This research was conducted to reveal and classify the social adaptation efforts made by the main character in the film "Subarishiki Sekai" by Miwa Nishikawa. This type of research is quantitative research with a literary sociological approach. The theory used is Robert K. Merton‘s typology of adaptation. Data is collected by the listening and record method. The stages of adaptation according to Merton there are five, namely conformity, innovation, ritualism, retreatism, and rebellion. The results showed that from the five stages of adaptation, Mikami only performed the following four stages: (1) conformity, changing the way you look, looking for job openings, buying the latest mobile phone, studying for a driving exam; (2) innovation, biting the stomach of a thug who locks an employee at night; (3) ritualism, not saving and laughing at Abe when other employees bullied and made fun of Abe; (4) Retreatism, go to Kyushu to isolate themselves when all Mikami’s efforts did not get the response he expected. The conclusion of this study is that social adaptation must be done by ex-convicts who want to blend back into society. In particular, the state and society must play a role and be present in helping ex-convicts to obtain jobs and re-mingle with society so that they do not return to illegal business or crime. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor

Co-Authors Anitawati Sihombing, Anitawati Arsi Widiandari Arsi Widiandari, Arsi Ayuk Silvia Hariyanti, Ayuk Silvia Ayyub, Ichlasul Baiquni, Tribuana Tunggadewi Kusumowardhani Catur Kepirianto Dewi Kusmiati Dewi Saraswati Dewi Saraswati Sakariah Dewi Saraswati, Dewi Fajria Noviana Hanif Febrian Adityo, Hanif Febrian Ishikawa, Shin'Ichiro Liu, Tanjun Luqyana Salsabila Maharani Patria Ratna Maharani Ratna, Maharani Moh Muzakka, Moh Nabila, Femiga Salsa Najma Fairus Handoko Nur Hastuti Patria Restu Indriawan, Patria Restu Prihantoro Prihantoro Quartyza, Nezatria Risma Rini, Elizabeth Ika Hesti Aprilia Nindia Salsabila, Unik Hanifah Susana Fitriana Lado, Susana Fitriana Yuliani Rahmah

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