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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education The Journal of Educational Development Panggung Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Victor Ganap
ISI Yogyakarta, Jl. Parangtritis Km. 6,5 Panggungharjo, Bantul Yogyakart
Arts Humanities Education

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Journal : Harmonia: Journal of Research and Education

 1 
Pengaruh Portugis pada Musik Keroncong (Portuguese Influence to Kroncong Music) Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 7, No 2 (2006)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i2.753

Abstract

Keroncong diyakini berasal dari Portugis, berdasarkan fakta sejarah: (1)sejarah pada abad ke-16 para pelaut Portugis pernah singgah di kepulauanNusantara; (2) ’cavaquiho’ adalah instrumen tradisional Potugis, di manadi Indonesia disebut dengan ukulele atau secara sederahana disebutkeroncong; (3) repertoar keroncong seperti, Moresco, Cafrinho, Proungaadalah nyanyian fado orang-orang Portugis abad ke-16 di mana di Indonesiadikenal sebagai Kr. Moritsko, Kaparinyo; (4) istilah Potugis ‘coração’(dalam hati) merupakan ekspresi khusus yang juga ditemui dalammenyanyikan keroncong, seperti cengkok ; (5) Kertoncong Toegoe sudahdianggap sebagai genre pertama aliran musik keroncong di Indonesia.Kata Kunci : Genre, Repertoar, Waditra, Ekspresi
MEMBANGUN INDUSTRI KREATIF DI MALUKU MELALUI PENDIDIKAN SENI Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 12, No 1 (2012)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v12i1.2213

Abstract

Bagian Timur Indonesia khususnya kepulauan Maluku terdiri dari banyak pulau, sementara orang-orangnya juga dianugerahi dengan musikalitas yang luar biasa, dilihat dari keterampilannya dalam menyanyi, perbendaharaan folksong besar, dan kekayaan aktivitas sehari-hari yang bersentuhan dengan musik. Namun, keberkahan bakat sejauh ini sudah dianggap sebagai seni yang memiliki tujuan, dimana orang-orang Maluku dengan gembira melakukan kehidupan estetika mereka hanya untuk tujuan mereka sendiri. Pendidikan seni formal telah didirikan di Maluku, di mana kemauan politik pemerintah daerah untuk mencapai seni dengan akulturasi dan metamorfosis nampak belum terpenuhi. Sekarang, waktunya bahwa orang Maluku harus memberdayakan budaya yang kaya mereka terutama kemampuan luar biasa mereka di dunia seni dengan memproduksi seniman-seniman lokal terpadu, yang tidak hanya profesional di bidangnya, tetapi juga mungkin dapat mencari nafkah melalui karya mereka sendiri. Oleh karena itu, pembentukan sebuah sekolah seni formal di Maluku adalah penting, tidak hanya untuk tujuan melestarikan dan menyebarluaskan kearifan lokal Maluku, tetapi juga untuk meningkatkanpengembangan Provinsi Maluku dalam mepromosikan sektor industri kreatif secara ekonomis. The Eastern part of Indonesian archipelago particularly Maluku province consisted of many islands, while its people are also blessed with their incredible musicality, seen from the skillful ability in singing, vast folksongs repertory, and the enrichment of daily activities with musical touch. However, such a talented gift has been so far considered as the art by destination, where Maluku people are happily conducting their esthetical life only for their own purposes. Formal arts education has been scarcely established in Maluku, in which the political will of local government to attain the art by acculturation and metamorphosis seems not in conformity as yet. Now, the time has come that Maluku ethnic people must empower their rich culture especially their outstanding ability in the art world by producing the integrated local artists, who are not only professional in their fields, but may also be able to earn living through their own works. Therefore, the establishment of a formal arts school in Maluku is of important, not only for the purpose of preserving and disseminating Maluku local wisdoms, but also to enhance the development of Maluku province in economically promising sector of the creative industry.
CAMPURSARI MANTHOUS : ANTARA MUSIK JENIS BARU DAN FENOMENA SOSIAL MASYARAKAT PENDUKUNG -, W a d i y o; Haryono, Timbul; Soedarsono, R.M.; Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2204

Abstract

Masalah yang diangkat dalam penelitian ini adalah hubungan fenomena Campursari Manthous sebagai ‘jenis musik Jawa baru/kreasi’ dengan fenomena kondisi sosial budaya masyarakat pendukung. Pendekatan penelitian ini adalah sosiologis dengan menggunakan metode kualitatif deskriptif. Lokasi penelitian, Gunung Kidul, Klaten, Boyolali, dan Semarang. Hasil penelitian menunjukkan, Campursari Manthous merupakan paduan antara musik diatonik gamelan dengan musik non diatonik utamanya langgam dan pop. Basik  garapan Campursari Manthous ada tiga, yakni berbasis gending,  langgam, dan  pop. Melalui fenomena Campursari Manthous yang dijadikan sebagai sarana berkesenian sehari-hari oleh masyarakat pendukung dapat diketahui aspek kehidupan sosial budaya masyarakat pendukungnya. Aspek kondisi sosial budaya masyarakat tersebut dikaitkan dengan aspek mentalitas. Dalam konteks ini masyarakat pendukung Campursari Manthous adalah masyarakat yang bukan kategori masyarakat  tradisional murni tetapi juga bukan masyarakat yang murni modern. The problem in this research is focused on the relationship between Campursari Manthous as a new Javanese music and social phenomena of its supporting community. This research uses sociological approach by means of descriptive-qualitative method. It was located in Gunung Kidul, Klaten, Boyolali and Semarang. The result shows that Campursari Manthous harmonizes the diatonic traditional Javanese musical instrument and non-diatonic music such as langgam and pop. The basic instruments of Campursari Manthous are three, namely gending, langgam, and pop. The phenomena of Campursari Manthous used as daily musical media by its supporting community could reveal the socio-cultural aspects of its community. These are related to mentality aspect. In consideration of this latter aspect, the community does not either characterize a purely traditional community or a purely modern one.
Musical Activity in The Music Learning Process Through Children Songs in Primary School Level Sinaga, Syahrul Syah; Susanto, Susanto; Ganap, Victor; Rohidi, Tjetjep Rehendi
Harmonia: Journal of Arts Research and Education Vol 18, No 1 (2018): June 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i1.12508

Abstract

This study aims to analyze and describe the musical activity in the process of learning music through children songs in primary school. A qualitative approach in this research is made by focusing on the field research method. Data were collected by observation techniques, interviews, and documentation studies. Data analysis was done by following certain stages respectively, i.e. data collection, data reduction, data display, conclusion drawing, and verification. The results showed that musical activities implemented in three primary schools consist of (1) listening to music; (2) singing; (3) playing musical instruments; (4) moving to follow the music; and (5) reading music. However, forms, types, and variations of the musical activities taking place in these schools are different, depending on the schools’ policy, schools’ abilities, and music teachers’ abilities in teaching the music subject.
MEMBANGUN INDUSTRI KREATIF DI MALUKU MELALUI PENDIDIKAN SENI Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 12, No 1 (2012)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v12i1.2213

Abstract

Bagian Timur Indonesia khususnya kepulauan Maluku terdiri dari banyak pulau, sementara orang-orangnya juga dianugerahi dengan musikalitas yang luar biasa, dilihat dari keterampilannya dalam menyanyi, perbendaharaan folksong besar, dan kekayaan aktivitas sehari-hari yang bersentuhan dengan musik. Namun, keberkahan bakat sejauh ini sudah dianggap sebagai seni yang memiliki tujuan, dimana orang-orang Maluku dengan gembira melakukan kehidupan estetika mereka hanya untuk tujuan mereka sendiri. Pendidikan seni formal telah didirikan di Maluku, di mana kemauan politik pemerintah daerah untuk mencapai seni dengan akulturasi dan metamorfosis nampak belum terpenuhi. Sekarang, waktunya bahwa orang Maluku harus memberdayakan budaya yang kaya mereka terutama kemampuan luar biasa mereka di dunia seni dengan memproduksi seniman-seniman lokal terpadu, yang tidak hanya profesional di bidangnya, tetapi juga mungkin dapat mencari nafkah melalui karya mereka sendiri. Oleh karena itu, pembentukan sebuah sekolah seni formal di Maluku adalah penting, tidak hanya untuk tujuan melestarikan dan menyebarluaskan kearifan lokal Maluku, tetapi juga untuk meningkatkanpengembangan Provinsi Maluku dalam mepromosikan sektor industri kreatif secara ekonomis. The Eastern part of Indonesian archipelago particularly Maluku province consisted of many islands, while its people are also blessed with their incredible musicality, seen from the skillful ability in singing, vast folksongs repertory, and the enrichment of daily activities with musical touch. However, such a talented gift has been so far considered as the art by destination, where Maluku people are happily conducting their esthetical life only for their own purposes. Formal arts education has been scarcely established in Maluku, in which the political will of local government to attain the art by acculturation and metamorphosis seems not in conformity as yet. Now, the time has come that Maluku ethnic people must empower their rich culture especially their outstanding ability in the art world by producing the integrated local artists, who are not only professional in their fields, but may also be able to earn living through their own works. Therefore, the establishment of a formal arts school in Maluku is of important, not only for the purpose of preserving and disseminating Maluku local wisdoms, but also to enhance the development of Maluku province in economically promising sector of the creative industry.
CAMPURSARI MANTHOUS : ANTARA MUSIK JENIS BARU DAN FENOMENA SOSIAL MASYARAKAT PENDUKUNG -, W a d i y o; Haryono, Timbul; Soedarsono, R.M.; Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2204

Abstract

Masalah yang diangkat dalam penelitian ini adalah hubungan fenomena Campursari Manthous sebagai ‘jenis musik Jawa baru/kreasi’ dengan fenomena kondisi sosial budaya masyarakat pendukung. Pendekatan penelitian ini adalah sosiologis dengan menggunakan metode kualitatif deskriptif. Lokasi penelitian, Gunung Kidul, Klaten, Boyolali, dan Semarang. Hasil penelitian menunjukkan, Campursari Manthous merupakan paduan antara musik diatonik gamelan dengan musik non diatonik utamanya langgam dan pop. Basik  garapan Campursari Manthous ada tiga, yakni berbasis gending,  langgam, dan  pop. Melalui fenomena Campursari Manthous yang dijadikan sebagai sarana berkesenian sehari-hari oleh masyarakat pendukung dapat diketahui aspek kehidupan sosial budaya masyarakat pendukungnya. Aspek kondisi sosial budaya masyarakat tersebut dikaitkan dengan aspek mentalitas. Dalam konteks ini masyarakat pendukung Campursari Manthous adalah masyarakat yang bukan kategori masyarakat  tradisional murni tetapi juga bukan masyarakat yang murni modern. The problem in this research is focused on the relationship between Campursari Manthous as a new Javanese music and social phenomena of its supporting community. This research uses sociological approach by means of descriptive-qualitative method. It was located in Gunung Kidul, Klaten, Boyolali and Semarang. The result shows that Campursari Manthous harmonizes the diatonic traditional Javanese musical instrument and non-diatonic music such as langgam and pop. The basic instruments of Campursari Manthous are three, namely gending, langgam, and pop. The phenomena of Campursari Manthous used as daily musical media by its supporting community could reveal the socio-cultural aspects of its community. These are related to mentality aspect. In consideration of this latter aspect, the community does not either characterize a purely traditional community or a purely modern one.
Pengaruh Portugis pada Musik Keroncong (Portuguese Influence to Kroncong Music) Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 7, No 2 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i2.753

Abstract

Keroncong diyakini berasal dari Portugis, berdasarkan fakta sejarah: (1)sejarah pada abad ke-16 para pelaut Portugis pernah singgah di kepulauanNusantara; (2) ’cavaquiho’ adalah instrumen tradisional Potugis, di manadi Indonesia disebut dengan ukulele atau secara sederahana disebutkeroncong; (3) repertoar keroncong seperti, Moresco, Cafrinho, Proungaadalah nyanyian fado orang-orang Portugis abad ke-16 di mana di Indonesiadikenal sebagai Kr. Moritsko, Kaparinyo; (4) istilah Potugis ‘coração’(dalam hati) merupakan ekspresi khusus yang juga ditemui dalammenyanyikan keroncong, seperti cengkok ; (5) Kertoncong Toegoe sudahdianggap sebagai genre pertama aliran musik keroncong di Indonesia.Kata Kunci : Genre, Repertoar, Waditra, Ekspresi
Kroncong Orchestration of Millennial Generation Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i2.16893

Abstract

Kroncong is the urban popular music of Indonesia, which some scholars suggest was brought by Portuguese in the early sixteenth century.  Kroncong becomes popular across the archipelago as accompaniment in its musical genre, theatre and film. Although popular music has long been an integral part of Indonesian cultural domain, genres such as kroncong have been overlooked by music scholars.  This article aims to introduce kroncong orchestration that could be performed in an updated style for incorporating repertoire from any other genres into idiomatic kroncong, that will be adopted by the millennial generation. Therefore, the reinvention of kroncong will not only be a significant contribution to scholarship on Indonesian popular music, but it will also contribute to a wider understanding of the complexities of indigenous ethnicity, political power, social class, and gender. The orchestration that will retain its rhythm pattern and vocal ornamentation, while reinforcing the strings and winds as melodic carriers.
Banyumasan Songs As Banyumas People’s Character Reflection Suharto, S.; Sumaryanto, Totok; Ganap, Victor; Santosa, Santosa
Harmonia: Journal of Arts Research and Education Vol 16, No 1 (2016): June 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i1.6460

Abstract

This study aims to identify a number of legendary Banyumasan songs. The fact that a large number of the songs exist and people sing the songs all the time shows that the songs have their own uniqueness. This study takes place in Banyumas regency. By doing performance study and composition, this study identifies the form and the structure of Banyumasan songs, and the moral value of Banyumasan music, especially the songs in Banyumasan music. The result of the study shows that the songs in the art performances in Banyumas commonly use classic immutable songs. The lyrics in the classic Banyumasan songs use Ngoko Javanese in Banyumasan dialect. The rhyme of the lyrics is usually in the form of wangsalan, parikan, and Essen-Essen. The rhyme contains funny and entertaining riddles. The lyrics of Banyumasan songs reflect Banyumas people’s character and the dream/utopia of the people’s ideology. The character is shown in the use of ngoko Javanese in Banyumas dialect which shows that the society is blakasuta or egalitarian who considers all people in the world has the same level and must be honest.How to Cite: Suharto, S. (2016). Banyumasan Songs As Banyumas People’s Character Reflection. Harmonia: Journal of Arts Research And Education, 16(1), 49-56. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6460
Co-Authors G.R. Lono L. Simatupang Jermias Hartes Van Harling, Jermias Hartes mungin eddy wibowo, mungin eddy R.M Soedarsono R.M. Soedarsono R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Rohidi, Tjetjep Rehendi S. Suharto Santosa Santosa Susanto Susanto Syahrul Syah Sinaga Timbul Haryono Totok Sumaryanto, Totok W a d i y o - Wadiyo Wadiyo Wilma Sriwulan Wisnu Mintargo Zulkarnain Mistortoify