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Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Trauma Discourse in Christopher Robin Movie Fadilatul Nadia; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2430

Abstract

This research is based on the trauma of someone in a movie, seen in the movie used trauma discourse theory. The objective of this research is to find out how the trauma discourse appeared in Christoper Robin's movie based on Zaumseil and Indradjaja's theory. This research used a descriptive qualitative method. The source of data in this research was taken from the Disney+ watch page. The researcher found that two elements of trauma discourse seen in two characters are Christoper Robin and Winnie the Pooh in the two aspects such as reasonable fear and worry and culturally specific suffering in terms of the inner and outer realm of trauma discourse. From the several aspects above, the creation of past trauma has an impact on finding out the characteristics of people who experience discourse trauma in their speech both for them and for those around them. This research concludes that someone who has experienced trauma is very influential when he speaks or conveys a message. This can be seen from the language used and the actions taken by the characters in the film Christopher Robin.
A Semiotic Analysis of Denotative and Connotative Meanings in The Hustle Movie Hosiana Dominggus; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol 10 No 1 (2025): Vol 10 No 1 June 2025
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/mh29ba95

Abstract

The research discusses the denotative and connotative meanings in the movie The Hustle, based on Barthes’s theory. The objective of this research is to describe how denotative and connotative meanings are conveyed in the film The Hustle, utilizing Barthes’s theory. To support the research, the researcher adds additional theory retrieved from Dickins (2019) to identify the types of connotative meanings that appear. The descriptive qualitative method is used in this study. The source of data is based on the Hustle movie. The data was gathered by downloading, watching, reading, identifying, and coding. The data were analyzed by presenting, describing, interpreting, and concluding the data analysis results. As a result of the analysis, it can be concluded that in the Hustle movie, denotation describes the literal meaning of the things the researcher found in this movie, and connotation describes the underlying, deeper messages. The use of denotation and connotation words reveals the characters’ traits, indicating that Penny’s personality is that of a casual person. In contrast, Josephine’s personality is more formal, preferring to speak correctly. The researcher also found that the Hustle movie features several scenes that perpetuate stereotypes. The picture illustrates a stereotype prevalent in a particular country. Messages or feelings that a film evokes cause the movie’s audience to experience a range of emotions while watching it.
Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 2 (2023): Vol. 8 No. 2, December 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Trauma Discourse in Christopher Robin Movie Fadilatul Nadia; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol 9 No 1 (2024): Vol. 9 No. 1 June 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2430

Abstract

This research is based on the trauma of someone in a movie, seen in the movie used trauma discourse theory. The objective of this research is to find out how the trauma discourse appeared in Christoper Robin's movie based on Zaumseil and Indradjaja's theory. This research used a descriptive qualitative method. The source of data in this research was taken from the Disney watch page. The researcher found that two elements of trauma discourse seen in two characters are Christoper Robin and Winnie the Pooh in the two aspects such as reasonable fear and worry and culturally specific suffering in terms of the inner and outer realm of trauma discourse. From the several aspects above, the creation of past trauma has an impact on finding out the characteristics of people who experience discourse trauma in their speech both for them and for those around them. This research concludes that someone who has experienced trauma is very influential when he speaks or conveys a message. This can be seen from the language used and the actions taken by the characters in the film Christopher Robin.
Feminity & Nature in Moana Movie: An Analysis of Ecofeminism Komang Artini; Rasiah Rasiah; Ansor Putra
ELITE: Journal of English Language and Literature Vol 9 No 2 (2024): Vol. 9 No. 2 December 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/mb455k53

Abstract

The study focused on how femininity and nature are portrayed in the Moana movie. The research method used is descriptive qualitative, where data is collected by watching films critically to achieve desired results, taking screenshots and taking notes, and identifying and classifying to support the analysis. Researchers found several aspects of the relationship between femininity and nature in the film Moana after conducting an analysis. Twenty-one data points were identified and classified into three main data groups to support the analysis process carried out by the researcher. One of the important discoveries in this movie is that nature is portrayed as a mother, the same as a woman who will not be angry for no reason. This is reflected in the character of Te Fiti, which also represents motherhood and interconnectedness with nature. Nature is portrayed as a mother, and the film depicts the entire relationship between Moana and nature.