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All Journal BASASTRA JURNAL ILMU BUDAYA Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra ETNOREFLIKA: Jurnal Sosial dan Budaya ELITE: Journal of English Language and Literature Glow: Jurnal Pengabdian Kepada Masyarakat
Putra, Ansor
Dosen Pada Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Halu Oleo
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Trauma Discourse in Christopher Robin Movie Fadilatul Nadia; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2430

Abstract

This research is based on the trauma of someone in a movie, seen in the movie used trauma discourse theory. The objective of this research is to find out how the trauma discourse appeared in Christoper Robin's movie based on Zaumseil and Indradjaja's theory. This research used a descriptive qualitative method. The source of data in this research was taken from the Disney+ watch page. The researcher found that two elements of trauma discourse seen in two characters are Christoper Robin and Winnie the Pooh in the two aspects such as reasonable fear and worry and culturally specific suffering in terms of the inner and outer realm of trauma discourse. From the several aspects above, the creation of past trauma has an impact on finding out the characteristics of people who experience discourse trauma in their speech both for them and for those around them. This research concludes that someone who has experienced trauma is very influential when he speaks or conveys a message. This can be seen from the language used and the actions taken by the characters in the film Christopher Robin.
Co-Authors Adrian Tawai Asia Susanti Azi, Rahmawati Ela Martisa Eva Solina Gultom Fadilatul Nadia Fina Amalia Masri Irfan Irfan Irianto Ibrahim Ibrahim La Aso La Bilu La Ode Sahidin Lisnawati Safiuddin Maulid Taembo Maulid Taembo Meli Samelia Ms. Rasiah, Ms. Muh Ferdivahlevi Aca Muhammad Fadli Hasan Neil Amstrong Sarniyati Dalimu Sofian, Nur Israfyan Wa Ode Ariyanti Zahrani Zahrani Zulfiah Larisu