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SYAIR LAGU USING: EKSPRESI BUDAYA LOKAL DALAM PERKEMBANGAN MEDIA DIGITAL Heru S.P. Saputra; Edy Hariyadi; Titik Maslikatin
CARAKA Vol 8 No 2 (2022): Juni 2022
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v8i2.12495

Abstract

Abstrak Riset ini bertujuan mendiskusikan wacana teks syair lagu berbahasa Using “Gelang Alit” dan “Randha Kembang” yang dilantunkan Catur Arum di youtube. Konsep teoretis menggunakan teori kelisanan, sedangkan metode menggunakan metode kualitatif pendekatan kelisanan. Hasil kajian menunjukkan bahwa kedua syair merupakan puisi basanan (pantun) yang dominan karakteristik bahasa lisan dengan perulangan formulaik, berkisah tentang cincin tunangan dan janda muda. Dengan media sosial/digital youtube, tradisi lisan primer beralih menjadi tradisi lisan sekunder yang merefleksikan dinamika sosial masyarakat Using. Tradisi lisan mampu memanfaatkan teknologi untuk menyosialisasikan nilai-nilai produk budaya lokal dan berpotensi mendapatkan keuntungan finansial untuk kesejahteraan keluarga. Kata kunci: budaya lokal, media digital, refleksi sosial, tradisi lisan, Using Abstract This research aims to discuss the discourse of the lyrics of the song in Using “Gelang Alit” and “Randha Kembang” sung by Catur Arum on YouTube. The theoretical concept uses oral theory, while the method uses a qualitative method of oral approach. The results of the study show that the two poems are basanan poetry (pantun) with dominant oral language characteristics with formulaic repetition, telling about an engagement ring and a young widow. With social media/digital youtube, the primary oral tradition has turned into a secondary oral tradition that reflects the social dynamics of the Using community. Oral traditions are able to utilize technology to socialize the values ​​of local cultural products and have the potential to obtain financial benefits for family welfare. Keywords: local culture, digital media, social reflection, oral tradition, Using
Menelisik Putri Cina, Mengeluh Kesahkan Multikulturalisme Heru Saputra
KAJIAN SASTRA Vol 35, No 1 (2011)
Publisher : KAJIAN SASTRA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2859.112 KB)

Abstract

This article aims to discuss the values of multiculturalism and social identity that is reflected in the Putri Cina novel by Sindhunata. The results show that the multicultural values appeared to start sowing by the author. Nevertheless, the people of Indonesia can’t be said as a multicultural society, because there are many cultural praxis that are not based on tolerance and equality. In addition, even during a binary opposition between the dominant and minority. In the Putri Cina novel reflected how the severity of the identity problem of discrimination in Indonesia, namely the Chinese in front of the Javanese. Sindhunata relatively cautious in criticizing the racial issue, through reflection the main character, so that dialogue is the projection of the embryo as well as the spirit of multiculturalism should not be done aloud. Nevertheless, the Putri Cina novel contains the embryo to criticize racial discrimination, with orientation on the fulfillment of the political attitude of the authorities and communities to adopt the attitude of equality. Keywords: multiculturalism, identity, ascriptive, Chinese, Javanese  http://ejournal.undip.ac.id/index.php/kajiansastra/article/view/2837
Eloping Women’s Dignity in the Novels Nawi Cinta Inah and Mangalua: A Multicultural Feminism Study Heru SP Saputra; Titik Maslikatin; Edy Hariyadi; L. Dyah Purwita Wardani SWW
Leksema: Jurnal Bahasa dan Sastra Vol. 11 No. 3 (2026): Special Edition
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v11i3.12973

Abstract

This article examines the dignity of women in the Indonesian tradition of elopement—melayoken (Using/Osing) and mangalua (Batak Toba)—as represented in two novels: Nawi Cinta Inah, written by Antariksawan Jusuf and Hani Z Noor, and Mangalua by Idris Pasaribu. Using multicultural feminism, this study reads the text as a cultural artifact shaped by—and simultaneously shaping—local social structures. Methodologically, close reading is combined with hermeneutic procedures and triangulated with ethnographic findings on Using and Batak customs. Mohanty's critique of feminist universalism highlights contextualized everyday practices of resistance; Narayan's notion of “tradition as negotiation” and warnings against “death by culture” guide an empathetic reading of agency within the customary framework. The findings demonstrate that elopement is not reduced to oppression or absolute freedom; it functions as an arena of negotiation where women articulate choice and responsibility, then seek legitimacy through customary reconciliation (colok/Using; uhum/Batak). This study contributes a culturally sensitive feminist reading of Indonesian literature and suggests an expansion of comparative studies to other Nusantara traditions as well as studies of reader reception.
Narrating forest loss: Ecological violence and environmental silence in a comparative study of Jejak Balak and Supernova: Partikel Heru S. P. Saputra; Hery Prasetyo; Sainul Hermawan; Titik Maslikatin; Edy Hariyadi
NOTION: Journal of Linguistics, Literature, and Culture Vol. 8 No. 1 (2026): NOTION: Journal of Linguistics, Literature, and Culture.
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v8i1.15606

Abstract

This comparative study examines the representation of ecological violence and the function of environmental silence in Jejak Balak (Traces of Logging) by Ayu Welirang and Supernova: Partikel (Supernova: Particle) by Dee Lestari within Indonesia’s structurally driven deforestation crisis. Literature not only reflects ecological degradation but also shapes its meaning through narratives that simultaneously expose and obscure violence against forests. Using an interpretive qualitative approach grounded in ecocriticism and informed by political ecology and the concept of slow violence, this study analyzes how ecological meaning is constructed in the two novels. The findings show that Jejak Balak depicts forest exploitation explicitly through socio-economic conflicts, while Supernova: Partikel renders ecological crisis in a more reflective and spiritual mode. In both texts, the marginalization of forest voices and long-term ecological impacts reveals environmental silence as a key narrative mechanism. This study advances ecocritical scholarship by demonstrating that environmental silence is not merely an aesthetic absence but a structuring principle that shapes how ecological violence is perceived and potentially normalized. It concludes that contemporary Indonesian literature contributes to the formation of ecological ethics through both representation and silence.