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Menelisik Putri Cina, Mengeluh Kesahkan Multikulturalisme Heru Saputra
KAJIAN SASTRA Vol 35, No 1 (2011)
Publisher : KAJIAN SASTRA

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Abstract

This article aims to discuss the values of multiculturalism and social identity that is reflected in the Putri Cina novel by Sindhunata. The results show that the multicultural values appeared to start sowing by the author. Nevertheless, the people of Indonesia can’t be said as a multicultural society, because there are many cultural praxis that are not based on tolerance and equality. In addition, even during a binary opposition between the dominant and minority. In the Putri Cina novel reflected how the severity of the identity problem of discrimination in Indonesia, namely the Chinese in front of the Javanese. Sindhunata relatively cautious in criticizing the racial issue, through reflection the main character, so that dialogue is the projection of the embryo as well as the spirit of multiculturalism should not be done aloud. Nevertheless, the Putri Cina novel contains the embryo to criticize racial discrimination, with orientation on the fulfillment of the political attitude of the authorities and communities to adopt the attitude of equality. Keywords: multiculturalism, identity, ascriptive, Chinese, Javanese  http://ejournal.undip.ac.id/index.php/kajiansastra/article/view/2837
Eloping Women’s Dignity in the Novels Nawi Cinta Inah and Mangalua: A Multicultural Feminism Study Heru SP Saputra; Titik Maslikatin; Edy Hariyadi; L Dyah Purwita Wardani SWW
Leksema: Jurnal Bahasa dan Sastra Vol. 11 No. 3 (2026): Special Edition
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v11i3.12973

Abstract

This article examines the dignity of women in the Indonesian tradition of elopement—melayoken (Using/Osing) and mangalua (Batak Toba)—as represented in two novels: Nawi Cinta Inah, written by Antariksawan Jusuf and Hani Z Noor, and Mangalua by Idris Pasaribu. Using multicultural feminism, this study reads the text as a cultural artifact shaped by—and simultaneously shaping—local social structures. Methodologically, close reading is combined with hermeneutic procedures and triangulated with ethnographic findings on Using and Batak customs. Mohanty's critique of feminist universalism highlights contextualized everyday practices of resistance; Narayan's notion of “tradition as negotiation” and warnings against “death by culture” guide an empathetic reading of agency within the customary framework. The findings demonstrate that elopement is not reduced to oppression or absolute freedom; it functions as an arena of negotiation where women articulate choice and responsibility, then seek legitimacy through customary reconciliation (colok/Using; uhum/Batak). This study contributes a culturally sensitive feminist reading of Indonesian literature and suggests an expansion of comparative studies to other Nusantara traditions as well as studies of reader reception.
Narrating forest loss: Ecological violence and environmental silence in a comparative study of Jejak Balak and Supernova: Partikel Heru S. P. Saputra; Hery Prasetyo; Sainul Hermawan; Titik Maslikatin; Edy Hariyadi
NOTION: Journal of Linguistics, Literature, and Culture Vol. 8 No. 1 (2026): NOTION: Journal of Linguistics, Literature, and Culture.
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v8i1.15606

Abstract

This comparative study examines the representation of ecological violence and the function of environmental silence in Jejak Balak (Traces of Logging) by Ayu Welirang and Supernova: Partikel (Supernova: Particle) by Dee Lestari within Indonesia’s structurally driven deforestation crisis. Literature not only reflects ecological degradation but also shapes its meaning through narratives that simultaneously expose and obscure violence against forests. Using an interpretive qualitative approach grounded in ecocriticism and informed by political ecology and the concept of slow violence, this study analyzes how ecological meaning is constructed in the two novels. The findings show that Jejak Balak depicts forest exploitation explicitly through socio-economic conflicts, while Supernova: Partikel renders ecological crisis in a more reflective and spiritual mode. In both texts, the marginalization of forest voices and long-term ecological impacts reveals environmental silence as a key narrative mechanism. This study advances ecocritical scholarship by demonstrating that environmental silence is not merely an aesthetic absence but a structuring principle that shapes how ecological violence is perceived and potentially normalized. It concludes that contemporary Indonesian literature contributes to the formation of ecological ethics through both representation and silence.
Peningkatan Keterampilan Kewirausahaan Berbasis Bahan Lokal untuk Mendukung Wisata Alam Potre Koning, Bondowoso Edy Hariyadi; Heru S.P. Saputra; Titik Maslikatin; A. Trihartono; Linda Iftinah Sari; Ferry H. Basuki
Jurnal Pengabdian Masyarakat Vol 1 No 1 (2025): Jurnal Pengabdian Masyarakat Vol.1 No. 1. Juli 2025
Publisher : Jurnal Pengabdian Masyarakat

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Abstract

Kegiatan pengabdian kepada masyarakat ini melibatkan masyarakat Desa Sumbercanting, Kecamatan Wringin,Kabupaten Bondowoso, yang memiliki potensi usaha kreatif untuk mendukung Kelompok Sadar Wisata(Pokdarwis) Laskar Arak-arak dalam mengelola Wisata Alam Potre Koning. Permasalahan utama mitra adalahbelum tersedianya cenderamata dan kuliner khas yang dapat menjadi identitas wisata tersebut. Solusi yangditawarkan berupa pelatihan pembuatan cenderamata ikonik dan pengolahan kuliner berbahan baku lokal yangdapat dipasarkan di lokasi wisata. Kegiatan ini bertujuan membentuk kelompok usaha mikro yang mampumenghasilkan produk kerajinan seperti gantungan kunci, seni kriya, serta olahan kuliner khas, sehinggamemperkuat konsep ekowisata berbasis masyarakat (community based ecotourism). Metode pelaksanaan meliputitahap persiapan, pendampingan, dan evaluasi. Tahap persiapan dilakukan melalui observasi lapangan untukmemetakan potensi dan kendala masyarakat, diikuti dengan perumusan rencana kegiatan pendampingan.Pendampingan dilaksanakan secara rutin melalui pelatihan pembuatan suvenir, pengemasan dan labelisasi produkyang menarik, serta strategi pemasaran digital sederhana. Hasil kegiatan menunjukkan peningkatan keterampilanmasyarakat dalam menghasilkan produk bernilai jual dan memperluas jaringan pemasaran. Kesimpulannya,program ini berhasil mendorong kemandirian ekonomi masyarakat Desa Sumbercanting melalui pengembanganproduk kreatif berbasis bahan lokal yang mendukung daya tarik dan keberlanjutan Wisata Alam Potre Koning.
Jejepangan Having Fun: Tren dan Event Komunitas Cosplay di Jember Edy Hariyadi; Heru SP Saputra; Didik Suharijadi; Agustina Dewi Setyari; Abu Bakar Ramadhan Muhammad
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12583

Abstract

The development of interest in Japanese popular culture, especially cosplay and anime, among young people in Jember has shown a significant increase over time. This study aims to describe the development of cosplay culture in Jember and the factors that influence it. The research methods used are direct observation of cosplay events, interviews with cosplayers and event organizers, and analysis of cosplay community social media. Using Joseph Nye's soft power theory and Jean Baudrillard's hyperreality, this study found that the cosplay trend in Jember has become a medium for cultural expression and identity for young people, especially through various cosplay events and competitions held in shopping centers, tourist destinations, educational institutions, hotels, and cafes with events including Coswalk Competition, Cosplay Perform, JSong Competition, cover dance and sales of anime, manga, and game merchandise. The results of the study indicate the existence of hyperreality, namely cosplayers bringing to life the fictional characters they play, thus providing space for escapism and creativity. This study also found the role of cosplay as a form of Japanese cultural soft power that is accepted by the local community in Jember. Keywords: cosplay, Jember, Japanese popular culture, soft power, hiperreality
PEREMPUAN SENI TRADISI DAN PENGEMBANGAN MODEL INDUSTRI KREATIF BERBASIS SENI PERTUNJUKAN Novi Anoegrajekti; Ikwan Setyawan; Heru S.P. Saputra; Sudartomo Macaryus
KARSA Journal of Social and Islamic Culture Vol. 23 No. 1 (2015): ISLAM, BUDAYA DAN PEREMPUAN
Publisher : Universitas Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v23i1.610

Abstract

The absence of government policy in supporting the creative industry practice is a factor inhibiting the development of performing arts in Banyuwangi. Diverse local performing arts which if managed properly can become a crutch for the emergence of creative economy. This study aims at describing the struggles of women in the tradition arts and in conceptualizing  a creative industry model ba-sed on performing arts. The study employed ethnography. The field data were obtained through interviews with the informants. The interpretation of data used a combination of tradition arts, gender, cultural studies, and creative industry perspectives. The results showed that women of tradition arts in general do not rely their livelihoods on art activitiy. They keep trying to develop creative know-ledge embodied in art creation and innovations. Arts institutions have a develop-ment program to maintain quality. The role of the government is manifested in the forms of policies, facilities, activity forums and infrastructural development. The development of Banyuwangi-style performing arts within the framework of the creative industry can support the realization of the creative economy.Copyright (c) 2015 by KARSA. All right reservedDOI: 10.19105/karsa.v23i1.610Â