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Menuju Ecocentrisme: Menapaki Jalan Ekologis yang Etis Murti, Ghanesya Hari
JURNAL SATWIKA Vol 2, No 2 (2018): Oktober
Publisher : Cultural Institute University of Muhammadiyah Malang

Upaya untuk menghidupkan relasi yang harmonis antara manusia dengan alam selalu gagal dan menemukan polemik kendati kondisi tersebut selalu diidealkan bersama. Tentunya, usaha tersebut tidak hanya membutuhkan pikiran kritis tapi juga dorongan etis yang kuat. Posisi etis itu ada pada upaya untuk pindah dari cara berpikir antroposentris yang berpihak untuk mendominasi alam demi kebutuhan manusia menuju cara berpikir ekosentris yang menganggap bahwa kepentingan alam juga harus diikutkan haknya sebagai subjek hukum. Tulisan ini dengan begitu hendak 1) memberikan ilustrasi posisi etis pada dua peristiwa yang melibatkan alam sebagai sebagai subjek dan non subjek hukum, 2) mengurai argumentasi etis yang betengkar dan saling melegitimasi tindakan moral pada alam 3) menunjukkan argumentasi para intelektual khas libertarian Amerika yang berupaya menunjukkan posisi ecocentris yang mereka alami. Sederet perjalanan pemikiran para environmentalists itu dimaksudkan untuk merunut argumentasi akademis mengapa memberikan legal standing bagi sungai ataupun sebuah taman nasional menjadi normal. Sehingga muncul konsekuensi bahwa alam juga mampu menuntut hak yang sama di mata hukum untuk dihitung kepentingannya yang dilukai oleh manusia. Hanya dengan begitu, hak sungai untuk tetap jernih, burung untuk tetap berkepak dan lembah untuk tetap berlekuk bisa dinikmati sebagai buah perkembangan peradaban yang lebih etis.

MENIMBANG SPIRITUALITAS DAN SEKSUALITAS: SIMBOLIK EFISIENSI DALAM PRAKTIK PESUGIHAN KEMBANG SORE DI TULUNGAGUNG Afdholy, Nadya; Murti, Ghanesya Hari
JURNAL SATWIKA Vol 4, No 1 (2020)
Publisher : Cultural Institute University of Muhammadiyah Malang

Penelitian ini mengkaji fenomena yang terdapat dalam teks cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung. Cerita rakyat tersebut hidup sebagai model kepercayaan yang menjadi kode sosial atau parameter moralitas masyarakat Tulungagung. Masyarakat bereaksi pada wacana simbolik tentang kekayaan dan status sosial tertentu melalui apa yang ditawarkan dari wacana lisan yang berkembang di kawasan tersebut. Penelitian ini bertujuan untuk mengungkapkan simbolik efisiensi yang terjadi pada mitos pesugihan Kembang Sore. Metode dalam penelitian ini adalah deskriptif kualitatif. Sumber data dalam penelitian berupa cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung yang berasal dari buku Folklor Lisan sebagai Media Pendidikan Karakter Mahasiswa: Kajian Sosiologi Sastra yang ditulis oleh Supratno dan Darni. Teknik pengumpulan data dalam penelitian ini adalah studi pustaka. Teknik analisis data berupa pencatatan dan interpretasi. Hasil penelitian menunjukkan bahwa praktik pesugihan Kembang Sore merupakan simbolik efisiensi karena para pelaku pesugihan melakukan ritual berdasarkan pengalaman yang simbolik demi legitimasi dan verifikasi diri dalam konteks sosial. Pemuja ritus Kembang Sore berkutat pada hal-hal yang menjebak mereka pada wacana simbolik.

MELAMPAUI REZIM OPTIC: PANDANGAN YANG MENUBUH DAN EROTISME ALICE EVE DALAM “STARTER FOR 10” Ghanesya Hari Murti
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 5 No. 1 (2016): Jurnal Lakon
Publisher : Universitas Airlangga

Cinematic capability in the movie "Starter For 10" is to remind that eroticism or intimacy is able to surpass the optical regime or gaze as initiated by Mulvey‟s feminist film theory. Deleuze purposes haptic vision, which later on developed by Marks into Haptic Visuality as cinematic ability to dismantle subject-object relation within Mulvey‟s idea that assumed women body only as pleasure.Eroticism offered in the film is able to perform haptic visuality where the audience has a sense of being touched when the eye is no longer able to accommodate the information and the optical has loss its control. Haptic vision allows both to be object because the sensations move to the other senses. Thus, Alice Eve is not only an object but also invites the audience to be the object as well when the other senses are active. Eroticism presented in the film is no longer busy looking for subject and object but more into a unity where deterministic category is no longer exist.

DISSENSUS: UPAYA UNTUK MENGHADIRKAN PRAKTIK SASTRA DAN BUDAYA YANG LEBIH DEMOKRATIS Ghanesya Hari Murti; Degita Danur Suharsono
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 22 No 1 (2022): Parafrase Vol. 22 No. 1, Mei 2022
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v22i1.5808

Ranciere is a political thinker who wants to give a spirit of optimism in citizenship equality. This spirit sparks in his view of democracy which he emphasizes not in consensus but dissensus. This means that democracy focuces more on disagreement rather than agreement of the winner in electoral vote because for him democracy should instead focus on votes that were not won. This is an ethical question why those who are marginalized are not accomodated. Only by dissensus, appropriateness and distribution of socio-cultural roles always be transformative and dynamic. In literary works, marginalized voices are important because it is locus of conflict This means that there are undemocratic nuances in literary works which are also the main issue. On the other hand, this also proves that democracy is a struggle that is never final because there is no absolute victory, that is, it is impossible to win votes in total. Hence, there is always a reason why there are votes that are not won? As a result, the consensus of winners is constantly questioned through dissensus since there is disagreement, or reconsideration for the sake of conditions for equitable distribution of justice. Ranciere traces all the problems of democracy not only in the world of politics but also in culture and even literature, which is indeed is full of discrimination that perpetuates the social hierarchy. Thus, this paper wants to provide a conceptual framework for democratization practices in the literary and cultural space by referring to Ranciere's thoughts in order to prevent works not only good representations but also questioned majority-based truth.

UNDERSTANDING BOURDIEU’S DISTINCTION: SOCIAL AND LITERARY CONTESTATION TO GAIN LEGITIMATE POSITION Ghanesya Hari Murti; Nila Susanti
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 4 No 1 (2021): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v4i1.5268

This writing reveals the subtle domination in the area of literature and social practice which is illustrated through the practice of coffee consumption and also the claims of legitimate authors. Bourdieu examines this sociological space as a field of contestation, so he constructs his sociological project by mapping the type of social power in arena in which every subject wagers his capital to achieve a legitimate position. In the arena, each subject desires to get power either by way of embracing the rule that applies, doxa, or to fight with the practice of the new, heterodox. Following the existing rules are not able to change anything because it dictates the subject to be a disciplined subject. Bourdieu proposes the emerging heterodox because doing resistance to all forms of domination can give birth to the new alternative social structure and preventing the old one to remain in power. Social change is expected because Bourdieu's symbolic power as in symbolic capital tends to provoke symbolic violence. Having symbolic capital enchanting for its power to subtly dominate people with less capital. Oppression becomes natural due to everyday practice normalizing the oppression. shapes the taste of a certain class as class distinction. Bourdieu’s concept of distinction investigates a more sophisticated strategy in the social arena where every agent plays subtle intimidation and indeed domination.

Menuju Ecocentrisme: Menapaki Jalan Ekologis yang Etis Ghanesya Hari Murti
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 2 No. 2 (2018): Oktober
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v2i2.7997

Upaya untuk menghidupkan relasi yang harmonis antara manusia dengan alam selalu gagal dan menemukan polemik kendati kondisi tersebut selalu diidealkan bersama. Tentunya, usaha tersebut tidak hanya membutuhkan pikiran kritis tapi juga dorongan etis yang kuat. Posisi etis itu ada pada upaya untuk pindah dari cara berpikir antroposentris yang berpihak untuk mendominasi alam demi kebutuhan manusia menuju cara berpikir ekosentris yang menganggap bahwa kepentingan alam juga harus diikutkan haknya sebagai subjek hukum. Tulisan ini dengan begitu hendak 1) memberikan ilustrasi posisi etis pada dua peristiwa yang melibatkan alam sebagai sebagai subjek dan non subjek hukum, 2) mengurai argumentasi etis yang betengkar dan saling melegitimasi tindakan moral pada alam 3) menunjukkan argumentasi para intelektual khas libertarian Amerika yang berupaya menunjukkan posisi ecocentris yang mereka alami. Sederet perjalanan pemikiran para environmentalists itu dimaksudkan untuk merunut argumentasi akademis mengapa memberikan legal standing bagi sungai ataupun sebuah taman nasional menjadi normal. Sehingga muncul konsekuensi bahwa alam juga mampu menuntut hak yang sama di mata hukum untuk dihitung kepentingannya yang dilukai oleh manusia. Hanya dengan begitu, hak sungai untuk tetap jernih, burung untuk tetap berkepak dan lembah untuk tetap berlekuk bisa dinikmati sebagai buah perkembangan peradaban yang lebih etis.

Menimbang Spiritualitas dan Seksualitas: Simbolik Efisiensi dalam Praktik Pesugihan Kembang Sore di Tulungagung Nadya Afdholy; Ghanesya Hari Murti
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 4 No. 1 (2020)
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v4i1.11623

Penelitian ini mengkaji fenomena yang terdapat dalam teks cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung. Cerita rakyat tersebut hidup sebagai model kepercayaan yang menjadi kode sosial atau parameter moralitas masyarakat Tulungagung. Masyarakat bereaksi pada wacana simbolik tentang kekayaan dan status sosial tertentu melalui apa yang ditawarkan dari wacana lisan yang berkembang di kawasan tersebut. Penelitian ini bertujuan untuk mengungkapkan simbolik efisiensi yang terjadi pada mitos pesugihan Kembang Sore. Metode dalam penelitian ini adalah deskriptif kualitatif. Sumber data dalam penelitian berupa cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung yang berasal dari buku Folklor Lisan sebagai Media Pendidikan Karakter Mahasiswa: Kajian Sosiologi Sastra yang ditulis oleh Supratno dan Darni. Teknik pengumpulan data dalam penelitian ini adalah studi pustaka. Teknik analisis data berupa pencatatan dan interpretasi. Hasil penelitian menunjukkan bahwa praktik pesugihan Kembang Sore merupakan simbolik efisiensi karena para pelaku pesugihan melakukan ritual berdasarkan pengalaman yang simbolik demi legitimasi dan verifikasi diri dalam konteks sosial. Pemuja ritus Kembang Sore berkutat pada hal-hal yang menjebak mereka pada wacana simbolik.

Preserving Local Literary Community: Literary Planning and Policy as a Cultural Strategy in Indonesia Nadya Afdholy; Anas Ahmadi; Ghanesya Hari Murti
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 4 No. 2 (2020)
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v4i2.13945

The development of literary communities in Indonesia which spread in every region receive less attention from the government. Literary communities can continue to productively produce works but struggle to survive. This article aims to providing recommendations related to planning and policy to overcome various kinds of Indonesian literary, especially problems in international arena, regional potentials, literary contests, or historiographic documentation of Indonesian literary works development. Literary communities should be optimally empowered through macro planning and policy to revitalize their self in each region. The author recommends several strategies to revitalize local literary communities, namely forming special institutions from independent governments, noting and archiving the development of the literary community from year to year, and setting aside grants for the literary community in each region. This recommendation is expected to overcome the problem of Indonesian literature in international arena.

Representasi Maskulinitas Perempuan dalam Serial Televisi The Killing Season 1 Kristianto, Nugroho; Suharijadi, Didik; Murti, Ghanesya Hari
Tuturlogi: Journal of Southeast Asian Communication Vol 5, No 2 (2024): Tuturlogi: Journal of Southeast Asian Communication
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.tuturlogi.2024.005.02.3

This research discusses the representation of female masculinity in the television series The Killing Season 1. The main character, Sarah Linden, is a woman who does not exhibit traditional femininity but rather embodies masculine traits. This study aims to understand how masculinity is represented in Sarah Linden's character in The Killing Season 1. Utilizing John Fiske's semiotic theory, this research reveals the meanings embedded within the semiotic codes. A qualitative approach is employed, with descriptive analysis to interpret the findings. The analysis reveals the presence of masculine characteristics in Sarah Linden, such as no sissy stuff, be a big wheel, be sturdy as an oak, and give 'em hell. These masculine traits reflect ideologies including liberal feminism, anti-patriarchy, masculinism, and feminism, which assert that men and women possess equal capabilities. The study emphasizes gender equality and recognizes the positive contributions of all individuals, regardless of gender.

Manque í íªtre: Psychoanalysis in the Dilemma of Constructing Subject in Culture and Literature Hari Murti, Ghanesya; Datau, Rizal Octofianto; Andang Subaharianto
MOZAIK HUMANIORA Vol. 23 No. 2 (2023): MOZAIK HUMANIORA VOL. 23 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v23i2.37332

Psychoanalysis has been able to assert historically that it is not a closed branch of science to other disciplines. Its contribution to literature and culture makes it able to flexibly explain the dilemma of subject formation both in literature and culture. Freud, the founding father of psychology owes a debt to the Oedipus Rex story that anchors his entire thought. Acrobatically, Freud's thought was then continued by Lacan in order to explain cultural events that were born like language structure events. Language, literature, and culture then have a meeting point where the cultural process that is never final is precisely a signal that the subject always tries to overcome the shortcomings in himself when slaughtered by language. Language is unable to express itself fully, so literature and culture as products are nothing, but an extension of the subject who continues to feel lack. Zizek as the latest thinker from the previous two generations makes a foothold that the back and forth between the author and his work as an attempt to overcome the logic of deficiency or symptoms embodying the self and the fictional world in order to achieve wholeness exactly like the experience of returning to the mother's body or the real.

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