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SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY Kartika, Bambang Aris; Prihatini, Nanik Sri; Hastanto, Sri; Dharsono, Dharsono
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3111

Soegija's movie is a biopic film based on the historiography of the highest leaders of the people and the Catholic church in Indonesia. Soegija's film is an antithesis of Indonesian historiography so far, especially the historiography of the era of the Indonesian independence revolution. This article discusses the political affirmation and identity politics of Soegija's film from the perspective of Derrida's Deconstruction. Derrida's Deconstruction approach and historical methodology consisting of Heuristics, Hermeneutics, and internal criticism are used to understand the position of Soegija's biopic on Indonesian historiography. The results of the study show that Soegija's film is a biography moving picture of the character Mgr. Albertus Soegijapranata, who narrated historical facts about the national attitude of the Catholic leadership as the first native bishop. In deconstruction, it appears that Soegija's biopic is a representation of the political affirmation and identity politics of educational cultural resistance to the truth of the historical facts of the character Mgr. Albertus Soegijapranata who is in binary opposition to Indonesian historiography.

Tingkatkan Kreativitas Santri: Pelatihan Pembuatan Video Promosi Online Di Pesantren Darul Muttaqien Jember Suprapto, Deddy; Kartika, Bambang Aris; Rozi, Romdhi Fatkhur; Ningrum, Rara Mustika
Jurnal Pengabdian Masyarakat Indonesia Vol 5 No 1 (2025): JPMI - February 2025
Publisher : CV Infinite Corporation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52436/1.jpmi.3372

Pesantren Darul Muttaqien di Jember berkomitmen memberdayakan ekonomi santri melalui usaha kreatif. Namun, keterbatasan kemampuan santri dalam pemasaran online menjadi kendala dalam memperluas jangkauan pasar produk-produk pesantren. Untuk mengatasi kendala ini, dilakukan program pelatihan pembuatan video promosi sebagai strategi pemasaran online. Pelatihan bertujuan meningkatkan kreativitas santri memproduksi konten digital yang efektif dan menarik, sesuai dengan nilai-nilai pesantren. Metode pelatihan mencakup kombinasi teori dan praktik, meliputi materi pemasaran digital, teknik produksi video, serta optimasi konten untuk platform media sosial. Program ini berlangsung selama dua minggu dengan pendampingan intensif. Hasil pelatihan menunjukkan peningkatan signifikan pada kemampuan santri dalam menghasilkan video promosi yang menarik secara visual dan informatif. Produk-produk pesantren berhasil menjangkau audiens yang lebih luas melalui platform media sosial, yang berdampak pada peningkatan kesadaran merek dan potensi penjualan. Program ini berdampak positif terhadap pengembangan ekonomi pesantren, tebukti dengan keterampilandan kreativitas yang tepat, santri dapat menjadi konten kreator yang kompeten. kegiatan ini menegaskan pentingnya teknologi digital dalam mendukung kemandirian ekonomi berbasis nilai spiritual di pesantren.

ANTHROPOCENTRIC THEOLOGY IN A BIOPIC FILM : A STUDY OF THE ISLAMIC CONCEPTION OF K.H. HASYIM ASY'ARI IN THE FILM SANG KIAI Kartika, Bambang Aris
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4132

The film Sang Kiai was created based on the biographical history of a person who played a significant role in the Battle of Surabaya on November 10, 1945, a pivotal event in Indonesian history. This film chronicles the story of K.H. Hasyim Asy'ari, a great scholar from Tebuireng Islamic Boarding School in Jombang, the founder and leader of Nahdlatul Ulama (NU), the largest Islamic religious mass organization in Indonesia, as well as a national hero. Accordingly, this study proposes a research problem of the extent to which anthropocentrism theology serves as the foundation for the Islamic conception of K.H. Hasyim Asyari in the movie Sang Kiai. The study of the film Sang Kiai applied an anthropocentric theological reading approach and a qualitative descriptive methodology. The study’s findings reveal that K.H. Hasyim Asy'ari utilized anthropocentric theology to raise Muslims’ awareness to fight the practices of colonialism and break free from its shackles while also fighting the ignorance of aqidah. In sum, anthropocentric theology is the basis for the legitimacy and principles of the Islamic conception of K.H. Hasyim Asy'ari’s attitudes, behavior, thought patterns, and actions to overcome Muslims’ problems.

ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM Kartika, Bambang Aris; Prihatini, Nanik S.; Hastanto, Sri; Dharsono, D.,
Capture : Jurnal Seni Media Rekam Vol. 10 No. 2 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v10i2.2366

This article discusses about the conception of adaptation of biographical historiographic texts into the medium text in the Sang Kiai film which is a type of historical docudrama film. Adaptation conception shows a transposition pattern of content from historical biographical narrative texts constructed into the text medium of Sang Kiai film. By conducting a study on the Sang Kiai film through approaches of adaptation and heuristic, hermeneutic, and internal criticism methodology has produced a pattern of referential reconstruction in the production of historical genre film texts, especially in the types of biopic films. The Sang Kiai film is a moving picture biography of the K.H. Hasyim Asy'ari figure who narrated historical facts about the nationalism of the founder of the Nahdlatul Ulama (NU) against the colonialist hegemony of Japanese and Allied fascist armies. Thus, the docudrama film which is positioned as a document of visualization of the historical facts about the past that is presented today through the reproduction of historical texts in the biopic film medium. The pattern of referential reconstruction shows that the biopic film of the Sang Kiai is a representation of the truth of the biographical facts of the K.H. Hasyim Asy'ari figure, although it was produced and presented through historical fiction film text

SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY Kartika, Bambang Aris; Prihatini, Nanik Sri; Hastanto, Sri; Dharsono, Dharsono
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3111

Soegija's movie is a biopic film based on the historiography of the highest leaders of the people and the Catholic church in Indonesia. Soegija's film is an antithesis of Indonesian historiography so far, especially the historiography of the era of the Indonesian independence revolution. This article discusses the political affirmation and identity politics of Soegija's film from the perspective of Derrida's Deconstruction. Derrida's Deconstruction approach and historical methodology consisting of Heuristics, Hermeneutics, and internal criticism are used to understand the position of Soegija's biopic on Indonesian historiography. The results of the study show that Soegija's film is a biography moving picture of the character Mgr. Albertus Soegijapranata, who narrated historical facts about the national attitude of the Catholic leadership as the first native bishop. In deconstruction, it appears that Soegija's biopic is a representation of the political affirmation and identity politics of educational cultural resistance to the truth of the historical facts of the character Mgr. Albertus Soegijapranata who is in binary opposition to Indonesian historiography.

ANTHROPOCENTRIC THEOLOGY IN A BIOPIC FILM : A STUDY OF THE ISLAMIC CONCEPTION OF K.H. HASYIM ASY'ARI IN THE FILM SANG KIAI Kartika, Bambang Aris
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4132

The film Sang Kiai was created based on the biographical history of a person who played a significant role in the Battle of Surabaya on November 10, 1945, a pivotal event in Indonesian history. This film chronicles the story of K.H. Hasyim Asy'ari, a great scholar from Tebuireng Islamic Boarding School in Jombang, the founder and leader of Nahdlatul Ulama (NU), the largest Islamic religious mass organization in Indonesia, as well as a national hero. Accordingly, this study proposes a research problem of the extent to which anthropocentrism theology serves as the foundation for the Islamic conception of K.H. Hasyim Asyari in the movie Sang Kiai. The study of the film Sang Kiai applied an anthropocentric theological reading approach and a qualitative descriptive methodology. The study’s findings reveal that K.H. Hasyim Asy'ari utilized anthropocentric theology to raise Muslims’ awareness to fight the practices of colonialism and break free from its shackles while also fighting the ignorance of aqidah. In sum, anthropocentric theology is the basis for the legitimacy and principles of the Islamic conception of K.H. Hasyim Asy'ari’s attitudes, behavior, thought patterns, and actions to overcome Muslims’ problems.

Penulisan Naskah Web Series Manusia dan Cerita Sampai Bertemu Cahaya Menggunakan Teori Positive Character Arc Sebagai Penunjang Dramatik Iqlimabelle, Salsa Bila; Kartika, Bambang Aris; Zoebazary, Ilham
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53701

The rise of suicide and bullying today is the basis for the creation of a work entitled Humans and Stories Until Light Meets. This work is a web series script that discusses the relationship between the role of parents in children's lives and children's mental health. This script tells about a child's journey in achieving true happiness or can be referred to as the maturation process. This script uses the positive character arc theory assisted by save the cat technique in its preparation. The purpose of making this script is provide information that parenting has a close relationship with children's mental health, suicide, and bullying behavior in children.

Kajian Psikoanalisis Karakter Rara Pada Film Imperfect CahyaPutra, Dhandy Perkasa CahyaPutra; Kartika, Bambang Aris; Suharijadi, Didik
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53704

Imperfect is a film directed by Ernest Prakasa and based on his wife Meira's book called Imperfect: A Journey to Self-Acceptance airing on December 19, 2019. Imperfect tells the story of a woman named Rara (Jessica Milla), an employee at a cosmetics company who doubts her body shape because she doesn't meet the beauty standards of others. The method used in this research is a qualitative research method using Sigmund Freud's psychoanalytic theory as the main theory and Bordwell's mise en scene theory as a supporting theory in analyzing Rara's character in the film Imperfect. The division of scenes is based on the mise en scene aspect and considers the physical changes in Rara's character as a comparison for changes in attitude and character. This research identifies two forms different of Rara's character present in the 8 scene. Provides a deeper understanding of how visual elements in film, such as setting, costume and makeup, lighting, and staging, collaborate to construct a powerful concept of psychoanalytic character within a scene. The conclusion of this research reveals that mise-en-scene plays a pivotal role in shaping the perceived emotional Rara's character into audience. The demands of beauty standards dominate most segments in this scene. Rara's determination to make physical changes is supported by the mise-en-scene aspect. The results of the physical changes made Rara's career dreams come true. Physical changes and appearance also dominate Rara's character, becoming selfish and arrogant, thereby losing the people around her.

Visualization of Patriarchal Culture in the Film Kartini (2017): A Semiotic Analysis by John Fiske Pratiwi, Rizky Indah; Kartika, Bambang Aris; Hartanto, Denny Antyo; Murti, Ghanesya Hari
Journal of Language, Communication, and Tourism Vol. 2 No. 2 (2024): June
Publisher : P3M Politeknik Negeri Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25047/jlct.v2i2.5035

Film is a medium that represents various socio-cultural realities, enabling the visualization and depiction of social issues, one of which is the culture of patriarchy. Patriarchy is a term used to describe a social system where power, control, and authority are primarily in the hands of men or male figures. Patriarchy is a central theme in the film Kartini. Therefore, the aim of this study is to reveal and understand the hidden meanings that depict the visualization of patriarchal culture in the film Kartini. This study employs a qualitative research method, utilizing John Fiske's semiotic analysis approach. The findings of this research indicate that patriarchal culture is visualized through John Fiske's three codes of encoding, including 1) reality, 2) representation, and 3) ideology, demonstrating that patriarchal culture remains influential in affecting women's lives.

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