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National Media Narratives on The Identity of the Local Community of Cirendeu Indigenous Village Naufal, Rasyid; Arifin, Hadi Suprapto; Iwan Koswara
JURNAL LENSA MUTIARA KOMUNIKASI Vol. 8 No. 2 (2024): Jurnal Lensa Mutiara Komunikasi
Publisher : UNIVERSITAS SARI MUTIARA INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51544/jlmk.v8i2.5139

Abstract

This research aims to analyze how the national media's narrative concerning Kampung Adat Cirendeu influences the identity of the local community. Kampung Adat Cirendeu, situated in Cimahi City, West Java, is a traditional village that strives to preserve its customs and local wisdom amidst the pressures of modernization. Utilizing a qualitative approach with a framing analysis method, this study reveals that the media plays a crucial role in shaping public perceptions of indigenous identities through its framing of news coverage. The findings indicate that the media significantly impacts how the identity of the Cirendeu community is perceived by selectively highlighting specific aspects of their lives, such as their customs, cultural practices, and the challenges they face. The presentation of news by the media often emphasizes certain elements while downplaying others, thereby influencing public understanding and attitudes towards the traditional village. This study underscores the importance of media narratives in the construction of cultural identity and suggests that further research could explore the implications of media representation on indigenous communities' social and cultural dynamics.
PEMERTAHANAN WARISAN BUDAYA BANGSA MELALUI SENI TRADISIONAL Santi Susanti; Iwan Koswara
Akrab Juara : Jurnal Ilmu-ilmu Sosial Vol. 9 No. 3 (2024): Agustus
Publisher : Yayasan Azam Kemajuan Rantau Anak Bengkalis

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Budaya, sebagai salah satu identitas bangsa, keberadaannya patut dipertahankan agar tidak hilang. Meski jaman terus berubah, namun identitas asli bangsa, tidak boleh lekang dan tergeser oleh budaya luar yang masuk perlahan melalui perkembangan teknologi informasi dan komunikasi. Generasi yang hidup di jaman milenial ini pun berbeda dengan generasi pendahulunya, terutama dengan kehadiran media digital, yang telah menjadi bagian tidak terpisahkan dari hidup mereka. Tulisan ini bertujuan untuk mengungkapkan upaya-upaya yang dilakukan oleh seniman tari tradisional Sunda dalam mengenalkan kebudayaan Indonesia melalui tarian kepada masyarakat di dalam dan luar negeri. Menggunakan metode deskriptif kualitatif dengan pendekatan fenomenologi, hasil penelitian menunjukkan, upaya mengenalkan tersebut dilakukan melalui pertunjukkan dalam beragam acara serta misi kesenian ke luar negeri.Komunikasi yang digunakan sebagian besar adalah komunikasi simbolik yang mewujud dalam bentuk tarian maupun unsur pendukungnya
Penerapan Narasi Partisipatoris dalam Penulisan Naskah Video Dokumenter “Dari Rasi Jadi Mimpi: Langkah Menjaga Tradisi” Edla Nabilah Elliora; Iwan Koswara; Priyo Subekti
Jurnal Ilmiah Teknik Informatika dan Komunikasi Vol. 6 No. 1 (2026): Maret : Jurnal Ilmiah Teknik Informatika dan Komunikasi
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/juitik.v6i1.2043

Abstract

This final project is entitled “Application of Participatory Narration in the Scriptwriting of the Video Documentary “Dari Rasi Jadi Mimpi: Langkah Menjaga Tradisi””. This work aims to apply a participatory narrative approach in the scriptwriting of a documentary video documentary that represents the efforts of the Kampung Adat Cireundeu community in preserving the Sunda Wiwitan tradition, particularly through the cultural practice of rasi as a symbol of identity and food self-sufficiency. The creation method employs a qualitative approach using observation, in-depth interviews, and documentation. The participatory narrative positions the indigenous community as the primary subject of the storytelling process, with the narrative constructed from the participants’ lived experiences and perspectives. The narrative structure is organized into three stages—introduction, development, and conclusion—to ensure coherence while maintaining the authenticity of the participants’ voices. The results indicate that the participatory narrative approach enhances the representation of social and cultural realities and fosters stronger audience engagement. However, this work also identifies limitations, including the dominance of certain informants, tension between expository and participatory narrative modes, and editorial compromises during the editing process. Despite these limitations, the participatory narrative approach remains relevant for documentary scriptwriting that emphasizes subject participation and the preservation of local cultural values.
Strategi Penyutradaraan Video Animasi 2D “Seduhan Terakhir di Ambang Rimba” sebagai Media Literasi Lingkungan Tesso Nilo Arkhadies Hanif Medina; Puspa Aulia Putri; Iwan Koswara; Rinda Aunillah Sirait
Jurnal Ilmiah Teknik Informatika dan Komunikasi Vol. 6 No. 1 (2026): Maret : Jurnal Ilmiah Teknik Informatika dan Komunikasi
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/juitik.v6i1.2103

Abstract

The development of the 2D animation entitled ”Seduhan Terakhir di Ambang Rimba” aims to serve as an environmental literacy medium to raise awareness of deforestation issues in Tesso Nilo National Park (TNTN), Riau. This animation adopts a magical realism directing strategy by utilizing symbolism and allegory, with the character Nilo, a Sumatran elephant, serving as an emotional representation of wildlife victims of deforestation. The work seeks to engage audiences through visual storytelling that prioritizes visual expression over explanatory narration. By employing motion comic techniques, parallax layering, and a contrasting color palette, the animation creates a profound atmosphere and evokes empathy toward the ecosystem damage occurring in Tesso Nilo. An eco-cinema approach is also applied, in which nature and wildlife function not merely as background elements but as primary subjects that shape the narrative and conflict. This study demonstrates that 2D animation can be an effective tool for conveying environmental literacy messages, fostering ecological awareness, and encouraging changes in attitudes toward the deforestation crisis. The resulting work is expected to contribute to the development of animation-based environmental literacy media and to offer a new perspective on conveying ecological issues in an emotional and impactful manner. This research also opens opportunities for further studies on the influence of animation on public behavior in supporting environmental conservation.
Perancangan Buku Prosa Visual “Seduhan Terakhir di Ambang Rimba” Sebagai Implementasi Transmedia Storytelling dalam Literasi Lingkungan Tesso Nilo Puspa Aulia Putri; Arkhadies Hanif Medina; Iwan Koswara; Rinda Aunillah Sirait
Jurnal Ilmiah Teknik Informatika dan Komunikasi Vol. 6 No. 1 (2026): Maret : Jurnal Ilmiah Teknik Informatika dan Komunikasi
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/juitik.v6i1.2104

Abstract

The implementation of transmedia storytelling in the visual prose book "Seduhan Terakhir di Ambang Rimba" represents an effort to construct a profound and emotional medium for environmental literacy. Designed as a narrative extension of the two-dimensional animation of the same title, this book aims to enrich the audience's experience regarding deforestation in Tesso Nilo National Park, Indonesia. The narrative highlights the inner monologue of Nilo, a Sumatran elephant acting as both a witness and a victim of forest destruction, utilizing a reflective and introspective approach. The book employs digital illustrations with a watercolor style and a dominant earth-tone palette to establish a melancholic atmosphere, depicting the isolation and loss experienced by the protagonist. Through a transmedia storytelling approach, this book does not merely retell the story presented in the animation but offers a new, deeply emotional narrative layer, providing space for the audience to contemplate the environmental issues raised. Ultimately, this book aims to deliver a more personal experience, evoking the audience's empathy toward the ecological impact of environmental degradation and strengthening their awareness of the importance of nature conservation.
Implementasi Teknik Pengambilan Gambar Oleh Director Of Photography Pada Produksi Video Dokumenter “Dari Rasi Jadi Mimpi: Langkah Menjaga Tradisi” Irsa Anugrah Febriansyah; Iwan Koswara; Priyo Subekti
SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 3 No. 2 (2025): November : SENIMAN: Jurnal Publikasi Desain Komunikasi Visual
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/seniman-widyakarya.v3i2.5944

Abstract

The documentary film “Dari Rasi Jadi Mimpi: Langkah Menjaga Tradisi” was an audiovisual work that portrayed the life and traditions of the Cireundeu Indigenous Community in Cimahi, West Java, with a focus on the consumption of Rasi (cassava rice) as a symbol of food security and cultural identity. The background of this work was based on concerns regarding the gradual marginalization of local traditions due to modernization and changing consumption patterns. This project aimed to document and visually represent the cultural values of the Cireundeu Indigenous Community through an ethical and authentic documentary approach. The production stages consisted of preliminary research, field observation, visual concept development, filming, and post-production. During the production process, the author acted as the Director of Photography (DoP), responsible for visual planning, camera blocking, composition, and lighting strategies adapted to the indigenous environment and technical limitations on site. The results indicated that a visual approach prioritizing authenticity, the use of natural lighting, and visual ethics successfully strengthened the documentary narrative without diminishing its aesthetic value. In conclusion, this documentary functioned not only as an audiovisual work but also as a cultural archive, an educational medium, and a sustainable tool for promoting local culture.
Prototipe Sistem Monitoring Level BBM Tangki Genset Berbasis Internet Of Things (IoT) di Bandar Udara Kuala Pembuang Ibnu Taufik; Nurhedhi Desrayanto; Iwan Koswara
Jurnal Teknik Terapan Vol. 5 No. 2 (2026): Oktober
Publisher : P3M Politeknik Negeri Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25047/jteta.v5i2.144

Abstract

Maintaining fuel availability in generator set (genset) tanks is crucial for ensuring a continuous backup power supply at Kuala Pembuang Airport. This ensures that the generator can start immediately in the event of a main power outage. Currently, fuel level checks are performed manually—a process that is time-consuming and labor-intensive—potentially leading to delays in identifying fuel status. This study aims to design a real-time fuel level monitoring prototype based on microcontroller and Internet of Things (IoT) technologies. The Research and Development (R&D) method is employed, though the implementation is limited to six stages: identifying potential and problems, data collection, product design, design validation, design revision, and finalized design. The monitoring system utilizes components such as the HC-SR04 ultrasonic sensor, ESP32, and a 16×2 LCD, with the Blynk platform serving as the medium for remote monitoring. Test results across a volume range of 0–800 mL indicate an average error of 7.19% and an accuracy rate of 92.81%. The system is capable of displaying real-time data on five Android devices and issuing notifications when the fuel level drops below the minimum threshold. Based on these results, the prototype facilitates effective, practical, rapid, and measurable monitoring of fuel levels in generator tanks. Consequently, its implementation in the field would simplify the task for technicians in monitoring fuel levels and tank filling activities.