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Sri Iswidayati
Penulis adalah seorang doktor dan dosen Jurusan Seni Rupa FBS UNNES
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Journal : Catharsis

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Javanese Women’s Reprenstation in Adaninggar – Kelaswara Dance Prihatini, Luciana Intan; Iswidayati, Sri; Hartono, Hartono
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.20044

Abstract

Adaninggarelaswara dance is a classical dance which got influence of Chinese ethnic. The dancers’ movements called gesture meaningful with normative value of Javanese woman as well as still relevant in Javanese woman lives today. The research aims to describe Adaninggar-Kelaswara dance performance, identify women’s representation in Adaninggar-Kelaswara dance movement and also to communicate the pragmatic message to women through Adaninggar-Kelaswara dance movement. The method of this study used qualitative method and interpretative semiotics approach. The source of data used primary and secunder data through the techniques of data were observation, interview, and documentary. The technique of authorized data was the use of source triangulation and the techniques of analyzing data using Barthes cultural semiotic. The conclusion of the dance movement in cultural semiotics indicate that Adaninggar-Kelaswara dance movement relating to the way of live and Javanese woman’s personality values. This finding is hoped to become the referential for the further research on Adaninggar-Kelaswara dance with other methods in order to explore the cultural values of Java, especially concerning to women representation.
The Spatial Lay Out of Joglo Pencu House in the Socio Cultural Change the Settlement of Kauman Community in Kudus Andriansyah, Rico; Triyanto, Triyanto; Iswidayati, Sri
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23492

Abstract

Socio cultural life of Kauman community in Kudus Kulon (western Kudus) has changed and influenced the spatial lay out of Kudus traditional house of traditional house, Joglo Pencu. The purpose of this research was to analyze the following problems: (1) how is the socio cultural change in the settlement of Kauman Community in Kudus? and (2) how is the spatial lay out of Kudus traditional house that has been influenced by socio cultural in the settlement of Kauman community in Kudus? Methodologically, this research used qualitative method and observed interdisciplinary. The research data was collected by the technique of observation, interview, and document study. The data validity was used source triangulation. Data analysis was done by reduction, presentation, and verification of data. The research results were; first, the society in Kauman community Kudus Kulon developed influencing the population composition, economic life change, and belief system change. Second, the socio cultural change influences the spatial lay out of Joglo Pencu house. It is suggested to the heir of Kudus traditional house owner to manage the spatial lay out and to maintain it wisely the heritage house. This research is beneficial to the heir of the house and the development of science.
The Identity of Society in Typical Batik Motif “Seluang Mudik” from Sarolangun-Jambi Prasetyo, Harry; Iswidayati, Sri; Syakir, Syakir
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27048

Abstract

The patterns of batik are strongly influenced by geographical location of the area of manufacture, the state of environment surrounding, and the flora and fauna. Sarolangun area which travesed by Batang Tembesi river makes people familiar with their natural environment. Seluang fish is small fish that Sarolangun endemic which are often waited its existence by the fishermen because of their habit swimming on the river surface in groups. The purpose of the research is to analyze batik patterns Seluang Mudik in Sarolangun regency, Jambi province. The method used in this research was qualitative with observation, interview, and document study as the technique of data collecting. The data validity used the technique of information triangulation from various sources, methods, and theories. The data analysis was done by data reduction, data presentation, and conclusion or verification. The results show that batik motif Seluang Mudik that has various decoration Seluang fish that together swim to a destination to ease the burden against the flow when they immigrate to upstream. It closely relates to the identity of Sarolangun-Jambi society means the knitted togetherness. This togetherness can be found at the events held in society that always be together. One of them is in Lumbo Biduk event, hand in hand in Baralek event, and so on. Implications given by this research is that it can be beneficial for development of batik, for the society surrounding toward environment, for young generations to recognize culture in Sarolangun and for government to support regional potential.
The Art Expression of the Prisoners 'Paintings in Class IIA Narcotic Correctional Institution, Yogyakarta Pitaloka, Mayang; Iswidayati, Sri; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.27084

Abstract

Expressing art is one of people's aesthetic needs, no exception the prisoners of class II A narcotics penal institution, Yogyakartawho fulfill their aesthetic need by doing painting activity. This is quite interesting because in the life full of freedom limitation, the citizens of the institution are still able to enliven the activity to express their aesthetic needs through painting in the prison environment. Therefore, the aim of this research is to analyse the influence of the penal institution environment toward the art expressions of the institution assisted citizens' paintings, their painting process, and the characteristics of their paintings seen in the perspectives of visual elements and principles, and in the perspective of psychoanalysis towards the painting themes. The research conducted applies qualitative and anthropology interdisciplinary approaches, aesthetics, and art psychology. The research design used is case studies. The data of the research are collected by conducting observation technique, interview, and documentation study. Then triangulation technique is used to check the validity of the data collected. Data analysis technique is conducted through reduction, presentation and verification. The results of the analysis show that, first, the environment of the penal institution has influence on the psychological stress of the prisoners which gives impact on their painting ideas, themes, and visuals; second, their creation process in various limitations do not stop their productivity in painting; and third, the visual characteristics of the prisoners’ paintings have their own uniqueness which can be seen through the perspectives of visual elements and principles related to the Id, Ego, and Superego drives in psychology which produce two categories of painting themes, i.e. political and personal themes. Both themes indicate the influences of environment, stressor, and the prisoners’ life background factors. Painting activity can be a fulfillment to the need of expressing aesthetics of every prisoner in Class IIA Narcotic Correctional Institution, Yogyakarta.
Proses Berpikir Kreatif Penciptaan Mice Cartoon dalam Harian Rakyat Merdeka Periode Pemilihan Presiden 2019 Pangesti Aprilia, Dwi; Iswidayati, Sri; Triyanto, Triyanto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32825

Abstract

Muhammad Misrad atau Bang Mice adalah kartunis Harian Rakyat Merdeka yang memiliki kemampuan unik dalam mengekspresikan gagasannya dalam bentuk kartun. Proses kreatifnya menciptakan karya Mice Cartoon sangat menarik untuk dikaji. Tujuan penelitian ini adalah menganalisis proses kreatif Bang Mice dalam penciptaan Mice Cartoon yang dimuat Harian Rakyat Merdeka periode pemilihan presiden 2019. Metode penelitian ini adalah kualitatif. Pengumpulan data dilakukan melalui observasi, wawancara, dan studi dokumen. Teknik pemeriksaan keabsahan data meliputi triangulasi data dan sumber. Teknik analisis data kualitatif meliputi (1) reduksi data, (2) penyajian data, dan (3) verifikasi (Miles & Huberman, 1992:17), sedang teknik analisis data penelitian menggunakan teori Graham Wallas. Hasil dari penelitian menunjukkan bahwa proses berpikir kreatif Bang Mice dalam berkarya Mice cartoon yang diterbitkan Harian Rakyat Merdeka periode pemilihan presiden 2019 diawali dengan tahap persiapan yang dipengaruhi aspek internal dan eksternal kartunis, tahap inkubasi yang menjadi tahap pengeraman ide, tahap iluminasi yang ditandai dengan munculnya insight, dan tahap verifikasi meliputi pengujian yang berasal dari internal dan eksternal. Temuan penting penelitian adalah dengan pola hasil karya yang hampir sama, Bang Mice mampu mengambil sudut pandang yang kreatif sehingga menghasilkan karya menarik bagi pembaca. Penelitian diharapkan bermanfaat bagi masyarakat khususnya yang bergerak di bidang seni rupa/kartun agar mampu menghasilkan produk berkualitas melalui proses berpikir kreatif yang dilakukan Bang Mice.
Batik Batik in the Joint Business Group of Sidomulyo, Tegal: A Case Study of the Ornamentation, Function, and Inheritance Affan, Faiz; Triyanto, Triyanto; Iswidayati, Sri
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.36426

Abstract

Producing art is a human need. This research focuses on the art production in the form of batik made by Sidomulyo Joint Business Group in Pasangan. This research aims to analyse the ornamentation of batik, explain the function of batik, and the inheritance to the next generation organized by the business group. This research employs qualitative method with socio-cultural interdiscipline and art. The researchers collected the data through observation, interview, and documentation. The analysis of the data focuses on the aesthetics, function, and the concept of inheritance (internalization, enculturation, and socialization). First, the business group produces batik with variative and aesthetics value. Second, the batik provides human value for the source of living, socialization, and cultural preservation. Third, the inheritance works through family’s intergenerational transfer and informal education. Batik Tegal has varied motives. The producer may preserve it by motivating the younger generation to keep on producing the batik in Tegal. As a suggestion, this research can become a reference for future generation about batik in Tegal and how to do it.
The Symbolic Meaning of Charaters in Wayang Lupit and Slentheng By Ki Entus Susmono Kuntoro, Adi; Iswidayati, Sri; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37111

Abstract

Wayang Lupit and Slentheng are the characters played in Carangan performance by Ki Entus Susmono. The characters are based on Punawakan. This research analyses the visual elements of Wayang Lupit and Slentheng by Ki Entus Susmono. This research uses qualitative method with semiotic approach. The researchers collected the data from observation, interviews, and documentation. The data were validated by triangulation. The analyses of the data were through data reduction, presentation, and verification. The visual analysis of the characters implemented the theories of Ferdinand De Saussure and Roland Barthes. The findings show that: 1) The characters of Wayang Lupit wear Tegalese costumes, which are clothes, black trousers (in some cases wear Sarong), and iket wulung (a head band); 2) The character of Slentheng wears moslem apparel with sarong and kupluk/peci (moslem cap). Besides, the researchers found that the symbolic meaning of Wayang Lupit and Slentheng are reflected through its use of traditional costume. pakaian adat. In the end, this research can become a reference for similar study in the future, specifically for art education study in the future.
Co-Authors Affan, Faiz Andriansyah, Rico Andrianus Andrianus, Andrianus Anik Rahmawati, Anik Dodo Dodo, Dodo Fivin Bagus Septiya Pambudi, Fivin Bagus Septiya Harry Prasetyo, Harry Hartono Hartono Ijah Hadijah Ijah Hadijah, Ijah Kuntoro, Adi Mayang Pitaloka Pangesti Aprilia, Dwi Prihatini, Luciana Intan Rimasari Pramesthi Putri, Rimasari Sukamto, Ika Sumiyarsi syakir syakir Tahrir, Romas Tahrir, Romas Teguh Supriyanto Tjetjep Rohendi Rohidi, Tjetjep Rohendi Wahyu Lestari