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All Journal Jurnal Pendidikan Bahasa Jepang Undiksha Mozaik Humaniora Journal of Language and Literature Al Ishlah Jurnal Pendidikan Syntax Literate: Jurnal Ilmiah Indonesia JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang Indonesian Journal of English Language Teaching and Applied Linguistics JPKMI (Jurnal Pengabdian Kepada Masyarakat Indonesia) J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Madania: Jurnal Kajian Keislaman Indonesian Journal of English Language Teaching and Applied Linguistics

Ely Triasih Rahayu

Universitas Jenderal Soedirman

Author-ID : 2966025

Religion Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

Published : 20 Documents Claim Missing Document

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Pandangan Dunia Pengarang dalam Novel 1Q84 Karya Murakami Mohammad Rizky Afrillah; Ely Triasih Rahayu; Dian Bayu Firmansyah; Eko Kurniawan
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 1 No 1 (2019): November 2019
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

This researches disscuses author’s world view in 1Q84, a novel by Haruki Murakami using Goldmann genetic structuralism analyses. The purpose of this researches is author world views in that novel. Research method being used is descriptive qualitative. Data collect method being used are “Simak catat” technique and also library research technique. The result of this research shown that Murakami’s world views that he expressed in this novel is negative views about religious people.

Penggunaan Na-Keiyoushi dalam lagu L'Arc en Ciel Album True Agus Fajar Mauludin; Ely Triasih Rahayu; Anggita Stovia
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 3 No 1 (2021): May, 2021
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2021.3.1.3923

Penelitian ini berjudul “Penggunaan Na-Keiyoushi dalam Lagu L’Arc en Ciel Album True”. Tujuanya adalah untuk mendeskripsikan pembentukan dan makna na-keiyoushi yang terdapat pada lirik lagu L’Arc en Ciel dalam album True. Teori yang digunakan yaitu adjektiva ~na (na-keiyoushi), morfologi, dan semantik. Data penelitian berupa penggalan lirik lagu dari 7 lagu yang digunakan sebagai sumber data. Metode yang digunakan adalah metode deskriptif kualitatif. Pengumpulan data dilakukan melalui teknik simak catat. Berdasarkan hasil analisis terhadap 17 data ditemukan: 1) Klasifikasi adjektiva ~na berdasarkan bentuk terdiri atas 3 (tiga) klasifikasi yaitu : a) “Adjektiva ~na yang diikuti kopula (shuushikei)” (2 data), b) “Adjektiva ~na yang menerangkan verba (renyoukei)” (2 data), dan 3) “Adjektiva ~na yang menerangkan nomina (rentaikei)” (13 data) ; 2) Klasifikasi adjektiva ~na berdasarkan maknanya, terdiri atas penelitian ini, adalah a) Menyatakan kondisi fisik, b) Menyatakan sifat manusia, c) Menyatakan kondisi suatu tempat, d) Menyatakan perasaan, e) Menyatakan kondisi alam, f) Menyatakan waktu, dan g) Menyatakan kondisi benda. Data yang paling banyak muncul adalah bentuk rentaikei yang bermakna menyatakan perasaan. Berdasarkah hasil penelitian tersebut dapat disimpulkan bahwa dalam lirik lagu adjektiva ~na digunakan untuk menyatakan perasaan.

The Meaning of Tanka in Novel Garden of Words Aditya Waskito Jati; Ely Triasih Rahayu; Hartati Hartati
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 2 No 1 (2020): May 2020
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

This research titled “Denotative, connotative and Myth meaning on tanka in Garden of Words novel by Makoto Shinkai (Roland Barthes Semiotic Approach)”. This research aims to interpret denotative, connotative and myth meaning of tanka through semiotic theory by Roland Barthes. The data used in this research are presented in form of tanka and tanka’s paraphrase that found in this novel. Descriptive Qualitative method is preferred as the main method to analyze meanings of the tanka. Technique of data collection in this research is through literature study.

Analisis Semantis Idiom Bahasa Jepang yang Menggunakan Leksem Mata Luthfi Nur Utari; Ely Triasih Rahayu; Hartati Hartati
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 1 No 1 (2019): November 2019
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

The research entitled Semantic Analysis of Japanese Idiom Using Eye Lexem, aims to 1) describe the lexical meaning behind the forming element of Japanese language idioms using eye lexem 2) describe the idiomatic meaning behind the forming element of the Japanese language idioms using eye lexem. The research belong to descriptive qualitative especially using reading and noting method. The result shows that there are 25 eye lexeme idioms, among other things 7 idioms belong to sentiment, 2 of them belong to characters, 12 of them belong to the action and behavior, and 4 of them belong to the value and degrees. Based on the results according to the data source, there are no idioms stating the culture of society. However, it can be concluded that the Japanese idioms using eye lexem are still frequently used.

Ungkapan Permohonan Dalam Bahasa Jepang Windy Galuh Pramaswari; Ely Triasih Rahayu; Hartati Hartati
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 2 No 1 (2020): May 2020
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

This research is an analysis expressions of request in japanese language. The purpose of the research is to describe the variation of request expression and the underlying social factors. This type of research is descriptive qualitative in which the data are obtained from 3 Japanese dramas i.e From Five To Nine (5-9 Watashi ni Koi Shita Ikemen Sugiru Obousan), Shokojo Seira and Nigeru Wa Haji Da Ga. Data collection technique used observation and writing technique. Based on the result of analysis from 24 (twenty four) data, there are 5 (five) varian of request expression i.e te itakademasenka, te moraemasenka, te kudasai, te kure, and te. The underlying social factors are namely social discrepancy, social status, and formality.

Perbedaan Penggunaan Setsuzokushi Aida dan Aida ni Ani Muthmainnah; Ely Triasih Rahayu; Hartati Hartati
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 2 No 1 (2020): May 2020
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

The research is entitled The Differences between Setsuzokushi Aida and Aida ni. The aims of this research are to describe the use of sentence structure using setsuzokushi aida and aida ni in Japanese, and to describe the differences of setsuzokushi aida and aida ni usage. This research belongs to descriptive qualitative and the data collection uses library techniques. In total, the data from this research are 19 sentences containing setsuzokushi aida and aida ni taken from Minna no Nihongo Shokyuu I&II, Chukyuu I and Indoneshiago Bunreishuu Nihongo-Indoneshiago (Doushihen) books. Based on the results of the analysis, it can be concluded that setsuzokushi aida is a conjunction that describes two activities carried out in the same period of time, continuously and finished simultaneously, whereas setsuzokushi aida ni is a conjunction that explains two activities carried out in the different periods of time and momentarily.

Co-Authors Aditya Waskito Jati Agus Fajar Mauludin Ahmad Fauzan Ahmad Fauzan Anak Agung Ayu Dian Andriyani Anggita Stovia Anggita Stovia Ani Muthmainnah Asriyama, Weksa Fradita Bagus Reza Hariyadi Chusni Hadiati Diana Puspitasari Djatmika Djatmika Djatmika Djatmika, Djatmika Eko Kurniawan Eko Kurniawan Eko Kurniawan Febriliani, Annisa Feby Dwi Fitriyani Hanny Hafiar Hartati Hartati Hartati Hartati Hartati Hartati Hartati Hartati Hartati Hartati I Dewa Ayu Devi Maharani Santika Khusnul Immaji Husein Saputra Kuntarto, Kuntarto Luthfi Nur Utari Mohammad Rizky Afrillah Muammar Kadafi Nisa Roiyasa Nisa, Nurul Alviatin Nurul Alviatin Nisa Raden Mohamad Herdian Bhakti Rizka Anindita slamet riyadi Sumarlam Sumarlam Sumarlam Sumarlam, Sumarlam Wardana, Ruditya Yogi Windy Galuh Pramaswari Yanti, Sri Nani Hari Yudi Suryadi Yussy Talitha Khairunnisa

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