Articles
<![CDATA[Consumption and hegemony of Japan: A case study on consumer culture of Japanese identity products toward undergraduates ]]>
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>;
<![CDATA[Heri Widodo]]>
<![CDATA[ Komunitas Vol 15, No 1 (2023): March ]]>
Publisher : <![CDATA[Universitas Negeri Semarang ]]>
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DOI: 10.15294/komunitas.v15i1.41268
<![CDATA[This research aims to find the relationship between consumer culture lifestyle and Japanese identity products with educational background. Through this research, would know the things that encourage consumer culture towards products with Japanese identity. The subject of this study were undergraduates of Jenderal Soedirman University majoring in Japanese literature survey method. This research analysis was descriptive qualitative using the perspective of the lifestyle-culture consumer-culture industry while the data is presented quantitatively. The study found that the tendency to consume Japanese-identified products was due to the impression that they were part of Japan and the belief that Japanese-style variants tasted betters. There are no undergraduates majoring in Japanese literature who consider products with Japanese identity as ordinary goods. That shows that those who have studied Japanese have indirectly been hegemonized and become agents of cultural intermediaries. Through consumption culture, they give meaning to products with a Japanese]]>
<![CDATA[PERILAKU ALTRUISME DALAM SERIAL DRAMA SORA WO KAKERU YODAKA ]]>
<![CDATA[Aulia Ratna Rakhmadhani]]>;
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>
<![CDATA[ Metahumaniora Vol 13, No 1 (2023): METAHUMANIORA, APRIL 2023 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/metahumaniora.v13i1.42520
<![CDATA[Penelitian ini merupakan penelitian deskriptif kualitatif yang membahas perilaku altruisme dalam serial drama Sora Wo Kakeru Yodaka. Tujuan penelitian ini untuk mendeskripsikan altruisme tokoh Kaga sehingga akan nampak perilaku apa saja yang termasuk dalam aspek altruisme. Teori yang digunakan adalah teori altruisme dari Myers. Metode pengumpulan data menggunakan teknik simak catat. Hasil penelitian menemukan perilaku altruisme dalam tokoh Kaga yang diwujudkan melalui tiga aspek, yaitu memberikan perhatian, menolong orang lain, dan mementingkan orang lain. Perilaku yang dimunculkan pada tokoh Kaga merepresentasikan masing-masing aspek tersebut. Kesimpulannya, aspek altruisme yang paling banyak ditemukan adalah memberikan perhatian pada orang lain.]]>
<![CDATA[Penggunaan Sonkeigo dan Kenjougo Dalam Al-Qur'an Terjemahan Bahasa Jepang Surat Maryam ]]>
<![CDATA[Abdillah, Aria]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Kurniawan, Eko]]>
<![CDATA[ KIRYOKU Vol 5, No 2 (2021): Jurnal Kiryoku ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v5i2.187-198
<![CDATA[The Japanese language has a variety of respectful languages that are used in Japanese social ethics. This variety of respectful language is known as keigo. Keigo is a speech level that functions to express respect for the speech partner. The expression to express respect is not only used to fellow human beings, but also Allah as the Creator. The purpose of this research was to determine the types of sonkeigo and kenjougo in the Japanese translation of the Qur'an, to describe the word-formation process and the grammatical meaning. This research is qualitative research by applying a qualitative descriptive method. The method of collecting data using a listening method with the writing technique. The data source in this research is the Japanese translation of the Qur'an surah Maryam chapter 4 to 32. In the data source, 14 data were found which is divided into 10 sonkeigo data and 4 kenjougo data. Based on the results of data analysis, it was found that the sonkeigo word-formation process used the ~rareru pattern with 7 data, the o~ni naru pattern with 1 data, and the o~kudasai pattern with 2 data. The kenjougo word-formation process used a special form of verb patterns with 3 data and an o~suru pattern with 1 data. The sonkeigo speech level is used in the context of Allah's actions, Allah's decree to Zakaria, Maryam, and Isa. The kenjougo speech level is used in the context of Zakaria's pray to Allah and Allah's decree to Maryam which was conveyed through Jibril. ]]>
<![CDATA[Representasi Budaya Barat dalam Cerpen Terjemahan "Nihon No Kotowaza" dalam Perspektif Pascakolonial ]]>
<![CDATA[Firmansyah, Aditya]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Haluan Sastra Budaya Vol 8, No 1 (2024) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v8i1.67213
<![CDATA[This study examines the representation of the Western world displayed in the daily lives of Japanese people through the character Aku, an Indonesian man who once lived in Europe. This study aims to describe the forms of representation of the Western world carried out by the character Aku so that there will be an effort to internalize Western culture in his life. This research is a descriptive qualitative study with a literature review method using Edward Said's post-colonial perspective. The data collection technique uses reading and note-taking techniques. The object of this research is a translated short story entitled Nihon no Kotowaza which was translated in 2022. The results of the study revealed that indications of the habits of the character Aku who often incorporated Western culture into the life of a Japanese female character, such as watching Western films, watching baseball, drinking beer with American soldiers, and often playing Western songs. That was done because the character Aku was accustomed to life in Europe, so when he was in Japan, these habits were carried over and he tried to incorporate the culture into his close female friends. The internalization of Western culture towards female characters gradually influenced the habits of Japanese women in carrying out their daily lives, although it did not eliminate their original identities. This made female characters carry out two cultures at once in their lives. Based on the study's results, it can be concluded that Western culture has become part of Japanese culture itself. Western cultural customs that are accepted and implemented in society are a form of negotiation between the West and the East.]]>
<![CDATA[Narasi Pelepasan Emosi dalam Kajian Genre Healing Fiction sebagai Media Katarsis ]]>
<![CDATA[Ummah, Nadia Wirda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Widodo, Heri]]>
<![CDATA[ KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v9i1.51-65
<![CDATA[Healing fiction is a genre in literary works that has a theme about healing, both spiritually and emotionally. The characters who appear in the healing fiction genre are described as finding inner peace and trauma recovery through the process of self-introspection, courage to face problems, relationships with others and relationships with nature. The healing fiction genre with its narrative that depicts characters who finally find inner peace, allows readers to experience emotional catharsis. This research will look at how the narrative elements of the healing fiction genre can be a vehicle for readers to experience the cathartic process. This research will use the narrative text analysis approach of Japanese novels with the healing fiction genre. This research will also use a thematic analysis approach to find out readers' responses. Reading works in the healing fiction genre can be a cathartic medium because it presents a feeling of relief like what happens in the process of accidental pleasure. ]]>
<![CDATA[Melacak Jejak Karakter Fiksi Idola Anak: Media Pendidikan Karakter dalam Industri Kreatif ]]>
<![CDATA[Widodo, Heri]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Puspitasari, Diana]]>
<![CDATA[ J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 4 No 2 (2022): November 2022 ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Universitas Jenderal Soedirman ]]>
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DOI: 10.20884/1.jlitera.2022.4.2.7463
<![CDATA[Sosok idola dalam dunia anak-anak berperan penting dalam proses pembentukan karakter. Anak-anak cenderung meniru hal-hal yang berkaitan dengan sosok idolanya, bahkan menjadikannya sebagai panutan. Oleh karena itu, kepedulian terhadap sosok idola anak-anak menjadi suatu hal yang penting untuk diperhatikan. Penelitian ini berusaha untuk mengungkap seperti apakah karakter fiksi yang menjadi idola anak, dan bagaimana proses, pola sehingga sesosok karakter fiksi menjadi idola. Penelitian ini adalah kualitatif fenomenologis. Penelitian ini melibatkan enam belas partisipan yang pada tahun 2019 berusia 20-21 tahun. Proses pengumpulan data dilakukan melalui observasi, kuesinoner. wawancara mendalam, Focused Group Discussion (FGD). Penelitian ini mengungkap bahwa sosok idola anak yang mempunyai tahun kelahiran 1999-2000 (tahun 2019 berusia 19-20 tahun) adalah karakter yang mempunyai sifat cerdas, ceria, pemberani, dan baik hati. Adapun proses pengenalan terhadap sosok idola ini dimulai menonton film di televisi, baik yang diawali dengan kesengajaan maupun ketidaksengajaan. Selain itu, proses karakter fiksi menjadi sosok idola juga berawal dari pembicaraan dengan teman-teman sepermainan baik di lingkungan sekolah maupun di lingkungan tempat tinggal.]]>
<![CDATA[Western power relations against the East in the Code Geass anime series ]]>
<![CDATA[Wijaya, Michael Janshen]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 5 No. 2 (2023): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v5i2.7550
<![CDATA[The aim of the research is to identify four power relations of the West over the East in the anime series Code Geass: Lelouch of the Rebellion by using postcolonial studies, namely Edward Said's concept of Orientalism. This type of research is qualitative descriptive research. This study used observing and note-taking techniques in the data collection process. Data analysis in this study consisted of data reduction, data presentation, and drawing conclusions. The results of this study indicate that the four power relations of the West over the East are present in the form of British power over Japan. The first is political power, shown by Britannia as the ruler of Japan. Second, intellectual power is demonstrated by the influence of the Britannia media in portraying Eleven in a bad image. The three cultural powers, shown by the influence of Britannia positioned themselves as a party capable of modernizing Japan. The four moral powers are demonstrated by the form of criticism of a Prince of Britannia who saw the resistance carried out by the Japanese. The conclusion is the influence of the most incredible power is political power through Britannia which affects the lives of Japanese people in New Japan/Area 11.]]>
<![CDATA[Geiko's negotiation on the Ie system in the film Hanaikusa ]]>
<![CDATA[Putri, Sabrina Wanda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 6 No. 2 (2024): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v6i2.9643
<![CDATA[This research aims to describe how the geiko profession can serve as a form of women's negotiation within the ie system in the film Hanaikusa. The theory used in this research is the ie system. It is a qualitative descriptive study with data consisting of dialogues and screenshots that focus on geiko's negotiations with the ie system in the film Hanaikusa. The research employs the observation method and note-taking techniques in the data collection process. Data analysis techniques in this study include data reduction, data presentation, and conclusions. The results of the study indicate that there are 14 data on geiko's negotiations with the ie system, including 4 data on women's appearances (fuyo), 2 data on women's skills (fuko), 3 data on women's services and language (fugen), 3 data on women's moral values (futoku), and 2 data on unmarried women and child care. Based on the results of the data analysis, it can be concluded that the geiko profession, although not conforming to traditional female roles in the ie system, is capable of transcending the conventional values associated with women.]]>
<![CDATA[Sufiks Pemarkah Kanji Profesi dalam Bahasa Jepang ]]>
<![CDATA[Mardianingsih, Benardia Sucisakti]]>;
<![CDATA[Haryono]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 11 No. 1 (2020): Volume 11 Nomor 1 Tahun 2020-Kagami: Jurnal Pendidikan dan Bahasa Jepang ]]>
Publisher : <![CDATA[Universitas Negeri Jakarta ]]>
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<![CDATA[This research aims to describe the meaning of suffixes attached to kanji profession inJapanese which have different suffixes but the same meaning. Theories used in thisresearch are morphology and semantics. This research is a qualitative research. The datacollection technique used in this research is literature study. The data analysis techniqueused is the determining element. The data in this research are in the form of kanjiprofession which have the same meaning but different suffixes. Data collected in the formof kanji profession means doctors, teachers, writers and painters. The data source used isdictionary entitled Japanese dictionary by Pristian Wulanita (Team I-Smart University).The result of this research describes the different meaning of the data collected and 医師ishi is used in more formal situation than 医者isha. 医家ika is an ancient vocabularywhich shows that the profession of doctor is the hereditary from his family. 教 師 kyoushiis used not only for a teacher who teaches certain subjects in school, but also can used inother teaching contexts. 教員kyouin means a teacher who educates students at school. 作家sakka becomes more specific as a novelist and 作 者 sakusha is a writer of more generalworks of art such as manga, anime, picture books, drama scripts. 画 家 gaka has thespecific meaning of a painter, while 画師 eshi 絵師 eshi means an illustrator.]]>
<![CDATA[Yakuza Masculinity: Marginalized Hegemonic in Gokusen Manga ]]>
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Kumasaka, Hinano]]>
<![CDATA[ Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 7, No 1 (2023): ERALINGUA ]]>
Publisher : <![CDATA[Makassar State University ]]>
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DOI: 10.26858/eralingua.v7i1.37446
<![CDATA[Abstract. Masculinity is a construction formed by society because of the expectations of men in society, so various forms of masculinity emerge. The Yakuza group is a group that is very synonymous with masculinity and is even referred to as the world of men. However, in reality, their masculine form shackles them in social interaction. The purpose of this study is to describe the forms of Yakuza masculinity so that there will be visible differences in the forms of masculinity between Yakuza and society in general. Yakuza masculinity has a general concept of masculinity, or is called hegemonic masculinity. However, forms of masculinity that are too extreme make their masculinity marginal. That happens because of differences in the interpretation of masculinity by society toward certain groups. The data is from images and dialogues representing Yakuza forms of masculinity in Gokusen manga. Data collection used a literature review technique, and data analysis used a qualitative descriptive technique. The findings suggest that masculinity owned by the Yakuza group represents a form of hegemonic masculinity, but the form of masculinity becomes a problem for its existence. The form of masculinity has a dual identity as a tool of legitimacy and a means of subordination to individuals and groupsKeywords: Hegemonic, Marginal Masculinity, Masculinity, Yakuza Masculinity, Yakuza]]>
