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<![CDATA[PERILAKU ALTRUISME DALAM SERIAL DRAMA SORA WO KAKERU YODAKA ]]>
<![CDATA[Aulia Ratna Rakhmadhani]]>;
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>
<![CDATA[ Metahumaniora Vol 13, No 1 (2023): METAHUMANIORA, APRIL 2023 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/metahumaniora.v13i1.42520
<![CDATA[Penelitian ini merupakan penelitian deskriptif kualitatif yang membahas perilaku altruisme dalam serial drama Sora Wo Kakeru Yodaka. Tujuan penelitian ini untuk mendeskripsikan altruisme tokoh Kaga sehingga akan nampak perilaku apa saja yang termasuk dalam aspek altruisme. Teori yang digunakan adalah teori altruisme dari Myers. Metode pengumpulan data menggunakan teknik simak catat. Hasil penelitian menemukan perilaku altruisme dalam tokoh Kaga yang diwujudkan melalui tiga aspek, yaitu memberikan perhatian, menolong orang lain, dan mementingkan orang lain. Perilaku yang dimunculkan pada tokoh Kaga merepresentasikan masing-masing aspek tersebut. Kesimpulannya, aspek altruisme yang paling banyak ditemukan adalah memberikan perhatian pada orang lain.]]>
<![CDATA[Penggunaan Sonkeigo dan Kenjougo Dalam Al-Qur'an Terjemahan Bahasa Jepang Surat Maryam ]]>
<![CDATA[Abdillah, Aria]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Kurniawan, Eko]]>
<![CDATA[ KIRYOKU Vol 5, No 2 (2021): Jurnal Kiryoku ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v5i2.187-198
<![CDATA[The Japanese language has a variety of respectful languages that are used in Japanese social ethics. This variety of respectful language is known as keigo. Keigo is a speech level that functions to express respect for the speech partner. The expression to express respect is not only used to fellow human beings, but also Allah as the Creator. The purpose of this research was to determine the types of sonkeigo and kenjougo in the Japanese translation of the Qur'an, to describe the word-formation process and the grammatical meaning. This research is qualitative research by applying a qualitative descriptive method. The method of collecting data using a listening method with the writing technique. The data source in this research is the Japanese translation of the Qur'an surah Maryam chapter 4 to 32. In the data source, 14 data were found which is divided into 10 sonkeigo data and 4 kenjougo data. Based on the results of data analysis, it was found that the sonkeigo word-formation process used the ~rareru pattern with 7 data, the o~ni naru pattern with 1 data, and the o~kudasai pattern with 2 data. The kenjougo word-formation process used a special form of verb patterns with 3 data and an o~suru pattern with 1 data. The sonkeigo speech level is used in the context of Allah's actions, Allah's decree to Zakaria, Maryam, and Isa. The kenjougo speech level is used in the context of Zakaria's pray to Allah and Allah's decree to Maryam which was conveyed through Jibril. ]]>
<![CDATA[Narasi Pelepasan Emosi dalam Kajian Genre Healing Fiction sebagai Media Katarsis ]]>
<![CDATA[Ummah, Nadia Wirda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Widodo, Heri]]>
<![CDATA[ KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v9i1.51-65
<![CDATA[Healing fiction is a genre in literary works that has a theme about healing, both spiritually and emotionally. The characters who appear in the healing fiction genre are described as finding inner peace and trauma recovery through the process of self-introspection, courage to face problems, relationships with others and relationships with nature. The healing fiction genre with its narrative that depicts characters who finally find inner peace, allows readers to experience emotional catharsis. This research will look at how the narrative elements of the healing fiction genre can be a vehicle for readers to experience the cathartic process. This research will use the narrative text analysis approach of Japanese novels with the healing fiction genre. This research will also use a thematic analysis approach to find out readers' responses. Reading works in the healing fiction genre can be a cathartic medium because it presents a feeling of relief like what happens in the process of accidental pleasure. ]]>
<![CDATA[Melacak Jejak Karakter Fiksi Idola Anak: Media Pendidikan Karakter dalam Industri Kreatif ]]>
<![CDATA[Widodo, Heri]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Puspitasari, Diana]]>
<![CDATA[ J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 4 No 2 (2022): November 2022 ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Universitas Jenderal Soedirman ]]>
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DOI: 10.20884/1.jlitera.2022.4.2.7463
<![CDATA[Sosok idola dalam dunia anak-anak berperan penting dalam proses pembentukan karakter. Anak-anak cenderung meniru hal-hal yang berkaitan dengan sosok idolanya, bahkan menjadikannya sebagai panutan. Oleh karena itu, kepedulian terhadap sosok idola anak-anak menjadi suatu hal yang penting untuk diperhatikan. Penelitian ini berusaha untuk mengungkap seperti apakah karakter fiksi yang menjadi idola anak, dan bagaimana proses, pola sehingga sesosok karakter fiksi menjadi idola. Penelitian ini adalah kualitatif fenomenologis. Penelitian ini melibatkan enam belas partisipan yang pada tahun 2019 berusia 20-21 tahun. Proses pengumpulan data dilakukan melalui observasi, kuesinoner. wawancara mendalam, Focused Group Discussion (FGD). Penelitian ini mengungkap bahwa sosok idola anak yang mempunyai tahun kelahiran 1999-2000 (tahun 2019 berusia 19-20 tahun) adalah karakter yang mempunyai sifat cerdas, ceria, pemberani, dan baik hati. Adapun proses pengenalan terhadap sosok idola ini dimulai menonton film di televisi, baik yang diawali dengan kesengajaan maupun ketidaksengajaan. Selain itu, proses karakter fiksi menjadi sosok idola juga berawal dari pembicaraan dengan teman-teman sepermainan baik di lingkungan sekolah maupun di lingkungan tempat tinggal.]]>
<![CDATA[Western power relations against the East in the Code Geass anime series ]]>
<![CDATA[Wijaya, Michael Janshen]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 5 No. 2 (2023): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v5i2.7550
<![CDATA[The aim of the research is to identify four power relations of the West over the East in the anime series Code Geass: Lelouch of the Rebellion by using postcolonial studies, namely Edward Said's concept of Orientalism. This type of research is qualitative descriptive research. This study used observing and note-taking techniques in the data collection process. Data analysis in this study consisted of data reduction, data presentation, and drawing conclusions. The results of this study indicate that the four power relations of the West over the East are present in the form of British power over Japan. The first is political power, shown by Britannia as the ruler of Japan. Second, intellectual power is demonstrated by the influence of the Britannia media in portraying Eleven in a bad image. The three cultural powers, shown by the influence of Britannia positioned themselves as a party capable of modernizing Japan. The four moral powers are demonstrated by the form of criticism of a Prince of Britannia who saw the resistance carried out by the Japanese. The conclusion is the influence of the most incredible power is political power through Britannia which affects the lives of Japanese people in New Japan/Area 11.]]>
<![CDATA[Geiko's negotiation on the Ie system in the film Hanaikusa ]]>
<![CDATA[Putri, Sabrina Wanda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 6 No. 2 (2024): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v6i2.9643
<![CDATA[This research aims to describe how the geiko profession can serve as a form of women's negotiation within the ie system in the film Hanaikusa. The theory used in this research is the ie system. It is a qualitative descriptive study with data consisting of dialogues and screenshots that focus on geiko's negotiations with the ie system in the film Hanaikusa. The research employs the observation method and note-taking techniques in the data collection process. Data analysis techniques in this study include data reduction, data presentation, and conclusions. The results of the study indicate that there are 14 data on geiko's negotiations with the ie system, including 4 data on women's appearances (fuyo), 2 data on women's skills (fuko), 3 data on women's services and language (fugen), 3 data on women's moral values (futoku), and 2 data on unmarried women and child care. Based on the results of the data analysis, it can be concluded that the geiko profession, although not conforming to traditional female roles in the ie system, is capable of transcending the conventional values associated with women.]]>
<![CDATA[Sufiks Pemarkah Kanji Profesi dalam Bahasa Jepang ]]>
<![CDATA[Mardianingsih, Benardia Sucisakti]]>;
<![CDATA[Haryono]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 11 No. 1 (2020): Volume 11 Nomor 1 Tahun 2020-Kagami: Jurnal Pendidikan dan Bahasa Jepang ]]>
Publisher : <![CDATA[Universitas Negeri Jakarta ]]>
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<![CDATA[This research aims to describe the meaning of suffixes attached to kanji profession inJapanese which have different suffixes but the same meaning. Theories used in thisresearch are morphology and semantics. This research is a qualitative research. The datacollection technique used in this research is literature study. The data analysis techniqueused is the determining element. The data in this research are in the form of kanjiprofession which have the same meaning but different suffixes. Data collected in the formof kanji profession means doctors, teachers, writers and painters. The data source used isdictionary entitled Japanese dictionary by Pristian Wulanita (Team I-Smart University).The result of this research describes the different meaning of the data collected and 医師ishi is used in more formal situation than 医者isha. 医家ika is an ancient vocabularywhich shows that the profession of doctor is the hereditary from his family. 教 師 kyoushiis used not only for a teacher who teaches certain subjects in school, but also can used inother teaching contexts. 教員kyouin means a teacher who educates students at school. 作家sakka becomes more specific as a novelist and 作 者 sakusha is a writer of more generalworks of art such as manga, anime, picture books, drama scripts. 画 家 gaka has thespecific meaning of a painter, while 画師 eshi 絵師 eshi means an illustrator.]]>
<![CDATA[Yakuza Masculinity: Marginalized Hegemonic in Gokusen Manga ]]>
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Kumasaka, Hinano]]>
<![CDATA[ Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 7, No 1 (2023): ERALINGUA ]]>
Publisher : <![CDATA[Makassar State University ]]>
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DOI: 10.26858/eralingua.v7i1.37446
<![CDATA[Abstract. Masculinity is a construction formed by society because of the expectations of men in society, so various forms of masculinity emerge. The Yakuza group is a group that is very synonymous with masculinity and is even referred to as the world of men. However, in reality, their masculine form shackles them in social interaction. The purpose of this study is to describe the forms of Yakuza masculinity so that there will be visible differences in the forms of masculinity between Yakuza and society in general. Yakuza masculinity has a general concept of masculinity, or is called hegemonic masculinity. However, forms of masculinity that are too extreme make their masculinity marginal. That happens because of differences in the interpretation of masculinity by society toward certain groups. The data is from images and dialogues representing Yakuza forms of masculinity in Gokusen manga. Data collection used a literature review technique, and data analysis used a qualitative descriptive technique. The findings suggest that masculinity owned by the Yakuza group represents a form of hegemonic masculinity, but the form of masculinity becomes a problem for its existence. The form of masculinity has a dual identity as a tool of legitimacy and a means of subordination to individuals and groupsKeywords: Hegemonic, Marginal Masculinity, Masculinity, Yakuza Masculinity, Yakuza]]>
<![CDATA[Anime Merchandise: Faktor-Faktor Penentu Konsumsi Produk Budaya Populer Jepang ]]>
<![CDATA[Widodo, Heri]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Syntax Literate Jurnal Ilmiah Indonesia ]]>
Publisher : <![CDATA[Syntax Corporation ]]>
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DOI: 10.36418/syntax-literate.v11i2.63529
<![CDATA[Penelitian ini bertujuan mengidentifikasi faktor-faktor penentu konsumsi anime merchandise di kalangan penggemar budaya populer Jepang di Indonesia. Menggunakan pendekatan kualitatif berbasis Interpretative Phenomenological Analysis (IPA), penelitian ini menganalisis data dari 18 wawancara mendalam, observasi partisipatif, dan dua sesi focus group discussion (FGD) dengan responden aktif di Jakarta dan Purwokerto. Temuan mengungkap lima faktor dominan: (1) identitas fan dan afiliasi komunitas, (2) nostalgia dan ikatan emosional terhadap karakter, (3) kualitas dan orisinalitas produk, (4) strategi pemasaran visual dan digital, serta (5) nilai simbolik sebagai ekspresi status sosial dan modal budaya. Konsumsi merchandise tidak hanya bersifat transaksional, melainkan menjadi praktik identitas, afeksi, dan pertukaran budaya transnasional. Penelitian ini memperluas Consumer Culture Theory (CCT) dan fan studies dengan konteks Asia Tenggara, sekaligus memberikan implikasi praktis bagi industri kreatif dalam merancang strategi merchandising yang berbasis komunitas, emosional, dan visual.]]>
<![CDATA[Culture Industry and Japanese Identity in Snack and Drinks Products in Indonesia ]]>
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>;
<![CDATA[Heri Widodo]]>
<![CDATA[ IZUMI Vol 11, No 1 (2022) ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
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DOI: 10.14710/izumi.11.1.31-43
<![CDATA[This research discusses the Japanese identity inherent in food and beverage products produced and marketed in Indonesia with a cultural industry perspective. The purpose of this research is to reveal the form of Japanese identity attached to the products and its relationship with the cultural industry so that it will appear that the relationship between the two is interrelated and mutually supportive. This research is descriptive qualitative using the content analysis method on product packaging design on a cultural industry approach. The results found a Japanese identity in writings form, words, pictures, flavor variations, and a compilation of Japanese and local flavor variants on product packaging. The packaging design is made as if it is transferring Japan into the packaging of products. In the small packaging, it summarizes the discourse of the culture industry as well as provides a simulacrum for Japanese lovers. The use of Japanese identity has become a widespread cultural commodity in the financial and cultural economy. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
