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<![CDATA[FENOMENA PENGGUNAAN CAMPUR KODE PADA LIRIK LAGU BAHASA JEPANG ]]>
<![CDATA[Putri Aqidah]]>;
<![CDATA[Ely Triasih Rahayu]]>;
<![CDATA[Yudi Suryadi]]>
<![CDATA[ SPHOTA: Jurnal Linguistik dan Sastra Vol. 13 No. 1 (2021): SPHOTA: Jurnal Linguistik dan Sastra ]]>
Publisher : <![CDATA[Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar ]]>
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DOI: 10.36733/sphota.v13i1.1447
<![CDATA[Penelitian ini mengkaji mengenai campur kode. Tujuan dari penelitian ini adalah untuk menjelaskan bentuk campur kode dan latar belakang penggunaan campur kode pada lirik lagu bahasa Jepang. Metode yang digunakan adalah deskriptif kualitatif, sedangkan teknik pengumpulan data yang digunakan adalah teknik simak catat. Teknik analisis data dilakukan dengan menggunakan metode padan dan teknik pilah unsur penentu. Sumber data penelitian ini berupa 15 lirik lagu, dari lirik lagu tersebut ditemukan 35 data. Hasil analisis menunjukkan bahwa terdapat 6 bentuk campur kode dan 2 latar belakang penggunaan campur kode. Bentuk campur kode berupa kata sebanyak 9, 9 klausa, 8 frasa, 7 idiom, dan ada 1perulangan kata serta 1 bentuk campur kode berupa baster. Bentuk campur kode yang paling banyak muncul adalah klausa dan kata. Sementara itu latar belakang penggunaan campur kode meliputi sikap dan kebahasaan. Latar belakang kebahasaan 31 data yang menunjukkan keinginan penutur untuk menafsirkan perasaannya agar tersampaikan kepada pendengar.]]>
<![CDATA[Cinta Altruistik pada Tokoh Utama dalam Anime Sword Art Online: Alicization ]]>
<![CDATA[Shakira Fernata Anvaria]]>;
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2023.v05.i02.p05
<![CDATA[Penelitian ini mengkaji tentang altruistik pada tokoh dalam dalam anime Sword Art Online: Alicization dengan tujuan untuk mengetahui bentuk afirmatif dan tindakan altruistik yang nampak dalam anime tersebut. Penelitian ini merupakan penelitian kualitatif deskriptif dengan data berupa tangkapan layar, dialog, serta monolog yang menyiratkan altruistik. Teknik pengumpulan data yang digunakan adalah teknik simak dan catat. Penelitian ini menggunakan teori cinta altruistik menurut Stephen G. Post. Hasil penelitian menunjukkan bahwa para tokoh utama menunjukkan bentuk afeksi afirmatifnya melalui (1) kepedulian ketika melihat orang lain membutuhkan dukungan atau jatuh sakit, (2) perbaikan agar orang lain tidak melakukan tindakan kebencian atau tindakan berbahaya, (3) bersimpati dengan orang lain yang mengalami penderitaan akibat ketidakadilan, dan (4) kemurahan hati dalam bertindak untuk kesejahteraan orang lain. Bentuk tindakan altruistiknya yaitu melindungi, menolong, dan menyelamatkan orang lain dengan tujuan untuk memberikan kesejahteraan serta menghilangkan penderitaan orang lain dengan mengorbankan dirinya dan kehilangan nyawa. Dari hasil penelitian tersebut, dapat disimpulkan bahwa cinta mampu mendorong seseorang untuk melakukan apa saja demi orang yang dicintai, bahkan sampai diungkapkan dalam tindakan altruistik yang mengorbankan dirinya sendiri.]]>
<![CDATA[Consumption and hegemony of Japan: A case study on consumer culture of Japanese identity products toward undergraduates ]]>
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>;
<![CDATA[Heri Widodo]]>
<![CDATA[ Komunitas Vol 15, No 1 (2023): March ]]>
Publisher : <![CDATA[Universitas Negeri Semarang ]]>
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DOI: 10.15294/komunitas.v15i1.41268
<![CDATA[This research aims to find the relationship between consumer culture lifestyle and Japanese identity products with educational background. Through this research, would know the things that encourage consumer culture towards products with Japanese identity. The subject of this study were undergraduates of Jenderal Soedirman University majoring in Japanese literature survey method. This research analysis was descriptive qualitative using the perspective of the lifestyle-culture consumer-culture industry while the data is presented quantitatively. The study found that the tendency to consume Japanese-identified products was due to the impression that they were part of Japan and the belief that Japanese-style variants tasted betters. There are no undergraduates majoring in Japanese literature who consider products with Japanese identity as ordinary goods. That shows that those who have studied Japanese have indirectly been hegemonized and become agents of cultural intermediaries. Through consumption culture, they give meaning to products with a Japanese]]>
<![CDATA[PERILAKU ALTRUISME DALAM SERIAL DRAMA SORA WO KAKERU YODAKA ]]>
<![CDATA[Aulia Ratna Rakhmadhani]]>;
<![CDATA[Diana Puspitasari]]>;
<![CDATA[Yudi Suryadi]]>
<![CDATA[ Metahumaniora Vol 13, No 1 (2023): METAHUMANIORA, APRIL 2023 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/metahumaniora.v13i1.42520
<![CDATA[Penelitian ini merupakan penelitian deskriptif kualitatif yang membahas perilaku altruisme dalam serial drama Sora Wo Kakeru Yodaka. Tujuan penelitian ini untuk mendeskripsikan altruisme tokoh Kaga sehingga akan nampak perilaku apa saja yang termasuk dalam aspek altruisme. Teori yang digunakan adalah teori altruisme dari Myers. Metode pengumpulan data menggunakan teknik simak catat. Hasil penelitian menemukan perilaku altruisme dalam tokoh Kaga yang diwujudkan melalui tiga aspek, yaitu memberikan perhatian, menolong orang lain, dan mementingkan orang lain. Perilaku yang dimunculkan pada tokoh Kaga merepresentasikan masing-masing aspek tersebut. Kesimpulannya, aspek altruisme yang paling banyak ditemukan adalah memberikan perhatian pada orang lain.]]>
<![CDATA[Penggunaan Sonkeigo dan Kenjougo Dalam Al-Qur'an Terjemahan Bahasa Jepang Surat Maryam ]]>
<![CDATA[Abdillah, Aria]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Kurniawan, Eko]]>
<![CDATA[ KIRYOKU Vol 5, No 2 (2021): Jurnal Kiryoku ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v5i2.187-198
<![CDATA[The Japanese language has a variety of respectful languages that are used in Japanese social ethics. This variety of respectful language is known as keigo. Keigo is a speech level that functions to express respect for the speech partner. The expression to express respect is not only used to fellow human beings, but also Allah as the Creator. The purpose of this research was to determine the types of sonkeigo and kenjougo in the Japanese translation of the Qur'an, to describe the word-formation process and the grammatical meaning. This research is qualitative research by applying a qualitative descriptive method. The method of collecting data using a listening method with the writing technique. The data source in this research is the Japanese translation of the Qur'an surah Maryam chapter 4 to 32. In the data source, 14 data were found which is divided into 10 sonkeigo data and 4 kenjougo data. Based on the results of data analysis, it was found that the sonkeigo word-formation process used the ~rareru pattern with 7 data, the o~ni naru pattern with 1 data, and the o~kudasai pattern with 2 data. The kenjougo word-formation process used a special form of verb patterns with 3 data and an o~suru pattern with 1 data. The sonkeigo speech level is used in the context of Allah's actions, Allah's decree to Zakaria, Maryam, and Isa. The kenjougo speech level is used in the context of Zakaria's pray to Allah and Allah's decree to Maryam which was conveyed through Jibril. ]]>
<![CDATA[Representasi Budaya Barat dalam Cerpen Terjemahan "Nihon No Kotowaza" dalam Perspektif Pascakolonial ]]>
<![CDATA[Firmansyah, Aditya]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Haluan Sastra Budaya Vol 8, No 1 (2024) ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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DOI: 10.20961/hsb.v8i1.67213
<![CDATA[This study examines the representation of the Western world displayed in the daily lives of Japanese people through the character Aku, an Indonesian man who once lived in Europe. This study aims to describe the forms of representation of the Western world carried out by the character Aku so that there will be an effort to internalize Western culture in his life. This research is a descriptive qualitative study with a literature review method using Edward Said's post-colonial perspective. The data collection technique uses reading and note-taking techniques. The object of this research is a translated short story entitled Nihon no Kotowaza which was translated in 2022. The results of the study revealed that indications of the habits of the character Aku who often incorporated Western culture into the life of a Japanese female character, such as watching Western films, watching baseball, drinking beer with American soldiers, and often playing Western songs. That was done because the character Aku was accustomed to life in Europe, so when he was in Japan, these habits were carried over and he tried to incorporate the culture into his close female friends. The internalization of Western culture towards female characters gradually influenced the habits of Japanese women in carrying out their daily lives, although it did not eliminate their original identities. This made female characters carry out two cultures at once in their lives. Based on the study's results, it can be concluded that Western culture has become part of Japanese culture itself. Western cultural customs that are accepted and implemented in society are a form of negotiation between the West and the East.]]>
<![CDATA[Narasi Pelepasan Emosi dalam Kajian Genre Healing Fiction sebagai Media Katarsis ]]>
<![CDATA[Ummah, Nadia Wirda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Widodo, Heri]]>
<![CDATA[ KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan ]]>
Publisher : <![CDATA[Vocational College of Diponegoro University ]]>
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DOI: 10.14710/kiryoku.v9i1.51-65
<![CDATA[Healing fiction is a genre in literary works that has a theme about healing, both spiritually and emotionally. The characters who appear in the healing fiction genre are described as finding inner peace and trauma recovery through the process of self-introspection, courage to face problems, relationships with others and relationships with nature. The healing fiction genre with its narrative that depicts characters who finally find inner peace, allows readers to experience emotional catharsis. This research will look at how the narrative elements of the healing fiction genre can be a vehicle for readers to experience the cathartic process. This research will use the narrative text analysis approach of Japanese novels with the healing fiction genre. This research will also use a thematic analysis approach to find out readers' responses. Reading works in the healing fiction genre can be a cathartic medium because it presents a feeling of relief like what happens in the process of accidental pleasure. ]]>
<![CDATA[Melacak Jejak Karakter Fiksi Idola Anak: Media Pendidikan Karakter dalam Industri Kreatif ]]>
<![CDATA[Widodo, Heri]]>;
<![CDATA[Suryadi, Yudi]]>;
<![CDATA[Puspitasari, Diana]]>
<![CDATA[ J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 4 No 2 (2022): November 2022 ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Universitas Jenderal Soedirman ]]>
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DOI: 10.20884/1.jlitera.2022.4.2.7463
<![CDATA[Sosok idola dalam dunia anak-anak berperan penting dalam proses pembentukan karakter. Anak-anak cenderung meniru hal-hal yang berkaitan dengan sosok idolanya, bahkan menjadikannya sebagai panutan. Oleh karena itu, kepedulian terhadap sosok idola anak-anak menjadi suatu hal yang penting untuk diperhatikan. Penelitian ini berusaha untuk mengungkap seperti apakah karakter fiksi yang menjadi idola anak, dan bagaimana proses, pola sehingga sesosok karakter fiksi menjadi idola. Penelitian ini adalah kualitatif fenomenologis. Penelitian ini melibatkan enam belas partisipan yang pada tahun 2019 berusia 20-21 tahun. Proses pengumpulan data dilakukan melalui observasi, kuesinoner. wawancara mendalam, Focused Group Discussion (FGD). Penelitian ini mengungkap bahwa sosok idola anak yang mempunyai tahun kelahiran 1999-2000 (tahun 2019 berusia 19-20 tahun) adalah karakter yang mempunyai sifat cerdas, ceria, pemberani, dan baik hati. Adapun proses pengenalan terhadap sosok idola ini dimulai menonton film di televisi, baik yang diawali dengan kesengajaan maupun ketidaksengajaan. Selain itu, proses karakter fiksi menjadi sosok idola juga berawal dari pembicaraan dengan teman-teman sepermainan baik di lingkungan sekolah maupun di lingkungan tempat tinggal.]]>
<![CDATA[Western power relations against the East in the Code Geass anime series ]]>
<![CDATA[Wijaya, Michael Janshen]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 5 No. 2 (2023): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v5i2.7550
<![CDATA[The aim of the research is to identify four power relations of the West over the East in the anime series Code Geass: Lelouch of the Rebellion by using postcolonial studies, namely Edward Said's concept of Orientalism. This type of research is qualitative descriptive research. This study used observing and note-taking techniques in the data collection process. Data analysis in this study consisted of data reduction, data presentation, and drawing conclusions. The results of this study indicate that the four power relations of the West over the East are present in the form of British power over Japan. The first is political power, shown by Britannia as the ruler of Japan. Second, intellectual power is demonstrated by the influence of the Britannia media in portraying Eleven in a bad image. The three cultural powers, shown by the influence of Britannia positioned themselves as a party capable of modernizing Japan. The four moral powers are demonstrated by the form of criticism of a Prince of Britannia who saw the resistance carried out by the Japanese. The conclusion is the influence of the most incredible power is political power through Britannia which affects the lives of Japanese people in New Japan/Area 11.]]>
<![CDATA[Geiko's negotiation on the Ie system in the film Hanaikusa ]]>
<![CDATA[Putri, Sabrina Wanda]]>;
<![CDATA[Puspitasari, Diana]]>;
<![CDATA[Suryadi, Yudi]]>
<![CDATA[ Japanese Research on Linguistics, Literature, and Culture Vol. 6 No. 2 (2024): May ]]>
Publisher : <![CDATA[Universitas Dian Nuswantoro ]]>
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DOI: 10.33633/jr.v6i2.9643
<![CDATA[This research aims to describe how the geiko profession can serve as a form of women's negotiation within the ie system in the film Hanaikusa. The theory used in this research is the ie system. It is a qualitative descriptive study with data consisting of dialogues and screenshots that focus on geiko's negotiations with the ie system in the film Hanaikusa. The research employs the observation method and note-taking techniques in the data collection process. Data analysis techniques in this study include data reduction, data presentation, and conclusions. The results of the study indicate that there are 14 data on geiko's negotiations with the ie system, including 4 data on women's appearances (fuyo), 2 data on women's skills (fuko), 3 data on women's services and language (fugen), 3 data on women's moral values (futoku), and 2 data on unmarried women and child care. Based on the results of the data analysis, it can be concluded that the geiko profession, although not conforming to traditional female roles in the ie system, is capable of transcending the conventional values associated with women.]]>
