Article Per Year (5 Year)
p-Index From 2021 - 2026
3.731
P-Index
This Author published in this journals
All Journal Corak : Jurnal Seni Kriya Teknobuga : Jurnal Teknologi Busana dan Boga Transformasi: Jurnal Pengabdian Masyarakat INVOTEC Home Economics Journal Journal on Education Jurnal Abdi: Media Pengabdian Kepada Masyarakat Practice of Fashion and Textile Education Journal BAJU: Journal of Fashion and Textile Design Unesa SWARNA: Jurnal Pengabdian Kepada Masyarakat JPBD (Jurnal Penelitian Busana dan Desain) Teknobuga : Jurnal Teknologi Busana dan Boga Journal of Creative Industries and Vocational Innovation
Indarti Indarti
Universitas Negeri Surabaya
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Physics Social Sciences Other

Published : 25 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 25 Documents
Search

 1   2   3 
Kombinasi Tie Dye dan Bleaching untuk Menciptakan Efek Visual pada Kain Fanda Eva, Erni Erlina; Indarti, Indarti; Peng, Li Hsun
Corak Vol 14, No 2 (2025): Corak : Jurnal Seni Kriya
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v14i2.15362

Abstract

Teknik pewarnaan kain terus berkembang dengan berbagai inovasi yang unik dan menarik. Salah satu kombinasi yang menarik untuk dieksplorasi adalah teknik tie dye dan bleaching, yang dapat menghasilkan pola dan tekstur visual pada kain. Penelitian ini bertujuan untuk mengetahui proses dan perwujudan kombinasi tie dye dan bleaching dalam menciptakan efek visual yang dihasilkan pada kain. Teknik ikatan (tie dye) dilakukan sebelum proses bleaching untuk melihat pola yang dihasilkan dari ikatan tersebut dapat memudar setelah diterapkannya teknik bleaching. Penelitian ini menggunakan metode Double Diamond, yang terdiri dari empat tahapan: Discover, Define, Develop, dan Deliver, untuk mengeksplorasi dan mengembangkan desain kain secara terstruktur dan kreatif. Hasil penelitian menunjukkan bahwa kombinasi tie dye dan bleaching dapat menghasilkan efek visual yang lebih beragam dibanding menggunakan teknik secara terpisah. Jenis kain dengan serat alami, seperti rayon, memberikan hasil terbaik dalam menyerap pewarna serta memberikan reaksi yang optimal terhadap proses bleaching. 
Penerapan Motif Tiedye dan Macrame Pada Busana Resort Wear Budi Ningtyas, Putri Ayesa; Indarti, Indarti; Peng, Li Hsun
Corak Vol 14, No 2 (2025): Corak : Jurnal Seni Kriya
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v14i2.15385

Abstract

Industri mode terus berkembang dengan menghadirkan inovasi desain yang unik dan menarik. Salah satu tren yang semakin populer adalah busana resort wear, yang dirancang untuk kenyamanan dan estetika saat berlibur. Penelitian ini mengeksplorasi penerapan motif tie dye dan teknik macrame dalam desain busana resort wear guna menciptakan produk yang inovatif dan bernilai estetika tinggi.Motif tie dye menawarkan pola warna yang unik melalui teknik ikat celup, sedangkan macrame memberikan tekstur dekoratif dengan simpul-simpul khas. Kombinasi kedua teknik ini diharapkan dapat menghasilkan busana yang tidak hanya artistik dan modis, tetapi juga memiliki nilai budaya dan ekonomi yang tinggi. Selain itu, penelitian ini juga berkontribusi dalam pemberdayaan pengrajin lokal, pelestarian teknik tradisional, serta menciptakan peluang pasar baru dalam industri fashion.Penelitian ini menggunakan metode Double Diamond, yang terdiri dari tahapan Discover, Define, Develop, dan Deliver, untuk merancang dan mengembangkan desain busana. Hasil penelitian menunjukkan bahwa perpaduan motif tie dye dan macrame dapat memberikan tampilan elegan, berkarakter, serta ramah lingkungan, sesuai dengan kebutuhan pasar resort wear saat ini.
Kediri Royal and Agrarian Batik Motifs as Local Wisdom Based Innovation for Creative Industry Products Talisa Fasya Laksita Putri; Deny Arifiana; Indarti Indarti
TEKNOBUGA: Jurnal Teknologi Busana dan Boga Vol. 14 No. 1 (2026)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/teknobuga.v14i1.41584

Abstract

The creative batik industry faces the challenge of declining interest among the younger generation due to the perception of batik as a traditional product that is less relevant to contemporary lifestyles. This condition calls for the development of innovative and contextual batik without losing its local wisdom values. Kediri, with its historical background of the Kediri Kingdom and strong agrarian culture, has visual and symbolic potential that can be developed as a source of innovation for contemporary batik motifs. This study aims to describe the process of developing batik motif designs with themes of the Kediri kingdom and agriculture, as well as to create batik prototypes as creative industry products for dissemination through exhibitions. The method used is design-based research with a Double Diamond Model based on a descriptive qualitative approach. The novelty of this study lies in the integration of royal agrarian cultural narratives of Kediri within a structured Double Diamond design framework for contemporary batik development. The results of the study produced five contemporary batik motifs that were developed into master designs measuring 100 × 50 cm, then developed into 200 × 100 cm and realized in the form of batik prototypes. One of the leading designs, namely the Garuda Sri Wibawa theme, received positive responses from target consumers aged 20–45 years, particularly in terms of visual preference, perceived cultural relevance, and product appeal, and was displayed in an exhibition at the Surabaya State University art gallery as a form of dissemination of the work. These findings indicate that Kediri's royal and agrarian themed batik motifs possess visual, cultural, and appreciative values relevant to the development of contemporary batik creative industry products.
An Interpretation of the Architecture of the Mohammed V Mausoleum in Avant-Garde Fashion Through Fabric Manipulation Techniques Adinka Putril Laksmi; Ratna Suhartini; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study interprets the architecture of the Mohammed V Mausoleum into avant-garde fashion by applying a combination of fabric manipulation techniques, namely applique, cording, and tucking. The research employed a practice-based design research approach using the Double Diamond model, consisting of Discover, Define, Develop, and Deliver stages. Data were collected through visual observation, design documentation, and expert judgment involving three fashion design experts using a Guttman scale instrument. The data were analyzed using descriptive quantitative analysis through percentage calculations and supported by interpretative visual analysis. The results show that architectural elements of the Mohammed V Mausoleum, particularly zellij geometric motifs, Moorish arches, wall ornaments, and monumental forms, were successfully translated into a three-piece avant-garde garment consisting of a hooded cape, bustier, and flared pants. Expert evaluation indicated that most indicators achieved 100%, while several aspects related to cording structure and final architectural embodiment achieved 66.7%. The applique and tucking techniques were effective in representing geometric ornamentation and arch structures, whereas the cording technique requires further refinement in line composition and motif proportion. This study demonstrates that Islamic architecture can serve as a relevant source of creative innovation in culturally inspired avant-garde fashion and fabric manipulation exploration.
Exploring the Architecture of the Amir Timur Museum as Inspiration for Avant-Garde Fashion Design Using Quilting Manipulation Amelia Marsya Akilaray; Indarti Indarti
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article discusses the design process of avant-garde fashion inspired by the architecture of the Amir Timur Museum and analyzes the final garment produced using quilting techniques. The visual inspiration was derived from the museum's monumental architectural characteristics, geometric ornaments, dome structure, and symbolic values of glory, strength, and historical identity. These visual and symbolic values were translated into fashion through the exploration of silhouette, structure, color, material, and quilting manipulation as the main surface and structural technique. This study used the Double Diamond method, consisting of four stages: Discover, which involved identifying sources of ideas through literature study and visual observation; Define, which formulated the design concept through a moodboard; Develop, which focused on illustration and design development; and Deliver, which realized and evaluated the final product. The study was conducted in the Fashion Laboratory, Faculty of Vocational Studies, Universitas Negeri Surabaya. Data were collected using observation sheets involving three Fashion Design experts and were analyzed using mean scores. The final product showed that architectural elements of the Amir Timur Museum could be transformed into a structured avant-garde garment through quilting, pattern construction, material selection, and decorative detailing. Expert validation produced mean scores ranging from 4.33 to 5.00, indicating that the design quality was in the very good category.
Co-Authors Adinka Putril Laksmi Aisyah Angela Amelia Marsya Akilaray Andang Widjaja Asri Setyo Harini Bima Yatna Naugerah Ramadhani Bimo Yatna Anugerah Ramadhani Budi Ningtyas, Putri Ayesa Deny Arifiana Devitriana, Devitriana Fanda Eva, Erni Erlina Fatmawati, Yuni Zhaafira hidayat, Dinda Anisa Nur Irma Russanti Ma’rifatun Nashikhah Nur Evelynasari Nuryani Charismawati Peng, Li Hsun Peppy Mayasari, Peppy Putri, Talisa Fasya Laksita Rahayu, Imami Arum Tri Ratna Suhartini Ratna Suhartini Ratna Suhartini Rismawati, Aristya Rizky Rismawati Rizkiya, Amaliya Lailatur Siti Badriyah Talisa Fasya Laksita Putri Tria Astha Parameswara Putri Urip Wahyuningsih Urip Wahyuningsih Urip Wahyuningsih Urip Wahyuningsih Widyaningrum, Intan Yuhri Inang Prihatina Yuhri Inang Prihatina Yulistiana YULISTIANA Yulistiana Yulistiana Yulistiana Yulistiana