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All Journal Publika Budaya KEMBARA Semiotika Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Pioneer: Journal of Language and Literature Journal of Feminism and Gender Studies Tamaddun NOBEL : Journal of Literature and Language Teaching
Erna Cahyawati
Universitas Jember
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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SULA’S REBELLION AGAINST THE BLACK CONVENTIONAL VALUES AS THE INDICATOR OF HER FEMINIST SPIRIT IN TONI MORRISON’S SULA Rosdiana, Laily; Basuki, Imam; Cahyawati, Erna
Publika Budaya Vol 2, No 2 (2014): Juli
Publisher : Publika Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (143.353 KB)

Abstract

Sula a novel written by Toni Morrison tells about a black woman who rebel against the patriarchal system, racial oppression and class discrimination as the conventional values in Bottom society, where the blacks live.This thesis focuses on Sula’s Rebellion against the black conventional values as the indicator of her feminist spirit in Toni Morrison’s Sula. Sula as the main female character breaks and rebels the conventional values surrounding her. The strongest influential factors that shape and influence Sula’s rebellion are coming from the society, family and friendship. She breaks the patriarchal culture and the racial problems within her society by rejecting marriage and having free sexual partner. For those reasons, Sula is named a pariah and evil. The research employs Marxism and Afro-American Feminism to discuss the dominant ideology of whites, classes, and racialism in the world of black feminism. The research is qualitative research which applies text in Sula as the basic data. The data are analyzed to show the reason of Sulas rebellion in rejecting marriage and having free sexual life. The data reveals that black women face double oppression such as patriarchy and racialism. Therefore, the study is significant to understand Afro-American women and their struggle against oppression of patriarchal system and racial problems in their society. Keywords: Rebellion, Conventional Values, Afro American Feminism, Racialism, consciousness, Patriarchy, Class discriminations, Pariah
SULA’S REBELLION AGAINST THE BLACK CONVENTIONAL VALUES AS THE INDICATOR OF HER FEMINIST SPIRIT IN TONI MORRISON’S SULA Laily Rosdiana; Imam Basuki; Erna Cahyawati
Publika Budaya Vol 2 No 2 (2014): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Sula a novel written by Toni Morrison tells about a black woman who rebel against the patriarchal system, racial oppression and class discrimination as the conventional values in Bottom society, where the blacks live.This thesis focuses on Sula’s Rebellion against the black conventional values as the indicator of her feminist spirit in Toni Morrison’s Sula. Sula as the main female character breaks and rebels the conventional values surrounding her. The strongest influential factors that shape and influence Sula’s rebellion are coming from the society, family and friendship. She breaks the patriarchal culture and the racial problems within her society by rejecting marriage and having free sexual partner. For those reasons, Sula is named a pariah and evil. The research employs Marxism and Afro-American Feminism to discuss the dominant ideology of whites, classes, and racialism in the world of black feminism. The research is qualitative research which applies text in Sula as the basic data. The data are analyzed to show the reason of Sula's rebellion in rejecting marriage and having free sexual life. The data reveals that black women face double oppression such as patriarchy and racialism. Therefore, the study is significant to understand Afro-American women and their struggle against oppression of patriarchal system and racial problems in their society. Keywords: Rebellion, Conventional Values, Afro American Feminism, Racialism, consciousness, Patriarchy, Class discriminations, Pariah
THE SPIRIT OF FREEDOM AGAINST DEHUMANIZATION IN FREDERICK DOUGLASS’ THE NARRATIVE LIFE OF FREDERICK DOUGLASS, AN AMERICAN SLAVE Erna Cahyawati
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 1 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i1.15658

Abstract

American romanticism is a literary movement in the 19th century that upholds individualism, and freedom from all forms of confinement of convention, oppression or tyranny. This study focuses on abolitionism or the anti-slavery movement found in Frederick Douglass's autobiographical novel entitled The Narrative Life of Frederick Douglass, An American Slave. This study explores American romantic literature's characteristics in the book by capturing the dehumanization experienced by black American slaves and their spirit of resistance to the white oppression. The method used is the inductive method and descriptive method. The results showed that black people could gain confidence in striving for equality and freedom from white oppression by learning to read and write.
Gender Representation in Perpustakaan Intan Riskia Setiarini; Supiastutik Supiastutik; Dina Dyah Kusumayanti; Hadi Sampurna; Erna Cahyawati
Pioneer: Journal of Language and Literature Vol 13 No 2 (2021)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v13i2.1286

Abstract

There is little research on gender-related children's picture books in Indonesia. In this article, we discuss the disclosure of gender representation in a picture book entitled Perpustakaan Intan. The high number appearances of women, the actions pinned on women, and the clothes displayed in both text and images are materials for visualizing women and men. Previous studies have revealed that men dominate the number of appearances in books. However, this book displays women more often than men. On the one hand, this raises the question of whether this means women are in power, and on the other hand, men are portrayed as powerless. Utilizing the multimodality approach, the results show that although women appear more in the narrative, women are still represented as less powerful.
The Representation of Optimism in Eleanor H. Porter's Pollyanna Ula Nadia Muntaza; Dina Dyah Kusumayanti; Erna Cahyawati
Tamaddun Life Vol 21 No 1 (2022): June 2022
Publisher : Fakultas Sastra - Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (368.903 KB) | DOI: 10.33096/tamaddun.v21i1.135

Abstract

This paper examines the representation of optimism during the American progressive era in the novel Pollyanna. The analysis focuses on discovering the discourse of optimism and the critical position of the author. The theory of representation by Stuart Hall and the discursive approach by Michel Foucault were used. The contextual background and the narrations in the novel are collaborated in the analysis process to find the discourse of optimism and the critical position of the author. The result of this research shows that this novel represents optimism through the glad game and the characters' personality alterations who always look at good sides on everything and make comparison of descending life events. The study also shows that as a writer, Porter positions herself as person who supports optimism as the response in the progressive era in America. Keywords: glad game, optimism, pollyanna, positive psychology.
Transendentalisme: Arkeologi pengetahuan Asia dalam pemikiran Henry David Thoreau Murti, Ghanesya Hari; Cahyawati, Erna; Wardani , L. Dyah Purwita; Basuki, Imam
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 7 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v7i1.24782

Abstract

Henry David Thoreau merupakan pemikir politik dan lingkungan Amerika yang menggaungkan cara bepikir transendentalisme dalam perjuangannya. Transendentalisme berupaya menghilangkan relasi subjek-objek dalam praktik sosial yang secara tidak langsung tengah mengkoptasi pemikiran Amerika kala itu sehingga melahirkan peperangan, perbudakan dan juga perusakan alam. Tulisan ini lalu ingin memulihkan corak pemikiran transendentalis Asia khususnya Baghavad Gita yang samar samar juga turut membantu membentuk tradisi Amerika. Pemikiran revolusioner demi menolak penindasan justru terlahir melalui gaya transendentalis yang secara metodis menghilangkan relasi subjek dan objek yang tengah populer kala itu. Hilangnya relasi subjek objek secara metodis menghadirkan perspektif bahwa manusia bukanlah subjek untuk memanipulasi alam sebagai objek, menghilangkan hirarki sosial seperti perbudakan karena manusia lain tidak boleh direndahkan karena dianggap objek, dan pemerintahan tidak boleh membungkam warga negara minoritas yang tidak masuk dalam hitungan mayoritas. Meminjam tradisi Foucauldian, tulisan ini secara metodologi pun hendak melacak pemikiran Thoreau yang masih memiliki nuansa Asia. Pelacakan jejak Asia di dalam tradisi pemikiran Thoreau ingin memberikan alternatif bahwa peperangan, perbudakan dan penaklukan adalah pengkhianatan pada cita-cita pembebasan.     Henry David Thoreau is an American political and environmental thinker who echoed the transcendentalist way of thinking in his struggle. Transcendentalism seeks to eliminate subject-object relations in social practices that indirectly co-opted American thinking at the time, resulting in wars, slavery and the destruction of nature. His revolutionary thinking about transcendentalism was actually born through his consumption of eastern discourse, especially Hindhuism with its Bagavad Geeta. The disappearance of subject-object relations presents the perspective that humans are not subjects to manipulate nature as an object, eliminate social hierarchies such as slavery because other humans should not be humiliated because they are considered objects, and the government should not silence minority citizens who are not included in the majority count. This paper methodologically retraces all the Asian thought that anchors Thoreau's thought archaeologically, which seems to have been marginalised in the western tradition. The tracing of Asian views in the tradition of Thoreau's thought wants to provide an alternative that war, slavery and conquest are a betrayal of the ideals of freedom.
Patriarchy Depiction through the Female Main Character’s Relationship in Marie Lu’s The Kingdom of Back Wardani, Leoba Dyah Purwita; Nisrina, Nadia Meivitasari Putri; Salikin, Hairus; Basuki, Imam; Cahyawati, Erna; Murti, Ghanesya Hari
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2024): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v10i1.27955

Abstract

Literary works are reflections of society’s nature in real life, and writers often emerge the issue regarding patriarchy in their literary works. Patriarchy is not a new topic and often depicted in literary works, especially in how women of patriarchy are portrayed. This study aims to determine how the practice of patriarchy is represented through the relationship between characters in The Kingdom of Back. In this qualitative research, Stuart Hall’s representation theory, particularly Michel Foucault’s discursive approach is employed to analyze the data. In addition, Sylvia Walby’s concept of patriarchy strengthens the basic assumption. The findings of this study show how The Kingdom of Back presented patriarchy that limits women's freedom and influences the relationship between the characters, which puts women to bear the damage and stand in an unequal position. The novel portrays a woman’s struggle through male domination, oppression, and exploitation in the relationship as a consequence of her desire to resist patriarchal culture, which barred her from achieving her dreams to leave a legacy through her music and composition. Nannerl finally succeeds to overcome the patriarchy barrier and struggling to live as an composer. Furthermore, as the author and diasporic subject, Marie Lu is still influenced by the deep-rooted value of patriarchy from her home country.
Marriage Rejection: A Feminist Study in Katie Fforde's Going Dutch Cahyawati, Erna
NOBEL: Journal of Literature and Language Teaching Vol. 16 No. 1 (2025): APRIL (On Progress)
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/NOBEL.2025.16.1.35-49

Abstract

Instead of predominantly functioning to protect women, many toxic marriages even legitimize and institutionalize patriarchal oppression. This has sparked feminist criticism, as in Katie Fforde's novel Going Dutch. Featuring a female character who rejects marriage and lives independently, this study aims to analyze two main aspects: (1) the representation of the rejection of marriage as a form of resistance to patriarchy in the novel and (2) the author's ideological position. Using a feminist approach with Stuart Hall's representation as its conceptual framework, the analysis reveals that the main character, Joana, refuses to remarry because of her traumatic experience in her previous marriage. Her husband forbids her from working or socializing outside the home. After her divorce, Joana chooses to live independently in the Netherlands, pursuing her career and hobbies while achieving economic independence and personal liberty. Through the character of Joana, Katie Fforde criticizes patriarchal norms still embedded in the institution of marriage. Going Dutch functions as a work of fiction that Ffordes advocates for women's empowerment and their right to live independently
Institutional Injustice and Authorial Critique in Kathryn Stockett's The Help Nico, Jourdan Eden; Cahyawati, Erna; Basuki, Imam; Murti, Ghanesya Hari
Journal of Feminism and Gender Studies Vol. 5 No. 2 (2025): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v5i2.53710

Abstract

This research aims to analyze how Kathryn Stockett's The Help represents systemic racism and author's critical position towards the racial injustice issue within the novel. This research applies two theories: the representation by Stuart Hall and the theory of systemic racism by Joe. R. Feagin. This research applies a qualitative method with a narrative text analysis approach. The results of this study show that systemic racism plays a role in the level of labor exploitation, economic discrimination, social inequality, and oppressive social norms. Thus, the author's position also shows an effort to criticize the unjust system. However, she notes there are still some limitations since white characters are still central to hold primary control. This study concludes that literary works can function as a medium to voice social criticism of racism, while reflecting the complexity of the author's position in shaping representations of racial injustice.
Cerita Beji Antaboga dalam wacana harmonisasi alam dan antaragama Subaharianto, Andang; Murti, Ghanesya Hari; Cahyawati, Erna; Wardani, Dyah Purwita; Basuki, Imam
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.884

Abstract

The Beji Antaboga tourist site provides a religious atmosphere full of tolerance by building various statues of religious symbols located in a forest in Banyuwangi. The harmony between humans and nature is very well maintained at this location. This nuance is supported by a fictional story that is believed by the local community, namely the Antaboga dragon. However, the place is fully taken care of by Hindus who are indeed attached to protecting the surrounding nature, and their commitment to guard several points of springs. This research aims to measure the inter-religious relations in the area and also to analyze the extent to which folklore as a discourse can be recontextualized as an effort to harmonize the bond of humans with nature. The research method used is qualitative, the first step applies the narrative structure of the story through actantial theory, the second is tracing the hypogram for the Antaboga story which dated back to Hindu’s teaching, and the last is looking at discourse as a power practice to recontextualize the harmonius reality. The finding shows Antaboga story is indeed to legitimise nature as the centre and not humans as the main actors.
Co-Authors Andang Subaharianto Aziz, Muhammad Fawzi Abdullah Ghanesya Hari Murti Hadi Sampurna Hairus Salikin Imam Basuki Imam Basuki Kusumayanti, Dina Dyah Laily Rosdiana LAILY ROSDIANA Nico, Jourdan Eden Nisrina, Nadia Meivitasari Putri Riskia Setiarini Sampurna, Hadi Supiastutik Supiastutik Ula Nadia Muntaza Wardani , L. Dyah Purwita Wardani SWW, L. Dyah Purwita