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All Journal JURNAL MANAJEMEN Dinamika : Jurnal Ilmiah Ilmu Administrasi Negara NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Jurnal Politikom Indonesiana Jurnal Pemerintahan dan Politik Jurnal Sosial Humaniora Sigli JAS (Jurnal Agri Sains) Journalism, Public Relation, and Media Communication Studies Journal (JPRMEDCOM) Strukturasi: Jurnal Ilmiah Magister Administrasi Publik JDP (Jurnal Dinamika Pemerintahan) Jurnal Kewarganegaraan Jurnal Ilmiah Wahana Pendidikan Jurnal Ilmu Sosial dan Humaniora Hulondalo Jurnal Ilmu Pemerintahan dan Ilmu komunikasi (JIPIK) NeoRespublica : Jurnal Ilmu Pemerintahan Journal of Law, Education and Business FisiPublik: Jurnal Ilmu Sosial dan Politik
Lukmanul Hakim Hakim
Universitas Singaperbangsa Karawang
Religion Agriculture, Biological Sciences & Forestry Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Rekonstruksi Identitas Politik melalui Praktik Kekuasaan dalam Film Hit Me Anyone One More Time (2019) Vina Rahmawati; Lukmanul Hakim
SOSMANIORA: Jurnal Ilmu Sosial dan Humaniora Vol. 5 No. 3 (2026): September 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sosmaniora.v5i3.8508

Abstract

This study analyzes the reconstruction of political identity in Hit Me Anyone One More Time (2019) using Roland Barthes's two-level signification system and Erving Goffman's dramaturgical perspective as theoretical triangulation. Departing from traditional political film semiotics focused on electoral campaigns, this research examines the reshaping of political identity within a post-election bureaucratic environment. A qualitative constructivist approach is applied through non-participant observation and film scene documentation. Data are analyzed by mapping denotative meanings, interpreting connotations, and identifying myths to trace how political identity is represented and interpreted. The findings reveal that political identity reconstruction is represented as a gradual process; originating from daily behavioral changes, developing through repeated social interactions, and gaining legitimacy via public recognition. Kuroda's new identity is built on a more humanistic, accessible, and responsive attitude, reshaping public perception of his leadership. The front-stage and back-stage dynamics serve as the primary mechanism linking personal change to public acceptance. Concurrently, the film reproduces myths concerning the naturalness of bureaucratic elitism, leader centralization, executive supremacy, and fact manipulation to maintain governmental stability. These findings indicate that political identity is a continuous construction shaped by actions, social relations, and public interpretation. Theoretically, this study extends political semiotics by analyzing identity reconstruction once an actor is embedded in power structures. Practically, it fosters critical media literacy regarding the representation of state figures in popular media.
Co-Authors Adelia Fauziyah Syafikri Aditya Rismayanti Agung Adi Laksono Dewi Noor Azijah Ersa Falena Fitri Eva Apriliani Rukmana Evi Priyanti Fani Sahabi’ah Febriantin, S.IP., M.IPol., Kariena Fihris Sa'adah Fitria Nur Azizah Fitriani syahidah Gun Gun Gumilar Haura Atthahara Helmi Arig Musyafa Ida Ratna Gumilar Imawan Prayoga Indah Herdiyanti Fajrin Indra Aditya Indrianti Indrianti Intan Deviana Iqbal Jamalulail Irma Ramahyanti Ramahyanti1 Kiki Rizki Ramadhan Lolita Deby Mahendra Putri Marsaulina Siahaan Mawar Riddini Nurul Anggraeni Mochamad Faizal Rizki Muhamad Putra Alfrialdi Muhammad Rizky Mubaroq Nia Okta Noviyanti Nur Jamila Putri Uli Handayani Br. Saragih Rahman Rahman Reni Apriyani Rivaldio Rizki Pradana Rizki Azhari Rudyk Nababan Salsa Nabilah Septiani Chandra Siti Hasna Maria Ulfatul Muharomah Siti Nursanti Tiara Carendra Gandih Vina Rahmawati Wanda Wulandari Yulyana, Eka Zainal Abidin