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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam EGALITA Prosiding Seminas Competitive Advantage Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Adabiyah Islam Futura Celt: A Journal of Culture, English Language Teaching & Literature Journal of Language and Literature Register Journal Kandai Jurnal Madah Pioneer: Journal of Language and Literature Litera Kultura Jurnal Pembelajaran Sastra Afshaha: Jurnal Bahasa dan Sastra Arab Jurnal Kawistara REGISTER JOURNAL

Mundi Rahayu

Universitas Islam Negeri Maulana Malik Ibrahim Malang

Author-ID : 354977

Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Articles

Title

Women in Achebe’s Novel “Things Fall Apart” Mundi Rahayu
Register Journal Vol 3, No 1 (2010): REGISTER
Publisher : IAIN Salatiga

This paper explores the image of women in Chinua Achebe novel’s Things Fall Apart. As the prominent postcolonial writer, Achebe has a vivid expression describing the social cultural values of the Ibo community in Nigeria, Africa. Analysis of the novel is done through the perspective of postcolonial feminism. Postcolonial feminism finds the relation and intersection between Postcolonialism and feminism. This interplay is interesting to observe. The findings show that in traditional patriarchal culture as in the novel, women are portrayed happy, harmonious members of the community, even when they are repeatedly beaten and barren from any say in the communal decision-making process and constantly reviled in sayings and proverbs. However some other interesting findings are that the women also have big role in the belief system of the community, and in Achebe’s novel he made it an amusement, for example by punishing Okonkwo because of his beating to his wife in the sacred time. Keywords: Postcolonial Feminism; Traditional Patriarchal Culture; Community

Power Relation In Memoirs Of Geisha And The Dancer Mundi Rahayu; Lia Emelda; Siti Aisyah
Register Journal Vol 7, No 2 (2014): REGISTER
Publisher : IAIN Salatiga

This article aims at comparing the ideas of power relation between themain female character and ―Mother‖ in Arthur Golden‘s Memoirs ofGeisha and Ahmad Tohari‘s The Dancer. These two novels share thesame main female character of traditional entertainers, as a Japanese geisha and a Javanese traditional dancer, respectively. As an entertainer in the traditional sphere, they are bounded with the other women and build close interaction as well as power relation with them who are called ―Mother‖ in the Geisha and ―ronggeng shaman‖ in The Dancer. Thepower relation between them are unique and dynamics. This is analyzed through Foucault‘s theory of power. The result of the analysis shows that the power relation is not stable, and the power practiced by each of them is influenced by the symbolic capital and economic capital they have. The negotiation and contestation come up between the actors in dailypractices as geisha and the mother, as the ―ronggeng‖ and the shaman. As the entertainers, the geisha and ―ronggeng‖ build and shape their body and performance to attract men. This geisha and ronggeng culture reproduce many other cultural product such as ―mizuage‖ in geisha, and ―bukak klambu‖ in ―ronggeng‖ both of which refer to the same thing, selling the woman‘s virginity to the highest bidder. In geisha it is used to benefit the Mother of Okiya and no rebellion of the geisha. On the other hand, Srintil does rebellious action in this ―bukak klambu‖ occasion. There seems to be different message from these two novels, The Dancer is much more questioning the norms covering the ―ronggeng‖ tradition while the Memoirs of Geisha tends to be accepting the geisha tradition as what it is.Keywords: Power Relation; Geisha ; Ronggeng ; Norms

Co-Authors Anshory, Abdul Muntaqim Al Arrifah, Zannuba Bahtiar, Jessica Yunanda Deny Efita Nur Rakhmawati Harahap, Zulfadhli I Gusti Ngurah Antaryama Ihwanarotama Bella Indriasandi Irwan Irwan Lia Emelda M. Misbahul Amri Maulidiyah Nur Cholisa Hafshah Milal, Mukhamad Syaiful Mu'id, Iqbalul Muhammad Agus Muljanto Muhlisin, Iqbatul Munjiah, Ma'rifatul Muttaqwiati, M Nushrotun Nida Siti Aisyah SYAHRIL, MUHAMAD Vayevienda Muhammad Vita Nur Santi Wening Udasmoro

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