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All Journal Corak : Jurnal Seni Kriya Al Tijarah JURNAL MUQODDIMAH : Jurnal Ilmu Sosial, Politik dan Hummaniora Martabe : Jurnal Pengabdian Kepada Masyarakat JPP (Jurnal Pendidikan dan Pembelajaran) Jurnal Graha Pengabdian Prosiding Seminar Nasional Pengabdian Kepada Masyarakat BAJU: Journal of Fashion and Textile Design Unesa Bhumidevi : Journal Of Fashion Design Jurnal Inovasi Teknologi dan Edukasi Teknik
Annisau Nafiah
Universitas Negeri Malang
Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Environmental Science Industrial & Manufacturing Engineering Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : BAJU: Journal of Fashion and Textile Design Unesa

 1 
PENERAPAN TIGA MOTIF KAIN TRADISIONAL PADA BUSANA WANITA DENGAN TEMA TRANSCULTURAL PADA AJANG MALANG FASHION WEEK 2023 Farika, Sephia; Nafiah, Annisau
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

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Abstract

Indonesia has a variety of cultural heritage. One of the ancestral legacies is wastra, which is still preserved today. Wastra cloth is one of the works of art which is poured on traditional patterns. In this research, three different Indonesian fabric patterns used to a product in the form of women's clothing. The cloth uses three wastra fabrics including Batik Parang, Jumputan, and Lurik. The aim of making this clothing is to find out how to combine three different fabric patterns to make it look harmonious. The method used in this research is the creation designs. There are three stages in clothing-making: determining the concept, drawing the design, and sewing the clothes. The clothing consists of four items: the blazer using Jumputan fabric and the trousers using two patterns, namely Batik Parang and Lurik.
Penciptaan Busana Ready to Wear dengan Motif Gendang Beleq dan Rumah Bale Yunika, Anif Fatma; Kusumawardani, Hapsari; Aini, Nurul; Nafiah, Annisau
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

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Gendang Beleq and Bale Lumbung House are traditional arts and traditional houses that characterise the Sasak Lombok tribe. Gendang Beleq and Bale Lumbung House are used as a source of ideas and realised as digital printing motifs with the intention of preserving and introducing traditional arts and culture in Indonesia. The research results stated: (1) The concept of ready to wear fashion creation combines elements of nature and culture, namely the beauty of Kuta Beach Lombok, the traditional art of Gendang Beleq and the traditional house of the Sasak tribe, namely the Bale Lumbung House. (2) The process of creating the fashion work refers to Hendriyana's Practice-led Research method which consists of four stages, namely Pre-design, Design, Realisation and Presentation of Work. (3) The final result of the work consists of 2 fashion looks that are classified as ready to wear clothing with a loose cut. The first work consists of 5 items, namely outer printing top, plain white culottes made from duchess satin, skirt made from navy duchess satin with additional wide rope ties around the waist with a width of 4 cm, tie printing bodice and white knit inner. The second look consists of 5 items, namely outer printing, printed culottes, obi belt with circular strap with seashell motif printing, printed ikat skirt and white inner knit.
Dewi Saraswati as a Source of Inspiration for the Creation of the "Gantari" Ready to Wear Clothing Elsi Hayuning Trias; Hapsari Kusumawardani; Endang Prahastuti; Annisau Nafiah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 1 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

The creation of this work is based on the existence of Dewi Saraswati as the goddess of science and art in Hindu beliefs as the main inspiration due to the researcher's interest in culture and history so that she intends to put it into a fashion work as a form of creativity in designing a fashion collection. The process of creating this fashion work is based on the practice-led research approach through the study of fashion design practice, focusing on Dewi Saraswati as the main inspiration for the fashion creation. The combination of dark and light colors from the bold lurik fabric motifs as well as the rustic theme reinforced by the addition of macrame shows the figure of the Goddess who is authentic, beautiful and close to nature. The name Gantari, which in Sanskrit means to shine, is a representation of Dewi Saraswati's role on earth, namely as a manifestation of Ida Sang Hyang Widi (God in Hinduism) to guide humans on earth who live in darkness due to ignorance and confusion before the existence of science. In addition, the addition of details in the form of embroidered puppets in the form of Dewi Saraswati became the main point of this Gantari dress. The method of creating this work was carried out through four stages including the pre-design stage, design, realization, and the last is the presentation stage. The result of Gantari's creation was two works of ready to wear deluxe fashion presented in the UM 2023 Fashion Education Grand Show with a cat walk fashion show presentation form.
Co-Authors Agiesta Shofi Agus Hery Agus Hery S.I Agus Hery Supadmi Irianti Aini Nurul Augista P.L Blima Oktaviastuti Blima Oktaviastuti, Blima Eddy Sutadji Elsi Hayuning Trias Emmalia Nur Endang Prahastuti Farika, Sephia Hamniar Hapsari Kusumawardani Maslihatul U Nur Aini S Nurfadila, Rahma Nisa Nurul Aini Oktaviastuti, Blima Prahastut, Endang Rahmadini Sukoco, Nur Aini Riana Nurmalasari Saidah Ayu Sarjono Utami Kencana Dewi Yunika, Anif Fatma