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All Journal Ilmu dan Budaya Jurnal Kajian Bali Mozaik Humaniora Journal of Language and Literature MUDRA Jurnal Seni Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai Adabiyyat: Jurnal Bahasa dan Sastra JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JENTERA: Jurnal Kajian Sastra Metahumaniora Jurnal Onoma: Pendidikan, Bahasa, dan Sastra SULUK: Jurnal Bahasa, Sastra, dan Budaya Makara Human Behavior Studies in Asia
Lily Tjahjandari
Department Of Literature, Faculty Of Humanities, Universitas Indonesia
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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The Public Space Management Strategy at the Bali Arts Centre during the Annual Bali Arts Festival I Gusti Ayu Agung Mas Triadnyani; Lily Tjahjandari; Turita Indah Setyani
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 2 (2024): Reclaiming Cultural Heritage
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i02.p11

Abstract

The Bali Arts Festival, locally known as Pesta Kesenian Bali (PKB), is an annual colossal festival of performing arts intended to preserve and explore cultural arts, as can be observed from the variety of programs performed, the number of artists involved and the number of viewers. This study analyzes how the public space at the Bali Arts Centre is managed not only to perform a professional and high-quality festival but also to make artists, entrepreneurs and viewers feel comfortable in enjoying it. The data were obtained through interviews, library research, and observation of the 2023 PKB and analyzed using the theory of public space proposed by Gottdiener and Lefebvre. The study concludes that the government has realized that improving the public space and the Arts Centre supporting facilities proves that public space management is as important as the arts curatorial process to present the quality of the PKB and public viewing experiences.
Perubahan Imaji Maskulinitas pada Alih Wahana Novel Dia Angkasa (2021) ke Drama Seri Dia Angkasa (2024) Sagita, Dwi Mayang; Tjahjandari, Lily
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 3 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i3.6484

Abstract

Penelitian ini bertujuan menganalisis bagaimana perubahan imaji maskulinitas dari novel Dia Angkasa (2021) ke drama seri Dia Angkasa (2024) merepresentasikan kritik terhadap maskulinitas toksik dalam narasi geng motor remaja. Penelitian ini merupakan penelitian kualitatif dengan pendekatan alih wahana menggunakan teori maskulinitas dari Deborah David dan Robert Brannon (1976) yang mencakup empat prinsip utama: No Sissy Stuff, Be a Big Wheel, The Sturdy Oak, dan Give ’Em Hell. Hasil analisis menunjukkan bahwa pada novel adanya maskulinitas yang dibentuk melalui intimidasi, dominasi, kekerasan verbal, represi perasaan, serta penyelesaian konflik melalui pertengkaran fisik. Sebaliknya, pada drama seri menampilkan pergeseran imaji maskulinitas yang lebih positif, ditandai dengan sikap peduli, penolakan terhadap perundungan, pengendalian diri dengan tidak besikap kasar, mengekspresikan emosi, keberanian yang diekspresikan melalui pengorbanan, dan penyelesaian konflik melalui jalur hukum. Temuan ini menunjukkan bahwa alih wahana dapat menjadi sarana untuk merekonstruksi nilai-nilai maskulinitas toksik dalam narasi geng motor remaja yang sering diasosiasikan dengan tindakan-tindakan negetif menuju ke bentuk yang lebih poisitif. Perubahan ini merepresentasikan kritik terhadap maskulinitas dalam geng motor remaja dan menunjukkan bahwa drama seri dapat merekonstruksi nilai-nilai maskulin agar tidak berorientasi pada kekerasan.  
The Good German? German Colonial Fantasies in Indonesia in Rudolf Utsch’s Trilogy Liyanti, Lisda; Tambunan, S.M. Gietty; Tjahjandari, Lily
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.9408

Abstract

The relationship between Germany and Asia is characterized by its complexity and uniqueness. Unlike other European nations, Germany established close connections with Asia by drawing inspiration from its rich cultural heritage. Germany’s historical background, being overpowered and defeated by France at the beginning of its formation to nationhood, led German thinkers and philosophers to seek sources of national self-identity other than those imbued with antiquity and Western culture. Germany's perception of itself about the East (as well as other regions) can be understood through the lens of German colonial fantasies, which depict Germany as a benevolent colonizer capable of establishing harmonious colonies. This concept of colonial fantasy is dynamic and evolves in line with German historical stages. In this study, we will examine Rudolf Utsch's three-part series of German adolescent adventure texts set in Indonesia by employing a textual analysis approach and focusing on the concept of colonial fantasy by Susanne Zantop. The research outcomes suggest that both German characters were depicted as benevolent colonizers, yet their efforts to establish a harmonious colony proved unsuccessful. Several biases stemming from colonial fantasies are discovered, including gender bias, the marginalization of local characters, and an imbalance in the portrayal of space and location.
Jejak antikolonial kesusastraan Balai Pustaka dalam novel Sitti Nurbaya: Kasih Tak Sampai Tjaraka, Ajeng Rahayu; Tjahjandari, Lily
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.835

Abstract

In the creation of literary works, the author will always be influenced by the spirit of the times (Zeitgeist) that existed during the writing process. Sitti Nurbaya: Kasih Tak Sampai, a novel by Marah Rusli, is one of the literary works that is close to Minangkabau culture. It was first published in 1922 by Balai Pustaka. Balai Pustaka established strict regulations in publishing reading materials for people in the Dutch East Indies to stem the nationalism of indigenous peoples. This research aims to find the strategies used by Marah Rusli to convey the anticolonial discourse contained in the work. The method used in this study is a qualitative descriptive method with the sociology of literature approach and Stuart Hall’s concept of representation. The results that the researcher found in this study are the anticolonial traces conveyed by Marah Rusli using various strategies to escape the censorship of Balai Pustaka, namely (1) the construction of youth figures representing the modernity of the Dutch colonial government and the elderly representing the traditionality of indigenous people; (2) the portrayal of anticolonial attitudes through antagonistic characters; and (3) the use of the year of Hijri to deceive the Dutch colonial government.
Transformasi majalah Annida masa akhir cetak: nilai-nilai moderatisme Islam pada dua cerpen dekade 2000-an (tinjauan sosiologi sastra) Sayati, Lena; Tjahjandari, Lily
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 5 No. 2 (2023): September
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2023.5.2.131-153

Abstract

Majalah Annida merupakan majalah sastra yang banyak memuat cerpen-cerpen bernuansa Islam. Terbit antara 1991-2010, Annida banyak mengalami berbagai transformasi yang meliputi aspek tampilan maupun isi terutama pada masa-masa akhir cetak sebelum beralih ke platform digital. Berdasarkan latar belakang tersebut, penelitian ini bertujuan untuk menganalisis (a) transformasi konsep dan strategi Annida pada masa akhir cetak, (b) manifestasi nilai-nilai moderatisme Islam dalam merespon isu-isu kontemporer yang dihadirkan pada dua cerpen Annida tahun 2000-an Afifah Si Sopir Angkot dan Kupu-Kupu Plastik. Metode penelitian ini bersifat kualitatif dalam bentuk kajian tekstual dengan menggunakan pendekatan sosiologi sastra Wellek-Warren. Hasil penelitian ini menunjukan bahwa Majalah Annida mengambil perannya dalam merespon isu-isu kontemporer di tahun 2000-an, baik domestik maupun internasional, dengan pendekatan sastra Islam yang luwes dan moderat. Hal tersebut terlihat dari perubahan yang terjadi pada tema-tema cerpen Annida di tahun-tahun sekitar itu. Para penulis Annida menggunakan cerpen sebagai strategi dalam merespon topik-topik aktual lewat penyisipan nilai-nilai moderatisme Islam baik pada aspek penokohan maupun alur cerita.
Co-Authors Agus Aris Munandar Asri Saraswati Aviandy, Mochamad Dwi Oktarina Febrianto, Diki Hilman, Lucia I Gusti Ayu Agung Mas Triadnyani Lena Sayati Liyanti, Lisda Lucia Hilman Nirmala Khairunnisa Budi nita puspita sari Retno Untari Rifa Nurafia Riyanti, Yuni Sagita, Dwi Mayang Sayati, Lena Suci Amalia Suzen Tobing Tambunan, S.M. Gietty Tjaraka, Ajeng Rahayu Tommy Christomy Turita Indah Setyani Turita Indah Setyani Untari, Retno Warsono, Sunu