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All Journal Ilmu dan Budaya Jurnal Kajian Bali Mozaik Humaniora Journal of Language and Literature MUDRA Jurnal Seni Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai Adabiyyat: Jurnal Bahasa dan Sastra JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JENTERA: Jurnal Kajian Sastra Metahumaniora Jurnal Onoma: Pendidikan, Bahasa, dan Sastra SULUK: Jurnal Bahasa, Sastra, dan Budaya Makara Human Behavior Studies in Asia
Lily Tjahjandari
Department Of Literature, Faculty Of Humanities, Universitas Indonesia
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Toleransi dalam Interdiskursus Teks Sastra dan Teks Non-Sastra Hilman, Lucia; Tjahjandari, Lily; Untari, Retno
Makara Human Behavior Studies in Asia Vol. 7, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Indonesian people as a nation consist of a variety of ethnic groups with differentiated culture as well as witch has been planted over such long periods by authorities, has finally exploded coming to the surface in form of various rioting. Should a more in-depth analysis be made then, the actual basic matter to bridge the problem in the existing tolerance for the differences within our multicultural society. An understanding of a certain related tolerance according to François Shanen is expressed in language. As such, literary works and other essays in newspaper with SARA as themes as well as the nation disintegration, forms the corpus of this investigation. From the analysis of the interdiscourse between literary and non-literary texts, it has been conclude that there exists a parallel of thought patterns offered by the literary and non-literary texts against the insight of tolerance in Indonesia, that is violence in the country as caused by there being no tolerance for that which is difference be in differing opinions as to religion, ethnicity or race. Such matter has brought forth the spread of deceptive hatred against religious, racial and certain ethic groups.
Hoax narrative construction in the social space of rumbuk randu village in the Mahfud Ikhwan’s novel of Dawuk kisah kelabu dari rumbuk randu (2017) Rifa Nurafia; Lily Tjahjandari
JOALL (Journal of Applied Linguistics and Literature) Vol. 7 No. 2: August 2022
Publisher : UNIB Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/joall.v7i2.21281

Abstract

Hoax becomes a social phenomenon that is formed and formed. This description causes hoaxes to operate in the social space. In the novel Dawuk Kisah Kelabu Dari Rumbuk Randu by Mahfud Ikhwan, hoaxes show that there is a structured effort that leads opinion to provocation. Rural social space becomes a possible field with many differences in capital in society. In this article will explore how hoax strategies in text narratives show rural social spaces that function to defend one's position. This study aims to show social space as a place for hoaxe’s formation. The method used is descriptive analysis method with the theory of Arena Pierre Bourdieu. The findings show that social space is used as a place of defense for a hoax-spreading agent named Warto Kemplung by using provocative language. The social space became the place where Warto Kemplung changed positions to influence the people in the village of Rumbuk Randu. The strategy with the latest topic language and the use of responsive language shows a picture of the production of oral speech as a language capital owned by Warto Kemplung. The existence of Warto Kemplung also shows the existence of village spaces and coffee shops as arenas in society as free fields anyone fill to maintain a position.
REPRESENTASI PEREMPUAN ERA ORDE BARU DALAM MUSIK ANAK POPULAR INDONESIA KARYA PAPA T. BOB Suci Amalia; Lily Tjahjandari
Metahumaniora Vol 13, No 1 (2023): METAHUMANIORA, APRIL 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v13i1.45899

Abstract

According to studies on popular children’s songs, songs can be a medium for forming a child’s mindset through reflection and memories contained in the lyrics and video clips of the songs. Popular children’s songs can also be used to spread gender ideology. Using Simone de Beauvoir’s gender approach and Julia Suryakusuma’s Ibuism Negara (National Motherism), this research demonstrates elements of gender inequality found in two songs by Papa T. Bob, namely Dudidudidam (video clip: Enno Lerian) and Papa Cinta Mama (video clip: Saskia and Savira), both created during the reign of the New Order. These elements combine to form the concept of family, which was developed during the New Order government. The results of this study’s analysis, using a descriptive qualitative approach and a read-see technique, lead to the domestication and objectification of women in the New Order era family concept attached to children in the lyrics and videos of popular children’s songs entitled Dudidudidam and Papa Cinta by Papa T. Bob.
Jakarta Toba Batak Subject Position in Toba Batak Mangongkal Holi Discourse: Laclau Discourse Analysis Suzen Tobing; Agus Aris Munandar; Lily Tjahjandari; Tommy Christomy
Mudra Jurnal Seni Budaya Vol 38 No 3 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i3.2328

Abstract

A secondary burial practice known as Mangongkal Holi originated in the Toba Batak people. For hundreds of years, the Toba Batak tribe has incorporated this ceremony completely. Mangongkal Holi, unlike other Indonesian burial customs that have been successful in attracting tourists like the Ngaben and Rambu Solo celebrations, is going through an existential crisis, as evidenced by the somewhat less intense manner in which it is currently being practiced. The purpose of this study is to examine how the discourse around the Mangongkal Holi rite contributes to the development of Toba Batak cultural identity. In-depth interviews with Toba Batak tribal members served as the source of the research's data, along with a literature review. This study uses Ernesto Laclau's insight analysis as its analytical framework. According to the findings, the Mangongkal Holi ritual was articulated into four nodal points: reverence for ancestors, indifference to other religions, prestige, and unity. Based on the subject position analysis, the individuals from Jakarta Toba Batak demonstrate that there is a contingency of identity for Jakarta Toba Batak in the Mangongkal Holi discourse brought on by the individual's involvement with traditional institutions. The Mangongkal Holi rite seeks to promote clan harmony among those Jakarta Toba Batak people who have a close relationship with adat. It is no longer relevant to the social reality of Jakarta, which stresses efficiency in all aspects of life, such as time and money efficiency, for Jakarta Toba Batak people who are far from the Mangongkal Holi ceremony.
Transformasi majalah Annida masa akhir cetak: nilai-nilai moderatisme Islam pada dua cerpen dekade 2000-an (tinjauan sosiologi sastra) Lena Sayati; Lily Tjahjandari
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 5 No. 2 (2023): September
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2023.5.2.131-153

Abstract

Majalah Annida merupakan majalah sastra yang banyak memuat cerpen-cerpen bernuansa Islam. Terbit antara 1991-2010, Annida banyak mengalami berbagai transformasi yang meliputi aspek tampilan maupun isi terutama pada masa-masa akhir cetak sebelum beralih ke platform digital. Berdasarkan latar belakang tersebut, penelitian ini bertujuan untuk menganalisis (a) transformasi konsep dan strategi Annida pada masa akhir cetak, (b) manifestasi nilai-nilai moderatisme Islam dalam merespon isu-isu kontemporer yang dihadirkan pada dua cerpen Annida tahun 2000-an Afifah Si Sopir Angkot dan Kupu-Kupu Plastik. Metode penelitian ini bersifat kualitatif dalam bentuk kajian tekstual dengan menggunakan pendekatan sosiologi sastra Wellek-Warren. Hasil penelitian ini menunjukan bahwa Majalah Annida mengambil perannya dalam merespon isu-isu kontemporer di tahun 2000-an, baik domestik maupun internasional, dengan pendekatan sastra Islam yang luwes dan moderat. Hal tersebut terlihat dari perubahan yang terjadi pada tema-tema cerpen Annida di tahun-tahun sekitar itu. Para penulis Annida menggunakan cerpen sebagai strategi dalam merespon topik-topik aktual lewat penyisipan nilai-nilai moderatisme Islam baik pada aspek penokohan maupun alur cerita.
REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM EKRANISASI NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS Febrianto, Diki; Tjahjandari, Lily
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 7 No 2 (2023)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2023.07022

Abstract

Violence against women through narratives and scenes becomes one of the interesting discussions, especially in the novel adapted into the film Seperti Dendam, Rindu Harus Dibayar Tuntas. This research aims to uncover the representation of violence against women in the adaptation process from novel to film. This research is qualitative with a descriptive method. The approach used in this research is to look at the narrative aspects of the novel, relationships, and correlations of violence against women. Violence against women in film uses the concepts of cinematography, vehicle transfer, and narrative, in building visuals of violence against women. The results of this study show the representation of violence against women through Iteung and Rona Merah. Iteung shows the relationship between her childhood and the formation of masculine character in adolescence. This also shows the ecranisation in the form of reduction in the film. Rona Merah provides an image as an object of sexual violence who experiences psychological disorders as a form of trauma in the past. New media other than film are the caricatures on the tailgate of a truck, which are closely related to the problems of men and women.
EKSPRESI KRITIK TERHADAP PENGUASA DALAM KUMPULAN CERPEN PILIHAN KOMPAS ERA ORDE BARU Nita Puspita Sari; Tjahjandari, Lily; Aviandy, Mochamad
Ilmu dan Budaya Vol. 45 No. 1 (2024): Vol. 45, No 1 (2024)
Publisher : Universitas Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47313/jidb.v45i1.3005

Abstract

Rezim Orde Baru di Indonesia berlangsung dari tahun 1966-1998 membawa dampak yang signifikan terhadap perjalanan sejarah bangsa Indonesia. Sistem pemerintahan yang otoriter, anti kritik, pembatasan kebebasan berpendapat, dan represi terhadap pers adalah watak dari Orde Baru. Kritik sangat dilarang terutama kritik terhadap para penguasa khususnya presiden. Namun fenomena tersebut tidak membuat gentar para sastrawan untuk kreatif dalam menyampaikan kritik melalui karya sastra. Tujuan penelitian ini mengungkapkan perjalanan sastra Indonesia dalam menyuarakan kritik pada masa Orde Baru khususnya yang tercermin dalam kumpulan cerpen Kado Istimewa cerpen pilihan Kompas tahun 1992. Analisis dilakukan pada dua cerpen yang berjudul “Kado Istimewa” karya Jujur Prananto dan “Mata yang Enak dipandang” karya Ahmad Tohari. Metode dalam penelitian ini yaitu metode analisis deskriptif dengan studi pustaka dan menggunakan teori sosiologi sastra Alan Swingewood. Hasil penelitian yaitu dalam kumpulan cerpen Kado Istimewa memuat kritik terhadap Orde Baru walaupun pada masa itu kritik terhadap pemerintah sangat dilarang. Kritik yang hadir berupa kritik terhadap otoritarianisme, kemiskinan, dan kesenjangan sosial yang disampaikan secara metaforis dan terselubung. Dalam penelitian ini juga memperlihatkan perjalanan sastra Indonesia dalam berkontribusi terhadap peristiwa-peristiwa besar di Indonesia. Salah satunya, peran sastra dalam menyampaikan kritik pada masa Orde Baru melalui ruang ekspresi yang aman dan turut andil dalam upaya memperjuangkan demokrasi di Indonesia. 
PEREMPUAN DALAM MASA REVOLUSI DALAM CERPEN S. RUKIAH: SEBUAH PEMBACAAN GINOKRITIK (Women during Revolution Time in S. Rukiah’s Short Story: A Gynocritical Reading) Oktarina, Dwi; Tjahjandari, Lily Tjahjandari; Warsono, Sunu
Kandai Vol 20, No 1 (2024): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v20i1.5945

Abstract

The revolutionary period is described as an important chapter in modern Indonesian history. At this time, self-awareness as an independent nation was formed within the Indonesian people. As one of the women writers during the revolutionary era, Rukiah’s thoughts made enthusiasm within the framework of liberating women. This research seeks to reveal Rukiah's position as a woman writer by using the women as a writer or ginocritic approach in the short stories "Mak Esah" and "Istri Prajurit" in Tandus (first published in 1952 and reprinted in 2017). The results of the study show that Rukiah gives a picture of reality in her works. Apart from that, he also gave a portraits of life during the revolutionary period by using a straightforward language as well as symbolic language. From the results of the ginocritical reading, it was revealed that Rukiah really upholds the spirit of change for women. However, he has not shown any effort to support women's condition to be free from male oppression. The depiction of female characters physically and mentally has not shown Rukiah's alignment with the view of freeing women from oppression.Masa-masa revolusi digambarkan sebagai satu babak penting dalam sejarah Indonesia modern. Pada masa ini, kesadaran diri sebagai bangsa yang merdeka terbentuk dalam diri rakyat Indonesia. Sebagai salah satu perempuan pengarang di era revolusi, Rukiah hadir membawa pemikiran dan semangat dalam kerangka memerdekakan perempuan. Penelitian ini berusaha mengungkap gambaran posisi Rukiah sebagai seorang perempuan pengarang dengan menggunakan pendekatan women as a writer atau ginokritik dalam cerpen “Mak Esah” dan “Istri Prajurit” yang termaktub dalam Tandus (terbit pertama pada 1952 dan dicetak ulang pada 2017). Hasil kajian menunjukkan bahwa Rukiah memberi gambaran realitas dalam karya-karyanya. Selain itu, ia juga menuangkan potret kehidupan pada masa-masa revolusi dengan menggunakan gaya bahasa lugas sekaligus juga bahasa simbol. Dari hasil pembacaan ginokritik terungkap bahwa Rukiah memang menjunjung tinggi semangat perubahan bagi kaum perempuan. Akan tetapi, ia belum menunjukkan upaya mendukung kondisi perempuan untuk terlepas dari opresi laki-laki. Penggambaran karakter tokoh perempuan secara fisik maupun batiniah belum menunjukkan keberpihakan Rukiah pada pandangan untuk membebaskan kaum perempuan dari ketertindasan.
Rekonsiliasi Keluarga dalam Cerita Rakyat Purbasari Ayu Wangi Atawa Lutung Kasarung (2008) dan Iklan Marjan 2020: Kajian Alih Wahana Riyanti, Yuni; Tjahjandari, Lily
JENTERA: Jurnal Kajian Sastra Vol 13, No 1 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v13i1.6648

Abstract

This study uses the folklore of Purbasari Ayu Wangi atawa Lutung Kasarung by Ajip Rosidi (2008) and its adaptation works in the form of an advertisement for Marjan's product which will be broadcast in 2020. It is interesting to study this work to see how a folktale undergoes multiple transformations and still experiences changes when used as a commercial tool in the form of advertisements on television today. This research examine how ride-hailing travels in two media, namely text and video advertisements. The method used in this study is a qualitative method  focuses on adaptation. Theories and concepts used in this study are A.J. Greimas' structural theory, the concepts of adaptation, folklore, and advertising media discourse. The purpose of this research is to find out the family reconciliation contained in both corpus. The results of the study show that changes in media result in ideological changes in the conflicts shown through video advertisements. The journey of conflict in Purbasari Ayu Wangi atawa Lutung Kasarung shows how the power of older siblings dominates younger siblings. Family reconciliation is shown by how women are weak and dependent on men. Meanwhile, in the advertisement for Marjan 2020, the character Purbasari is shown to have power over herself. The presence of a man, namely Lutung Kasarung, plays a role in helping family reconciliation, but Purbasari appears with her own strength in resolving internal family conflicts. This research helps show how re-direction can improve the position of women without changing the core story. AbstrakPenelitian ini menggunakan cerita rakyat Purbasari Ayu Wangi atawa Lutung Kasarung (2008) karya Ajip Rosidi dan karya adaptasinya berupa iklan produk Marjan yang tayang pada tahun 2020. Karya tersebut menarik diteliti untuk melihat sebuah cerita rakyat mengalami transformasi berkali-kali dan masih mengalami perubahan ketika dijadikan alat komersil dalam bentuk iklan di televisi pada masa kini. Penelitian ini mengkaji perjalanan alih wahana dalam dua media, yakni teks dan video iklan. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan alih wahana yang berfokus pada adaptasi. Teori yang digunakan dalam penelitian ini adalah teori struktural A.J. Greimas. Sementara itu, konsep yang digunakan berupa konsep adaptasi, folklor, dan wacana media iklan. Tujuan dari penelitian ini adalah untuk mengetahui rekonsiliasi keluarga yang terdapat dalam kedua korpus. Hasil penelitian ini menunjukkan bahwa perubahan wahana mengakibatkan perubahan ideologi dalam konflik yang ditampilkan melalui video iklan. Perjalanan konflik dalam Purbasari Ayu Wangi atawa Lutung Kasarung memperlihatkan kuasa kakak mendominasi adik, rekonsiliasi keluarga diperlihatkan perempuan sebagai sosok yang lemah dan bergantung kepada laki-laki. Sementara itu, dalam iklan Marjan 2020 tokoh Purbasari diperlihatkan mempunyai kuasa atas dirinya sendiri. Kehadiran laki-laki yakni Lutung Kasarung berperan membantu rekonsiliasi keluarga, tetapi Purbasari tampil dengan kekuatannya sendiri dalam menyelesaikan konflik internal keluarga. Penelitian ini membantu memperlihatkan alih wahana dapat membuat posisi perempuan menjadi lebih baik tanpa harus mengubah inti ceritanya.
Secularization of Serat Centhini in the Context of Creative Industries Tjahjandari, Lily; Setyani, Turita Indah
MOZAIK HUMANIORA Vol. 24 No. 2 (2024): MOZAIK HUMANIORA VOL. 24 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v24i2.53247

Abstract

Serat Centhini is one of the greatest literary works in New Javanese Literature, written around 1742 (Javanese Year) or 1814, containing a collection of various knowledge related to Javanese Culture. Serat Chentini’s greatness has been sought to be preserved to the present in the form of adaptations, both in the form of adaptations, both in the form of lyrical prose, novels and even into the 21st century, it has been translated into soap operas and television shows. Serat Centhini is considered a reference to the spirituality of Javanese society, namely Javanese Sufism. This article discusses the secularization of Serat Centhini in the process of transferring its vehicle to the musical performance art ‘Serat-serat Centhini’ by the Hip Hop music Group ‘Kill The DJ’ (2011) and the Dance ‘Centhini Gunung’ (2016) as a product of creative industry. Through this two adaptations, Serat Centhini is represented in the contemporary context that contains a tension between sexuality and spirituality. The research results show that there is a process of secularization of religious values in the transformation of the two texts over vehicles to support the creative industry context, so that things that refer to religious values appear profane.
Co-Authors Agus Aris Munandar Asri Saraswati Aviandy, Mochamad Dwi Oktarina Febrianto, Diki Hilman, Lucia I Gusti Ayu Agung Mas Triadnyani Lena Sayati Liyanti, Lisda Lucia Hilman Nirmala Khairunnisa Budi nita puspita sari Retno Untari Rifa Nurafia Riyanti, Yuni Sagita, Dwi Mayang Sayati, Lena Suci Amalia Suzen Tobing Tambunan, S.M. Gietty Tjaraka, Ajeng Rahayu Tommy Christomy Turita Indah Setyani Turita Indah Setyani Untari, Retno Warsono, Sunu