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All Journal Ultimart: Jurnal Komunikasi Visual Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Wimba: Jurnal Komunikasi Visual

Naomi Haswanto

Unknown Affiliation

Author-ID : 3592365

Arts Humanities Decision Sciences, Operations Research & Management Languange, Linguistic, Communication & Media Social Sciences Other

Published : 16 Documents Claim Missing Document

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Iluminasi sebagai Sistem Penyajian Konten Cetak (Studi Kasus Iluminasi Injil Abad Ke-15) Haris Mustafa; Alvanov Zpalanzani Mansoor; Naomi Haswanto
Wimba : Jurnal Komunikasi Visual Vol. 3 No. 1 (2011)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Illumination is visual decoration in form of coloured fonts, designed or illustrated page in print media. In middle age bibles or manuscripts, there are forms and type of illuminations that may applied as a system of content delivery in books. A framework of illumination design methodology may elaborated through content analysis on several illuminations in bibles and religious manuscripts. This research will enrich visual communication design study, especially typography and illustration study in developing an information system delivery based on visual elements.

Desain Emoticon dalam Komunikasi Interaktif Mahatma Putri; Alvanov Zpalanzani Mansoor; Naomi Haswanto
Wimba : Jurnal Komunikasi Visual Vol. 3 No. 1 (2011)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Internet becomes part of worldwide daily urban activities. Communication among people is intensified through various interfaces and media because of information technology convergence and the application of visual icons which represents emotion.The icons that represent emotions, expressions and feelings are titled emoticons. Emoticons are highly used in IT based communication gadgets such as portable PCs or cellulars. This paper develops and depicts the creation process, perception and cultural aspetcs that influenced the development of emoticon through visual communication design study theoretical and historical review.

Keberfungsian Desain Penanda Identitas Berhuruf Cina pada Restoran dan Cafe Di Bandung Elizabeth Susanti Gunawan; Naomi Haswanto; Dody Achmad
Wimba : Jurnal Komunikasi Visual Vol. 3 No. 1 (2011)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

After the revocation of prohibition of Chinese language usage in 2000 by President Abdurrahman Wahid, corporate's identity signs using Chinese letters are flourishing Indonesia. The appearances of identity sign using Chinese letters in the last 10 years is quite confusing considering not many people can read them. The function of identity signs to convey information for public are not fully achieved. Study about how the usage of Chinese letter as a foreign language in identity sign in Bandung with low level of interpretation but can create strong image with high rate of effectiveness and also about the philosophy of Chinese culture contained in the elements that formed identity sign such as name selection, logo shape, Chinese typography, and color, has not been written.This study assess the existence of restaurant's/cafe's identity sign located in Bandung, West Java. By analyzing the elements in Chinese letter identity sign, this study seeks to evaluate the legibility of Chinese letter identity signs. Knowing the exact level of effectiveness of a identity sign for the next design, designers can notice more the recipient background, so they can still functioning as identity sign and convey information about the existence of restaurants and cafes. In addition, this study tries to identify the elements of Chinese culture contained in the Chinese letter identity sign, by elaborating visual element analysis of identity signs, such as: the selection of names, colors, shapes, the usage of symbols in Chinese culture and font type. Chinese society is a society that its culture has evolved over thousands of years. Starting from the color in Chinese culture has its own significance, also typical objects in Chinese culture has profound meaning for the people. Some elements of Chinese culture can be felt so deeply in restaurant/cafe identity sign that is designed in Chinese letter.Chinese letter that serves as text to convey information becomes ineffective, because of its presence in Bandung, a city that the majority of communities can not speak Chinese. Therefore, Chinese characters used in identity signs in Bandung shift their function from text (logotype) to be ornaments (logogram) that give the feel and identity of Chinese. So text message is no longer the main thing to be said, but image is, as a primary goal to be conveyed.

Kajian Grafis Uang Logam Indonesia Periode Tahun 1951-2009 Puji Antari Rahayu; Naomi Haswanto; Alvanov Zpalanzani Mansoor
Wimba : Jurnal Komunikasi Visual Vol. 2 No. 1 (2010)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Mostly, coins are made from metals, because of their function as an exchange device in minor transaction. In addition to another function of coins, is their value as collectible items. Both sides of coins have been keeping a great story on it, but less people are notice about this tiny forgettable stuff. Focused on Indonesian Rupiah, sorts of cultural elements and wonder of Indonesian natures are showed up on most of these coins. Equals to an archive, they captured every government's movements in some social programs on its surface. This research is going to examine and lists every details of samples, consist of 72 coin emissions in time period 1951-2009 by learning them with content analysis method and visual analysis theory. In visual communication design study, this research is trying to know further about nation's history through the story of a coin.

Aksara Daerah dan Budaya Visual Nusantara sebagai Gagasan Perancangan Typeface (Font) Latin Naomi Haswanto
Wimba : Jurnal Komunikasi Visual Vol. 1 No. 2 (2009)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Indonesia adalah negara yang terdiri dari berbagai kebudayaan. Berbagai suku yang mempunyai bahasa dan adat istiadat yang beragam termasuk memiliki bahasa tulis "“ aksara daerah - dan budaya visual berlainan. Indonesia menerima pengaruh bahasa tulis secara bertahap dari bermacam-macam bangsa dan kebudayaan. Sekitar abad ke-15 Masehi bangsa Eropa membawa sistem tatacara baca tulis Latin seperti yang berkembang hingga kini. Indonesia adalah negara yang terdiri dari berbagai kebudayaan. Berbagai suku yang mempunyai bahasa dan adat istiadat yang beragam termasuk memiliki bahasa tulis "“ aksara daerah - dan budaya visual berlainan. Indonesia menerima pengaruh bahasa tulis secara bertahap dari bermacam-macam bangsa dan kebudayaan. Sekitar abad ke-15 Masehi bangsa Eropa membawa sistem tatacara baca tulis Latin seperti yang berkembang hingga kini.Dalam zaman percepatan teknologi ini, penciptaan desain-desain baru selalu diharapkan. Kekayaan aksara daerah maupun keberagaman budaya visual di Indonesia dapat menjadi ide untuk pembuatan font-font (typefaces) di dalam komputer. Seorang perancang huruf dapat menciptakan huruf-huruf latin yang berkarakter aksara daerah dan budaya visual Nusantara dengan menangkap karakter visual (elemen tradisional) daerah. Penciptaan font tersebut dapat dipergunakan untuk memperkaya bidang Desain Komunikasi Visual pada masa kini. Tulisan ini menampilkan beberapa eksperimen karya mahasiswa Tugas Akhir DKV-ITB. Dalam zaman percepatan teknologi ini, penciptaan desain-desain baru selalu diharapkan.

Adaptasi Karakter Aksara Batak Toba dalam Huruf Latin Njoo Dewi Candra Kertasari; Naomi Haswanto; Priyanto Sunarto
Wimba : Jurnal Komunikasi Visual Vol. 1 No. 2 (2009)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Aksara adalah salah satu warisan budaya tradisional yang perlu mendapat perhatian khusus. Hal ini dikarenakan secara fungsi, aksara sudah tidak lagi dipandang sebagai suatu kebutuhan media komunikasi dan tertindas oleh efektivitas huruf latin yang telah mewabah ke seluruh aspek komunikasi global. Hal ini dikhawatirkan akan menyebabkan punahnya aksara Nusantara. Kunci yang paling efektif untuk mengatasi kekhawatiran tersebut adalah melalui teknologi huruf. Dimana aksara tradisional dapat difungsikan sebagai sumber inspirasi typeface komputer tanpa menggeser efektivitas huruf latin.Perancangan desain typeface huruf latin dengan karakter Aksara Batak Toba ditempuh antara lain melalui proses penelitian konstruksi visual, anatomi huruf dan kajian elemen-elemen geometris terhadap huruf latin (Roman) dan aksara Batak Toba yang menghasilkan pola dasar desain huruf. Tujuan final seluruh proses penelitian adalah mewujudnyatakan karakter aksara Batak Toba (aksara silabik) ke dalam huruf latin (aksara fonetik) dalam bentuk font komputer yang fungsional.

Co-Authors Alvanov Z. Mansoor Avisenna E. Ramadhana Danang Febriyantoko Deddy Wahjudi Dody Achmad Elizabeth Susanti Gunawan Fenny Ng Gema Arifrahara Gita Winata Gun Gun Gunawan Haris Mustafa Harry Pujianto Yoswara Imam Santosa Mahatma Putri Mansoor, Alvanov Z. Mikha Widy Njoo Dewi Candra Kertasari Priyanto Sunarto Puji Antari Rahayu Rani Aryani Widjono Sarah Sofia S. Putri Sudjadi Tjipto Y. Martinus Pasaribu

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