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COMPARATIVE STUDY ON THE INTRINSIC ELEMENTS OF THE HOBBIT NOVEL AND MOVIE SCRIPT Winanda Ayu Ningtyas; Udayani Permanaludin; Dedi Sulaeman
CALL Vol 1, No 1 (2019): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v1i1.8805

This research analyzes the comparison of intrinsic elements in the novel and the movie script The Hobbit. this work tells about unexpected adventures. A long journey is one of man's biggest dreams. Break away from the comfort of life, explore the uncharted world, without a definite purpose and guarantee a safe return. This is what make decided them Bilbo, Gandalf, and thirteen Dwarves to meet Smaug, the giant dragon inhabiting the Silent Mountain. In this research, researchers used the Racmat Ddjoko Pradopo theory. Pradopo explained that structuralism is a structure with elements that are closer and every element that has meaning in relation to other elements. The researcher used the comparative method because the object under study was a comparative literary work. In analyzing the data, the researcher analyzed the quotes in the novel that were in accordance with the topic and also the theory used. This study aims to analyze the similarities and differences in intrinsic elements in the novels and scripts of the film The Hobbit. it can be seen that the intrinsic element plays an important role in building the story so that it is conveyed by the reader.Keywords: The Hobbit, Structuralism, Intrinsic Elements, Comparative Studies, Similarities and Differences.

Denotation of color in Trolls Movie by Mike Mitchell (a Semiotic Study Base on Roland Barthes) Ririn Kirana; Udayani Permanaludin
CALL Vol 2, No 2 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i2.9447

This journal concerns symbols in Trolls Movie by Mike Mitchell. This theme was chosen by the author because the author knows that denotation is examined in the science of signs known as semiotics. Semiotics is part of the study of literature, with symbols that can be anywhere and anytime included in a film. Most of all people watch movies as mere entertainment, without paying attention to other things that come from the show, such as denotation. Here, the author intends to explore how many color denotations in a film, because of their unlimited use. Based on the background of the problem above, the writer chose the film from Mike Mitchell, the Troll film to be analyzed as an object of research. There is one problem statement that the writer found. That is the question of color denotation in the film Troll. Of the three problem statements above, it will be analyzed using two-phase significance by Roland Barthes. By using this theory, denotation will emerge on its own.

The Kinds of Personality Disorders of The Main Character in Inside Out Movie Script Firman Nur Zaman; Udayani Permanaludin
CALL Vol 2, No 1 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i1.8763

Movie script is a narrative literary wok that has intrinsic elements in it, that the intrinsic elements are theme, setting, point of view, plot, moral value, and last but not least are character and characterization. Movie script that are visualized into movies are categorized as modern dramas. Nowdays, the movie is used as a medium of entertainment and as a medium for delivering messages. This research aims to find two things, that is the personality disorders experienced by the main character in “Inside Out” movie script by Pete Docter. In this research, the researcher uses Sigmun Freud’s psychoanalytic theory (1923), and assisted by other supporting theories. The result of the research found that there were eight types of personality disorders of ten types of personality disorders. This research uses DSM-V (2013) as a reference for discussion of personality disorders.Keywords: Personality Disorder, Main Character, Inside Out Movie, Riley, Author, Dialogue, Narration.

APPLICATION OF AN ADAPTATION APPROACH THROUGH NARRATIVE COMPARISONS IN THE NOVEL AND FILM TWILIGHT Hartati, Yolla Ajeng; Kustanti, Dewi; Permanaludin, Udayani
CALL Vol 6, No 1 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i1.24074

In the realm of fine arts, it is common for one form of art to draw inspiration from another, a process known as transformation. This research focuses on the film adaptation of literary works, examining the ecranization of novels into films and the use of adaptation theory to convert novel texts into visual films while preserving the essence of the novel as a hypogram. The study employs a qualitative descriptive method, utilizing close reading and close viewing techniques. It classifies the transformations using Pamusuk Eneste's ecranization (1991) approach and Seymour Chatman's interpretation theory (2018) of the change process in novels and films. The findings reveal that films often include additional stories to convey the setting more explicitly. Although various settings are altered, these changes are justified as it is often impractical to visually depict the atmosphere detailed in the novel. The introduction of new characters in the film aligns with the expanded plot, necessitating the inclusion of characters absent in the novel. Additionally, the visualization of characters in the film undergoes modifications, yet remains consistent with the novel's descriptions. Backgrounds are condensed to fit the film's plot, resulting in the omission of some novel locations in the film adaptation.Keyword: transformation, ecranization, novel, film, twilight

APPLICATION OF AN ADAPTATION APPROACH THROUGH NARRATIVE COMPARISONS IN THE NOVEL AND FILM TWILIGHT Hartati, Yolla Ajeng; Kustanti, Dewi; Permanaludin, Udayani
CALL Vol. 6 No. 1 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i1.24074

In the realm of fine arts, it is common for one form of art to draw inspiration from another, a process known as transformation. This research focuses on the film adaptation of literary works, examining the ecranization of novels into films and the use of adaptation theory to convert novel texts into visual films while preserving the essence of the novel as a hypogram. The study employs a qualitative descriptive method, utilizing close reading and close viewing techniques. It classifies the transformations using Pamusuk Eneste's ecranization (1991) approach and Seymour Chatman's interpretation theory (2018) of the change process in novels and films. The findings reveal that films often include additional stories to convey the setting more explicitly. Although various settings are altered, these changes are justified as it is often impractical to visually depict the atmosphere detailed in the novel. The introduction of new characters in the film aligns with the expanded plot, necessitating the inclusion of characters absent in the novel. Additionally, the visualization of characters in the film undergoes modifications, yet remains consistent with the novel's descriptions. Backgrounds are condensed to fit the film's plot, resulting in the omission of some novel locations in the film adaptation.Keyword: transformation, ecranization, novel, film, twilight

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