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All Journal Dialektika IZUMI JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Lingua: Jurnal Ilmiah Paradigma: Jurnal Kajian Budaya
Nina Alia Ariefa
Universitas Al-Azhar Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Women's Agency and the Shadow of Patriarchal Domination: Reflections on Kinokawa by Ariyoshi Sawako Ariefa, Nina Alia
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.179-192

Abstract

<p>Kinokawa (The River Ki) is Ariyoshi Sawako&#039;s first work, which is about three generations of Japanese women living in different eras. Ariyoshi&#039;s efforts in writing this novel are evident through the plot which tells the stories of women who lived during this period. Ariyoshi describes in detail the aspects of humanity affected by the rapid changes of the times. Like the seemingly calm Ki River that hides swirling currents underneath, this novel reveals the story of women who strive to cope with the dynamic changes of the times. In analysis, this study uses a feminist literary criticism approach, focusing on the stories of three female characters, Hana, Fumio, and Hanako. In addition to showing the gap between generations and is influenced by epochal changes toward Japan&#039;s new age, this study also reveals the dominant representation of women&#039;s agency. Through this novel, Ariyoshi exposes the demands that others and Japanese women place on themselves and reveals their strength. With a strong yet calm voice, Ariyoshi develops vivid female characters that make their mark in a world dominated by men.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
TELAAH BIAS GENDER DALAM BUKU CERITA ANAK INDONESIA Ariefa, Nina Alia
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 12 No. 2 (2025)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v12i2.45609

Abstract

Buku cerita berperan penting bagi perkembangan anak, karena anak dapat memperoleh beragam pengetahuan serta perspektif dalam membangun persepsi mereka tentang diri dan dunia di sekelilingnya. Selain itu, cerita dan dongeng menjadi medium yang signifikan bagi anak untuk belajar tentang nilai-nilai dan kepercayaan dalam budaya melalui pesan yang terkandung di dalamnya, termasuk pesan-pesan yang terungkap melalui representasi gender. Namun, bahan bacaan anak ini tidak jarang mencerminkan bias gender. Masih banyaknya cerita anak yang meneguhkan stereotip gender berbasis ideologi patriarki membatasi kebebasan anak dalam mengekspresikan diri, sehingga menjadi persoalan yang tidak dapat diabaikan. Melalui metode kualitatif deskriptif, penelitian ini bertujuan untuk mengungkap representasi gender dalam kumpulan bahan bacaan literasi anak yang diterbitkan oleh Badan Bahasa Kemendikbudristek, sekaligus memberikan rekomendasi tentang perlunya pengembangan bahan bacaan bagi anak oleh pemerintah yang tidak hanya bermanfaat untuk menumbuhkembangkan kemampuan literasi dasar anak, namun juga bacaan yang kondusif bagi pengembangan kepribadian anak demi terwujudnya kesetaraan gender di Indonesia. Hasil penelitian menunjukkan bahwa representasi gender tokoh-tokoh anak di dalam kumpulan bahan bacaan anak ini menunjukkan potensi konstruksi gender yang tidak berorientasi pada gender normatif. Namun di sisi lain, identitas dan peran gender tradisional yang memproyeksikan praktik bias gender tetap terlihat dan berjejak melalui penggambaran tokoh-tokoh dewasanya. 
Denah Rumah sebagai Simbol Konflik dan Relasi Kuasa dalam Novel Teka-teki Rumah Aneh (Henna Ie) Hesarianti, Alamanda; Ariefa, Nina Alia
JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Vol 11, No 1 (2026): Maret 2026
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/sh.v11i1.5470

Abstract

This study examines the representation of family conflict in Teka-teki Rumah Aneh (Henna Ie) by Uketsu. Unlike previous studies that emphasize psychological conflict, this research focuses on how conflict is constructed as a generational power relation and materialized through domestic spatial configuration. The study aims to analyze how power operates within parent–child relations by integrating the sociology of literature, symbol theory and spatial studies. This research employs a Qualitative Textual Analysis of Narrative Descriptions, spatial configurations, and genealogical discourse in the novel. The findings reveal that family conflict is not primarily expressed through explicit dialogue, but through structural mechanisms such as spatial isolation, control of visibility, genealogical exclusion, and succession pressure. The house plan functions as an ideological device that regulates mobility, determines visibility, and reproduces generational hierarchy. Elements such as windowless rooms, concealed spaces, and inherited architectural design demonstrate how domestic space operates as a medium of control and exclusion. The novelty of this study lies in conceptualizing domestic space as a narrative mechanism that materializes structural family conflict. Theoretically, this study proposes the notion of “spatialized generational power relations,” highlighting how architecture in contemporary Japanese literature serves as a site where traditional genealogical norms and individual autonomy are continuously negotiated.Keywords - Domestic Space, Family Conflict, Generational Power Relations, Ie System, Spatial Narrative.
Edo Period Masculinity In Sugawara Denju Tenarai Kagami (1746) Ariefa, Nina Alia
IZUMI Vol 12, No 1 (2023)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.12.1.22-32

Abstract

As part of cultural documentation, literary works have the ability to record the conditions of the times and society in a nation, including gender issues as values that are built, emphasized, and disseminated in the community. As a period characterized by feudal society under the leadership of the Tokugawa clan, the Edo period (1603-1868) is known as the golden age of the development of traditional Japanese culture. Through a study of the play Sugawara Denju Tenarai Kagami (1746) which is one of the masterpieces of the Edo period, this study reveals the representation of masculinity that shows a hierarchical social construction between men and women. The method used in this study is a qualitative analysis through a gender approach from Wharton (2005) and Lindsey (2016), as well as a feminist criticism approach from Tyson (2015). The construction of masculinity in this play highlights the depiction of men as knights, which are associated with courage, loyalty, integrity, toughness and self-respect. In addition, the concept of masculinity is depicted as strongly tied to the determination of hierarchical and patriarchal social structures, as well as being a reflection of the gender ideology of the Edo period which puts the superiority of men as the central figure in socio-cultural life. The depiction of male qualities and characters that outperform female characters in this text shows the text’s strategy in strengthening the patriarchal paradigm, and clearly shows the function of this text as a locus for strengthening the implementation of patriarchy in the Edo period. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
Co-Authors Andhika Pratiwi Bembi Mulia Ramadhani Budianta, Melani Bustanuddin Lubis Cut Novita Srikandi, Cut Novita Hapsarani, Dhita Hesarianti, Alamanda Mutiawanthi Mutiawanthi Wawat Rahwati Yusy Widarahesty