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CRITIQUING THE DISCOURSE ON WOMEN IN THE EDO ERA: INTERTEXTUAL STUDIES OF ARIYOSHI’S HANAOKA SEISHŪ NO TSUMA Ariefa, Nina Alia; Budianta, Melani; Hapsarani, Dhita
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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Abstract

Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and power will be used to expose the patterns that make up the discourse on women. The article concludes that HSNT opens up various social and cultural issues in the Edo era related to women’s experience as a critique of the controlling discourse on women in the Edo period.
Women's Agency and the Shadow of Patriarchal Domination: Reflections on Kinokawa by Ariyoshi Sawako Ariefa, Nina Alia
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.179-192

Abstract

Kinokawa (The River Ki) is Ariyoshi Sawako's first work, which is about three generations of Japanese women living in different eras. Ariyoshi's efforts in writing this novel are evident through the plot which tells the stories of women who lived during this period. Ariyoshi describes in detail the aspects of humanity affected by the rapid changes of the times. Like the seemingly calm Ki River that hides swirling currents underneath, this novel reveals the story of women who strive to cope with the dynamic changes of the times. In analysis, this study uses a feminist literary criticism approach, focusing on the stories of three female characters, Hana, Fumio, and Hanako. In addition to showing the gap between generations and is influenced by epochal changes toward Japan's new age, this study also reveals the dominant representation of women's agency. Through this novel, Ariyoshi exposes the demands that others and Japanese women place on themselves and reveals their strength. With a strong yet calm voice, Ariyoshi develops vivid female characters that make their mark in a world dominated by men.
TELAAH BIAS GENDER DALAM BUKU CERITA ANAK INDONESIA Ariefa, Nina Alia
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 12 No. 2 (2025)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v12i2.45609

Abstract

Buku cerita berperan penting bagi perkembangan anak, karena anak dapat memperoleh beragam pengetahuan serta perspektif dalam membangun persepsi mereka tentang diri dan dunia di sekelilingnya. Selain itu, cerita dan dongeng menjadi medium yang signifikan bagi anak untuk belajar tentang nilai-nilai dan kepercayaan dalam budaya melalui pesan yang terkandung di dalamnya, termasuk pesan-pesan yang terungkap melalui representasi gender. Namun, bahan bacaan anak ini tidak jarang mencerminkan bias gender. Masih banyaknya cerita anak yang meneguhkan stereotip gender berbasis ideologi patriarki membatasi kebebasan anak dalam mengekspresikan diri, sehingga menjadi persoalan yang tidak dapat diabaikan. Melalui metode kualitatif deskriptif, penelitian ini bertujuan untuk mengungkap representasi gender dalam kumpulan bahan bacaan literasi anak yang diterbitkan oleh Badan Bahasa Kemendikbudristek, sekaligus memberikan rekomendasi tentang perlunya pengembangan bahan bacaan bagi anak oleh pemerintah yang tidak hanya bermanfaat untuk menumbuhkembangkan kemampuan literasi dasar anak, namun juga bacaan yang kondusif bagi pengembangan kepribadian anak demi terwujudnya kesetaraan gender di Indonesia. Hasil penelitian menunjukkan bahwa representasi gender tokoh-tokoh anak di dalam kumpulan bahan bacaan anak ini menunjukkan potensi konstruksi gender yang tidak berorientasi pada gender normatif. Namun di sisi lain, identitas dan peran gender tradisional yang memproyeksikan praktik bias gender tetap terlihat dan berjejak melalui penggambaran tokoh-tokoh dewasanya. 
The Strength of Natural Disaster Local Wisdom in Indonesian and Japanese with Story Telling Approach Wardyaningrum, Damayanti; Ariefa, Nina Alia
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): InPress
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4961

Abstract

Indonesia and Japan are two countries that have things in common especially form natural disaster vulnerability and tsunami. There are various efforts conducted by government of both countries to mitigate disaster risk. People of Indonesia and Japan who live in a prone disaster area still own a sense of local wisdom by believing in myths concerning natural disaster. The purpose of this research is to identify myths in local wisdom regarding earthquacke and tsunami in Indonesia and Japan throught the six elements approach from storytelling concepts, namely: emotion, plot, structure, hero, villain and conflict. The research method use qualitative approach with text analysis to a number of sources and supported by interviews. Result shows that the myths believed by Indonesian is related to background of tsunami that happened because of the mystical life underwater ruled by the legend Ratu Kidul. While for Japanese, they believe that the cat fish called Namazu was the reason behind earthquake. The local wisdom has meaning in regards with the history of massive natural disaster event, the ability of local people in reading nature’s signs, alertness toward nature’s bigger power, the effort for asking God’s guidance and tradition in building group power within local society.Keywords - Indonesia, Japan, Local Wisdom, Natural Disaster, Storytelling.