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All Journal IZUMI JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Lingua: Jurnal Ilmiah Paradigma: Jurnal Kajian Budaya
Nina Alia Ariefa
Universitas Al-Azhar Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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CRITIQUING THE DISCOURSE ON WOMEN IN THE EDO ERA: INTERTEXTUAL STUDIES OF ARIYOSHI’S HANAOKA SEISHŪ NO TSUMA Ariefa, Nina Alia; Budianta, Melani; Hapsarani, Dhita
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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Abstract

Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and power will be used to expose the patterns that make up the discourse on women. The article concludes that HSNT opens up various social and cultural issues in the Edo era related to women’s experience as a critique of the controlling discourse on women in the Edo period.
Women's Agency and the Shadow of Patriarchal Domination: Reflections on Kinokawa by Ariyoshi Sawako Ariefa, Nina Alia
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.179-192

Abstract

Kinokawa (The River Ki) is Ariyoshi Sawako's first work, which is about three generations of Japanese women living in different eras. Ariyoshi's efforts in writing this novel are evident through the plot which tells the stories of women who lived during this period. Ariyoshi describes in detail the aspects of humanity affected by the rapid changes of the times. Like the seemingly calm Ki River that hides swirling currents underneath, this novel reveals the story of women who strive to cope with the dynamic changes of the times. In analysis, this study uses a feminist literary criticism approach, focusing on the stories of three female characters, Hana, Fumio, and Hanako. In addition to showing the gap between generations and is influenced by epochal changes toward Japan's new age, this study also reveals the dominant representation of women's agency. Through this novel, Ariyoshi exposes the demands that others and Japanese women place on themselves and reveals their strength. With a strong yet calm voice, Ariyoshi develops vivid female characters that make their mark in a world dominated by men.
Co-Authors Andhika Pratiwi Bembi Mulia Ramadhani Budianta, Melani Bustanuddin Lubis Cut Novita Srikandi, Cut Novita Hapsarani, Dhita Mutiawanthi Mutiawanthi Wawat Rahwati Yusy Widarahesty