Article Per Year (5 Year)
p-Index From 2021 - 2026
0.562
P-Index
This Author published in this journals
All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Filsafat Jurnal Ilmu Sosial dan Ilmu Politik JURNAL SOSIOLOGI JSW (Jurnal Sosiologi Walisongo) k@ta Masyarakat: Jurnal Sosiologi Jurnal Sosiologi USK (Media Pemikiran & Aplikasi)
Oki Rahadianto Sutopo
Derajad W. Widhyharto
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 20 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 20 Documents
Search

 1   2 
Young Jazz Musicians and Negotiation of Public Space in Yogyakarta Indonesia Sutopo, Oki Rahadianto
Komunitas Vol 9, No 2 (2017): September 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i2.10060

Abstract

Using Bourdieusian approach, this article explores the reflexive strategies of young jazz musicians in order to develop their musical practices in a contemporary urban context of Yogyakarta, a city of culture and activism in Indonesia. In detail, the reflexive strategy (Sweetman 2003; Threadgold Nilan 2009) will be explained as the manifestation of struggle in the field of cultural production (Bourdieu 1993). As an implication, young jazz musicians have to negotiate their musical practices with the reproduction of doxa and the representation of dominant agents in the jazz music field including the availability of public spaces in contemporary Yogyakarta. The resistance towards doxa will be explained based on the local narratives of the Yogyakarta jazz community as a mixture of the local and the trans-local scene (Bennett Peterson 2004). Furthermore, the reflexive strategy will be analysed through the lens of the youth culture perspective specifically as a manifestation of a mixture between post-subculture (Bennett 1999) and subculture (Blackman 2005). In their everyday musical practices, young jazz musicians produce their musical practices fluidly and flexibly as a lifestyle distinction as well as a form of everyday life resistance. In summary, this article shows the complexity of the musical processes of young jazz musicians in contemporary urban space of Yogyakarta, Indonesia.
Pengetahuan dan Relasi Kuasa Global Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 16, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Transformasi Jazz Yogyakarta: Dari Hibriditas menjadi Komoditas Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 17, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article tries to show the transformation of jazz music as a cultural product in Yogyakarta. This transformation is, according to Baumann, fluid, contradictory, and ambivalent. In the origin, this music became a symbol of resistance by the lower class, whereas in Indonesia jazz became the upper middle class consumption. However, in its development, some jazz musicians try to restore the original meaning by combining local elements and bring a hybrid genre of jazz, although this was not last long. The traditional elements can not survive to bring the spirit of resistance because this new genre of jazz eventually entered the music industry as a pop culture. Local elements in the end are commodified. The impact is then the reduction of the meaning of jazz and locality itself.
Beragam Islam, Beragam Ekspresi: Islam Indonesia dalam Praktik Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 15, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Hidup adalah Perjuangan: Strategi Pemuda Yogyakarta dalam Transisi dari Dunia Pendidikan ke Dunia Kerja Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 18, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article shows the experiences of six young people from Yogyakarta who struggle in the process of school to work transition. These young people creatively implemented long term strategy both inside and outside the field of education They accumulate various kind of capitals so that it can be converted in the future. All of the informants are from middle class background. The result shows they still get benefits from strategies and capital that they had previously created. As a young people from middle class background, they are optimist that they can reach their dream jobs in the future as long as they work hard, creative and struggle hard. The finding of this research supports the qualitative aspect to previous study made by Nilan (2012) Theoretically, it shows the compatibility between concept of long term strategy by Jones (2009), economic, social and cultural capital by Bourdieu (1998) and zigzag journeys by Nilan, Julian, and Germov (2007) as analytical concepts to understand youth transition in Indonesia.
Menjembatani Perspektif Budaya dan Perspektif Transisi dalam Kajian Kepemudaan Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 22, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Rasisme dan Marginalisasi dalam Sejarah Sosiologi Amerika Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 21, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Praktik Pertunjukan Musik Mandiri dalam Skena Metal Ekstrem Sutopo, Oki Rahadianto; Lukisworo, Agustinus Aryo
Resital: Jurnal Seni Pertunjukan Vol 24, No 2 (2023): Agustus 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v24i2.8328

Abstract

Independent Performance Practice in Extreme Metal Scene. Music performance, including extreme metal, is an integral part of music-based youth groups’ socio-cultural practices. The practice and meaning construction of music performance could not be considered as stagnant, but dynamic in its relationship with surrounding objective structure. In order to understand the meaning construction upon music performance, specifically within the extreme metal scene, this research focuses on the dynamics of independent music performance practice in Yogyakarta in the contemporary neoliberal era. This research was based on re-interpretation of ethnographic qualitative data. Yet, several challenges upon research data re-interpretation had been overcome by the insider status of the second author, and also triangulation interview with previously involved-informant. According to the re-interpretation of qualitative data, it can be argued that independent music performance is the reflection of the youth’s culture-based negotiations against the dominant discourse of commercial space by mainstream cultural industries as well as limited space of expression in the urban landscapes. This kind social networks-based of music performance, ranging from local to trans-local scene and constant experimentations of the scene habitus, show the manifestation of symbolic resistance. In this case, the symbolic resistance is not only based on social class, but also as a manifestation of spatial marginality. Thus, the independent music performance in this research can be a good example in order to keep the values of music idealism in the present and in the future.Pertunjukan musik merupakan bagian yang tidak terpisahkan dari praktik sosio-kultural kelompok budaya kaum muda berbasis musik, termasuk metal ekstrem. Adapun praktik dan pemaknaan terhadap pertunjukan musik bukan merupakan suatu hal yang stagnan, namun senantiasa bergulir secara dinamis dalam relasi dengan struktur objektif yang melingkupinya. Guna membangun pemahaman atas praktik dan pemaknaan terhadap pertunjukan musik, khususnya dalam skena metal ekstrem, artikel ini membahas dinamika praktik pertunjukan musik mandiri di Yogyakarta pada era neoliberal kontemporer. Artikel ini disusun melalui proses re-interpretasi atas data yang diperoleh dengan metode kualitatif etnografi. Beberapa tantangan atas re-interpretasi data penelitian dapat teratasi dengan posisi salah satu penulis sebagai insider dalam skena metal ekstrem serta melalui triangulasi dengan salah satu informan yang sudah terlibat dalam wawancara sebelumnya. Berdasarkan hasil re-interpretasi tersebut, dinamika pertunjukan musik mandiri merefleksikan bagaimana praktik negosiasi berbasis budaya kaum muda terhadap dominasi pewacanaan ruang komersial oleh industri budaya mainstream sekaligus keterbatasan ruang berekspresi dalam landscape perkotaan. Praktik pertunjukan musik mandiri yang mendasarkan pada jaringan sosial dari level lokal hingga trans-lokal dan eksperimentasi atas habitus skena secara berkelanjutan ini merupakan manifestasi perlawanan simbolik. Dalam hal ini, perlawanan tersebut tidak hanya berbasis kelas sosial namun juga merupakan manifestasi peminggiran berbasis ruang. Praktik pertunjukan musik mandiri ini dapat menjadi exemplar yang baik guna menjaga nilai-nilai idealisme bermusik tetap hidup di masa sekarang maupun di masa depan.
Public Diplomacy Activities of Korean Cultural Center in Contemporary Theory Perspective Chung, Ji Tae; Faruk, Faruk; Sutopo, Oki Rahadianto
k@ta: A Biannual Publication on the Study of Language and Literature Vol. 25 No. 00: SPECIAL EDITION, MARCH 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.00.42-48

Abstract

This paper focuses on activities of Korean Cultural Center Indonesia (KCCI) through the analysis of Korean government policies regarding public diplomacy by Ministry of Foreign Affairs (MOFA). KCC is affiliated organization under the Korean Culture and Information Service (KOCIS) under Ministry of Culture, Sports and Tourism (MCST). KCC is established in foreign countries to spread Korean culture and enhance national image through political communication with public. Since the beginning, KCCI has shown contradictory tendencies. On one hand, their mission is to show Korea's strength, but on the other hand, they organize cultural exchange programs that imply equality between the Korean side and its partners. By using a public diplomacy 3.0 theory which is based on cosmopolitanism to evaluate KCCI’s practices, this paper finds that practice of public diplomacy by KCCI is still consisted within public diplomacy 2.0 which is focus on enhancement of national image and creation of a favorable diplomatic environment due to holding hegemony in global soft power competition.
Problematika Regenerasi dalam Praktik Budaya Tenun Lokal di Sejatidesa Yogyakarta Sutopo, Oki Rahadianto; Astuti, Eka Zuni Lusi; Kuslarassakti, Magdalena Putri; Nurrizky, Arya Malik; Satriani, Rina; DwiPrakoso, Anindityo
Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) Vol 17, No 2 (2023)
Publisher : Sociology Department Of Syiah Kuala University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jsu.v17i2.33490

Abstract

Sejatidesa merupakan salah satu sentra usaha budaya tenun lokal ATBM di Yogyakarta yang dihadapkan pada berbagai tantangan menghadapi perubahan sosial dan generasi. Salah satu tantangan tersebut adalah regenerasi penenun muda. Perbedaan sejarah, pengalaman, maupun akses terhadap pekerjaan dan informasi serta infiltrasi teknologi digital merubah pemaknaan subjektif dan aktualisasi generasi muda terhadap budaya tenun warisan generasi pendahulu. Artikel ini berupaya mengelaborasi realitas regenerasi penenun di Sejatidesa dan bagaimana diskursus generasi sosial hadir padapraktik budayatenun dalam dinamika sosial kehidupan di era kontemporer. Perspektif generasi digunakan sebagai alat analisa untuk menginterpretasikan konteks yang dihadapi dan pemaknaan subjektif oleh generasi penenun dan generasi muda di Sejatidesa. Metode kualitatif digunakan dalam penelitian ini dan secara spesifikdata dikumpulkan melalui observasi, FGD serta wawancara mendalam dengan penenun, pemuda dan warga sekitar. Hasil penelitian menyimpulkan bahwa konteks sosial budaya tenun di Sejatidesa berhubungan erat dengan perubahan sosial dan perkembangan teknologi digital. Aktualitas pada masing-masing generasi penenun dan generasi muda bertemu menjadi jembatan antar generasi dan antara aspek tradisional dengan modern yang relevan untuk survive dalam era kontemporer. Dengan kata lain, untuk melestarikan praktik budaya tenun dengan cara yang baru. .
Co-Authors Chung, Ji Tae DwiPrakoso, Anindityo Eka Zuni Lusi Astuti faruk faruk Kuslarassakti, Magdalena Putri Lukisworo, Agustinus Aryo Meiji, Nanda Harda Pratama Nurrizky, Arya Malik Satriani, Rina Utomo, Hartmantyo Pradigto