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All Journal Jurnal Senirupa Warna (JSRW) International Journal of Engagement and Empowerment (IJE2) V-art: Journal of Fine Art Aurelia: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa
Nugroho Heri Cahyono
Universitas Sarjanaiyata Tamansiswa
Arts Humanities Computer Science & IT Education Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Perang Diponegoro Sebagai Sumber Ide Penciptaan Karya Seni Lukis Widiyanto, Imam Juni; Susanto, Dwi; Cahyono, Nugroho Heri
CILPA Vol 9 No 2 (2024): July
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v9i2.16531

Abstract

ABSTRAK Kisah perang seringkali mencerminkan nilai, moral, aspek kemanusiaan, krisis, kematian, keterasingan, romantisme, dan beragam aspek kehidupan lainnya. Perang Diponegoro adalah cerita menarik dan tragis yang menyimpan sejumlah nilai moral yang dapat dipetik. Tujuan dari penelitian ini adalah untuk memvisualkan penggalan cerita Perang Diponegoro menjadi sebuah karya seni lukis yang mampu merepresentasikan pesan moral yang ada dalam kisah tersebut. Dalam proses penciptaan karya seni lukis ini, digunakan metode Practice Based Research yang dikombinasikan dengan metode Eksplorasi, Perancangan, dan Perwujudan. Eksplorasi pada penciptaan karya seni ini meliputi eksplorasi ide, konsep, visual, media, teknik serta eksplorasi estetik, dengan mengkaji historiografi Perang Diponegoro. Hasil penelitian ini menghasilkan karya seni lukis yang merepresentasikan penggalan kisah Perang Diponegoro dengan berbagai trik dan intriknya serta nilai moral yang melingkupinya.  Nilai kesejarahan tersebut akan diidentifikasi dengan heroisme tokoh utama dalam alur sejarahnya. Sejarah tersebut diinterpretasikan kembali, sehingga memiliki kompleksitas makna. Melalui karya seni lukis ini, diharapkan pesan moral dan kerumitan kisah Perang Diponegoro dapat terpancar dengan kuat dan menginspirasi.Top of Form ABSTRACT War stories often reflect values, morals, humanitarian aspects, crisis, death, alienation, romance, and many other aspects of life. The Diponegoro War is an interesting and tragic story that holds a number of moral values that can be learned. The purpose of this research is to visualize a fragment of the Diponegoro War story into a painting that is able to represent the moral message in the story. In the process of creating this painting, the Practice Based Research method is used in combination with the Exploration, Design, and Realization methods. Exploration in the creation of this artwork includes exploration of ideas, concepts, visuals, media, techniques and aesthetic exploration, by examining the historiography of Diponegoro War. The result of this research is a painting that represents a fragment of the Diponegoro War story with its various tricks and intrigues as well as the moral values that surround it.  The historical value will be identified with the heroism of the main character in the historical flow. The history is reinterpreted, so that it has a complexity of meaning. Through this painting, it is hoped that the moral message and complexity of the Diponegoro War story can emerge strongly and inspiringly.
Analisis Makna Filosofi Ragam Hias Rumah Adat Balla Lompoa Gowa Sulawesi Selatan Andi Muh Raihan s; Cahyono, Nugroho Heri
CILPA Vol 10 No 1 (2025): January
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v10i1.17915

Abstract

Abstrak   Rumah Adat Balla Lompoa merupakan salah satu rumah adat yang antik, unik, dan bersejarah di Goa, Sulawesi Selatan. Kekhasan Rumah Adat Balla Lompoa ini terletak pada bangunannya yaitu elemen pada Rumah Adat Balla Lompoa yang memiliki nilai estetik dan makna filosofi. Penelitian ini bertujuan untuk mendeskripsikan bagaimana makna flosofi interior yang terdapat pada Rumah Adat Balla Lompoa. Penelitian ini merupakan penelitian kualitatif dengan pendekatan deskriptif. Subjek penelitian ialah ragam hias Rumah Adat Balla Lompoa. Objek penelitian ini adalah unsur-unsur motif dan makna filosofis ragam hias Rumah Adat Balla Lompoa. Teknik pengumpulan data penelitian ini ialah observasi, wawancara, dan dokumentasi. Teknik analisis data menggunakan pengumpulan data, mengklasifikasi data, menelaah data, dan menarik kesimpulan. Hasil penelitian ini menunjukkan bahwa: 1) Rumah adat Balla Lompoa adalah jenis rumah panggung yang terdiri atas tiga bagian. Bagian pertama disebut ulu balla’ yang letaknya paling atas, meliputi atap dan loteng. Bagian kedua disebut kale balla’ yaitu suatu ruangan yang ditempati oleh pemilik rumah dan keluarganya dan bagian ketiga disebut siring (kolong rumah) yang letaknya paling bawah; 2) Ciri khas ragam hias rumah adat Balla Lompoa paling menonjol yaitu ulu tedong dan juga besarnya rumah adat tersebut, itulah yang di sebutkan rumah adat Balla Lompoa yang artinya rumah besar; 3) Ragam hias Bugis Gowa merupakan salah satu bentuk manifestasi semangat dan cita rasa estetika yang berkembang pada masyarakat Bugis Gowa. Masyarakatnya dikenal sebagai masyarakat pejuang yang menyukai jiwa petualang, pemberani, setia, dan keras. Hal ini secara tidak langsung ikut terbawa pada karya-karya ragam hias yang diciptakan. Abstract Balla Lompoa Traditional House is one of the antique, unique and historic traditional houses in Goa, South Sulawesi. The materials in this mosque are mostly wood. The uniqueness of the Balla Lompoa Customary House in the building is that the elements of the Balla Lompoa Customary House have aesthetic value and philosophical meaning. This research aims to describe how the meaning of interior philosophy contained in the Balla Lompoa Traditional House. This research is a qualitative research with descriptive approach. The subject of the research is the decoration of Balla Lompoa Traditional House. The object of this research is the motif elements and philosophical meaning of the Balla Lompoa Traditional House decoration. The data collection techniques were observation, interview, and documentation. The data analysis technique uses data collection, classifying data, analyzing data, and drawing conclusions. The results of this study indicate that: 1) Balla Lompoa traditional house is a type of stilt house consisting of three parts. The first part is called ulu balla' which is located at the top, including the roof and attic. The second part is called kale balla' which is a room occupied by the owner of the house and his family and the third part is called siring (under the house) which is located at the bottom; 2) The most prominent characteristic of the Balla Lompoa traditional house decoration is the ulu tedong and also the size of the traditional house, which is called the Balla Lompoa traditional house which means a big house; 3) The Bugis Gowa ornamental variety is a manifestation of the spirit and aesthetic taste that developed in the Bugis Gowa community. The community is known as a warrior community that likes adventurous, brave, loyal, and hard. This is indirectly carried over to the ornamental works created.
Buah Manggis Sebagai Ide Penciptaan Karya Batik Khas Hargotirto Hidayat, Erjuyn Yayan; Sugiyamin, sugiyamin; Cahyono, Nugroho Heri; Triyono
CILPA Vol 10 No 2 (2025): July
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v10i2.20322

Abstract

Abstrak Penelitian ini bertujuan mengeksplorasi buah manggis sebagai sumber penciptaan karya seni batik tulis sekaligus mengenalkan identitas khas Hargotirto Kulon Progo melalui karya batik tulis, mengenalkan potensi buah manggis sebagai komoditas buah lokal, dan mendorong kecintaan masyarakat pada batik tulis. Metode penciptaan ini meliputi eksplorasi, perancangan dan perwujudan, Tahapan penciptaan karya seni diawali dengan eksplorasi berupa penggalian ide, pengumpulan data pengamatan, karakteristik buah manggis sebagai motif utama, aneka ragam hias pada pohon manggis sebagai motif pendukung dilanjukan pembuatan sketsa dan pembuatan desain. Perwujudan berupa pembuatan kain batik pencantingan, pewarnaan dan pelepasan malam kemudian dilanjut dengan proses pembuatan sandang. Hasil dari penelitian ini yaitu Memunculkan identitas potensi Kalurahan Hargotirto, Kokap, Kulon Progo yang selama ini belum diolah, melalui karya seni batik dengan motif buah manggis; Menyampaikan pesan bahwa buah manggis sebagai komoditas buah tahunan melalui karya batik tulis yang dibuat; Mampu menciptakan hal baru terutama di dunia kriya batik di Kalurahan Hargotirto dengan menciptakan Tujuh karya batik tulis tema buah manggis berjuduh Kesinambungan, Abyakta, ADEM (Aman, Damai, Elok, Madani), Aditya Yoda, Din, Noto Ati, dan Spodang. Abstract This research aims to explore the mangosteen fruit as a source for creating batik art while introducing the unique identity of Hargotirto Kulon Progo thru batik works, showcasing the potential of mangosteen as a local fruit commodity, and fostering public appreciation for batik art. The creation method includes exploration, design, and realization. The stages of creating the artwork begin with exploration, which involves idea generation, data collection thru observation, the characteristics of the mangosteen fruit as the main motif, and the various decorations on the mangosteen tree as supporting motifs, followed by sketching and design creation. The realization involves the creation of batik cloth thru canting, dyeing, and wax removal, followed by the process of making clothing. The results of this research are to highlight the potential identity of Kalurahan Hargotirto, Kokap, Kulon Progo, which has not been utilized until now, thru batik art with mangosteen motifs; to convey the message that mangosteen is a seasonal fruit commodity thru the created written batik works; and to create something new, especially in the world of batik crafts in Kalurahan Hargotirto, by producing seven written batik works with the theme of mangosteen titled Kesinambungan, Abyakta, ADEM (Safe, Peaceful, Beautiful, Civilized), Aditya Yoda, Din, Noto Ati, and Spodang.
Rubber Duck Toy as a Happy Metaphor in the Creation of Painting Artworks Qurani, Cllauvitra Rheyna; Susanto, Moh. Rusnoto; Cahyono, Nugroho Heri
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5148

Abstract

This art research explores rubber duck toys as a metaphor for happiness, representing childhood memories and positive emotions evoked by simple things. The objectives of this art creation are: (1) to elaborate the concept of happiness through the symbolism of rubber duck toys, (2) to develop creative ideas as artistic expressions in painting, and (3) to explore techniques and concepts that enhance the visualization of artworks. The urgency of this project lies in uncovering the potential of everyday objects to convey philosophical and aesthetic meanings that can be universally appreciated. The method employed is exploration, which includes gathering references, developing ideas, and creating artworks using oil paint on canvas. The exploratory process involved observing the shape, color, and characteristics of rubber duck toys and transforming them metaphorically within the context of happiness. This creation resulted in seven paintings of various sizes, emphasizing aesthetics, narratives, and emotions.The outcomes of this project, represented by paintings, introduce the aesthetics of rubber duck toys, provide insights into painting based on everyday objects, and inspire appreciation for the simplicity of often-overlooked happiness. Beyond being a medium of expression, these artworks serve as a reflection of childhood memories for the audience.
Co-Authors Andi Muh Raihan s Andrik Musfalri Anita Sari, Dea Barriyah, Insanul Qisti Chandra, Dio Pamola Dewobroto, Bambang Trisilo Dwi Susanto Febratama, Therta Hidayat, Erjuyn Yayan Insanul Qisti Barriyah kusuma, nala tri Moh Rusnoto Susanto Moh. Rusnoto Susanto Pamungkas, Dharmawati Dewi Qurani, Cllauvitra Rheyna Setiawan, Windu Sugiyamin Susanto, Moh. Rusnoto Triyono Triyono Triyono Wibowo, Arif Ardy Widia, Widia Widiyanto, Imam Juni