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Digital Narratives of Religious Contestation: Social Media Responses to Buddhist Monks’ Prayer in a Mosque Firdian, Farhan; Anam, Haikal Fadhil; Baroroh, Hilma Erfiani
ESENSIA: Jurnal Ilmu-Ilmu Ushuluddin Vol. 26 No. 1 (2025)
Publisher : UIN Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/esensia.v26i1.5656

Abstract

This study investigates the event of a group of Buddhist monks praying during the Vesak holiday in 2024 at the Baiturrahman Mosque in Bengkal, Temanggung, and the subsequent public responses on social media. In Indonesia, where Islam is the predominant religion, there are sometimes interfaith  encounters that transcend conventional borders. The monks’ prayer, which was recorded and extensively shared on social media sites including Facebook, Instagram, YouTube, and TikTok, provoked a range of responses, from appreciation for religious tolerance to concerns about the sanctity of sacred space. Using mediatization and framing theories, the study explores how the incident was portrayed and how it shaped public perception. A mixed-method approach, combining sentiment and thematic analyses of social media comments, identifies themes of societal harmony, religious identity, and tolerance. Positive sentiments celebrating interfaith tolerance predominated, though some saw it as overstepping religious boundaries. This case highlights social media’s role in framing religious discourse and influencing opinions, emphasizing its impact on interfaith relations and societal tolerance in Indonesia. The study sheds light on how digital media shapes views on interreligious engagement and coexistence.
Colonial Legacies and Gender Representation on Social Media's Muslim Fashion Brands in Indonesia Baroroh, Hilma Erfiani; Anam, Haikal Fadhil; Kharisma, Mifta
Sawwa: Jurnal Studi Gender Vol. 20 No. 1 (2025): April
Publisher : Pusat Studi gender dan Anak (PSGA) Universitas Islam Negeri Walisongo Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/sa.v20i1.25854

Abstract

Despite the positive impacts, there are challenges in how Muslim fashion is digitally represented, particularly in how social media can unintentionally reinforce stereotypes or uphold Western beauty standards shaped by colonial legacies. Therefore, critical engagement is essential to ensure a more inclusive and unbiased portrayal. This study examines postcolonial and gender representations in Indonesian Muslim fashion brands on social media using a qualitative content analysis approach. The study analyses four Instagram accounts using an interpretive framework: @vanillahijab, @winonamodest, @hijabalila, and @nusseyba.id. By integrating postcolonial and gender theories, this research critically explores the influence of colonial discourse on hijab brands in the digital space. The findings reveal that these brands' social media platforms serve as a space for cultural reclamation, challenge traditional gender roles, and offer more diverse representations of Muslim women. However, many still reflect colonial narratives, particularly in promoting Westernized beauty ideals such as fair (white/light) skin, a thin, and a tall figure. Regarding gender representation, the content predominantly depicts women as professionals actively engaged in the workforce. These highlight the need for a more conscious and inclusive approach in digital Muslim fashion branding, encouraging brands to actively challenge colonial beauty norms and promote diverse representations that resonate with Indonesia's rich cultural and ethnic identities.
Analisis Kontrastif Penanda Kala Pada Verba Bahasa Arab Fushā Dan Bahasa Arab ‘Ammiyyah Dialek Mesir Baroroh, Hilma Erfiani
Mutiara: Multidiciplinary Scientifict Journal Vol. 1 No. 8 (2023): Mutiara: Multidiciplinary Scientifict Journal
Publisher : Al Makki Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57185/mutiara.v1i8.63

Abstract

Bahasa Arab Fushā adalah bahasa standar, sedangkan bahasa Arab 'Āmmiyyah adalah bahasa non-standar atau bahasa sehari-hari (digunakan secara informal dalam percakapan sehari-hari). Penelitian ini bertujuan untuk menunjukkan perbedaan penanda kala (tenses) pada verba Arab Fushā dan bahasa Arab 'Āmmiyyah dialek Mesir. Comrie (1985) merumuskan tiga bentuk kala mutlak: sekarang (present tense), masa lalu (past tense), dan masa depan (future tense). Data diambil menggunakan teknik deskriptif sinkronik (descriptive synchronic), yang dikumpulkan sebagaimana adanya dan dijelaskan sesuai dengan karakteristik alami teks (Djajasudarman, 1993). Pengumpulan data dilakukan dengan mencari sumber data menggunakan dialek Arab 'Āmmiyyah Mesir (buku dan percakapan sehari-hari orang Mesir). Hasil penelitian menunjukkan bahwa penanda kala dalam bahasa Arab Fushā dan bahasa Arab 'Āmmiyyah dialek Mesir terjadi pada waktu sekarang (present tense) dan waktu yang akan datang (future tense) yang ditandai dengan perbedaan huruf di awal verbanya. Dalam bahasa Arab Fushā untuk kala sekarang (present tense) ditandai dengan adanya harf mudhoro'ah yaitu ي [ya] pada verba yang disesuaikan dengan subjeknya, sedangkan dalam bahasa Arab ‘Āmmiyyah dialek Mesir ditandai dengan menambahkan huruf "ب" [ba] di awal sebelum verba. Selanjutnya untuk kala mendatang (future tense), dalam bahasa Arab Fushā ditandai dengan adanya huruf س [sa] atau juga yang biasa dipakai سوف [saufa] yang kemudian diikuti oleh verbanya, sedangkan untuk bahasa Arab ‘Āmmiyyah ditandai dengan meletakkan huruf هـ [ha] di awal sebelum verba.
Ideologi Bentuk Tubuh Perempuan: Sebuah Analisis Wacana Kritis Iklan Televisi Wrp Erfiani Baroroh, Hilma
Journal of Comprehensive Science Vol. 2 No. 6 (2023): Journal of Comprehensive Science (JCS)
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v2i6.389

Abstract

Penelitian ini bertujuan untuk menjelaskan ideologi tentang bentuk tubuh perempuan yang sehat yang diciptakan melalui iklan. Wacana iklan menjadi menarik untuk dikaji dengan menggunakan analisis wacana kritis karena iklan merupakan salah satu media yang digunakan untuk menyampaikan suatu ideologi kepada masyarakat. Landasan teori yang digunakan adalah Analisis Wacana Kritis. Tiga tingkat analisis wacana kritis Norman Fairclough digunakan untuk menjelaskan konstruksi ideologi. Hasil penelitian menunjukkan bahwa dari analisis teks (deskripsi), analisis proses (interpretasi), dan analisis sosial (penjelasan), iklan televisi WRP berupaya mengonstruksi ideologi, bahwa WRP dapat membuat tubuh langsing walaupun tetap makan.
Analisis Morfologi Infleksi Verba Dalam Bahasa Belanda Erfiani Baroroh, Hilma
Journal of Comprehensive Science Vol. 3 No. 5 (2024): Journal of Comprehensive Science (JCS)
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v3i5.721

Abstract

Penelitian ini adalah penelitian morfologi yang bertujuan untuk menemukan bentuk infleksi verba dalam bahasa Belanda baik yang teratur ataupun tidak teratur. Beberapa teori digunakan untuk mencapai tujuan tersebut, yaitu Verhaar (1999), Bauer (1988), dan Boiij (2005). Dari data hasil interviu dengan seorang informan, dihasilkan suatu kesimpulan bahwa 1) infleksi verba dalam bahasa Belanda mempunyai produktifitas yang terlihat jelas dan memiliki pola-pola yang terstruktur; 2) proses morfologis terkait infleksi tidak merubah kelas kata; 3) terdapat lima bentuk kala dalam bahasa Indonesia, dan 4) verba dalam bahasa Belanda terdiri atas verba beraturan dan tidak beraturan.
Linguistic Innovation through Blend Words in Jakarta Smart City Annual Report Mulyajati, Enggar; Baroroh, Hilma Erfiani
Journal of Language and Literature Studies Vol. 5 No. 4 (2025): December
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/c56dvs93

Abstract

Blending is widely recognized as a creative and productive word formation process in Indonesian, commonly found in media, branding, and everyday communication. Despite its popularity in informal contexts, the use of blended words in formal government documents has not been thoroughly examined. This study explores the use of blending in the 2023 Jakarta Smart City (JSC) Annual Report, aiming to identify the types of blends and analyze their structural and semantic characteristics. Using a qualitative document analysis method and drawing on Mattiello’s framework, the research classifies blend words into three main categories: morphotactic, morphonological, and morphosemantic. The findings indicate that morphotactic blending, particularly total blends, is the most frequently occurring type. Moreover, the study reveals innovative blending patterns in Indonesian formal discourse, including the merging of blending with acronyms, as in Satpol PP and JakISPU, the adaptation of blends influenced by pronunciation, exemplified by Tije (from Trans Jakarta), and the integration of cross-linguistic elements such as TopEdu and JakTrack. These findings suggest that blending has expanded beyond its informal origins and now plays a significant role in shaping the language used in official and institutional communication. In addition, these patterns demonstrate how linguistic innovation functions as a tool for branding, accessibility, and modernization in bureaucratic language. By illustrating how blending enhances the clarity and appeal of government discourse, this study contributes to understanding the role of of morphological creativity in shaping inclusive, citizen-oriented, and digitally adaptive public communication in Indonesia.
ANALISIS SEMANTIK LIRIK LAGU “SAATNYA KESEMPATAN” KARYA JKT48 SEBAGAI REPRESENTASI SELF-IMPROVEMENTAnalisi Semantik Diniyar, Aqila Nur Falah; Baroroh, Hilma Erfiani
JURNAL SELAKSA MAKNA Vol. 1 No. 3 (2025): JURNAL SELAKSA MAKNA
Publisher : PROGRAM STUDI PENDIDIKAN BAHASA LAMPUNG, FKIP UNIVERSITAS LAMPUNG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/selaksamakna.v1i3.973

Abstract

This study analyses the meaning of the lyrics of the JKT48 song entitled ‘Saatnya Kesempatan’ (Time for Opportunity) as a representation of self-development through a semantic approach. Using a descriptive qualitative method, this study identifies the lexical and contextual meanings in the lyrics transcript to reveal the motivational narrative within it. The results of the analysis show that diction such as opportunity, winner, destiny, goal, and dream serve as symbols of determination, confidence, and perseverance. The use of metaphors and repetition techniques reinforces the main message that listeners should not give up in the face of challenges. Structurally, the lyrics build a coherent emotional flow: starting from readiness to seize opportunities, a process of persistent struggle, to achievements that provide positive affirmation. These findings prove that popular song lyrics do not merely serve as entertainment, but also as a medium for conveying positive values and self-reflection. Academically, this research contributes to the study of contemporary linguistics and culture in understanding how the theme of self-development is represented and accepted by the younger generation through musical works.   Penelitian ini menganalisis makna lirik lagu JKT48 berjudul “Saatnya Kesempatan” sebagai representasi pengembangan diri melalui pendekatan semantik. Melalui metode kualitatif deskriptif, penelitian ini mengidentifikasi makna leksikal dan kontekstual pada transkrip lirik untuk mengungkap narasi motivasi di dalamnya. Hasil analisis menunjukkan bahwa diksi seperti kesempatan, pemenang, takdir, tujuan, dan mimpi berfungsi sebagai simbol keteguhan, kepercayaan diri, dan ketekunan. Penggunaan metafora dan teknik pengulangan (repetisi) memperkuat pesan utama agar pendengar tidak menyerah menghadapi tantangan. Secara struktural, lirik lagu ini membangun aliran emosional yang koheren: dimulai dari kesiapan mengambil peluang, proses perjuangan yang gigih, hingga pencapaian yang memberikan afirmasi positif. Temuan ini membuktikan bahwa lirik lagu populer tidak sekadar berfungsi sebagai hiburan, tetapi juga menjadi media penyampai nilai positif dan refleksi diri. Secara akademis, penelitian ini berkontribusi pada studi linguistik dan budaya kontemporer dalam memahami bagaimana tema pengembangan diri direpresentasikan dan diterima oleh generasi muda melalui karya musik.
Empowering women through digital literacy and education in Cisauk, Tangerang Regency Vivi Indra Amelia Nasution; Hilma Erfiani Baroroh; Jayanti Armida Sari; Isnaeni Yuliani; Yusrafiddin Yusrafiddin; Muhtarom Muhtarom; Hidayah Hidayah; Arona Fadila
Journal of Community Service and Empowerment Vol. 6 No. 3 (2025): December
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jcse.v6i3.40476

Abstract

The fast growth of digital technology in today's world makes digital literacy and education more important than ever. Many women in the Cisauk Subdistrict, near BSD City in Tangerang, still lack access to digital knowledge. It becomes difficult for them to support their families and participate in public services, education, and healthcare. To address this issue, the lecturer at Universitas Terbuka initiated a community service program to enhance digital skills among women. The program focused on the integrated health post (Posyandu) cadres, Family Welfare Empowerment Team (TP PKK) members, and homemakers. They took part in discussions, hands-on sessions, and mentoring. The learning was based on four main ideas. These are digital skills, safety, ethics, and culture. The training showed them how to use mobile apps for health, education, finance, and other services. After the program, the women showed familiarity and confidence in using digital tools. They learned how to protect their data, spot false information, and make safe choices when using the internet. Many also began sharing what they learned with their families and neighbours. This program suggests that targeted and locally adapted training initiatives can effectively bridge the digital divide among underserved populations. By equipping women with the skills to navigate digital environments, the program not only enhanced individual agency but also strengthened community-level resilience and participation. The success of this initiative underscores the importance of collaboration with local organizations and the necessity for ongoing support to achieve a lasting impact. Future programs should scale this model to other underserved areas and continue building digital competencies that promote inclusive digital transformation.
ANALISIS WACANA KRITIS OPINI “KAMU BUKAN PEMALAS, KAMU ADALAH PENAKUT” DI MEDIUM DENGAN MODEL VAN DIJK Lubis, Miranda Putri Madina; Baroroh, Hilma Erfiani
Bahtera Indonesia Jurnal Penelitian Bahasa dan Sastra Indonesia
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/bi.v11i1.1175

Abstract

This study aims to uncover the role of fear as the primary factor behind procrastination by analyzing the opinion piece Kamu Bukan Pemalas, Kamu Adalah Penakut written by Bagus Ramadhan on Medium. The background of this research stems from societal perceptions that often associate procrastination with laziness, without considering other psychological factors. This study employs a qualitative descriptive method with a critical discourse analysis model based on Teun A. Van Dijk's theory, encompassing macrostructure, superstructure, microstructure, social context, and social cognition analysis. The findings reveal that the text deconstructs the laziness stereotype and offers a new perspective on fear as a cause of procrastination. This research contributes to the social and psychological understanding of human behavior and provides new insights into factors influencing individual productivity.
PELANGGARAN PRINSIP KERJA SAMA DALAM NOVEL TERJEMAHAN “ANIMAL FARM” KARYA GEORGE ORWELL Bintang, Adinda; Baroroh, Hilma Erfiani
Bahtera Indonesia Jurnal Penelitian Bahasa dan Sastra Indonesia
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/bi.v11i1.1357

Abstract

This research aims to describe the violations of the cooperative principle in George Orwell's novel titled Animal Farm (translation: Republik Hewan). The method used in this study is a qualitative descriptive approach. The data collection technique employed in this research is document analysis (documentation), which involves repeated readings and then transcribing dialogues. The data analysis technique for this study uses content analysis by identifying dialogues and character utterances that violate the cooperative principle, followed by interpreting the findings based on Grice's theory of cooperative principles. The results show that violations of the maxim of quality dominate, with a percentage of 40%, followed by violations of the maxim of quantity and maxim of relevance, each at 20%, and dual violations involving the maxims of quality and quantity also at 20%. Based on the research findings, the character Squealer dominates the violations of the cooperative principle in the novel because Squealer is a spokesperson and disseminator of propaganda, resulting in utterances that are excessive, irrelevant, and based on unsubstantiated information.