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All Journal DHARMASMRTI: Jurnal Pascasarjana UNHI Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Gede Yosef Tjokropramono
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Arts Humanities Education

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Fineline Tattoo Design as a Form of Self Expression at Ingkeu Ink Tattoo Studio Fauzi, Ivan; Tjokropramono, I Gede Yosef; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3642

Abstract

The main objective of this research and art creation is to create and present the work "Designing Fineline Tattoos as a Form of Self-Expression at Ingkeu Ink Tattoo Studio" as a representation of arts and culture education. Fineline tattoo is a style of tattoo that involves creating a design with very thin and smooth lines. These tattoos are often minimalist and subtle, with intricate and detailed designs that require a skilled artist to execute. This creation is research-based, so the method consists of two inseparable parts, namely the research method and the creation method. The technique for implementing MBKM internship/work practice activities at Ingkeu ink tattoo studio is carried out using a project based learning model. In designing this tattoo design, it begins with brainstorming together to collect the concepts and topics that will be discussed. After getting a mature concept, students can continue to the stages of the work process. In this research the author will describe the Fineline Tattoo design process as a form of self-expression at Ingkeu ink tattoo studio along with an analysis of the design results. The data in this research was obtained directly from Ingkeu ink tattoo studio as a partner who has a project to be featured in the internship report using several methods. The results of the tattoos done by the author are also uploaded by partners on social media and TikTok, in this way the partners believe they are very effective in attracting client interest.
PENCIPTAAN SENI UNTUK MEMULIAKAN ALAM Setem, I Wayan; Tjokropramono, Gede Yosef; Gulendra, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini bertujuan untuk menelaah proses penciptaan karya seni object art yang terinspirasi dari pengamatan atas aktivitas penambangan eksploitatif pasir di Kecamatan Selat. Dampak penambangan telah memicu peningkatan pertumbuhan sektor ekonomi, namun masyarakat penambang tampaknya tidak pernah sadar dengan dampak kerusakan lingkungan yang sudah dan akan ditimbulkan. Eksploitatif penambangan pasir menimbulkan persoalan yang luar biasa yang tak terbayangkan sebelumnya, utamanya dari aspek keberlanjutan ekosistem sangat merugikan dan tidak akan bisa terbentuk seperti matra alam sebelumnya. Realitas kerusakan penomena penambangan eksploitatif pasir tersebut menjadi thema dan subject matter kekaryaan. Selanjutnya dari hasil observasi dilakukan pengumpulan dan pemilahan data sehingga pengkarya memperoleh pemahaman, kedalaman dan keluasan cara pandang. Setelah mendapat pemahaman, lalu insights diubah menjadi proses kreatif melalui aksi yakni aksi simbolis berupa kekaryaan. Untuk mewujudkan kekaryaan mengunakan metode pendekatan dan langkah-langkah kreatif untuk membantu mengembangkan kemampuan mencipta yang mencakup tahapan-tahapan terstruktur maupun langkah yang tidak terduga, spontan dan intuitif. Problematikanya dinyatakan ke dalam bentuk bahasa rupa menggunakan metode penyangatan/hiperbola. Target kekaryaan tidak hanya sebagai ekspresi individual yang terbatas pada persoalan estetik namun menjadi cara atau alat untuk menyeberangkan (mengkampanyekan) isu lingkungan.
Karakteristik Potret dalam Seni Tato Realis Prayoga, I Kadek Dena Ari; Tjokropramono, I Gede Yosef; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4488

Abstract

This study aims to analyses the characteristics of portraiture in realistic tattoo art, one of the most popular tattoo styles today. The main focus of this research is to identify the key elements that make portrait tattoos look realistic and lifelike, as well as the techniques used by tattoo artists to achieve these results. This research is part of the MBKM internship report and employs a descriptive qualitative research method. Data were collected through interviews with tattoo artists experienced in the realistic style, direct observation during the tattoo-making process, and photographic documentation of their works. Content analysis was used to identify common features that define realistic portrait tattoos, such as accuracy in capturing facial proportions, placement of light and shadow, and the use of smooth shading gradients to create depth effects, along with attention to small details that enhance the realistic impression.The main findings of this study show that accuracy in depicting facial expressions and skin texture significantly impacts the quality of realistic portrait tattoos. Additionally, a deep understanding of facial anatomy and proficiency in ink application and colour gradients are crucial factors. The implications of this research suggest that mastering these techniques not only improves the quality of tattoos but also promotes the development of the realism style within the tattoo art industry.
IMPLEMENTATION OF FINE ARTS VALUES IN THE WEAVING INDUSTRY AT AGUNG BALI COLLECTION Sukendy, Thania Aprila; Karja, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4450

Abstract

This article analyzes the integration of fine art values into the weaving industry at PT. Agung Bali Collection, focuses on the production of creative woven fabric products, such as patchwork paintings. The research identifies technical challenges, such as color consistency and motif complexity, and explores innovative solutions, including modern technology and artisan training. The application of fine art principles like creativity, precision, and cultural significance enhances the aesthetic and cultural value of the products. This study highlights the role of art in preserving cultural heritage while meeting contemporary standards, contributing to the development of the weaving industry.
GANGGUAN KECEMASAN SEBAGAI SUMBER INSPIRASI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Bayu Arisuta, I Gede; Tjokropramono, I Gede Yosef; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4472

Abstract

This final report of this independent study/project raises the theme of anxiety disorders as a source of inspiration for the idea of creating a work of art. Anxiety disorders are a category of psychological disorders associated with feelings of anxiety and fear that occur excessively. Fear usually arises because of emotional or psychological feelings. Fear can also arise because of threats both physically and non-physically. The factors that underlie anxiety disorders are trauma, environment, and genetic factors. The problem faced is how to apply the concept, how to visualize the meaning contained in the work of art, what materials and media will be used in creating the work. The goal to be achieved in creating this work is to find out how anxiety disorders through creativity and imagination into the form of a work of art by combining certain techniques, styles, colors, and references to achieve the desired goal. From the theme above, there are 5 (five) works that can be realized with the titles: Claustrophobic, I Got PTSD, I Got GAD, Keep It Clean, and I Feel To. It can be concluded that anxiety disorders inspire the author in creating works of art and developing imaginative ideas and concepts, which will become valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey a moral message, as well as being an educational medium about anxiety disorders.
Abstraksi Gerak Anjing Dalam Penciptaan Karya Seni Patung Artha Adi Wijaya, I Nengah; Udiana Nindhia Pemayun, Tjokorda; Yosef Tjokropramono, Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1542

Abstract

Dogs are social animals, but the personality and behavior of dogs can vary depending on the breed. In addition, the dog's personality depends on the treatment it receives from the dog and the people who interact with it frequently. From the dog's personality, it is interesting to be appointed as the object of internship at CV. Richstone. The author realizes the work of sculpture by observing the dog's movements by abstracting the dog's movements from various points of view by using line and plane composition to achieve visualization of the work. The process of making the work uses a cast iron frame first using cast concrete, followed by the addition technique in which the cast frame of the statue is wrapped with burlap sacks on the entire frame of the statue. In visualization the work displays two dog figure movements which are abstracted by the presentation not directly, but using non-representational forms or more depicting the shape of the objects depicted which are often difficult to grasp for meaning by ordinary observers/art connoisseurs, the first work with dynamic dog movements running and the second work with the movements of a frightened dog.
Upakara Aci Usaba Sumbu Desa Pakraman Timbrah Sebagai Inspirasi Penciptaan Karya Seni Lukis Silasana, I Putu Arya; Gulendra, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1835

Abstract

the phenomenon of religious rituals in Timbrah Village named Aci Usaba Sumbu which has its own uniqueness from the facilities used in the ritual. Banten Sumbu which resembles a towering tower with all the attributes that adorn the banten and the banten be guling which is presented by the public en masse is an attraction or encouragement to present the visualization of the ceremony in a painting with certain references to achieve the goals and meanings expressed. The problem faced is how to process the visuals of the ceremony so that the meanings contained in a work can be realized and look attractive. The visualization stage in the work will apply the principles of art in the form of Balance, Proportion, Rhythm, Emphasis, and Unity. To answer related to the phenomena described, the method of creation is to carry out exploration, improvisation, formation and completion stages. From the ideas obtained, 6 works were created entitled: 1) "Kesadaran Manusia", 2) "Menjaga Keharmonisan", 3)" Rwa Bhineda", 4) "Keyakinan", 5) "Tulus Iklas" , 6)"Tali Silaturahmi". In the embodiment of the work, the author uses several references related to the tools, colors and styles that produce the work by adopting the form of offerings in the Aci Usaba Sumbu tradition which has the meaning of each object displayed. With the creation of this work, it is hoped that it will be able to convey a message or meaning to the observed phenomena and feelings of the writer.
Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
Perahu Layar Sebagai Inspirasi Penciptaan Karya Seni Lukis Kubisme Rajagukguk, Kevin Gerald; Supriyatini, Sri; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2340

Abstract

MBKM Independent Project Report carries the title “Sailboats as Inspiration for the creation of Cubism Painting Works. It started with the author making works using cubism techniques and seeing the shape of sailboats as suitable for combining these techniques to create works of art. The problem that is obtained is how to visualize sailboats in each work in visualizing, the author uses methods and techniques obtained from the MBKM process, the goals and benefits and develops the creativity of the author in expressing imaginary forms and images/photos that are edited accordingly the needs of the author in the process of creating. The author is also assisted by I made Gunawan as an artist who guides the creation of works and uses a creation method which includes several stages of contemplation, basic research, exploration, experimentation, execution, completion. From this process the author produces works entitled 1) "Berlash", 2) "Boats and the moon", 3. "Equipment", 4) "Reliable Sailers", 5) "Stranded", and 6) "Remembrance" It can be concluded that the author created the work because of his interest in embossed leaves, with ideas originating from phenomena captured at the Kaki Bisma Batan Timbul studio and reading reference sources from the internet. At the processing stage, the writer combines the techniques from the MBKM results and the techniques that the writer gets on campus, to be realized in 2-dimensional From all these processes it is hoped that one can find identity in work.
Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2341

Abstract

This independent project thesis raises the Chinese Baris Dance as a Reference for the Creation of Painting Art works, starting from an interest in the visuals of the Baris Cina dance which is unique and different from the visuals of the Baris dance in general. This fueled the urge to bring the visuals of the Chinese Baris dance by combining certain techniques and references to achieve the desired meaning. The problem being faced is how to work on the visuals of the Chinese Baris dance to represent the ideas and meanings that you want to materialize so that they are still packaged attractively. The benefits and objectives of this thesis are to increase the existence of the Chinese Baris dance, and to increase the author's understanding of the Chinese Baris dance. To answer what is the goal of this work, the methods used are exploration, improvisation, and forming. With elements of fine art, and through the stages of exploration, improvisation or experimentation and formation, and combined with ideas and concepts so as to create 6 works entitled: 1) "Freedom", 2) "Desire", 3) "Leader", 4) "Surge", 5) "Dark Fall", 6) "Circle of Harmony". In creating works, the author combines several techniques to references from several artists. By combining the techniques obtained at the Art kenyem studio and the placement of objects typical of Sugiyo Dwiarso, we hope to produce innovative works and are expected to produce novelty.In the end, it can be concluded that dance, especially the Chinese Baris dance, is very worthy to be appointed as a reference that can be developed and will become an innovative work. With the creation of this work, it is hoped that it can convey messages and meanings as well as give the author a new style or identity.
Co-Authors Artha Adi Wijaya, I Nengah Bayu Arisuta, I Gede Budiarta, I Dewa Putu Gede Divayana, I Putu Fauzi, Ivan Gulendra, I Wayan Gultom, Yusnita Maria Magdalena I Gede Jaya Putra I Wayan Setem, I Wayan Ja’far, Wanda Masyita Jodog, I Made Kariasa Putra, I Komang Kondra, I Wayan Mustika, I Ketut Neode, Haris Candra Pemayun, Tjokorda Udiana Nindhia Prayoga, I Kadek Dena Ari Putra, I Gede Agus Adnyana Putra, Kadek Win Mahesa Rajagukguk, Kevin Gerald Ruta, I Made Silasana, I Putu Arya Sukendy, Thania Aprila Supriyatini, Sri UDIANA NINDHIA PEMAYUN, TJOKORDA Wayan Karja