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All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya JURNAL EDUCATION AND DEVELOPMENT Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Metahumaniora Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies
Ririe Rengganis
Universitas Negeri Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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Inferiority and Compensation in the Main Character of Intan Paramaditha’s Short Story Perempuan Buta Tanpa Ibu Jari Tifani Safira Mayasari; Ririe Rengganis
Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 10 No. 1 (2026): AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : LPPM State University of Jakarta (Program Studi Pendidikan Bahasa dan Sastra Indonesia dan LPPM Universitas Negeri Jakarta)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009.Aksis.100106

Abstract

This research is driven by the importance of understanding the representation of women's psychological experiences in contemporary Indonesian literature, which frequently portrays practices of social marginalization. A significant work in this field is the short story “Perempuan Buta Tanpa Ibu Jari" by Intan Paramaditha, which depicts main characters facing profound internal conflicts and marginalization within a patriarchal system. This study aims to examine the forms of inferiority and psychological compensation strategies used by main characters through the lens of Alfred Adler’s individual psychology. The methodology employed is qualitative descriptive with a literary psychology approach. The analysis demonstrates that the characters' inferiority is rooted in domestic marginalization and social stigma, which is subsequently compensated for through extreme body control, manipulative material strategies, and the use of horror narratives as a mode of symbolic resistance. Consequently, the horror elements in the story serve as a representation of the psychological processes used to confront social pressures and achieve a fictional final goal.
Khadijah’s feminism and polygamy in cinema: A re-examination of gender equality in Islam and Indonesian film Ririe Rengganis; Putri Retnosari; M. Erwan Saing
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 8 No. 1 (2026): In Progress
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.v8i1.22537

Abstract

Research on polygamy in Indonesian cinema has largely been dominated by Western feminist perspectives and moral-sociological approaches, often overlooking the progressive theological dimensions embedded within Islamic teachings. Yet Islam offers the exemplary figure of Khadijah Ra. bint Khuwaylid, whose life embodies ethical leadership, economic autonomy, and gender justice. This study formulates the concept of “Khadijah Feminism” as a theological-ethical framework and examines the representation of women and polygamy in four Indonesian films: Berbagi Suami (2006), Surga yang Tak Dirindukan (2015), Madu Murni (2023), and 1 Imam 2 Makmum (2025). Employing Fairclough’s Critical Discourse Analysis, the research integrates textual-narrative analysis, cinematographic interpretation, and Islamic feminist hermeneutics through the ethical lens of Khadijah. The findings demonstrate that most films continue to reproduce patriarchal religious discourses by portraying women’s patience and obedience as the primary indicators of piety while marginalizing Khadijah’s model of agency, justice, and moral leadership. In contrast, Madu Murni and Berbagi Suami present female protagonists who challenge patriarchal norms through economic independence, ethical reasoning, and resistance to injustice. Furthermore, polygamy is predominantly represented as a male privilege rather than as a morally accountable institution constrained by the Qur'anic principles of justice articulated in An-Nisa (4):3 and (4):129. This study contributes to Islamic feminist scholarship by introducing “Khadijah Feminism” as an alternative analytical framework that integrates faith, gender equality, and spiritual agency, while recommending more theologically grounded and ethically responsible representations of Muslim women in contemporary Indonesian cinema.
Sastra Digital: Antara Inovasi Bentuk dan Kebuntuan Metodologis Mohammad Rokib; Lutfiyah Alindah; Parmin Parmin; Ririe Rengganis
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.2412

Abstract

This study examines the development of Indonesian digital literature through the identification of its forms and the accompanying methodological implications. Although literary production in the digital space is increasingly abundant and has received academic attention, there is still little attention examining the diversity of forms and its methodological consequences that arise from differences in material and medium. Two main problems that guide this study are how have Indonesian digital literary forms developed as a medium of expression, and what methodological challenges arise in examining them. This study then uses a historical-material approach borrowing Bolter and Grusin's media remediation framework. This study identifies four main categories: Material Digital Literature, Web-based Literature, App-based Literature, and Chat Literature as well as Generative Literature. Each form demonstrates transformations in the production and reception of literary texts, which require different methodological approaches. This article’s argument emphasizes the importance of alignment between method, medium form, and interpretive validity in the study of digital literature. These findings encourage the development of an adaptive approach in the study of Indonesian digital literature to achieve a sharp understanding of technological and authorial aspects.
Minang Identity in Indonesian Literary Works 2008-2025 (Anthropocentrism Study) Putri Retnosari; Parmin; Moh Arif Susanto; Destynar Aditama; Ririe Rengganis; Agusniar Dian Savitri; Dianita Indrawati; Rakmat Faisal; Yermia Nugroho Agung Wibowo
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 5 No. 1 (2026): Proceeding of Conference on Literature, Linguistic, and Cultural Studies: ICONE
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v5i1.6572

Abstract

This study aims to explore the construction and transformation of Minangkabau identity in Indonesian literary works published between 2008 and 2025. Using an anthroposentric literary approach, the research investigates how human-centered cultural values, norms, and beliefs associated with Minangkabau ethnicity are narrated, challenged, or maintained in contemporary fiction. The analysis focuses on selected novels and short stories written by both Minangkabau and non-Minangkabau authors, identifying recurring themes such as adat, migration, gender roles, and intergenerational conflict. The method combines textual interpretation with cultural contextualization to uncover how literature reflects or reconfigures the image of Minang identity in response to changing national and global contexts. The results reveal that while many works reaffirm traditional Minangkabau values, others offer critical perspectives that depict internal tensions and evolving identities, especially among younger generations. The study shows that Minang identity in literature is dynamic, marked by a constant negotiation between heritage and modernity.
Co-Authors Agung Joyo Mulyono Agusniar Dian Savitri Ayunda Nuril Chodiyah Cicik Yulianita Destynar Aditama Dianita Indrawati Kartika Irene Widjanarko Widjanarko Lutfiyah Alindah M. Erwan Saing Moh Arif Susanto Mohammad Rokib Mufti Isror Alfarobby Muhamad Hambalie Anshor Nur Farsah Meilinia Tuharea Parmin Parmin Parmin Putri Retnosari Rakmat Faisal Rika Rofi’atul Hajjah Rizka Aprilia Prastika Sari Setya Yuwana Setya Yuwana Sudikan Tengsoe Tjahjono Tifani Safira Mayasari Yermia Nugroho Agung Wibowo