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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature CaLLs : Journal of Culture, Arts, Literature, and Linguistics Linguistics and Elt Journal JURISMA: Jurnal Riset Bisnis & Manajemen CALL Paradigm: Journal of Language and Literary Studies Journal of English Language and Education Saksama: Jurnal Sastra Jurnal El-Hadhary: Jurnal Penelitian Pendidikan Multidisiplin Journal of English Language Teaching and Literature (JELITA)
Erlan Aditya Ardiansyah
Jurusan Sastra Inggris, Fakultas Ilmu Budaya, Universitas Padjadjaran
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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“Representamen, Object and Interpretant in Humanitarian and Justice of Free Palestine Movement Taglines in Israel Allied Countries” Oktaviani, Dini; Rusmana, Dadan; Ardiansyah, Erlan Aditya
Linguistics and ELT Journal Vol 13, No 1 (2025): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i1.31442

Abstract

This research examines the function of taglines and the semiotic structure of taglines used in the Free Palestine movement. The research examines the issue of how these taglines function as communicative tools and struggle tools, shaping meaning through semiotic mechanisms. Despite their widespread use on digital platforms, academic exploration of the communicative role and semiotic dimensions of these taglines is rare. Using a qualitative descriptive approach, this study applied semiotic theory, specifically using Charles Sanders Peirce's triadic model to analyze the selected taglines. The results of this study reveal several types of taglines, including descriptive, specific, superlative, imperative, provocative, each of which has a function as a form of support, expressing solidarity and challenging the dominant narrative. This research also identifies a semiotic structure consisting of Representamen (tagline as a sign), object (socio-political issue) and interpretant (ideological meaning constructed by the audience). This research concludes that the tagline in the Free Palestine Movement does not only convey linguistic expression but is a powerful semiotic instrument to provide resistance and mobilize public sentiment.
Metaphor in Lyrics: How do Humans and Machines Interpret Maher Zain’s Insha Allah and Harris J’s Worth It Using Different Translation Techniques? Nabilah, Fatihatul Haqi; Saehu, Andang; Ardiansyah, Erlan Aditya
Journal of English Language and Education Vol 10, No 3 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i3.900

Abstract

Translation of metaphors in song lyrics presents a unique challenge, especially in the context of human versus machine translation. This study investigates how metaphors in Maher Zain’s Insha Allah and Harris J’s Worth It are interpreted and translated differently by human translators and machine translation tools such as Google Translate and DeepL. Using a descriptive qualitative approach with a comparative analysis method, this research identifies the translation techniques used and evaluates how effectively the metaphorical meanings and emotional tones are conveyed in both types of translations. The findings reveal that machine translators tend to translate metaphors literally, often missing cultural and emotional nuances. In contrast, human translators employ strategies like adaptation and paraphrasing to preserve implied meanings and emotional resonance. Furthermore, machine translation performs better on culturally universal metaphors but fails to accurately render idiomatic and emotionally rich metaphors. This study highlights the ongoing relevance of human translators in conveying metaphorical meaning in creative texts and contributes to the broader discourse on translation quality and technique in the age of artificial intelligence.
RESISTANCE TO THE PATRIARCHAL CULTURE IN WHY WOMEN KILL (2019) BY MARC CHERRY Kamil, Syahrianu Syahidatul; Nurrachman, Dian; Ardiansyah, Erlan Aditya
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37999

Abstract

This research aims to contribute to the analysis of feminism related to patriarchal culture and its resistance in the Why Women Kill television series that was released in 2019 and directed by Marc Cherry. The television series Why Women Kill (2019) illustrates that patriarchal culture grows and develops in people's lives as shown by the dominance of men over women in various aspects of society which causes women to experience underdevelopment and limited access to many fields in life. The analysis in this study includes the depiction of patriarchal culture in Why Women Kill (2019) and the resistance to patriarchal culture by female characters in Why Women Kill (2019). In conducting the analysis, the researcher used literary criticism method by using the theory of feminism from the thoughts of Mary Wollstonecraft and Helene Cixous to analyze feminism related to patriarchal culture and its resistance. This research found data analysis of 70 scenes in the film in the form of screenshots and dialogues. This research depicted patriarchy as a culture that is limiting women which makes women backward and disadvantaged, that patriarchy is depicting women as good mothers and wives, depending on men superiority, and as objects to satisfy men desires. In its resistance, women reject the traditional norms by being educated and having dreams and jobs. Women also resist to patriarchy by being independent from role of men, independent in defending themselves, and independent in making life decisions. Women also depicted to rebel against control of men. This research makes an answer to the title of this television series that “why women kill” because they wanted to “kill” norms and cultures that limit and harm women themselves and only fellow women understand how to be in that position. Keyword: Feminism, Film, Patriarchal Culture, Why Women Kill, Women
Word Formation and Meanings of English Makeup Terms in Indonesian Local Makeup Brands Al Qubro, Chadijah; Saehu, Andang; Ardiansyah, Erlan Aditya
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.5880

Abstract

This research was aimed at analyzing the various word formations, their processes, and the meanings associated with English makeup terms in local Indonesian makeup brands. This research used a descriptive qualitative approach. The researcher collected the data by selecting items from The Female Daily Award 2024 official website. The researcher employed Yule's (2020) theory for both morphology and semantics in this study. The data that contained word formation were collected and then analyzed based on the processes of how the words are formed and analyzed the meaning using all the data. The research findings indicate that Indonesian local makeup brands employ five distinct forms of word formation in their English makeup terminology. The research identified five types of word formation, which included compound, clipping, coinage, derivation, and multiple processes. Among those types, compound emerged as the most prevalent word formation.
DOMINANT TYPE OF SUNDANESE GRAMMATICAL INTERFERENCE IN ENGLISH SENTENCES AT NURUL WAFA ISLAMIC BOARDING SCHOOL Asriani, Risa; Ardiansyah, Erlan Aditya; Nurholis, Nurholis
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 9, No 1 (2023): CaLLs, June 2023
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v9i1.7845

Abstract

This study discusses Sundanese grammatical interference from bilingual students at Nurul Wafa Islamic Boarding School. This school applies English as a second language used in daily activities. However, in the use of English language by students, many English sentences are influenced by their mother tongue, Sundanese. This is what then causes language interference, and mostly occurs in the grammatical aspect which includes structural and morphological elements. The purpose of this study is to determine the dominant type of grammatical interference in students’ english sentences at Nurul Wafa Islamic Boarding School. This research used descriptive qualitative method, and as for the data analysis, the researcher uses Weinreich's theory regarding the types of grammatical interference. The writer also made observations for data collection methods.As the result, the findings of this study indicated that there are two types of grammatical interference which are equally dominant in the 15 data analysis from the sentences that mixed with Sundaese particle (rarangkén and kecap pangateb) and from sentences that contain errors and interference in the use of Subject-Verb agreement, passive voice and  tenses; misplaced structures or word orders pattern, In the two types of sentences, each found 11 types of sentences analyzed. In conclusion, the types of "Transfer of morpheme" and "Application of grammatical elements" are both dominant in this study.Keywords:  Grammatical, Interference, Language, Sundanese
Co-Authors Al Qubro, Chadijah Andang Saehu, Andang Asriani, Risa Azzahro, Septia Sekar Madji Cipto Wardoyo Dadan Rusmana Deuis Sugaryamah, Deuis Dian Nurrachman, Dian Dini Oktaviani Firdaus, Dadan Kamelang, Ikral Kamil, Syahrianu Syahidatul Mohamad Ichsana Nur Nabilah, Fatihatul Haqi Nurholis Nurholis, Nurholis Permanaludin, Udayana Priyawan, Pepen Rahmah, Tsaqila Idzhan Nur Rahman, Rezi Fauzi Sidik, Anggi Permana Yuliani, Syafhara Dewi